Songs like Dream on Me by Ferdinando Arno
Based on a tempo of (+/- 10%) and a similar genre
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Zero 7
Mono
138 bpm • F min • 04:34 • -8.64db
29% Popularity • 72% Danceability • 54% Energy • 10% Liveness
6% Instrumentalness • 57% Positiveness
29% Popularity • 72% Danceability • 54% Energy • 10% Liveness
6% Instrumentalness • 57% Positiveness
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Ferdinando Arno
Dream on Me
138 bpm • B Maj • 02:55 • -9.06db
12% Popularity • 64% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 64% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Lambchop
Steve McQueen
139 bpm • G# Maj • 04:32 • -14.69db
23% Popularity • 53% Danceability • 32% Energy • 17% Liveness
50% Instrumentalness • 12% Positiveness
23% Popularity • 53% Danceability • 32% Energy • 17% Liveness
50% Instrumentalness • 12% Positiveness
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Tindersticks
Like Only Lovers Can
139 bpm • C Maj • 04:33 • -19db
26% Popularity • 64% Danceability • 15% Energy • 10% Liveness
54% Instrumentalness • 36% Positiveness
26% Popularity • 64% Danceability • 15% Energy • 10% Liveness
54% Instrumentalness • 36% Positiveness
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Bat For Lashes
Kids In The Dark
139 bpm • C# Maj • 03:28 • -10.99db
38% Popularity • 47% Danceability • 53% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
38% Popularity • 47% Danceability • 53% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
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William Shatner
Thunder and Fire
137 bpm • A min • 04:53 • -7.74db
2% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
2% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Hayden Thorpe
Straight Lines
139 bpm • G min • 03:43 • -12.17db
12% Popularity • 75% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 75% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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This Is The Kit
Was Magician
139 bpm • C min • 04:26 • -11.96db
29% Popularity • 66% Danceability • 28% Energy • 12% Liveness
4% Instrumentalness • 28% Positiveness
29% Popularity • 66% Danceability • 28% Energy • 12% Liveness
4% Instrumentalness • 28% Positiveness
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The Breath
Trip the Switch
139 bpm • C min • 04:37 • -10.99db
14% Popularity • 48% Danceability • 40% Energy • 13% Liveness
24% Instrumentalness • 21% Positiveness
14% Popularity • 48% Danceability • 40% Energy • 13% Liveness
24% Instrumentalness • 21% Positiveness
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Martha Wainwright
Tower Of Song
137 bpm • A Maj • 03:44 • -9db
34% Popularity • 47% Danceability • 30% Energy • 76% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 47% Danceability • 30% Energy • 76% Liveness
0% Instrumentalness • 26% Positiveness
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Alela Diane
Buoyant
140 bpm • C Maj • 03:15 • -13.2db
30% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
30% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Alfio Antico
Circlin'
140 bpm • G min • 03:12 • -19.98db
1% Popularity • 66% Danceability • 34% Energy • 9% Liveness
94% Instrumentalness • 67% Positiveness
1% Popularity • 66% Danceability • 34% Energy • 9% Liveness
94% Instrumentalness • 67% Positiveness
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Hayden Thorpe
Earthly Needs
137 bpm • F# min • 04:13 • -12.6db
15% Popularity • 66% Danceability • 36% Energy • 12% Liveness
22% Instrumentalness • 18% Positiveness
15% Popularity • 66% Danceability • 36% Energy • 12% Liveness
22% Instrumentalness • 18% Positiveness
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Charles Watson
Voices Carry Through the Mist
140 bpm • A min • 05:25 • -10.9db
28% Popularity • 44% Danceability • 52% Energy • 16% Liveness
6% Instrumentalness • 20% Positiveness
28% Popularity • 44% Danceability • 52% Energy • 16% Liveness
6% Instrumentalness • 20% Positiveness
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Public Service Broadcasting
You + Me
136 bpm • A# Maj • 05:44 • -13.44db
26% Popularity • 51% Danceability • 22% Energy • 3% Liveness
29% Instrumentalness • 39% Positiveness
26% Popularity • 51% Danceability • 22% Energy • 3% Liveness
29% Instrumentalness • 39% Positiveness
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Loma
Black Willow - Single Version
140 bpm • D# min • 03:59 • -9.7db
38% Popularity • 67% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
38% Popularity • 67% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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Ferdinando Arno
Preta
140 bpm • G min • 03:58 • -12.41db
3% Popularity • 79% Danceability • 58% Energy • 12% Liveness
41% Instrumentalness • 90% Positiveness
3% Popularity • 79% Danceability • 58% Energy • 12% Liveness
41% Instrumentalness • 90% Positiveness
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Jonathan Wilson
Over the Midnight
136 bpm • C Maj • 08:15 • -7.56db
22% Popularity • 62% Danceability • 64% Energy • 14% Liveness
3% Instrumentalness • 43% Positiveness
22% Popularity • 62% Danceability • 64% Energy • 14% Liveness
3% Instrumentalness • 43% Positiveness
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Laura Veirs
Watch Fire
140 bpm • C Maj • 02:36 • -10.95db
19% Popularity • 64% Danceability • 58% Energy • 17% Liveness
70% Instrumentalness • 83% Positiveness
19% Popularity • 64% Danceability • 58% Energy • 17% Liveness
70% Instrumentalness • 83% Positiveness
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Jane Weaver
Slow Motion
136 bpm • C Maj • 05:06 • -12.87db
23% Popularity • 51% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 51% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 25% Positiveness
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Neneh Cherry
Soldier
140 bpm • G# min • 04:54 • -7.99db
9% Popularity • 70% Danceability • 73% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
9% Popularity • 70% Danceability • 73% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
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Loma
Dark Oscillations
140 bpm • D Maj • 05:37 • -9.36db
22% Popularity • 52% Danceability • 78% Energy • 19% Liveness
5% Instrumentalness • 24% Positiveness
22% Popularity • 52% Danceability • 78% Energy • 19% Liveness
5% Instrumentalness • 24% Positiveness
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Ferdinando Arno
Flowers
140 bpm • A# Maj • 03:23 • -12.93db
4% Popularity • 78% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
4% Popularity • 78% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Africa Express
See The World
140 bpm • C Maj • 03:01 • -10.15db
26% Popularity • 46% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 46% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Devendra Banhart
Memorial
141 bpm • A Maj • 04:38 • -16.61db
26% Popularity • 44% Danceability • 15% Energy • 11% Liveness
2% Instrumentalness • 30% Positiveness
26% Popularity • 44% Danceability • 15% Energy • 11% Liveness
2% Instrumentalness • 30% Positiveness
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Sophie Hunger
The Actress
135 bpm • D# min • 04:03 • -9.81db
15% Popularity • 76% Danceability • 39% Energy • 8% Liveness
22% Instrumentalness • 11% Positiveness
15% Popularity • 76% Danceability • 39% Energy • 8% Liveness
22% Instrumentalness • 11% Positiveness
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Nilüfer Yanya
Small Crimes
135 bpm • E min • 02:38 • -10.66db
31% Popularity • 65% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 65% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Loma
Black Willow
140 bpm • D# min • 05:17 • -10.49db
35% Popularity • 68% Danceability • 31% Energy • 10% Liveness
4% Instrumentalness • 30% Positiveness
35% Popularity • 68% Danceability • 31% Energy • 10% Liveness
4% Instrumentalness • 30% Positiveness
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Ferdinando Arno
Cross That Line
141 bpm • F# Maj • 03:09 • -11.05db
0% Popularity • 66% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 66% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Amanda Bergman
Questions
135 bpm • D Maj • 04:22 • -12.55db
31% Popularity • 50% Danceability • 28% Energy • 31% Liveness
2% Instrumentalness • 47% Positiveness
31% Popularity • 50% Danceability • 28% Energy • 31% Liveness
2% Instrumentalness • 47% Positiveness
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Joan As Police Woman
Warning Bell
141 bpm • C Maj • 03:16 • -7.64db
18% Popularity • 60% Danceability • 57% Energy • 10% Liveness
16% Instrumentalness • 28% Positiveness
18% Popularity • 60% Danceability • 57% Energy • 10% Liveness
16% Instrumentalness • 28% Positiveness
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Sophie Hunger
That Man
135 bpm • C Maj • 03:35 • -13.43db
13% Popularity • 82% Danceability • 31% Energy • 10% Liveness
54% Instrumentalness • 18% Positiveness
13% Popularity • 82% Danceability • 31% Energy • 10% Liveness
54% Instrumentalness • 18% Positiveness
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Jesca Hoop
The Lost Sky
135 bpm • A# min • 03:50 • -11.08db
25% Popularity • 59% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 59% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Rufus Wainwright
Trouble In Paradise
135 bpm • A# Maj • 03:05 • -6.02db
25% Popularity • 48% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 48% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Marianne Faithfull
The Gypsy Faerie Queen
134 bpm • F Maj • 03:40 • -8.44db
34% Popularity • 36% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 36% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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The Innocence Mission
Sun on the Square
134 bpm • A# min • 03:27 • -11.55db
6% Popularity • 33% Danceability • 26% Energy • 11% Liveness
16% Instrumentalness • 22% Positiveness
6% Popularity • 33% Danceability • 26% Energy • 11% Liveness
16% Instrumentalness • 22% Positiveness
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Jonathan Wilson
Mulholland Queen
134 bpm • A min • 05:20 • -10.32db
9% Popularity • 39% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 39% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Jazzanova
Rain Makes The River
142 bpm • G# Maj • 04:49 • -9.68db
21% Popularity • 67% Danceability • 80% Energy • 12% Liveness
13% Instrumentalness • 52% Positiveness
21% Popularity • 67% Danceability • 80% Energy • 12% Liveness
13% Instrumentalness • 52% Positiveness
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Zero 7
Destiny - KFOG Live Session
134 bpm • A# Maj • 03:59 • -7.1db
19% Popularity • 54% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 54% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Elbow
Fugitive Motel
142 bpm • E min • 05:07 • -6.84db
15% Popularity • 50% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 50% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
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Elvis Costello & The Imposters
Don't Look Now
134 bpm • G Maj • 02:28 • -8db
26% Popularity • 61% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 61% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Richard Hawley
The Ocean
142 bpm • A Maj • 05:36 • -9.28db
47% Popularity • 21% Danceability • 42% Energy • 9% Liveness
25% Instrumentalness • 17% Positiveness
47% Popularity • 21% Danceability • 42% Energy • 9% Liveness
25% Instrumentalness • 17% Positiveness
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Beirut
Gallipoli
133 bpm • A# Maj • 04:06 • -8.1db
45% Popularity • 50% Danceability • 61% Energy • 8% Liveness
57% Instrumentalness • 34% Positiveness
45% Popularity • 50% Danceability • 61% Energy • 8% Liveness
57% Instrumentalness • 34% Positiveness
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This Is The Kit
Empty No Teeth
134 bpm • C min • 03:16 • -8.72db
18% Popularity • 58% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 58% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Laura Marling
Soothing
143 bpm • D min • 04:16 • -12db
37% Popularity • 68% Danceability • 30% Energy • 11% Liveness
8% Instrumentalness • 53% Positiveness
37% Popularity • 68% Danceability • 30% Energy • 11% Liveness
8% Instrumentalness • 53% Positiveness
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Lost Horizons
The Places We've Been
133 bpm • C Maj • 04:10 • -11.03db
11% Popularity • 60% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 60% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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King Creosote
Melin Wynt
144 bpm • D# Maj • 05:16 • -9.35db
35% Popularity • 45% Danceability • 66% Energy • 16% Liveness
67% Instrumentalness • 47% Positiveness
35% Popularity • 45% Danceability • 66% Energy • 16% Liveness
67% Instrumentalness • 47% Positiveness
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Jaakko Eino Kalevi
Emotions in Motion
133 bpm • C Maj • 04:16 • -10.91db
12% Popularity • 65% Danceability • 50% Energy • 8% Liveness
64% Instrumentalness • 56% Positiveness
12% Popularity • 65% Danceability • 50% Energy • 8% Liveness
64% Instrumentalness • 56% Positiveness
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ANOHNI
KARMA
132 bpm • A min • 04:39 • -17.69db
19% Popularity • 37% Danceability • 8% Energy • 10% Liveness
3% Instrumentalness • 26% Positiveness
19% Popularity • 37% Danceability • 8% Energy • 10% Liveness
3% Instrumentalness • 26% Positiveness
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Joan As Police Woman
Tell Me
144 bpm • A# min • 03:37 • -6db
20% Popularity • 77% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 77% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Laura Marling
LUMP Is a Product (Credits)
133 bpm • B Maj • 02:05 • -17.59db
13% Popularity • 33% Danceability • 12% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 33% Danceability • 12% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Cass McCombs
Confidence Man
132 bpm • C Maj • 04:42 • -11db
13% Popularity • 66% Danceability • 33% Energy • 11% Liveness
27% Instrumentalness • 17% Positiveness
13% Popularity • 66% Danceability • 33% Energy • 11% Liveness
27% Instrumentalness • 17% Positiveness
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Hayden Thorpe
Stop Motion
132 bpm • G# min • 04:15 • -13.33db
10% Popularity • 74% Danceability • 33% Energy • 12% Liveness
6% Instrumentalness • 13% Positiveness
10% Popularity • 74% Danceability • 33% Energy • 12% Liveness
6% Instrumentalness • 13% Positiveness
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Villagers
Ada
132 bpm • A min • 06:10 • -10.18db
19% Popularity • 28% Danceability • 42% Energy • 20% Liveness
39% Instrumentalness • 8% Positiveness
19% Popularity • 28% Danceability • 42% Energy • 20% Liveness
39% Instrumentalness • 8% Positiveness
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Marlon Williams
Can I Call You
132 bpm • F Maj • 03:48 • -9.81db
22% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Calibro 35
The Ballad of Sacco and Vanzetti
132 bpm • F min • 04:51 • -11.76db
9% Popularity • 45% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 45% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Lambchop
Something's Going On
145 bpm • E min • 02:45 • -13.06db
31% Popularity • 57% Danceability • 55% Energy • 15% Liveness
79% Instrumentalness • 42% Positiveness
31% Popularity • 57% Danceability • 55% Energy • 15% Liveness
79% Instrumentalness • 42% Positiveness
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Brian Campeau
Slow Walking
145 bpm • C# Maj • 03:37 • -11.61db
19% Popularity • 63% Danceability • 48% Energy • 11% Liveness
94% Instrumentalness • 60% Positiveness
19% Popularity • 63% Danceability • 48% Energy • 11% Liveness
94% Instrumentalness • 60% Positiveness
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A Girl Called Eddy
Somebody Hurt You
145 bpm • C# Maj • 05:07 • -13.27db
17% Popularity • 39% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 39% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Bonnie Prince Billy
If I Had the World to Give
131 bpm • C Maj • 02:37 • -11db
33% Popularity • 42% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 42% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Marlon Williams
Nobody Gets What They Want Anymore - Rad...
146 bpm • E Maj • 03:14 • -7.18db
6% Popularity • 31% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
6% Popularity • 31% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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LUMP
Late to the Flight
131 bpm • B min • 06:11 • -10.82db
13% Popularity • 33% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 33% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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John Grant
Tc & Honeybear
146 bpm • F Maj • 05:06 • -7.54db
25% Popularity • 45% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
25% Popularity • 45% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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Charlotte Gainsbourg
5:55
146 bpm • C Maj • 04:52 • -8db
32% Popularity • 51% Danceability • 71% Energy • 14% Liveness
79% Instrumentalness • 51% Positiveness
32% Popularity • 51% Danceability • 71% Energy • 14% Liveness
79% Instrumentalness • 51% Positiveness
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Melanie De Biasio
Let Me Love You
146 bpm • E min • 04:08 • -20db
28% Popularity • 61% Danceability • 28% Energy • 11% Liveness
89% Instrumentalness • 38% Positiveness
28% Popularity • 61% Danceability • 28% Energy • 11% Liveness
89% Instrumentalness • 38% Positiveness
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Pictish Trail
Slow Memories
130 bpm • G min • 03:49 • -9.62db
8% Popularity • 46% Danceability • 35% Energy • 10% Liveness
11% Instrumentalness • 21% Positiveness
8% Popularity • 46% Danceability • 35% Energy • 10% Liveness
11% Instrumentalness • 21% Positiveness
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Marlon Williams
Nobody Gets What They Want Anymore
146 bpm • E Maj • 04:59 • -8.15db
27% Popularity • 33% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 33% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Isobel Campbell
Ant Life
130 bpm • D Maj • 02:35 • -16db
31% Popularity • 80% Danceability • 36% Energy • 11% Liveness
79% Instrumentalness • 53% Positiveness
31% Popularity • 80% Danceability • 36% Energy • 11% Liveness
79% Instrumentalness • 53% Positiveness
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Elbow
Empires
130 bpm • C Maj • 03:59 • -6.98db
31% Popularity • 48% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 48% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Gillian Hills
NeferTiti
130 bpm • D min • 04:31 • -10.49db
6% Popularity • 55% Danceability • 43% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
6% Popularity • 55% Danceability • 43% Energy • 33% Liveness
0% Instrumentalness • 24% Positiveness
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Duke Garwood
Blue
147 bpm • G# Maj • 02:57 • -12db
34% Popularity • 58% Danceability • 38% Energy • 9% Liveness
81% Instrumentalness • 51% Positiveness
34% Popularity • 58% Danceability • 38% Energy • 9% Liveness
81% Instrumentalness • 51% Positiveness
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Laura Marling
Late to the Flight
130 bpm • B min • 05:35 • -10db
23% Popularity • 34% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
23% Popularity • 34% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Rustin Man
Our Tomorrows
129 bpm • C min • 04:46 • -9.59db
7% Popularity • 54% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
7% Popularity • 54% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Matt Watts
Joanne
129 bpm • F Maj • 04:00 • -12.71db
15% Popularity • 65% Danceability • 21% Energy • 37% Liveness
5% Instrumentalness • 49% Positiveness
15% Popularity • 65% Danceability • 21% Energy • 37% Liveness
5% Instrumentalness • 49% Positiveness
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The Colorist Orchestra
Bleeder
129 bpm • B Maj • 05:20 • -13.66db
13% Popularity • 31% Danceability • 24% Energy • 69% Liveness
58% Instrumentalness • 21% Positiveness
13% Popularity • 31% Danceability • 24% Energy • 69% Liveness
58% Instrumentalness • 21% Positiveness
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Jonathan Wilson
Loving You
129 bpm • C Maj • 08:31 • -7.66db
34% Popularity • 64% Danceability • 60% Energy • 11% Liveness
21% Instrumentalness • 45% Positiveness
34% Popularity • 64% Danceability • 60% Energy • 11% Liveness
21% Instrumentalness • 45% Positiveness
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Paul Weller
Wishing Well
129 bpm • C Maj • 04:36 • -11.9db
18% Popularity • 52% Danceability • 39% Energy • 11% Liveness
3% Instrumentalness • 36% Positiveness
18% Popularity • 52% Danceability • 39% Energy • 11% Liveness
3% Instrumentalness • 36% Positiveness
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Marc Ribot
The Militant Ecologist (based on Fischia...
129 bpm • A min • 04:10 • -14.87db
10% Popularity • 28% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 28% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Norah Jones
Uh Oh
148 bpm • F min • 03:37 • -14.22db
24% Popularity • 72% Danceability • 47% Energy • 11% Liveness
75% Instrumentalness • 79% Positiveness
24% Popularity • 72% Danceability • 47% Energy • 11% Liveness
75% Instrumentalness • 79% Positiveness
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Nev Cottee
Open Eyes
148 bpm • A Maj • 03:43 • -14db
33% Popularity • 48% Danceability • 43% Energy • 10% Liveness
78% Instrumentalness • 48% Positiveness
33% Popularity • 48% Danceability • 43% Energy • 10% Liveness
78% Instrumentalness • 48% Positiveness
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Nicolas Godin
Catch Yourself Falling
148 bpm • C Maj • 04:10 • -9db
22% Popularity • 71% Danceability • 78% Energy • 11% Liveness
10% Instrumentalness • 90% Positiveness
22% Popularity • 71% Danceability • 78% Energy • 11% Liveness
10% Instrumentalness • 90% Positiveness
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Jonathan Wilson
Loving You - Summertime Madness Edit
129 bpm • C Maj • 04:15 • -8.79db
11% Popularity • 67% Danceability • 56% Energy • 20% Liveness
7% Instrumentalness • 56% Positiveness
11% Popularity • 67% Danceability • 56% Energy • 20% Liveness
7% Instrumentalness • 56% Positiveness
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Baxter Dury
Prince of Tears
148 bpm • G# min • 03:05 • -8db
34% Popularity • 53% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
34% Popularity • 53% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Common Mama
You're My Life (Stripped)
148 bpm • F Maj • 02:23 • -10.32db
2% Popularity • 69% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
2% Popularity • 69% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Laura Marling
Wild Fire (Mahogany Sessions)
128 bpm • C Maj • 04:41 • -9.55db
22% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Beirut
I Giardini
128 bpm • C# Maj • 03:43 • -7.98db
24% Popularity • 64% Danceability • 75% Energy • 31% Liveness
4% Instrumentalness • 76% Positiveness
24% Popularity • 64% Danceability • 75% Energy • 31% Liveness
4% Instrumentalness • 76% Positiveness
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Cate Le Bon
Miami
128 bpm • A min • 05:17 • -9db
24% Popularity • 61% Danceability • 23% Energy • 11% Liveness
46% Instrumentalness • 12% Positiveness
24% Popularity • 61% Danceability • 23% Energy • 11% Liveness
46% Instrumentalness • 12% Positiveness
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The Colorist Orchestra
Serenade
149 bpm • B min • 03:50 • -12.31db
17% Popularity • 45% Danceability • 36% Energy • 70% Liveness
24% Instrumentalness • 35% Positiveness
17% Popularity • 45% Danceability • 36% Energy • 70% Liveness
24% Instrumentalness • 35% Positiveness
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Chrissie Hynde
No Return
127 bpm • A Maj • 04:17 • -8.48db
9% Popularity • 33% Danceability • 81% Energy • 58% Liveness
51% Instrumentalness • 32% Positiveness
9% Popularity • 33% Danceability • 81% Energy • 58% Liveness
51% Instrumentalness • 32% Positiveness
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Gaz Coombes
Wounded Egos
127 bpm • G# min • 04:08 • -6.63db
27% Popularity • 46% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 46% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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The Divine Comedy
To the Rescue
150 bpm • C# min • 05:16 • -12db
32% Popularity • 51% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 51% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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The The
Love is Stronger Than Death
151 bpm • G min • 04:55 • -15.65db
7% Popularity • 51% Danceability • 36% Energy • 43% Liveness
0% Instrumentalness • 26% Positiveness
7% Popularity • 51% Danceability • 36% Energy • 43% Liveness
0% Instrumentalness • 26% Positiveness
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Frazey Ford
Holdin' It Down
150 bpm • F min • 03:31 • -10db
37% Popularity • 80% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
37% Popularity • 80% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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The Colorist Orchestra
Caterpillar
150 bpm • A Maj • 04:41 • -13db
24% Popularity • 43% Danceability • 31% Energy • 68% Liveness
1% Instrumentalness • 25% Positiveness
24% Popularity • 43% Danceability • 31% Energy • 68% Liveness
1% Instrumentalness • 25% Positiveness
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Howe Gelb
Terribly So
126 bpm • G Maj • 03:52 • -17.02db
23% Popularity • 73% Danceability • 17% Energy • 10% Liveness
38% Instrumentalness • 26% Positiveness
23% Popularity • 73% Danceability • 17% Energy • 10% Liveness
38% Instrumentalness • 26% Positiveness
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Alfio Antico
In Love
126 bpm • G Maj • 03:03 • -13.41db
3% Popularity • 66% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
3% Popularity • 66% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Jonathan Wilson
Living With Myself
126 bpm • E min • 06:46 • -10.96db
18% Popularity • 69% Danceability • 44% Energy • 8% Liveness
55% Instrumentalness • 19% Positiveness
18% Popularity • 69% Danceability • 44% Energy • 8% Liveness
55% Instrumentalness • 19% Positiveness
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Flo Morrissey
Looking for You
126 bpm • F min • 04:40 • -7.12db
29% Popularity • 67% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 67% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
