Songs like Dreaming People by Jay Smith
Based on a tempo of (+/- 10%) and a similar genre
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Lars Kilevold
Lyden av Norge
150 bpm • F Maj • 04:38 • -8.16db
23% Popularity • 58% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 58% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Sugarplum Fairy
You Can't Kill Rock'n'Roll
150 bpm • G# min • 03:37 • -4db
21% Popularity • 46% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 46% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Aleksander With
Honest Now
150 bpm • G Maj • 04:24 • -8.59db
9% Popularity • 45% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 45% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Jay Smith
Dreaming People
150 bpm • C Maj • 03:30 • -4.42db
25% Popularity • 44% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 44% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 45% Positiveness
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Melody Club
Crossfire
150 bpm • D Maj • 03:12 • -4.75db
17% Popularity • 49% Danceability • 95% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 49% Danceability • 95% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
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David
Miss You The Most
151 bpm • B Maj • 03:45 • -4.95db
12% Popularity • 28% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 28% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Swingfly
Little Did I Know
152 bpm • G Maj • 03:56 • -2db
14% Popularity • 62% Danceability • 87% Energy • 11% Liveness
19% Instrumentalness • 81% Positiveness
14% Popularity • 62% Danceability • 87% Energy • 11% Liveness
19% Instrumentalness • 81% Positiveness
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Mariette
Lies Beyond
148 bpm • C# Maj • 04:10 • -6.88db
11% Popularity • 23% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 23% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
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Sebastian
Do What You're Told
148 bpm • D# Maj • 03:44 • -4.28db
13% Popularity • 29% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 29% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Jay Smith
White Wedding
148 bpm • A Maj • 03:45 • -4.53db
25% Popularity • 56% Danceability • 87% Energy • 24% Liveness
1% Instrumentalness • 41% Positiveness
25% Popularity • 56% Danceability • 87% Energy • 24% Liveness
1% Instrumentalness • 41% Positiveness
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Venke Knutson
Kiss - Radio Edit
148 bpm • C Maj • 03:22 • -6.79db
21% Popularity • 54% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 54% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Gaute Ormåsen
Miss You When You're Gone
148 bpm • C# Maj • 04:10 • -4db
11% Popularity • 54% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 54% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
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Lilyjets
Don't Let It Go To Your Head
154 bpm • G Maj • 04:09 • -4.04db
8% Popularity • 40% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 40% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 45% Positiveness
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Hans Bollandsås
Moments
152 bpm • D# Maj • 03:32 • -12.11db
18% Popularity • 42% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
18% Popularity • 42% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Moa Lignell
When I Held Ya
154 bpm • B Maj • 03:29 • -6db
47% Popularity • 42% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 42% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Johan Palm
Emma-Lee
146 bpm • A Maj • 03:03 • -3.04db
13% Popularity • 54% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 54% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Molly Sandén
Säg att det är regn
146 bpm • C# min • 04:09 • -3.57db
13% Popularity • 44% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 44% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Jay Smith
Young Guns
146 bpm • G Maj • 03:33 • -6.74db
28% Popularity • 51% Danceability • 77% Energy • 10% Liveness
1% Instrumentalness • 50% Positiveness
28% Popularity • 51% Danceability • 77% Energy • 10% Liveness
1% Instrumentalness • 50% Positiveness
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Tove Styrke
Hot N' Cold
146 bpm • F# Maj • 03:17 • -5.63db
8% Popularity • 54% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 54% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Maria Haukaas Mittet
Glorious
146 bpm • G# Maj • 04:11 • -5.84db
17% Popularity • 54% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 54% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Snöblind
Kan själv
155 bpm • A min • 02:58 • -3.77db
10% Popularity • 47% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 47% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Mellony
Go Away (Radio Edit)
145 bpm • A Maj • 03:15 • -7.48db
8% Popularity • 61% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 61% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 14% Positiveness
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Molly Sandén
Kärlek
145 bpm • A# Maj • 03:46 • -2.44db
13% Popularity • 52% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 52% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Broken Door
Angel - Piano Version
156 bpm • E min • 04:06 • -5.8db
12% Popularity • 38% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 38% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 21% Positiveness
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Gmx
Min Ängel - Bonus Track
144 bpm • D# Maj • 03:16 • -9.86db
10% Popularity • 63% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 63% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Blått & Rått
Oppned
144 bpm • A min • 04:33 • -6db
15% Popularity • 38% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 38% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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Melody Club
The Hunter
144 bpm • F Maj • 03:03 • -4db
35% Popularity • 42% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 42% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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Jay Smith
Here Without You
144 bpm • A min • 03:56 • -4.29db
36% Popularity • 43% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 43% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Eric Saade
Without You I'm Nothing
144 bpm • A# Maj • 05:49 • -9.04db
7% Popularity • 49% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
7% Popularity • 49% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Espen Lind
Driving In Your Car
144 bpm • A Maj • 03:54 • -6db
8% Popularity • 50% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 50% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Oslo Ess
Caroline
157 bpm • C Maj • 03:45 • -2db
27% Popularity • 31% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 31% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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E.M.D.
Lemon Tree
143 bpm • F min • 03:14 • -5.82db
10% Popularity • 66% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 66% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Lisa Ajax
Unbelievable
143 bpm • C# min • 03:30 • -5db
26% Popularity • 48% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 48% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Marie Lindberg
Trying to Recall
143 bpm • A Maj • 03:03 • -9.15db
37% Popularity • 57% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 57% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Eric Saade
Break of Dawn
143 bpm • F Maj • 03:31 • -5.5db
27% Popularity • 58% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 58% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Martin Almgren
Hello
158 bpm • E Maj • 04:45 • -5.82db
14% Popularity • 48% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 48% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Magnus Carlsson
Another Rainbow
158 bpm • E min • 03:08 • -3.53db
10% Popularity • 55% Danceability • 91% Energy • 26% Liveness
4% Instrumentalness • 73% Positiveness
10% Popularity • 55% Danceability • 91% Energy • 26% Liveness
4% Instrumentalness • 73% Positiveness
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The Ark
Breaking Up With God
158 bpm • C min • 03:28 • -3.15db
32% Popularity • 47% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 47% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Hanna Lindblad
Goosebumps - Single Version
158 bpm • F# min • 03:01 • -2.72db
15% Popularity • 51% Danceability • 84% Energy • 41% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 51% Danceability • 84% Energy • 41% Liveness
0% Instrumentalness • 52% Positiveness
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Stiftelsen
Ur balans
142 bpm • E min • 03:15 • -5db
47% Popularity • 62% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 62% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Eric Saade
Someone New
158 bpm • A min • 03:37 • -5db
14% Popularity • 47% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 47% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Molly Sandén
Skör som glas
142 bpm • A Maj • 03:18 • -4.13db
21% Popularity • 44% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 44% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Jessica Andersson
Can't Hurt Me Now
142 bpm • G# Maj • 03:07 • -5.61db
22% Popularity • 48% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 48% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Christian Walz
Never Be Afraid Again - Radio Version
142 bpm • A Maj • 03:43 • -6db
19% Popularity • 49% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 49% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Stefan Andersson
Catch the Moon
159 bpm • G Maj • 04:30 • -9.91db
37% Popularity • 48% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 48% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Erlend Bratland
True Colors
160 bpm • A Maj • 03:54 • -8.96db
15% Popularity • 53% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 53% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Amy Diamond
It Can Only Get Better
160 bpm • E Maj • 03:26 • -8.02db
22% Popularity • 33% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 33% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Sara Lumholdt
Enemy
160 bpm • C Maj • 02:59 • -4.6db
24% Popularity • 56% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 56% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Askil Holm
Where The Angels Sleep
160 bpm • B Maj • 04:21 • -7db
13% Popularity • 48% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 48% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Eric Saade
Still Loving It
160 bpm • F min • 03:45 • -6.7db
15% Popularity • 48% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 48% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Sirius
Cover Me - So Long (Other Side)
160 bpm • C# min • 03:20 • -5db
9% Popularity • 59% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 59% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Friends
Friends
160 bpm • B Maj • 03:07 • -4.84db
18% Popularity • 49% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 49% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Jay Smith
Tramp of Love
140 bpm • F min • 03:44 • -4.21db
30% Popularity • 47% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 47% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Tove Styrke
White Light Moment
140 bpm • G Maj • 03:42 • -8.34db
35% Popularity • 53% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 53% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Andreas Johnson
We Can Work It Out
140 bpm • C# Maj • 02:59 • -4.77db
19% Popularity • 50% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 50% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Martin Almgren
Bad Day
140 bpm • C Maj • 03:41 • -4.69db
12% Popularity • 60% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 60% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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A1
In Love And I Hate It
140 bpm • C Maj • 03:36 • -4db
16% Popularity • 53% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 53% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Calle Kristiansson
Bad Day
140 bpm • D Maj • 03:42 • -5.63db
12% Popularity • 57% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 57% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Jay Smith
Sanctuary
140 bpm • A min • 04:07 • -5.57db
14% Popularity • 45% Danceability • 66% Energy • 26% Liveness
3% Instrumentalness • 12% Positiveness
14% Popularity • 45% Danceability • 66% Energy • 26% Liveness
3% Instrumentalness • 12% Positiveness
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Anna Bergendahl
This Is My Life - Niclas Kings Radio Rem...
140 bpm • C min • 03:24 • -4.83db
15% Popularity • 62% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 62% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Gmx
Då Du Ser På Mig (Älskar Denna Känsl...
140 bpm • G# Maj • 04:02 • -9.37db
20% Popularity • 66% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 66% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Markus Fagervall
Everything Changes
140 bpm • F# min • 03:32 • -6.49db
24% Popularity • 42% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 42% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Molly Sandén
Why Am I Crying
138 bpm • G# Maj • 03:01 • -9db
35% Popularity • 61% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 61% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Christian Walz
Never Be Afraid Again
140 bpm • A Maj • 04:15 • -7.24db
25% Popularity • 46% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 46% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 36% Positiveness
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Ylvis
Sammen Finner Vi Frem
164 bpm • C Maj • 03:45 • -7db
18% Popularity • 47% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
18% Popularity • 47% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Jay Smith
Ode to Death (Little Sister)
164 bpm • F# min • 03:50 • -5.11db
13% Popularity • 57% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 57% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Melody Club
Destiny Calling
137 bpm • B min • 02:49 • -3db
30% Popularity • 56% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 56% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
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A1
Don’t Wanna Lose You Again
137 bpm • A# Maj • 03:19 • -5.9db
25% Popularity • 50% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
25% Popularity • 50% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Stiftelsen
Till landet Ingenstans
137 bpm • B min • 03:27 • -5.73db
38% Popularity • 64% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 64% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Sanna Nielsen
I Can Catch The Moon
136 bpm • G Maj • 03:00 • -3.9db
14% Popularity • 46% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 46% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Robin Stjernberg
Who You Are
136 bpm • F Maj • 03:22 • -12.67db
7% Popularity • 61% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 61% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Jay Smith
Black Jesus
136 bpm • E Maj • 04:17 • -6.37db
37% Popularity • 80% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 80% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Askil Holm
Vemundvik
136 bpm • D# Maj • 04:26 • -9db
16% Popularity • 47% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 47% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Erlend Bratland
Loving You The Way You Need
136 bpm • D# Maj • 03:51 • -8db
8% Popularity • 61% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 61% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Sarah Dawn Finer
Moving On
136 bpm • G min • 03:05 • -5db
42% Popularity • 50% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
42% Popularity • 50% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Kevin Borg
With Every Bit Of Me
136 bpm • D# Maj • 03:57 • -4.32db
20% Popularity • 44% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 44% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Linus S
Utan dig
136 bpm • B Maj • 03:12 • -7.22db
3% Popularity • 55% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
3% Popularity • 55% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Jay Smith
God Damn You
136 bpm • C# Maj • 03:26 • -8.95db
42% Popularity • 64% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
42% Popularity • 64% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Molly Sandén
Rollercoaster
166 bpm • F# Maj • 03:37 • -5.24db
14% Popularity • 57% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 57% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Martin Almgren
Hold Back The River
135 bpm • D# Maj • 03:43 • -5.13db
16% Popularity • 65% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 65% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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24 Carat Gold
Bobby Brown
135 bpm • B Maj • 02:53 • -7.63db
12% Popularity • 64% Danceability • 69% Energy • 71% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 64% Danceability • 69% Energy • 71% Liveness
0% Instrumentalness • 80% Positiveness
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Elin Lanto
Doctor Doctor
135 bpm • C Maj • 03:00 • -4db
15% Popularity • 54% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 54% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 26% Positiveness
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Benjamin Ingrosso
Better Days
135 bpm • F# Maj • 03:38 • -3.95db
68% Popularity • 55% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
68% Popularity • 55% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
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Stiftelsen
Hon finns överallt
167 bpm • C Maj • 03:09 • -4.22db
43% Popularity • 57% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
43% Popularity • 57% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Anna Bergendahl
Have A Heart
134 bpm • A Maj • 04:14 • -8db
20% Popularity • 57% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 57% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Sanna Nielsen
Empty Room
134 bpm • F Maj • 03:03 • -3.72db
39% Popularity • 48% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 48% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Sarah Dawn Finer
Standing Strong
168 bpm • A# Maj • 03:45 • -5db
22% Popularity • 50% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
22% Popularity • 50% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Nostra Love
Ängel
134 bpm • C Maj • 04:10 • -9.25db
21% Popularity • 49% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 49% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Jay Smith
Sanctuary Revisited
134 bpm • A# Maj • 05:30 • -5.48db
26% Popularity • 50% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 50% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Plumbo
Slutte Ã… Drekke
134 bpm • A Maj • 03:40 • -7.81db
28% Popularity • 70% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 70% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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Von Benzo
The Dark
134 bpm • G min • 03:37 • -2.32db
16% Popularity • 45% Danceability • 87% Energy • 39% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 45% Danceability • 87% Energy • 39% Liveness
0% Instrumentalness • 26% Positiveness
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Amy Diamond
Another Day
168 bpm • E min • 03:24 • -9.43db
11% Popularity • 49% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 49% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Swingfly
Singing That Melody
168 bpm • C Maj • 03:08 • -3db
27% Popularity • 55% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 55% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Espen Lind
Unloved
168 bpm • C min • 03:47 • -8.91db
26% Popularity • 29% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
26% Popularity • 29% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Jay Smith
Let My Heart Go
134 bpm • E Maj • 03:18 • -7.86db
25% Popularity • 69% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 69% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
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Erlend Bratland
Still Water
133 bpm • F# Maj • 03:27 • -8.7db
16% Popularity • 55% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 55% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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BWO
Open Door - Ballad Version
134 bpm • E Maj • 03:31 • -6.31db
11% Popularity • 67% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 67% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Moa Lignell
Whatever They Do
133 bpm • D Maj • 03:52 • -6db
26% Popularity • 55% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 55% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
