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Dreaming
Songs like
Dreaming
by
Jon Hassell
Based on a tempo of (+/- 10%) and a similar genre
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Jon Hassell
Cool Down Coda
108 bpm • G# Maj • 01:45 • -14.45db
14% Popularity • 62% Danceability • 48% Energy • 10% Liveness
94% Instrumentalness • 43% Positiveness
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Steve Reich
Pulses
108 bpm • A Maj • 04:12 • -16db
30% Popularity • 65% Danceability • 69% Energy • 10% Liveness
63% Instrumentalness • 53% Positiveness
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Genre Peak
Metanoia
108 bpm • B Maj • 05:51 • -9.88db
0% Popularity • 56% Danceability • 63% Energy • 18% Liveness
93% Instrumentalness • 17% Positiveness
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M. Sage
Bellisimo, Pomposo
108 bpm • A Maj • 03:17 • -15db
31% Popularity • 44% Danceability • 35% Energy • 25% Liveness
84% Instrumentalness • 14% Positiveness
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Arp
Halflight Visions
108 bpm • F Maj • 04:55 • -11.69db
10% Popularity • 64% Danceability • 41% Energy • 7% Liveness
86% Instrumentalness • 25% Positiveness
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Visible Cloaks
Imprint (Bonus Track)
108 bpm • C# Maj • 06:13 • -21db
13% Popularity • 15% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Jon Hassell
Chemistry
108 bpm • E min • 06:54 • -29db
22% Popularity • 62% Danceability • 18% Energy • 13% Liveness
88% Instrumentalness • 29% Positiveness
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Peter Michael Hamel
Mandala: Mandala: Opening
108 bpm • C# Maj • 07:38 • -28.44db
15% Popularity • 38% Danceability • 27% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Kuniyuki Takahashi
Island
109 bpm • E min • 05:01 • -15.39db
17% Popularity • 46% Danceability • 67% Energy • 38% Liveness
30% Instrumentalness • 4% Positiveness
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Iasos
Libra Sunrise
107 bpm • A min • 01:33 • -13db
33% Popularity • 32% Danceability • 49% Energy • 82% Liveness
89% Instrumentalness • 24% Positiveness
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Josiah Steinbrick
Heyloo / Snakeskin
107 bpm • G Maj • 04:09 • -16.85db
21% Popularity • 82% Danceability • 24% Energy • 9% Liveness
93% Instrumentalness • 89% Positiveness
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Slow Attack Ensemble
Recurring Afterimage
107 bpm • D# Maj • 01:56 • -19db
45% Popularity • 48% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Jon Hassell
Dreaming
108 bpm • F min • 06:09 • -13.29db
25% Popularity • 28% Danceability • 48% Energy • 8% Liveness
94% Instrumentalness • 25% Positiveness
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Carmen Villain
Two Halves Touching
109 bpm • C Maj • 03:50 • -15.79db
26% Popularity • 16% Danceability • 52% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
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Fennesz
Before I Leave
106 bpm • B Maj • 04:08 • -20.1db
30% Popularity • 23% Danceability • 63% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Arp
Reading a Wave
110 bpm • D# Maj • 08:45 • -12.98db
17% Popularity • 26% Danceability • 53% Energy • 12% Liveness
91% Instrumentalness • 6% Positiveness
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Josiah Steinbrick
House Tears
106 bpm • B min • 02:08 • -16db
40% Popularity • 76% Danceability • 24% Energy • 13% Liveness
87% Instrumentalness • 60% Positiveness
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K. Leimer
Shettle Wood
110 bpm • D# min • 03:05 • -20.55db
26% Popularity • 34% Danceability • 17% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Jon Hassell
Passage D.E.
109 bpm • A min • 05:25 • -25.81db
12% Popularity • 44% Danceability • 15% Energy • 11% Liveness
81% Instrumentalness • 29% Positiveness
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Meitei
Sentō - Pt. 2
106 bpm • C min • 03:00 • -16db
33% Popularity • 42% Danceability • 30% Energy • 38% Liveness
93% Instrumentalness • 55% Positiveness
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M. Sage
Valley Candle
105 bpm • F Maj • 02:57 • -23db
34% Popularity • 23% Danceability • 10% Energy • 35% Liveness
96% Instrumentalness • 15% Positiveness
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Joseph Shabason
West of Heaven
105 bpm • F Maj • 05:12 • -14.71db
8% Popularity • 23% Danceability • 14% Energy • 26% Liveness
75% Instrumentalness • 6% Positiveness
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Eli Keszler
Fifty Four To Madrid
111 bpm • F min • 03:18 • -25.88db
10% Popularity • 47% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 33% Positiveness
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Susumu Yokota
Gekkoh
111 bpm • A# Maj • 04:59 • -11db
28% Popularity • 65% Danceability • 60% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
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Jon Hassell
Blue Period
110 bpm • D min • 07:58 • -28db
24% Popularity • 17% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Love On A Real Train
Shinkansen
105 bpm • A Maj • 03:15 • -22.5db
0% Popularity • 15% Danceability • 14% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Tomaga
Idioma
111 bpm • G Maj • 04:13 • -11.04db
26% Popularity • 59% Danceability • 79% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
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Arp
Parallelism
105 bpm • C# min • 06:21 • -13.5db
8% Popularity • 51% Danceability • 54% Energy • 15% Liveness
90% Instrumentalness • 18% Positiveness
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Cluster
Schöne Hände
105 bpm • B Maj • 03:05 • -24db
39% Popularity • 62% Danceability • 23% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Loren Connors
Ships
105 bpm • F# Maj • 01:13 • -23.06db
33% Popularity • 42% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
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Jon Hassell
Light On Water - Live
110 bpm • C Maj • 07:59 • -30.21db
16% Popularity • 55% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 26% Positiveness
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Visible Cloaks
Mask
111 bpm • D# min • 05:37 • -15.36db
14% Popularity • 46% Danceability • 20% Energy • 11% Liveness
38% Instrumentalness • 8% Positiveness
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Kaitlyn Aurelia Smith
Brush
112 bpm • C# Maj • 01:20 • -19.2db
46% Popularity • 42% Danceability • 20% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
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Sarah Davachi
Doubled Flutes
112 bpm • G# min • 02:17 • -33.24db
26% Popularity • 16% Danceability • 11% Energy • 11% Liveness
82% Instrumentalness • 48% Positiveness
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K. Leimer
Ceylon
104 bpm • C Maj • 02:51 • -14.75db
35% Popularity • 34% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 13% Positiveness
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Harmonia & Eno '76
Weird Dream
104 bpm • G# Maj • 06:41 • -25.32db
10% Popularity • 27% Danceability • 21% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
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Jon Hassell
The Elephant And The Orchid
105 bpm • E min • 11:08 • -29.77db
10% Popularity • 23% Danceability • 17% Energy • 38% Liveness
87% Instrumentalness • 29% Positiveness
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Robert Wyatt
The Whole Point Of No Return
112 bpm • A min • 01:25 • -18.49db
32% Popularity • 30% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Laraaji
The Dance No. 2
112 bpm • B min • 09:42 • -10.42db
26% Popularity • 29% Danceability • 84% Energy • 6% Liveness
98% Instrumentalness • 76% Positiveness
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Slow Attack Ensemble
Elegy for Elodie
112 bpm • C# min • 05:10 • -22.04db
23% Popularity • 26% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Wilson Tanner
Tray Tail
104 bpm • A min • 02:02 • -31.43db
29% Popularity • 40% Danceability • 2% Energy • 5% Liveness
61% Instrumentalness • 22% Positiveness
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Susumu Yokota
Kirakiraboshi
104 bpm • C# Maj • 01:55 • -18db
41% Popularity • 41% Danceability • 33% Energy • 39% Liveness
95% Instrumentalness • 12% Positiveness
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Jon Hassell
Hex
112 bpm • C# Maj • 06:24 • -12.62db
17% Popularity • 44% Danceability • 54% Energy • 34% Liveness
2% Instrumentalness • 32% Positiveness
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Laurie Spiegel
Three Sonic Spaces II
104 bpm • A# Maj • 03:22 • -15.95db
17% Popularity • 16% Danceability • 34% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Felicia Atkinson
Shirley to Shirley
113 bpm • A min • 04:14 • -19.17db
16% Popularity • 30% Danceability • 26% Energy • 9% Liveness
83% Instrumentalness • 12% Positiveness
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Slow Attack Ensemble
Ninety Seconds for Celeste
113 bpm • B min • 01:31 • -23.7db
48% Popularity • 31% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 40% Positiveness
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Cluster
In Ewigkeit
113 bpm • A# Maj • 07:24 • -21db
27% Popularity • 25% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Harold Budd
Not Yet Remembered - Remastered 2004
103 bpm • C# min • 03:50 • -23.49db
38% Popularity • 26% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Jon Hassell
Blues Nile
104 bpm • G min • 09:54 • -12.86db
27% Popularity • 16% Danceability • 34% Energy • 16% Liveness
89% Instrumentalness • 3% Positiveness
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GAS
Pop 2
113 bpm • G# Maj • 08:33 • -20db
35% Popularity • 16% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 14% Positiveness
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Fennesz
Tom
113 bpm • B Maj • 03:04 • -14.03db
34% Popularity • 17% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Biosphere
Mestigoth
103 bpm • A# min • 01:43 • -21.72db
33% Popularity • 29% Danceability • 28% Energy • 90% Liveness
73% Instrumentalness • 17% Positiveness
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Parallax Beat Brothers
Enroute
113 bpm • C Maj • 07:06 • -13.78db
0% Popularity • 36% Danceability • 46% Energy • 17% Liveness
88% Instrumentalness • 7% Positiveness
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Pauline Anna Strom
Tropical Convergence
113 bpm • G min • 02:41 • -14.03db
20% Popularity • 74% Danceability • 43% Energy • 15% Liveness
84% Instrumentalness • 39% Positiveness
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Jon Hassell
Al Kongo Udu
113 bpm • G min • 05:12 • -11.26db
14% Popularity • 55% Danceability • 86% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
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K. Leimer
Facing East
103 bpm • A Maj • 02:10 • -8.48db
28% Popularity • 19% Danceability • 51% Energy • 23% Liveness
85% Instrumentalness • 3% Positiveness
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Slow Attack Ensemble
Form and F a d e
102 bpm • B min • 03:55 • -13db
35% Popularity • 34% Danceability • 33% Energy • 6% Liveness
91% Instrumentalness • 20% Positiveness
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Brian Eno
Aragon - Remastered 2005
103 bpm • G min • 01:37 • -33.6db
33% Popularity • 32% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
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Cluster
Ho Renomo
114 bpm • D Maj • 05:11 • -17.29db
35% Popularity • 47% Danceability • 18% Energy • 6% Liveness
86% Instrumentalness • 6% Positiveness
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Huerco S.
A Sea Of Love
102 bpm • A# min • 07:17 • -28.72db
38% Popularity • 14% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
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Gigi Masin
The Sea in Your Eyes
102 bpm • C# Maj • 02:56 • -29db
24% Popularity • 46% Danceability • 2% Energy • 6% Liveness
32% Instrumentalness • 7% Positiveness
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Roberto Musci
Water Music
114 bpm • G# min • 02:02 • -13.86db
38% Popularity • 67% Danceability • 38% Energy • 8% Liveness
91% Instrumentalness • 50% Positiveness
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Pauline Anna Strom
Virgin Ice
114 bpm • E Maj • 04:38 • -16db
21% Popularity • 46% Danceability • 28% Energy • 19% Liveness
96% Instrumentalness • 15% Positiveness
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Jason Kolàr
Reversed Swell
102 bpm • E min • 05:13 • -14db
14% Popularity • 33% Danceability • 21% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
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Susumu Yokota
The Colour of Pomegranates
114 bpm • C# Maj • 05:13 • -17.39db
10% Popularity • 31% Danceability • 26% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Roedelius
Wenn der Südwind weht
115 bpm • D Maj • 04:13 • -16db
29% Popularity • 45% Danceability • 18% Energy • 10% Liveness
86% Instrumentalness • 23% Positiveness
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Jon Hassell
Manga Scene
115 bpm • A# min • 05:44 • -14.07db
14% Popularity • 51% Danceability • 48% Energy • 11% Liveness
79% Instrumentalness • 28% Positiveness
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Roberto Musci
The advent of rose + Croix
115 bpm • B Maj • 06:02 • -22.59db
14% Popularity • 32% Danceability • 19% Energy • 20% Liveness
93% Instrumentalness • 9% Positiveness
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Visible Cloaks
Anata
115 bpm • A min • 02:30 • -16.18db
13% Popularity • 21% Danceability • 14% Energy • 11% Liveness
24% Instrumentalness • 3% Positiveness
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Josiah Steinbrick
Tomorrow
115 bpm • G# Maj • 02:39 • -22.75db
30% Popularity • 28% Danceability • 8% Energy • 19% Liveness
97% Instrumentalness • 4% Positiveness
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Slow Attack Ensemble
Rivers Turn to Waterfalls
101 bpm • C# min • 05:52 • -16.13db
28% Popularity • 33% Danceability • 18% Energy • 9% Liveness
69% Instrumentalness • 11% Positiveness
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Joseph Shabason
Dangerous Chemicals
101 bpm • C min • 06:31 • -16.8db
20% Popularity • 28% Danceability • 23% Energy • 6% Liveness
94% Instrumentalness • 8% Positiveness
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Jon Hassell
Scintilla
102 bpm • D min • 00:50 • -38.67db
20% Popularity • 25% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Tomaga
Il fiume di ferro
101 bpm • C Maj • 04:43 • -9.91db
12% Popularity • 63% Danceability • 55% Energy • 14% Liveness
12% Instrumentalness • 13% Positiveness
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Roedelius
Sonnengeflecht
101 bpm • B Maj • 03:29 • -18db
19% Popularity • 36% Danceability • 48% Energy • 16% Liveness
96% Instrumentalness • 20% Positiveness
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Visible Cloaks
(Untitled Temp Track)
115 bpm • F# Maj • 01:52 • -17.29db
36% Popularity • 30% Danceability • 12% Energy • 10% Liveness
73% Instrumentalness • 12% Positiveness
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Fennesz
Rivers of Sand
115 bpm • D Maj • 04:42 • -14.34db
28% Popularity • 19% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Satoshi & Makoto
Closer
101 bpm • F# min • 04:20 • -27db
28% Popularity • 14% Danceability • 1% Energy • 14% Liveness
97% Instrumentalness • 4% Positiveness
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Jon Hassell
Wing Melodies
101 bpm • C Maj • 07:33 • -22.25db
11% Popularity • 53% Danceability • 47% Energy • 9% Liveness
92% Instrumentalness • 41% Positiveness
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Iasos
Siren Shallows
101 bpm • A min • 02:27 • -18db
16% Popularity • 27% Danceability • 26% Energy • 68% Liveness
76% Instrumentalness • 4% Positiveness
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Oren Ambarchi
IV
116 bpm • F# Maj • 04:44 • -22db
18% Popularity • 44% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
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Andrew Pekler
Approximate Bermeja
116 bpm • D Maj • 03:09 • -17db
16% Popularity • 48% Danceability • 42% Energy • 43% Liveness
96% Instrumentalness • 82% Positiveness
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Roedelius
Saumpfad
100 bpm • C Maj • 08:32 • -19.08db
15% Popularity • 38% Danceability • 12% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Laraaji
Interlude II
117 bpm • A# min • 01:26 • -27.14db
28% Popularity • 23% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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K. Leimer
Four Paths
117 bpm • C Maj • 02:53 • -15.95db
23% Popularity • 23% Danceability • 22% Energy • 11% Liveness
86% Instrumentalness • 40% Positiveness
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Iasos
Rainbow Canyon
101 bpm • D Maj • 07:03 • -18.28db
14% Popularity • 15% Danceability • 23% Energy • 54% Liveness
89% Instrumentalness • 3% Positiveness
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H.Takahashi
Escape
100 bpm • A Maj • 08:00 • -18db
18% Popularity • 62% Danceability • 28% Energy • 11% Liveness
97% Instrumentalness • 60% Positiveness
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Emily A. Sprague
Horizon
100 bpm • F Maj • 06:24 • -12.48db
16% Popularity • 51% Danceability • 45% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Oren Ambarchi
Girl With the Silver Eyes
100 bpm • G Maj • 09:40 • -24.82db
12% Popularity • 30% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Susumu Yokota
I Imagine
117 bpm • C Maj • 02:34 • -20.59db
35% Popularity • 35% Danceability • 10% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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K. Leimer
Lament To The Open Air
100 bpm • C min • 03:31 • -20.44db
25% Popularity • 54% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Jon Hassell
Timeless
99 bpm • A# min • 08:19 • -15db
10% Popularity • 50% Danceability • 61% Energy • 10% Liveness
93% Instrumentalness • 57% Positiveness
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Laraaji
I Am Ocean
100 bpm • G min • 02:18 • -18db
16% Popularity • 36% Danceability • 35% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Harmonia & Eno '76
Almost
117 bpm • D Maj • 05:29 • -18.71db
17% Popularity • 41% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
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Josiah Steinbrick
Blue Age
118 bpm • A# Maj • 01:16 • -23.4db
49% Popularity • 17% Danceability • 8% Energy • 44% Liveness
71% Instrumentalness • 6% Positiveness
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Slow Attack Ensemble
Dance Four
99 bpm • D Maj • 05:29 • -12db
28% Popularity • 74% Danceability • 35% Energy • 10% Liveness
92% Instrumentalness • 68% Positiveness
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Peter Zummo
Wind Flute Plus Feminine Domain
99 bpm • G# min • 01:05 • -20db
31% Popularity • 30% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Masayoshi Fujita
Helio
118 bpm • C# min • 05:23 • -17.53db
12% Popularity • 18% Danceability • 47% Energy • 11% Liveness
78% Instrumentalness • 37% Positiveness
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Laraaji
The Dance No. 1
118 bpm • F# min • 09:15 • -10db
33% Popularity • 35% Danceability • 87% Energy • 9% Liveness
94% Instrumentalness • 27% Positiveness
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Carlos Niño
Mezame (Awakening)
118 bpm • G min • 04:28 • -16db
26% Popularity • 22% Danceability • 28% Energy • 8% Liveness
72% Instrumentalness • 7% Positiveness
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Dreaming