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Dreaming's For Sleeping
Songs like
Dreaming's For Sleeping
by
Hedley
Based on a tempo of (+/- 10%) and a similar genre
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Little Sea
Kiss Kiss Bang Bang
120 bpm • B min • 03:20 • -3db
10% Popularity • 73% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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MKTO
Forever Until Tomorrow
120 bpm • C# Maj • 03:46 • -4.95db
37% Popularity • 52% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Cash Cash
Can't Stop Looking
120 bpm • E min • 02:47 • -3.45db
13% Popularity • 67% Danceability • 87% Energy • 67% Liveness
0% Instrumentalness • 60% Positiveness
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Mikey Wax
Hang On
120 bpm • C Maj • 03:53 • -3.86db
11% Popularity • 56% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Heffron Drive
Not Alone
120 bpm • C Maj • 04:20 • -6db
19% Popularity • 70% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Scott Helman
Bungalow
120 bpm • C# Maj • 03:32 • -4.78db
44% Popularity • 71% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Hedley
Dreaming's For Sleeping
120 bpm • C Maj • 03:15 • -4.6db
16% Popularity • 60% Danceability • 89% Energy • 65% Liveness
1% Instrumentalness • 69% Positiveness
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Marianas Trench
POP 101
120 bpm • B min • 04:07 • -6db
44% Popularity • 76% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Jon D
Mechanical Heart
120 bpm • A# Maj • 03:49 • -7db
20% Popularity • 52% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Shawn Desman
Night Like This
120 bpm • C# Maj • 03:51 • -6.33db
44% Popularity • 77% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 45% Positiveness
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Half the Animal
Babylon
120 bpm • E min • 03:46 • -6.91db
22% Popularity • 62% Danceability • 65% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
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Jule Vera
One Little String
120 bpm • F Maj • 02:47 • -4.42db
9% Popularity • 59% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
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Hedley
Top Of The World
120 bpm • C Maj • 03:54 • -6.57db
16% Popularity • 56% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Marianas Trench
Haven't Had Enough
120 bpm • D Maj • 03:28 • -5.04db
53% Popularity • 79% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Matthew Puckett
Everything I Want
120 bpm • C Maj • 03:11 • -8db
17% Popularity • 67% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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MKTO
Could Be Me
120 bpm • E Maj • 03:30 • -5.09db
40% Popularity • 73% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Every Avenue
Happy The Hard Way
120 bpm • E Maj • 03:59 • -5db
28% Popularity • 56% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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The Natural
Dance Like Nobody's Watching
120 bpm • C# Maj • 02:34 • -3.88db
13% Popularity • 67% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Neverest
Rewind
120 bpm • D# min • 03:21 • -4.04db
16% Popularity • 71% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Rob Thomas
Things You Said
120 bpm • B Maj • 03:01 • -5.87db
26% Popularity • 65% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
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New Hollow
She Ain't You
120 bpm • E Maj • 03:30 • -5db
38% Popularity • 64% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Hedley
Heaven In Our Headlights
120 bpm • C Maj • 03:09 • -5db
38% Popularity • 52% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
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Victoria Duffield
More Than Friends
121 bpm • G# Maj • 03:26 • -2.94db
26% Popularity • 70% Danceability • 88% Energy • 80% Liveness
0% Instrumentalness • 78% Positiveness
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Andy Grammer
Blame It On The Stars
119 bpm • G Maj • 03:11 • -4.99db
8% Popularity • 84% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Boyce Avenue
Speed Limit
121 bpm • D Maj • 03:40 • -5.15db
22% Popularity • 66% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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The White Tie Affair
Scene Change
121 bpm • A min • 03:34 • -5.63db
5% Popularity • 74% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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The Click Five
Angel to You (Devil to Me)
122 bpm • G# Maj • 03:29 • -2.07db
28% Popularity • 54% Danceability • 89% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Train
This'll Be My Year
122 bpm • D Maj • 03:30 • -3.28db
39% Popularity • 66% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
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Ricky Dillon
Ignite
122 bpm • D Maj • 03:12 • -4.13db
9% Popularity • 73% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Scott Helman
Tikka
122 bpm • C Maj • 03:57 • -4.75db
24% Popularity • 60% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Anthem Lights
Be With You
118 bpm • G Maj • 03:46 • -5.01db
21% Popularity • 64% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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The White Tie Affair
The Letdown
122 bpm • G# Maj • 03:38 • -5db
9% Popularity • 60% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Cassadee Pope
Secondhand
118 bpm • C# Maj • 04:10 • -4.54db
22% Popularity • 61% Danceability • 82% Energy • 58% Liveness
0% Instrumentalness • 28% Positiveness
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Train
Loverman
122 bpm • B Maj • 02:41 • -2.96db
33% Popularity • 70% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Gavin DeGraw
Make a Move
118 bpm • A# Maj • 03:17 • -5.55db
37% Popularity • 73% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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The Secret Handshake
Tgif
118 bpm • C Maj • 03:04 • -6.57db
14% Popularity • 70% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
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The Rocket Summer
200,000
118 bpm • A Maj • 04:07 • -6.83db
24% Popularity • 57% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Astro Safari USA
Girls Are Just Girls
123 bpm • G Maj • 02:51 • -3.01db
7% Popularity • 71% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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MKTO
American Dream
123 bpm • C Maj • 03:45 • -5db
58% Popularity • 55% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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The Royal
Headfirst
123 bpm • A Maj • 03:30 • -3db
33% Popularity • 61% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Victoria Duffield
Save Me
123 bpm • C min • 03:46 • -2.94db
15% Popularity • 67% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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Hedley
Pocket Full Of Dreams
123 bpm • G Maj • 03:43 • -6.87db
32% Popularity • 52% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 10% Positiveness
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Gavin DeGraw
Need
117 bpm • B Maj • 03:47 • -6.39db
29% Popularity • 66% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Rixton
We All Want The Same Thing
117 bpm • E min • 03:45 • -4.82db
38% Popularity • 71% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Danny Fernandes
Fantasy
117 bpm • F# Maj • 03:53 • -5.81db
25% Popularity • 75% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Train
The News
124 bpm • G# Maj • 03:16 • -4.43db
27% Popularity • 71% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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We Are The In Crowd
Kiss Me Again
124 bpm • F Maj • 03:18 • -3.76db
26% Popularity • 65% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Hedley
Crazy For You
117 bpm • F# min • 03:37 • -5db
45% Popularity • 70% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Alex Aiono
Doesn't Get Better
124 bpm • C Maj • 03:03 • -4db
21% Popularity • 64% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Kristina Maria
Co-Pilot
124 bpm • C Maj • 03:43 • -2.47db
26% Popularity • 76% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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He Is We
Prove You Wrong
116 bpm • A# Maj • 03:26 • -4.69db
32% Popularity • 64% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Train
Working Girl
124 bpm • D Maj • 03:44 • -2.8db
34% Popularity • 55% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Anarbor
Take My Pain Away
116 bpm • G Maj • 03:33 • -3.32db
25% Popularity • 63% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
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Fly Away Hero
Storm on the Sea
116 bpm • E Maj • 03:41 • -9.03db
16% Popularity • 70% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Matt Nathanson
Shouting
116 bpm • G Maj • 02:13 • -5.03db
12% Popularity • 81% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Kyle Reynolds
Miles On My Heart
125 bpm • E Maj • 03:44 • -7db
19% Popularity • 59% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Rob Thomas
Absence of Affection
125 bpm • A min • 03:37 • -5.56db
23% Popularity • 68% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Simple Plan
The Rest of Us
125 bpm • C# Maj • 03:13 • -3.25db
43% Popularity • 57% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
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Bruno Nasty
Dance Me - Shaun Ingham meets Hedley & F...
125 bpm • A# min • 09:04 • -9.18db
0% Popularity • 86% Danceability • 78% Energy • 12% Liveness
89% Instrumentalness • 49% Positiveness
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The Workday Release
Simple Distance
125 bpm • E Maj • 03:40 • -6.33db
15% Popularity • 62% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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DNCE
Zoom
125 bpm • G# Maj • 03:41 • -5.42db
34% Popularity • 68% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Hey Violet
Can’t Take Back The Bullet
125 bpm • B min • 02:52 • -7db
26% Popularity • 69% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Rixton
Speakerphone
115 bpm • B Maj • 03:28 • -6.09db
46% Popularity • 73% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Patent Pending
Brighter
115 bpm • C Maj • 03:46 • -6db
36% Popularity • 73% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Neverest
Starlight
115 bpm • F Maj • 03:17 • -4db
32% Popularity • 60% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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David Cook
Criminals
115 bpm • D Maj • 03:38 • -4.8db
13% Popularity • 63% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Marianas Trench
All To Myself (Rave Mix)
126 bpm • F# Maj • 03:10 • -3.55db
42% Popularity • 66% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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3OH!3
GIVE ME SOMETHING TO REMEMBER
126 bpm • B min • 03:38 • -7.11db
21% Popularity • 70% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Andrew Allen
What You Wanted
114 bpm • C Maj • 02:53 • -4.26db
31% Popularity • 73% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Josh Ramsay
Try Me
114 bpm • F Maj • 03:54 • -5.23db
17% Popularity • 61% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Plug In Stereo
To Be Wanted - EP Version
114 bpm • C Maj • 04:10 • -5db
16% Popularity • 56% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Jackson Harris
Life Through a Lens
114 bpm • G Maj • 03:10 • -5.38db
8% Popularity • 46% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
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Marianas Trench
Desperate Measures
126 bpm • E Maj • 03:48 • -5.31db
52% Popularity • 62% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
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Shawn Desman
Electric
114 bpm • B min • 03:12 • -5.97db
48% Popularity • 92% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Action Item
The Start of Something
114 bpm • G Maj • 03:16 • -6.33db
12% Popularity • 61% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Something in the Night
We Don't Have to Be Ordinary
114 bpm • A# Maj • 03:32 • -8db
27% Popularity • 61% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Chris Wallace
Remember When (Push Rewind)
127 bpm • G Maj • 03:11 • -3.52db
42% Popularity • 71% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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Fitz and The Tantrums
Do What You Want
127 bpm • A min • 03:12 • -2.32db
15% Popularity • 75% Danceability • 94% Energy • 34% Liveness
1% Instrumentalness • 74% Positiveness
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Daughtry
18 Years
113 bpm • C Maj • 04:51 • -6.21db
35% Popularity • 59% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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All Time Low
Bail Me Out
127 bpm • C# Maj • 03:32 • -3.92db
36% Popularity • 70% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Crystalyne
6 In The Morning
128 bpm • D# Maj • 04:04 • -5.12db
17% Popularity • 52% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Virginia To Vegas
Our Story
128 bpm • A Maj • 03:38 • -5.27db
13% Popularity • 52% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Stephen Jerzak
Cute
128 bpm • A Maj • 03:00 • -4db
19% Popularity • 64% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Train
Cadillac, Cadillac
128 bpm • G# Maj • 03:23 • -3.56db
27% Popularity • 72% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Kristina Maria
Our Song
128 bpm • E min • 03:34 • -4.56db
29% Popularity • 76% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Cassadee Pope
Original Love
128 bpm • F# min • 03:45 • -4.56db
14% Popularity • 59% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
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Victoria Duffield
2 Become 1
128 bpm • F# Maj • 03:42 • -3.93db
9% Popularity • 62% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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4Count
Epic
128 bpm • B min • 03:40 • -5.18db
22% Popularity • 56% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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MAYCE
I H8 That
128 bpm • E Maj • 03:14 • -3.2db
16% Popularity • 65% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 55% Positiveness
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Ryan Cabrera
House on Fire
128 bpm • D Maj • 03:34 • -4.7db
24% Popularity • 56% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Andy Grammer
Red Eye
128 bpm • B Maj • 03:36 • -6.38db
6% Popularity • 61% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Corey Gray
Where We're Going
112 bpm • C# min • 03:53 • -8.14db
20% Popularity • 52% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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The Mowgli's
You're Not Alone
112 bpm • C# Maj • 03:21 • -3.88db
30% Popularity • 66% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Ricky Dillon
Thunder And Lightning
129 bpm • E Maj • 03:08 • -4.34db
14% Popularity • 55% Danceability • 78% Energy • 68% Liveness
0% Instrumentalness • 81% Positiveness
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City of Lions
We Will Cary On
130 bpm • F# Maj • 03:06 • -6.93db
24% Popularity • 51% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
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Every Avenue
Someday, Somehow
130 bpm • G# Maj • 03:45 • -5db
29% Popularity • 57% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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David Cook
Kiss & Tell
130 bpm • B min • 03:24 • -4.98db
9% Popularity • 63% Danceability • 88% Energy • 47% Liveness
0% Instrumentalness • 52% Positiveness
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eleventyseven
Give It Up
130 bpm • C# Maj • 04:27 • -3.7db
18% Popularity • 53% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Heffron Drive
Division of the Heart
130 bpm • C# min • 03:30 • -4.01db
14% Popularity • 66% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Trevor Guthrie
Soundwave
130 bpm • E Maj • 03:58 • -4.23db
34% Popularity • 51% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Dreaming's For Sleeping