Songs like Dreh' Dich noch einmal um by Rudi Schuricke
Based on a tempo of (+/- 10%) and a similar genre
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Jean Walter
Tulpen aus Amsterdam
89 bpm • F Maj • 02:43 • -8.48db
13% Popularity • 48% Danceability • 37% Energy • 46% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 48% Danceability • 37% Energy • 46% Liveness
0% Instrumentalness • 46% Positiveness
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Lys Assia
Deine Liebe (True Love)
89 bpm • D Maj • 03:04 • -10.56db
9% Popularity • 27% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 27% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
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Leo Leux
Truxa: Foxtrott
89 bpm • G min • 02:28 • -16.43db
1% Popularity • 73% Danceability • 36% Energy • 8% Liveness
92% Instrumentalness • 94% Positiveness
1% Popularity • 73% Danceability • 36% Energy • 8% Liveness
92% Instrumentalness • 94% Positiveness
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Paul Kuhn
Der Mann am Klavier
90 bpm • G Maj • 02:06 • -10db
28% Popularity • 70% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 70% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Willi Forst
Ja, wenn das Wörtchen "wenn" nicht wär
90 bpm • E Maj • 03:04 • -14.79db
9% Popularity • 52% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 52% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Caterina Valente
Popocatepetl-Twist
88 bpm • G min • 01:56 • -11.57db
23% Popularity • 66% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 66% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Jimmy Makulis
Sieben Berge - sieben Täler
90 bpm • A# Maj • 02:35 • -8.07db
9% Popularity • 52% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 52% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
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Anneliese Rothenberger
La Le Lu
90 bpm • F Maj • 03:34 • -9db
14% Popularity • 26% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 26% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Harald Juhnke
Straßen von Berlin (Strangers In The Ni...
90 bpm • C Maj • 02:55 • -9.78db
15% Popularity • 48% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 48% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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Rex Gildo
Wenn es sein muss, kann ich treu sein (I...
88 bpm • G# Maj • 02:07 • -15.05db
30% Popularity • 65% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 65% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Illo Schieder
Sieben einsame Tage
90 bpm • C# Maj • 02:07 • -10.3db
16% Popularity • 69% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 69% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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René Carol
Bella, Bella, Donna
87 bpm • D Maj • 03:33 • -6db
13% Popularity • 59% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 59% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Lilian Harvey
Irgendwo auf der Welt
91 bpm • D Maj • 03:10 • -11db
16% Popularity • 45% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 45% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Joseph Schmidt
Ein Lied Geht Um die Welt
91 bpm • D# Maj • 02:40 • -8db
20% Popularity • 46% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 46% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Ralf Bendix
100 bunte Bänder (Tie A Yellow Ribbon R...
87 bpm • C Maj • 03:00 • -8.11db
15% Popularity • 60% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 60% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Claire Waldoff
Wer schmeisst denn da mit Lehm
87 bpm • F Maj • 03:14 • -10db
19% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Leopold Paasch
Mein Herz weint
86 bpm • D min • 02:58 • -11.48db
1% Popularity • 34% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
1% Popularity • 34% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
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Lys Assia
Wenn die Glocken hell erklingen
87 bpm • F Maj • 03:28 • -6.48db
12% Popularity • 34% Danceability • 40% Energy • 42% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 34% Danceability • 40% Energy • 42% Liveness
0% Instrumentalness • 39% Positiveness
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Rudi Schuricke
Schau mich bitte nicht so an (La vie en ...
86 bpm • C Maj • 03:12 • -12db
12% Popularity • 21% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 21% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Gerhard Wendland
Du fehlst mir so sehr
86 bpm • G# Maj • 02:36 • -12db
14% Popularity • 32% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 32% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Bibi Johns
Papa Tanzt Mambo
92 bpm • A Maj • 03:02 • -8.51db
11% Popularity • 70% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 70% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
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Lolita
Der weiße Mond von Maratonga
86 bpm • G Maj • 02:34 • -15db
23% Popularity • 50% Danceability • 17% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 50% Danceability • 17% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
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Bully Buhlan
Ich hab Mich So An Dich Gewohnt
92 bpm • G Maj • 03:07 • -13.36db
11% Popularity • 60% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 60% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Lys Assia
Wenn die Glocken erklingen
92 bpm • D Maj • 02:51 • -5.9db
16% Popularity • 41% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 41% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Zarah Leander
Eine Frau wird erst schön durch die Lie...
86 bpm • A# Maj • 02:47 • -10.3db
17% Popularity • 43% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 43% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Heidi Brühl
Wir wollen niemals auseinandergehn
86 bpm • A# Maj • 03:00 • -8db
26% Popularity • 36% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 36% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Nana Gualdi
Junge Leute brauchen Liebe (Everybody Lo...
92 bpm • D# Maj • 02:45 • -10db
16% Popularity • 73% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 73% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Hans Rehmstedt
Wenn zwei wie Du und ich
93 bpm • D# Maj • 03:00 • -14.05db
1% Popularity • 70% Danceability • 22% Energy • 10% Liveness
9% Instrumentalness • 51% Positiveness
1% Popularity • 70% Danceability • 22% Energy • 10% Liveness
9% Instrumentalness • 51% Positiveness
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Lolita
Tulpen aus Amsterdam
85 bpm • C Maj • 02:20 • -10db
20% Popularity • 53% Danceability • 41% Energy • 45% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 53% Danceability • 41% Energy • 45% Liveness
0% Instrumentalness • 54% Positiveness
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Paul Kuhn
Cara-Caramel Chocolat
85 bpm • F min • 02:42 • -8db
10% Popularity • 61% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 61% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Rudi Schuricke
Komm Zurück
93 bpm • A min • 02:48 • -13.91db
8% Popularity • 52% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 52% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Sacha Distel
Adios amigo - Remastered
85 bpm • A# Maj • 02:21 • -11.52db
23% Popularity • 41% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 41% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Lys Assia
Sucu Sucu
93 bpm • E Maj • 02:10 • -7db
11% Popularity • 63% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 63% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Zarah Leander
Kann denn Liebe Sünde sein?
85 bpm • G Maj • 03:02 • -16.71db
16% Popularity • 62% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 62% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Lonny Kellner
Bum-Budi-Bum, das kann gefährlich sein
93 bpm • G Maj • 03:01 • -11db
12% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Dorthe
Sind Sie der Graf von Luxemburg?
94 bpm • F min • 02:51 • -11db
36% Popularity • 60% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 60% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Rudi Schuricke
Glaube mir
85 bpm • F Maj • 02:31 • -13.07db
4% Popularity • 46% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
4% Popularity • 46% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Caterina Valente
Quando, quando (Sag mir quando, sag mir ...
94 bpm • G# Maj • 02:49 • -8.62db
24% Popularity • 45% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 45% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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Lys Assia
Gelbe Rose dort in Texas
94 bpm • G# Maj • 02:11 • -6.8db
14% Popularity • 73% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 73% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Zarah Leander
Ich Weiß, Es Wird Einmal Ein Wunder Ges...
85 bpm • C# min • 03:29 • -9db
8% Popularity • 27% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 27% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
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Hans Carste
Wie geht's, mein Fraulein? Ich heisse Kl...
94 bpm • A min • 02:44 • -12.56db
0% Popularity • 65% Danceability • 23% Energy • 31% Liveness
6% Instrumentalness • 64% Positiveness
0% Popularity • 65% Danceability • 23% Energy • 31% Liveness
6% Instrumentalness • 64% Positiveness
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Ivo Robic
Ein ganzes Leben lang (I Can't Stop Lovi...
84 bpm • D# Maj • 02:30 • -12db
11% Popularity • 34% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 34% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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Rudi Schuricke
Komm zurück
93 bpm • G Maj • 02:49 • -12.98db
12% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 50% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Willy Engel-Berger
Stern von Rio: Stern von Rio
94 bpm • D Maj • 02:58 • -13.93db
0% Popularity • 42% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
0% Popularity • 42% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Lys Assia
Tammy
94 bpm • G# Maj • 02:25 • -6db
18% Popularity • 33% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 33% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Zarah Leander
Kann denn Liebe Sünde sein
84 bpm • G Maj • 03:00 • -16db
29% Popularity • 56% Danceability • 18% Energy • 41% Liveness
43% Instrumentalness • 57% Positiveness
29% Popularity • 56% Danceability • 18% Energy • 41% Liveness
43% Instrumentalness • 57% Positiveness
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René Carol
La-Le-Lu
95 bpm • G Maj • 03:04 • -10.52db
10% Popularity • 26% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 26% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Peter Igelhoff
Qui Madame
94 bpm • F Maj • 02:53 • -9.22db
10% Popularity • 82% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 82% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Lolita
Weisser Holunder
95 bpm • F Maj • 02:49 • -11.19db
18% Popularity • 45% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 45% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Conny Froboess
Lady Sunshine und Mr. Moon
95 bpm • D# Maj • 02:20 • -11db
37% Popularity • 62% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 62% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Schréder
Laß die Frau Nicht Weinen
95 bpm • F Maj • 02:47 • -12.27db
1% Popularity • 79% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
1% Popularity • 79% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Willy Schneider
Schütt' die Sorgen in ein Gläschen Wei...
84 bpm • A# Maj • 03:08 • -10.4db
14% Popularity • 34% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 34% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
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Otto Reutter
Der Ãœberzieher - Original 1925 Remaster...
84 bpm • D# Maj • 03:20 • -11.24db
10% Popularity • 63% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 63% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Caterina Valente
I Love You (Vergiss nicht, ich lieb dich...
95 bpm • G Maj • 02:43 • -11.2db
11% Popularity • 80% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 80% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Friedrich Schröder
Uber die Dacher der grossen Stadt
95 bpm • C min • 02:55 • -10.83db
2% Popularity • 64% Danceability • 26% Energy • 19% Liveness
20% Instrumentalness • 50% Positiveness
2% Popularity • 64% Danceability • 26% Energy • 19% Liveness
20% Instrumentalness • 50% Positiveness
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Joseph Schmidt
Es wird im Leben dir mehr genommen als g...
95 bpm • A min • 03:21 • -10.7db
13% Popularity • 28% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 28% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Conny Froboess
Lippenstift am Jackett
83 bpm • G Maj • 02:22 • -14db
16% Popularity • 57% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 57% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Lilian Harvey
Das gibt's nur einmal (Christels Lied)
95 bpm • D# Maj • 03:07 • -12.15db
12% Popularity • 39% Danceability • 25% Energy • 15% Liveness
11% Instrumentalness • 47% Positiveness
12% Popularity • 39% Danceability • 25% Energy • 15% Liveness
11% Instrumentalness • 47% Positiveness
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Zarah Leander
Kann Denn Liebe Sünde Sein - Original
83 bpm • E min • 03:04 • -17.82db
1% Popularity • 56% Danceability • 17% Energy • 34% Liveness
32% Instrumentalness • 50% Positiveness
1% Popularity • 56% Danceability • 17% Energy • 34% Liveness
32% Instrumentalness • 50% Positiveness
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Die Goldene Sieben
Capriolen
95 bpm • F Maj • 02:56 • -13.14db
15% Popularity • 79% Danceability • 43% Energy • 20% Liveness
40% Instrumentalness • 77% Positiveness
15% Popularity • 79% Danceability • 43% Energy • 20% Liveness
40% Instrumentalness • 77% Positiveness
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Rudi Schuricke
Glaube mir (Answer Me)
83 bpm • F Maj • 02:33 • -12.16db
8% Popularity • 40% Danceability • 21% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 40% Danceability • 21% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Willy Berking
Dreizehn kleine Affen
95 bpm • D# Maj • 02:45 • -14.74db
6% Popularity • 74% Danceability • 26% Energy • 26% Liveness
50% Instrumentalness • 80% Positiveness
6% Popularity • 74% Danceability • 26% Energy • 26% Liveness
50% Instrumentalness • 80% Positiveness
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Fred Bertelmann
Arrivederci Roma
83 bpm • A# Maj • 02:40 • -5db
18% Popularity • 59% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 59% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Willy Schneider
Alle Tage Ist Kein Sonntag
83 bpm • G# Maj • 03:03 • -13db
10% Popularity • 20% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
10% Popularity • 20% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
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Joseph Schmidt
Heut' ist der schönste Tag in meinem Le...
96 bpm • A# Maj • 03:26 • -9.93db
23% Popularity • 42% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 42% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Marika Rökk
Potpourri, From : ''Gasparone'' ( Ich We...
96 bpm • D# Maj • 05:18 • -12.56db
1% Popularity • 44% Danceability • 25% Energy • 71% Liveness
0% Instrumentalness • 30% Positiveness
1% Popularity • 44% Danceability • 25% Energy • 71% Liveness
0% Instrumentalness • 30% Positiveness
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Heidi Brühl
Chico-Chico-Charly
83 bpm • C# min • 02:38 • -2db
9% Popularity • 70% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 70% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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Freddy
Weit ist der Weg
96 bpm • F Maj • 03:14 • -14.38db
10% Popularity • 38% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 38% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Végh Quartet
String Quartet In D Major, Op. 18 No. 3 ...
83 bpm • C min • 02:46 • -12db
12% Popularity • 64% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 89% Positiveness
12% Popularity • 64% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 89% Positiveness
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Lys Assia
O mein Papa
82 bpm • E Maj • 03:08 • -10.31db
13% Popularity • 37% Danceability • 23% Energy • 44% Liveness
6% Instrumentalness • 36% Positiveness
13% Popularity • 37% Danceability • 23% Energy • 44% Liveness
6% Instrumentalness • 36% Positiveness
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Ivo Robic
Fremde in der Nacht
96 bpm • F Maj • 02:50 • -9.01db
8% Popularity • 27% Danceability • 41% Energy • 44% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 27% Danceability • 41% Energy • 44% Liveness
0% Instrumentalness • 40% Positiveness
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Caterina Valente
Steig in das Traumboot der Liebe
96 bpm • A# Maj • 03:17 • -11.12db
24% Popularity • 47% Danceability • 12% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 47% Danceability • 12% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
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Heidi Brühl
Chico Chico Charlie
83 bpm • B Maj • 02:41 • -6db
9% Popularity • 75% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 75% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Peter Kreuder
Raetsel um Beate: Maedel, dein Mund ist ...
97 bpm • D# Maj • 03:05 • -10.37db
0% Popularity • 71% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
0% Popularity • 71% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Barnabas von Geczy
Ich tanze mit dir in den Himmel hinein
97 bpm • G# Maj • 02:56 • -13.85db
15% Popularity • 40% Danceability • 21% Energy • 34% Liveness
47% Instrumentalness • 23% Positiveness
15% Popularity • 40% Danceability • 21% Energy • 34% Liveness
47% Instrumentalness • 23% Positiveness
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Rudi Schuricke
Warum hat jeder Frühling, ach, nur eine...
97 bpm • G min • 02:28 • -11.02db
3% Popularity • 32% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
3% Popularity • 32% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
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Hans Moser
I marschier mit mein Duli-Dulieh
82 bpm • G Maj • 02:34 • -10db
10% Popularity • 44% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 44% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Ralf Bendix
Buona sera
97 bpm • G# Maj • 03:00 • -7.67db
11% Popularity • 51% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 51% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Walter Kollo
Der Tag nach der Scheidung: Du musst mir...
97 bpm • F Maj • 02:43 • -14db
2% Popularity • 61% Danceability • 26% Energy • 12% Liveness
64% Instrumentalness • 65% Positiveness
2% Popularity • 61% Danceability • 26% Energy • 12% Liveness
64% Instrumentalness • 65% Positiveness
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Gerhard Wendland
Bei uns in Laramie
81 bpm • C Maj • 02:25 • -8.17db
12% Popularity • 52% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 52% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Lilian Harvey
Guten Tag, liebes Glück
97 bpm • D# Maj • 03:07 • -14db
14% Popularity • 40% Danceability • 15% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 40% Danceability • 15% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
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Rudi Schuricke
Wenn Du In Meinen Traumen Bei Mir Bist
98 bpm • G min • 03:32 • -12.46db
3% Popularity • 36% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
3% Popularity • 36% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Wolf Lorey
Wer verliebt ist braucht Musik
98 bpm • D# Maj • 02:41 • -15db
4% Popularity • 83% Danceability • 20% Energy • 13% Liveness
12% Instrumentalness • 94% Positiveness
4% Popularity • 83% Danceability • 20% Energy • 13% Liveness
12% Instrumentalness • 94% Positiveness
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Will Brandes
Marina - Remastered 2004
98 bpm • E Maj • 02:47 • -7.84db
15% Popularity • 60% Danceability • 47% Energy • 56% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 60% Danceability • 47% Energy • 56% Liveness
0% Instrumentalness • 51% Positiveness
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Willy Hagara
Eine Kutsche voller Mädels
98 bpm • F Maj • 02:27 • -10db
10% Popularity • 79% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 79% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Lolita
Addio Amigo
98 bpm • D Maj • 02:52 • -10db
12% Popularity • 68% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 68% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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René Carol
Im Hafen von Adano
99 bpm • D Maj • 03:03 • -9db
14% Popularity • 29% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 29% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Rudi Schuricke
Für eine Nacht voller Seligkeit
98 bpm • D# Maj • 02:38 • -20.62db
8% Popularity • 78% Danceability • 17% Energy • 16% Liveness
9% Instrumentalness • 79% Positiveness
8% Popularity • 78% Danceability • 17% Energy • 16% Liveness
9% Instrumentalness • 79% Positiveness
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Trude Herr
Ich bin eine Frau von Format
99 bpm • D# Maj • 02:37 • -9db
21% Popularity • 59% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 59% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
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Will Brandes
Marina
98 bpm • E Maj • 02:47 • -7.68db
18% Popularity • 70% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 70% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Manfred Zalden
Meine Lieblingsmelodie
99 bpm • C Maj • 02:50 • -14db
8% Popularity • 73% Danceability • 30% Energy • 10% Liveness
79% Instrumentalness • 81% Positiveness
8% Popularity • 73% Danceability • 30% Energy • 10% Liveness
79% Instrumentalness • 81% Positiveness
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Lolita
Fahr mich in die Ferne, mein blonder Mat...
98 bpm • G Maj • 02:12 • -10db
18% Popularity • 69% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 69% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Kurt Widmann & sein Orchester
Es war noch nie so schön wie heut'
99 bpm • D# Maj • 02:33 • -12.34db
0% Popularity • 70% Danceability • 42% Energy • 24% Liveness
8% Instrumentalness • 79% Positiveness
0% Popularity • 70% Danceability • 42% Energy • 24% Liveness
8% Instrumentalness • 79% Positiveness
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Rudi Schuricke
Für eine Nacht voller Seligkeit
98 bpm • D# Maj • 02:36 • -6.13db
1% Popularity • 77% Danceability • 59% Energy • 20% Liveness
2% Instrumentalness • 76% Positiveness
1% Popularity • 77% Danceability • 59% Energy • 20% Liveness
2% Instrumentalness • 76% Positiveness
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Johannes Heesters
Liebling, was wird nun aus uns beiden
80 bpm • G# Maj • 02:08 • -11db
10% Popularity • 43% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 43% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Gerd Böttcher
Geld wie Heu
99 bpm • G min • 02:12 • -10.56db
15% Popularity • 34% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 34% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Jimmy Makulis
Nachts in Rom
99 bpm • E Maj • 03:04 • -9db
9% Popularity • 53% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 53% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Lolita
El Paso
99 bpm • G Maj • 03:02 • -9db
17% Popularity • 71% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 71% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
