Songs like Drifting Away by Claire Guerreso
Based on a tempo of (+/- 10%) and a similar genre
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KANEHOLLER
Breathe You Out
140 bpm • G# Maj • 04:15 • -7db
28% Popularity • 57% Danceability • 62% Energy • 33% Liveness
62% Instrumentalness • 32% Positiveness
28% Popularity • 57% Danceability • 62% Energy • 33% Liveness
62% Instrumentalness • 32% Positiveness
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Clairity
Broken Things
140 bpm • G# Maj • 04:07 • -7.6db
13% Popularity • 45% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 45% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Denmark + Winter
Don't Fear the Reaper (Re:Imagined)
140 bpm • B min • 06:15 • -10.68db
35% Popularity • 46% Danceability • 40% Energy • 5% Liveness
14% Instrumentalness • 4% Positiveness
35% Popularity • 46% Danceability • 40% Energy • 5% Liveness
14% Instrumentalness • 4% Positiveness
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Built For The Sea
Ghosts & Images
140 bpm • B min • 04:05 • -11.42db
8% Popularity • 52% Danceability • 38% Energy • 10% Liveness
27% Instrumentalness • 18% Positiveness
8% Popularity • 52% Danceability • 38% Energy • 10% Liveness
27% Instrumentalness • 18% Positiveness
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Molly Moore
Peace of My Heart
140 bpm • G# min • 03:40 • -10.57db
10% Popularity • 63% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 63% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Elle Varner
F**k It All
140 bpm • A# Maj • 03:23 • -8db
27% Popularity • 31% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 31% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Xplor
Recover
140 bpm • A min • 03:25 • -7.92db
19% Popularity • 65% Danceability • 64% Energy • 18% Liveness
2% Instrumentalness • 36% Positiveness
19% Popularity • 65% Danceability • 64% Energy • 18% Liveness
2% Instrumentalness • 36% Positiveness
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Claire Guerreso
Drifting Away
140 bpm • G min • 03:09 • -9.86db
11% Popularity • 77% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 77% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Dia Frampton
Die Wild
140 bpm • C Maj • 03:57 • -12.42db
12% Popularity • 30% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 30% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Kyle Neal
Bottom of a Well
140 bpm • G Maj • 04:06 • -15.26db
13% Popularity • 65% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 65% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Kari Kimmel
Black to Gray
138 bpm • A min • 04:19 • -11.01db
8% Popularity • 26% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 26% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Blackchords
As Night Falls
142 bpm • G min • 04:16 • -7db
11% Popularity • 46% Danceability • 50% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
11% Popularity • 46% Danceability • 50% Energy • 10% Liveness
2% Instrumentalness • 12% Positiveness
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Max Jury
Standing On My Own
142 bpm • E Maj • 03:58 • -7.17db
17% Popularity • 70% Danceability • 56% Energy • 19% Liveness
2% Instrumentalness • 49% Positiveness
17% Popularity • 70% Danceability • 56% Energy • 19% Liveness
2% Instrumentalness • 49% Positiveness
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Claire Guerreso
Battle Cry
139 bpm • C# Maj • 03:31 • -6db
24% Popularity • 50% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 50% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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WESLEE
Boy Like You
138 bpm • F# Maj • 03:58 • -8.02db
31% Popularity • 84% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
31% Popularity • 84% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
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MILCK
Devil Devil
142 bpm • C# Maj • 04:18 • -10db
49% Popularity • 54% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
49% Popularity • 54% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Marian Hill
Same Thing
138 bpm • G Maj • 05:28 • -21.14db
21% Popularity • 54% Danceability • 6% Energy • 9% Liveness
5% Instrumentalness • 11% Positiveness
21% Popularity • 54% Danceability • 6% Energy • 9% Liveness
5% Instrumentalness • 11% Positiveness
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Sleeping At Last
Private Eyes
142 bpm • F Maj • 03:26 • -10.93db
38% Popularity • 41% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 41% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Heather Maloney
Nightstand Drawer
138 bpm • C# Maj • 03:55 • -9.06db
9% Popularity • 52% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 52% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Claire Guerreso
Rise
138 bpm • A Maj • 04:11 • -12.61db
15% Popularity • 54% Danceability • 22% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
15% Popularity • 54% Danceability • 22% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Alice Boman
All Eyes On You
143 bpm • C# Maj • 04:07 • -15.03db
20% Popularity • 20% Danceability • 21% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
20% Popularity • 20% Danceability • 21% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
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Paul Freeman
Closer Still - Acoustic
143 bpm • B Maj • 03:47 • -9.8db
10% Popularity • 46% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 46% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Ruelle
Madness
143 bpm • G# min • 03:31 • -4db
56% Popularity • 51% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
56% Popularity • 51% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Son Little
Your Love Will Blow Me Away When My Hear...
137 bpm • F min • 03:03 • -7.09db
30% Popularity • 60% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 60% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Sara Jackson-Holman
When You Dream
137 bpm • C Maj • 03:22 • -16db
11% Popularity • 30% Danceability • 16% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
11% Popularity • 30% Danceability • 16% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Unions
Bury
144 bpm • G Maj • 03:29 • -13.3db
35% Popularity • 50% Danceability • 18% Energy • 5% Liveness
8% Instrumentalness • 12% Positiveness
35% Popularity • 50% Danceability • 18% Energy • 5% Liveness
8% Instrumentalness • 12% Positiveness
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Aron Wright
Home
144 bpm • G Maj • 03:16 • -10.46db
32% Popularity • 42% Danceability • 24% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 42% Danceability • 24% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Amy Stroup
In the Shadows
136 bpm • C min • 04:23 • -7.85db
47% Popularity • 43% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
47% Popularity • 43% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Ruelle
The Other Side
137 bpm • F# min • 04:12 • -8db
59% Popularity • 37% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
59% Popularity • 37% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Stephanie Tarling
You're the One I Want
144 bpm • F Maj • 01:37 • -11.36db
17% Popularity • 32% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 24% Positiveness
17% Popularity • 32% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 24% Positiveness
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Raphael Lake
I Keep Searching
144 bpm • A Maj • 03:56 • -10db
23% Popularity • 70% Danceability • 50% Energy • 7% Liveness
5% Instrumentalness • 42% Positiveness
23% Popularity • 70% Danceability • 50% Energy • 7% Liveness
5% Instrumentalness • 42% Positiveness
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Bandit Heart
Don't Let Me Go
144 bpm • E Maj • 04:08 • -9.51db
25% Popularity • 52% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
25% Popularity • 52% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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BANNERS
Start A Riot
144 bpm • A# min • 03:35 • -4.01db
50% Popularity • 54% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 54% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Emilie Kahn
What Happened
144 bpm • E min • 04:34 • -9.86db
14% Popularity • 67% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 67% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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James Vincent McMorrow
Evil
144 bpm • F# min • 04:40 • -8.18db
9% Popularity • 56% Danceability • 57% Energy • 10% Liveness
66% Instrumentalness • 40% Positiveness
9% Popularity • 56% Danceability • 57% Energy • 10% Liveness
66% Instrumentalness • 40% Positiveness
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Rosi Golan
Give up the Ghost
136 bpm • C Maj • 03:55 • -11.81db
31% Popularity • 70% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 70% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Wardell
Love / Idleness
136 bpm • E Maj • 03:35 • -4.87db
9% Popularity • 52% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 52% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Jack Garratt
Water
136 bpm • C Maj • 03:40 • -8.67db
46% Popularity • 59% Danceability • 61% Energy • 23% Liveness
40% Instrumentalness • 18% Positiveness
46% Popularity • 59% Danceability • 61% Energy • 23% Liveness
40% Instrumentalness • 18% Positiveness
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Vaults
Cry No More
136 bpm • C# min • 03:40 • -7.49db
36% Popularity • 50% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 50% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
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Alison Scott
Madman Across the Water
136 bpm • A min • 04:38 • -8db
14% Popularity • 72% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 72% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Laura Welsh
Hardest Part
136 bpm • G# min • 03:48 • -9.1db
17% Popularity • 68% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 68% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Yuna
All I Do
135 bpm • F Maj • 03:36 • -10db
33% Popularity • 61% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 61% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Carina Round
Come Undone
145 bpm • A# min • 05:16 • -10.82db
25% Popularity • 28% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
25% Popularity • 28% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Civil Twilight
Letters From the Sky
145 bpm • D# min • 03:56 • -12.16db
22% Popularity • 43% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
22% Popularity • 43% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
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WIC
Help me
135 bpm • F min • 03:34 • -5.82db
16% Popularity • 58% Danceability • 99% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 58% Danceability • 99% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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Aron Wright
Crystallize
135 bpm • D Maj • 03:13 • -9.09db
15% Popularity • 57% Danceability • 59% Energy • 7% Liveness
1% Instrumentalness • 30% Positiveness
15% Popularity • 57% Danceability • 59% Energy • 7% Liveness
1% Instrumentalness • 30% Positiveness
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Bishop Briggs
Dead Man's Arms
135 bpm • D min • 04:05 • -6db
42% Popularity • 54% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
42% Popularity • 54% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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The Dawn of MAY
I Could Have Been Someone
146 bpm • F# min • 03:33 • -8.93db
13% Popularity • 48% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 48% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Arum Rae
What Good Is a Heart
146 bpm • E min • 03:42 • -12.39db
19% Popularity • 28% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 28% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Jillian Edwards
I Go On
134 bpm • D min • 04:07 • -13db
26% Popularity • 51% Danceability • 28% Energy • 16% Liveness
42% Instrumentalness • 11% Positiveness
26% Popularity • 51% Danceability • 28% Energy • 16% Liveness
42% Instrumentalness • 11% Positiveness
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Kathryn Gallagher
Damaged
134 bpm • F Maj • 04:36 • -10.65db
8% Popularity • 64% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 64% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Marius De La Mer
Face the Dark
134 bpm • A Maj • 02:35 • -14.29db
9% Popularity • 38% Danceability • 40% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 38% Danceability • 40% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Jess Delgado
Nobody
146 bpm • E min • 04:44 • -18.57db
10% Popularity • 40% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
10% Popularity • 40% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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Claire Guerreso
Butterfly
146 bpm • D# Maj • 03:39 • -5.91db
1% Popularity • 41% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
1% Popularity • 41% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Dakota
Bare Hands
134 bpm • D# Maj • 04:30 • -13.45db
13% Popularity • 28% Danceability • 39% Energy • 25% Liveness
2% Instrumentalness • 17% Positiveness
13% Popularity • 28% Danceability • 39% Energy • 25% Liveness
2% Instrumentalness • 17% Positiveness
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Jordan Laser
Shaded In
134 bpm • G# min • 03:17 • -11.21db
12% Popularity • 37% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 37% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Built For The Sea
Hold
133 bpm • A min • 03:37 • -9.85db
19% Popularity • 63% Danceability • 41% Energy • 7% Liveness
84% Instrumentalness • 14% Positiveness
19% Popularity • 63% Danceability • 41% Energy • 7% Liveness
84% Instrumentalness • 14% Positiveness
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Kari Kimmel
Nothing Left to Lose
134 bpm • D Maj • 03:38 • -15.68db
29% Popularity • 63% Danceability • 25% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
29% Popularity • 63% Danceability • 25% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
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Ruelle
Deep End
147 bpm • A min • 05:00 • -8.65db
49% Popularity • 42% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
49% Popularity • 42% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Claire Guerreso
Runaway
147 bpm • C Maj • 03:53 • -9.23db
1% Popularity • 53% Danceability • 68% Energy • 8% Liveness
1% Instrumentalness • 37% Positiveness
1% Popularity • 53% Danceability • 68% Energy • 8% Liveness
1% Instrumentalness • 37% Positiveness
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Matthew Mayfield
Quiet Lies
147 bpm • D min • 04:41 • -11.6db
24% Popularity • 46% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 46% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Maggie Koerner
Dig Down Deep
133 bpm • G Maj • 06:20 • -11db
17% Popularity • 41% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 41% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Donna Missal
Keep Lying (Demo)
133 bpm • G# min • 04:14 • -5.29db
32% Popularity • 48% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 48% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Empara Mi
The Come Down
133 bpm • G Maj • 03:43 • -6db
24% Popularity • 58% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 58% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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AG
My Love Will Never Die
133 bpm • G Maj • 03:38 • -15db
50% Popularity • 28% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
50% Popularity • 28% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Claire Guerreso
Corner Of Your Heart
133 bpm • C Maj • 02:39 • -7.22db
3% Popularity • 59% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
3% Popularity • 59% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Laura Mvula
Kiss My Feet
147 bpm • E min • 03:43 • -6.85db
22% Popularity • 44% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 44% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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Sleeping At Last
Every Little Thing She Does Is Magic
133 bpm • C# Maj • 03:16 • -9.58db
54% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
54% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Regina Price
We Come Together
148 bpm • A min • 02:57 • -19.54db
40% Popularity • 49% Danceability • 18% Energy • 10% Liveness
57% Instrumentalness • 5% Positiveness
40% Popularity • 49% Danceability • 18% Energy • 10% Liveness
57% Instrumentalness • 5% Positiveness
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SHEL
When the Sky Fell
148 bpm • F# min • 02:59 • -13.94db
30% Popularity • 47% Danceability • 25% Energy • 10% Liveness
44% Instrumentalness • 25% Positiveness
30% Popularity • 47% Danceability • 25% Energy • 10% Liveness
44% Instrumentalness • 25% Positiveness
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The Belle Game
Salt Water
132 bpm • A# min • 02:53 • -7.03db
11% Popularity • 32% Danceability • 52% Energy • 11% Liveness
68% Instrumentalness • 25% Positiveness
11% Popularity • 32% Danceability • 52% Energy • 11% Liveness
68% Instrumentalness • 25% Positiveness
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Claire Guerreso
Looking Back
148 bpm • C Maj • 02:07 • -6.81db
9% Popularity • 61% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 61% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Mia Dyson
To Fight Is to Lose
148 bpm • G Maj • 03:51 • -6.83db
15% Popularity • 48% Danceability • 53% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 48% Danceability • 53% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
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Aquilo
Waiting
132 bpm • F# Maj • 03:45 • -16db
32% Popularity • 38% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 38% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Son Lux
Race To Erase
132 bpm • F Maj • 04:51 • -10db
26% Popularity • 29% Danceability • 34% Energy • 13% Liveness
3% Instrumentalness • 9% Positiveness
26% Popularity • 29% Danceability • 34% Energy • 13% Liveness
3% Instrumentalness • 9% Positiveness
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Aron Wright
In the Sun
132 bpm • G Maj • 04:28 • -16db
37% Popularity • 37% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 37% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Sarah Jaffe
Hooray for Love
149 bpm • E min • 04:28 • -8.82db
12% Popularity • 26% Danceability • 47% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
12% Popularity • 26% Danceability • 47% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
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Klergy
World on Fire
132 bpm • B min • 03:46 • -10.95db
44% Popularity • 26% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
44% Popularity • 26% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
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Bishop Briggs
Pray (Empty Gun)
150 bpm • F# min • 04:04 • -7.03db
38% Popularity • 55% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
38% Popularity • 55% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Slow Skies
On the Shore
131 bpm • G# Maj • 03:55 • -17db
18% Popularity • 60% Danceability • 16% Energy • 7% Liveness
10% Instrumentalness • 6% Positiveness
18% Popularity • 60% Danceability • 16% Energy • 7% Liveness
10% Instrumentalness • 6% Positiveness
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Rupert Pope
Catch Me
150 bpm • B min • 03:47 • -9.94db
19% Popularity • 30% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
19% Popularity • 30% Danceability • 45% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
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Aron Wright
Don't Play Games
150 bpm • E Maj • 04:22 • -11.41db
28% Popularity • 33% Danceability • 23% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
28% Popularity • 33% Danceability • 23% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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Brandon Chandler
We Are Everything
150 bpm • D min • 02:54 • -9.39db
8% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 55% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Marian Hill
Breathe Into Me
150 bpm • G min • 03:56 • -15.83db
34% Popularity • 40% Danceability • 32% Energy • 5% Liveness
78% Instrumentalness • 4% Positiveness
34% Popularity • 40% Danceability • 32% Energy • 5% Liveness
78% Instrumentalness • 4% Positiveness
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Trevor Dayn Dallas
Ready for It All
150 bpm • G Maj • 03:57 • -10.22db
9% Popularity • 50% Danceability • 45% Energy • 39% Liveness
2% Instrumentalness • 12% Positiveness
9% Popularity • 50% Danceability • 45% Energy • 39% Liveness
2% Instrumentalness • 12% Positiveness
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Hidden Citizens
Answer The Call
150 bpm • A min • 03:28 • -7.87db
17% Popularity • 25% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
17% Popularity • 25% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Rosa Pullman
Daydreaming
131 bpm • B min • 04:10 • -11.61db
32% Popularity • 30% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 30% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Raining Jane
Love Is a Battlefield
150 bpm • E min • 04:05 • -13.28db
32% Popularity • 59% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 59% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Twin Caverns
Undiscover
150 bpm • G Maj • 03:05 • -10.28db
24% Popularity • 54% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
24% Popularity • 54% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Clairy Browne & The Bangin' Rackettes
Vicious Cycle
130 bpm • F# min • 04:01 • -6db
18% Popularity • 44% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 44% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Lee DeWyze
Same For You
130 bpm • B min • 03:37 • -7.68db
38% Popularity • 64% Danceability • 43% Energy • 9% Liveness
43% Instrumentalness • 49% Positiveness
38% Popularity • 64% Danceability • 43% Energy • 9% Liveness
43% Instrumentalness • 49% Positiveness
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Oyinda
The Devil's Gonna Keep Me
130 bpm • C min • 03:59 • -8.08db
8% Popularity • 49% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 49% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Kat Dahlia
My Garden
130 bpm • C min • 03:57 • -5.8db
30% Popularity • 74% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 74% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Abi Wade
Hope
130 bpm • C Maj • 03:04 • -9.33db
20% Popularity • 83% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
20% Popularity • 83% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
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lùisa
Under The Wild Skies
130 bpm • A min • 03:55 • -11.05db
20% Popularity • 69% Danceability • 50% Energy • 8% Liveness
78% Instrumentalness • 29% Positiveness
20% Popularity • 69% Danceability • 50% Energy • 8% Liveness
78% Instrumentalness • 29% Positiveness
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Angus Powell
Hole in My Heart
151 bpm • B min • 02:49 • -16db
25% Popularity • 50% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 13% Positiveness
25% Popularity • 50% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 13% Positiveness
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Frances
Grow
130 bpm • D# Maj • 03:59 • -9.38db
39% Popularity • 57% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 57% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Claire Guerreso
Burning Like Fire
130 bpm • B min • 02:25 • -2.78db
12% Popularity • 60% Danceability • 95% Energy • 26% Liveness
3% Instrumentalness • 65% Positiveness
12% Popularity • 60% Danceability • 95% Energy • 26% Liveness
3% Instrumentalness • 65% Positiveness
