Songs like Drink Feck Arse Girls by Tim O Mahony
Based on a tempo of (+/- 10%) and a similar genre
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Liam Clancy
The Last Thing on My Mind
150 bpm • G# Maj • 03:27 • -11.61db
26% Popularity • 34% Danceability • 45% Energy • 74% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 34% Danceability • 45% Energy • 74% Liveness
0% Instrumentalness • 40% Positiveness
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Barleyjuice
Celtic Girl
150 bpm • A Maj • 02:54 • -7db
23% Popularity • 53% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 53% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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John Hiatt
All Kinds Of People
150 bpm • G Maj • 03:03 • -9.3db
17% Popularity • 46% Danceability • 42% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
17% Popularity • 46% Danceability • 42% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
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Nitty Gritty Dirt Band
Will The Circle Be Unbroken (Glory, Glor...
150 bpm • G Maj • 04:39 • -11.99db
37% Popularity • 39% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 39% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Nick Lowe
Indian Queens
149 bpm • E Maj • 03:52 • -23.63db
7% Popularity • 53% Danceability • 18% Energy • 68% Liveness
0% Instrumentalness • 53% Positiveness
7% Popularity • 53% Danceability • 18% Energy • 68% Liveness
0% Instrumentalness • 53% Positiveness
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Deeper Well
The Deeper Well
148 bpm • G Maj • 04:22 • -8.46db
11% Popularity • 29% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 29% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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David Kincaid
Free and Green
152 bpm • G Maj • 04:15 • -12.33db
21% Popularity • 46% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 46% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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John Williamson
Hawkesbury River Lovin'
153 bpm • E Maj • 03:37 • -17.93db
17% Popularity • 50% Danceability • 22% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 50% Danceability • 22% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Kris Kristofferson
Shake Hands With the Devil
147 bpm • A Maj • 03:29 • -14.07db
9% Popularity • 54% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 54% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Man Mountain Moore
I Belong to You
147 bpm • A min • 02:12 • -15.44db
24% Popularity • 50% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 50% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Willie Nelson
Still Is Still Moving To Me
154 bpm • D Maj • 03:32 • -12db
20% Popularity • 47% Danceability • 59% Energy • 21% Liveness
4% Instrumentalness • 68% Positiveness
20% Popularity • 47% Danceability • 59% Energy • 21% Liveness
4% Instrumentalness • 68% Positiveness
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My Soul Among Lions
The Lord Is My Shepherd (Psalm 23)
146 bpm • A# Maj • 03:41 • -9.43db
13% Popularity • 57% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 57% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Fred Eaglesmith
Rough Patch
146 bpm • G Maj • 02:11 • -5.58db
12% Popularity • 50% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 50% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Gordon Lightfoot
Sweet Guinevere
145 bpm • E Maj • 02:40 • -20.33db
11% Popularity • 49% Danceability • 18% Energy • 80% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 49% Danceability • 18% Energy • 80% Liveness
0% Instrumentalness • 71% Positiveness
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John Williamson
A Flag of Our Own
155 bpm • D Maj • 03:30 • -16.23db
29% Popularity • 50% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 50% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Townes Van Zandt
Niles River Blues
145 bpm • B Maj • 03:06 • -10.35db
8% Popularity • 49% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 49% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Kris Kristofferson
Shandy (The Perfect Disguise)
145 bpm • D Maj • 03:38 • -14.54db
8% Popularity • 44% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 44% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Arlo Guthrie
Deportees
144 bpm • F Maj • 03:50 • -7db
20% Popularity • 43% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 43% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Renato Russo
Hey That's No Way To Say Goodbye
144 bpm • D Maj • 03:02 • -9.82db
28% Popularity • 56% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 56% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Buddy Wasisname & The Other Fellers
Down by the Ocean
156 bpm • C Maj • 03:30 • -18.7db
10% Popularity • 47% Danceability • 32% Energy • 95% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 47% Danceability • 32% Energy • 95% Liveness
0% Instrumentalness • 85% Positiveness
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Hair of the Dog
I Used To Work In Chicago
145 bpm • E Maj • 04:50 • -11.73db
10% Popularity • 38% Danceability • 59% Energy • 95% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 38% Danceability • 59% Energy • 95% Liveness
0% Instrumentalness • 96% Positiveness
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James Dolan
Violet's Song
156 bpm • E min • 03:51 • -11.64db
8% Popularity • 61% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 61% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Jethro Tull
One White Duck / 0" = Nothing at All - 2...
144 bpm • B Maj • 04:36 • -17.01db
22% Popularity • 47% Danceability • 14% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 47% Danceability • 14% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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709er
Grey Foggy Day
143 bpm • A# Maj • 04:36 • -9.08db
12% Popularity • 46% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 46% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Charlie White
You Are Everything
157 bpm • A Maj • 03:21 • -9.55db
9% Popularity • 43% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 43% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Weddings Parties Anything
Brunswick
144 bpm • D Maj • 02:54 • -19.14db
11% Popularity • 63% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 63% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Ray Wylie Hubbard
Dust of the Chase
157 bpm • G Maj • 05:15 • -15.08db
25% Popularity • 47% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 47% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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R.E.M.
Wendell Gee - 2010 Remaster
143 bpm • C Maj • 03:05 • -6.32db
23% Popularity • 46% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 46% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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John Prine
Day Is Done
143 bpm • D Maj • 03:33 • -20.3db
32% Popularity • 56% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 56% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Sean Tyrrell
South of the Border
157 bpm • A# Maj • 03:24 • -14.41db
8% Popularity • 55% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 55% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Crash Test Dummies
At My Funeral
143 bpm • G Maj • 04:03 • -19.15db
24% Popularity • 45% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 45% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Archie Fisher
Mountain Rain
158 bpm • E Maj • 03:23 • -14.18db
9% Popularity • 51% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 51% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Jason Dea West
She Ain't No Quitter
158 bpm • D Maj • 02:44 • -11.78db
12% Popularity • 70% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 70% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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James Mick Nolan
I Said I'd Try
142 bpm • G Maj • 03:05 • -9.63db
10% Popularity • 56% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 56% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Nothing Left To Lose
Doesn't Matter
142 bpm • C Maj • 02:44 • -16.09db
8% Popularity • 54% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 54% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Corb Lund
I Wanna Be In The Cavalry: Reprise
142 bpm • E Maj • 03:45 • -10.98db
31% Popularity • 63% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 63% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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The Men They Couldn't Hang
The Rose Of England
158 bpm • D Maj • 02:54 • -8.02db
15% Popularity • 65% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 65% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Major Dundee
What My Love Can Do
158 bpm • A Maj • 02:34 • -12.58db
12% Popularity • 55% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 55% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Daniel Lanois
Red
142 bpm • C Maj • 02:15 • -16db
49% Popularity • 41% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
49% Popularity • 41% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Neil Diamond
Pretty Amazing Grace
142 bpm • B min • 04:53 • -12.44db
30% Popularity • 45% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 45% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Mike Massé
Cat's in the Cradle
142 bpm • A# Maj • 04:16 • -8.58db
15% Popularity • 46% Danceability • 45% Energy • 96% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 46% Danceability • 45% Energy • 96% Liveness
0% Instrumentalness • 24% Positiveness
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Blackwater Railroad Company
Smokey Mountains
142 bpm • D Maj • 03:16 • -9.86db
14% Popularity • 40% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 40% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Jeff Daniels
Come a Little Closer
141 bpm • B min • 04:10 • -14.09db
8% Popularity • 46% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 46% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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John Mellencamp
Dark As A Dungeon
141 bpm • G Maj • 04:10 • -8.26db
10% Popularity • 37% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 37% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
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709er
Great Harbour Deep
141 bpm • A Maj • 05:47 • -10.67db
13% Popularity • 44% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 44% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Neil Young
Human Highway
141 bpm • G Maj • 04:11 • -14.37db
10% Popularity • 48% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 48% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Charlie White
If You Could
160 bpm • A Maj • 03:28 • -11.88db
13% Popularity • 41% Danceability • 29% Energy • 23% Liveness
10% Instrumentalness • 31% Positiveness
13% Popularity • 41% Danceability • 29% Energy • 23% Liveness
10% Instrumentalness • 31% Positiveness
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Randy Mattsen
Momma's Smiling Face
140 bpm • C Maj • 03:53 • -7.77db
17% Popularity • 74% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 74% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Wade Montgomery
End of an Age
140 bpm • A min • 03:55 • -14.18db
14% Popularity • 52% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 52% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Fr. Maximilian M. Dean
In That Bible of Mercy
140 bpm • G Maj • 04:51 • -8.24db
8% Popularity • 58% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 58% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Kev Carmody
Droving Women
161 bpm • C Maj • 09:14 • -17.3db
22% Popularity • 30% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 30% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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John Lindsay
Wild Atlantic Way
140 bpm • G Maj • 05:18 • -14.93db
20% Popularity • 59% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 59% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Emmerson Nogueira
ROCKET MAN
140 bpm • A Maj • 04:58 • -11.68db
10% Popularity • 63% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 63% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Richard Thompson
Mingulay Boat Song
161 bpm • F Maj • 04:13 • -9.93db
34% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
34% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Kitchen Dwellers
The Crow and The Raven (III)
162 bpm • D Maj • 05:52 • -10.03db
32% Popularity • 47% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 47% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Tom Russell
The Banks of the Musselshell
162 bpm • E Maj • 06:14 • -12.19db
10% Popularity • 42% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 42% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Tim Holcombe
Swing Low Sweet Chariot
162 bpm • G Maj • 02:03 • -8.8db
11% Popularity • 39% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 39% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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John Prine
Saillin' Around
138 bpm • G Maj • 03:24 • -19.15db
11% Popularity • 49% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
11% Popularity • 49% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Neil Diamond
Oh Mary
139 bpm • C Maj • 05:12 • -15db
18% Popularity • 48% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 48% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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G.B. Lamb
My Poor Heart (Has Left This Town)
138 bpm • D Maj • 04:06 • -9.33db
13% Popularity • 63% Danceability • 48% Energy • 18% Liveness
49% Instrumentalness • 50% Positiveness
13% Popularity • 63% Danceability • 48% Energy • 18% Liveness
49% Instrumentalness • 50% Positiveness
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Johnny Lindula
No Whiskey Shots
138 bpm • D Maj • 01:46 • -14.95db
13% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Frank Watkinson
I'll follow you ito the dark.
138 bpm • G Maj • 03:45 • -27.52db
25% Popularity • 55% Danceability • 4% Energy • 11% Liveness
58% Instrumentalness • 38% Positiveness
25% Popularity • 55% Danceability • 4% Energy • 11% Liveness
58% Instrumentalness • 38% Positiveness
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Greg Brown
I Don't Know That Guy
138 bpm • G Maj • 04:49 • -18.12db
16% Popularity • 72% Danceability • 30% Energy • 8% Liveness
1% Instrumentalness • 75% Positiveness
16% Popularity • 72% Danceability • 30% Energy • 8% Liveness
1% Instrumentalness • 75% Positiveness
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Intuitive Compass
Goodbye Josephine
137 bpm • D Maj • 04:27 • -11.77db
10% Popularity • 60% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 60% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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The Highwaymen
Here Comes That Rainbow Again
137 bpm • D Maj • 02:49 • -14.78db
34% Popularity • 48% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
34% Popularity • 48% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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The Fisherman’s Friends
Fisherman’s Blues
137 bpm • A min • 03:33 • -8.86db
27% Popularity • 62% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 62% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Douglas Meakin
Good Morning Liverpool
165 bpm • G Maj • 03:56 • -3.55db
16% Popularity • 47% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 47% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Nick Neblo
Forever Young (Acoustic)
136 bpm • A Maj • 03:04 • -8.44db
22% Popularity • 65% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 65% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Coverage Problem
Blanketed in Snow
137 bpm • A# Maj • 02:44 • -18.36db
8% Popularity • 71% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 71% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Willard Kimmons
Poet
136 bpm • F Maj • 03:32 • -8.88db
20% Popularity • 50% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
20% Popularity • 50% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Charlie White
You're No Good for Me
136 bpm • E Maj • 02:15 • -16.93db
14% Popularity • 51% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 51% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Gordon Lightfoot
Canadian Railroad Trilogy
136 bpm • F Maj • 06:21 • -10.41db
25% Popularity • 36% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 36% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Gaelic Storm
The Night I Punched Russell Crowe
166 bpm • E Maj • 03:16 • -5.27db
30% Popularity • 64% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 64% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Mel Randall
Black Velvet Band
166 bpm • C Maj • 04:44 • -14.47db
8% Popularity • 51% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 51% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Damh The Bard
Pipes Of Pan
166 bpm • C Maj • 04:48 • -13.26db
13% Popularity • 56% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 56% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Allan Taylor
The Mission Hotel
135 bpm • C Maj • 04:54 • -14.43db
7% Popularity • 59% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
7% Popularity • 59% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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John Prine
Hello in There
135 bpm • C Maj • 04:32 • -17db
47% Popularity • 59% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
47% Popularity • 59% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
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Dick Gaughan
What You Do With What You Got
135 bpm • E Maj • 03:18 • -16.06db
15% Popularity • 46% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 46% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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David Francey
Belgrade Train
167 bpm • D Maj • 02:51 • -6.77db
14% Popularity • 53% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 53% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Nicholas Mowery
When the Sun Rises
135 bpm • G Maj • 03:20 • -8.29db
28% Popularity • 60% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 60% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Vassar Clements
Mexicali Blues
135 bpm • A Maj • 05:00 • -6.9db
10% Popularity • 55% Danceability • 65% Energy • 20% Liveness
5% Instrumentalness • 77% Positiveness
10% Popularity • 55% Danceability • 65% Energy • 20% Liveness
5% Instrumentalness • 77% Positiveness
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Chas & Dave
Mammy's Arms
134 bpm • A Maj • 03:34 • -7.39db
21% Popularity • 74% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 74% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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Christy Moore
Matty
168 bpm • G Maj • 03:12 • -22.61db
7% Popularity • 59% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
7% Popularity • 59% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Clay Tallstories
Filthy Pighunter
134 bpm • F Maj • 03:53 • -9db
18% Popularity • 64% Danceability • 64% Energy • 66% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 64% Danceability • 64% Energy • 66% Liveness
0% Instrumentalness • 64% Positiveness
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Hindu Love Gods
I'm a One Woman Man
134 bpm • A Maj • 02:17 • -11db
10% Popularity • 56% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 56% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Michael Nesmith
Conversations
134 bpm • C Maj • 03:32 • -14.84db
8% Popularity • 50% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 50% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
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Yusuf / Cat Stevens
Foreigner Suite
133 bpm • D Maj • 07:19 • -12.21db
28% Popularity • 55% Danceability • 55% Energy • 9% Liveness
5% Instrumentalness • 34% Positiveness
28% Popularity • 55% Danceability • 55% Energy • 9% Liveness
5% Instrumentalness • 34% Positiveness
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Sharon Shannon
The Galway Girl
169 bpm • D Maj • 03:00 • -5.89db
58% Popularity • 38% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
58% Popularity • 38% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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David Francey
Cheap Motel
169 bpm • D Maj • 02:26 • -6.5db
11% Popularity • 42% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 42% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Slobberbone
Pinball Song
133 bpm • D# Maj • 04:36 • -8.21db
32% Popularity • 61% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 61% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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John Prine
Flashback Blues
169 bpm • G Maj • 02:32 • -17.37db
30% Popularity • 49% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 49% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Hopalong Andrew
The Yodeling Ranger of Central Park
169 bpm • G Maj • 02:56 • -8.01db
8% Popularity • 22% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 22% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Paul Kelly
From Little Things Big Things Grow
169 bpm • B Maj • 06:53 • -8.66db
44% Popularity • 50% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
44% Popularity • 50% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Archie Roach
No No No
133 bpm • E Maj • 03:49 • -14.48db
12% Popularity • 73% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 73% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Jonathan Richman
They're Not Tryin' On The Dance Floor
169 bpm • F# Maj • 01:56 • -12.84db
15% Popularity • 53% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 53% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Yusuf / Cat Stevens
Moonshadow - Olympic Studio Demo / 1970
133 bpm • D Maj • 02:30 • -9.85db
22% Popularity • 53% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 53% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Jerry Garcia
Two Soldiers
169 bpm • G Maj • 04:23 • -16.77db
22% Popularity • 38% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
22% Popularity • 38% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
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Felix Westbrook
You Are Perfect
169 bpm • G Maj • 03:27 • -10.76db
20% Popularity • 42% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 42% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
