Songs like Dripping by Blonde Redhead
Based on a tempo of (+/- 10%) and a similar genre
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Destroyer
Chinatown
114 bpm • B min • 03:49 • -5.56db
39% Popularity • 72% Danceability • 69% Energy • 20% Liveness
1% Instrumentalness • 55% Positiveness
39% Popularity • 72% Danceability • 69% Energy • 20% Liveness
1% Instrumentalness • 55% Positiveness
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Blouse
Into Black
114 bpm • A Maj • 03:28 • -8.28db
51% Popularity • 70% Danceability • 68% Energy • 12% Liveness
84% Instrumentalness • 71% Positiveness
51% Popularity • 70% Danceability • 68% Energy • 12% Liveness
84% Instrumentalness • 71% Positiveness
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Animal Collective
Banshee Beat
114 bpm • A Maj • 08:22 • -13db
37% Popularity • 35% Danceability • 49% Energy • 15% Liveness
85% Instrumentalness • 32% Positiveness
37% Popularity • 35% Danceability • 49% Energy • 15% Liveness
85% Instrumentalness • 32% Positiveness
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Radiohead
Separator
114 bpm • D# Maj • 05:19 • -9.8db
50% Popularity • 69% Danceability • 78% Energy • 9% Liveness
74% Instrumentalness • 63% Positiveness
50% Popularity • 69% Danceability • 78% Energy • 9% Liveness
74% Instrumentalness • 63% Positiveness
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Interpol
Stella was a diver and she was always do...
114 bpm • F Maj • 06:27 • -6db
54% Popularity • 42% Danceability • 85% Energy • 20% Liveness
79% Instrumentalness • 44% Positiveness
54% Popularity • 42% Danceability • 85% Energy • 20% Liveness
79% Instrumentalness • 44% Positiveness
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Blonde Redhead
Dripping
114 bpm • C# Maj • 03:40 • -11db
41% Popularity • 81% Danceability • 41% Energy • 14% Liveness
42% Instrumentalness • 36% Positiveness
41% Popularity • 81% Danceability • 41% Energy • 14% Liveness
42% Instrumentalness • 36% Positiveness
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Electrelane
Birds
114 bpm • G Maj • 03:53 • -16db
41% Popularity • 60% Danceability • 26% Energy • 12% Liveness
22% Instrumentalness • 30% Positiveness
41% Popularity • 60% Danceability • 26% Energy • 12% Liveness
22% Instrumentalness • 30% Positiveness
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Autolux
Highchair
114 bpm • A# min • 03:25 • -12.02db
26% Popularity • 78% Danceability • 36% Energy • 12% Liveness
85% Instrumentalness • 22% Positiveness
26% Popularity • 78% Danceability • 36% Energy • 12% Liveness
85% Instrumentalness • 22% Positiveness
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Deerhoof
Midnight, The Stars and You
114 bpm • E Maj • 03:44 • -10db
42% Popularity • 46% Danceability • 45% Energy • 35% Liveness
40% Instrumentalness • 48% Positiveness
42% Popularity • 46% Danceability • 45% Energy • 35% Liveness
40% Instrumentalness • 48% Positiveness
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Angel Olsen
Sweet Dreams
115 bpm • C min • 03:11 • -2.83db
39% Popularity • 33% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
39% Popularity • 33% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Galaxie 500
Flowers
115 bpm • G Maj • 04:28 • -9db
14% Popularity • 45% Danceability • 70% Energy • 13% Liveness
85% Instrumentalness • 23% Positiveness
14% Popularity • 45% Danceability • 70% Energy • 13% Liveness
85% Instrumentalness • 23% Positiveness
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Cocteau Twins
Wolf in the Breast
113 bpm • A Maj • 03:31 • -4.53db
52% Popularity • 53% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
52% Popularity • 53% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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The Radio Dept.
I Wanted You to Feel the Same
115 bpm • C Maj • 02:31 • -12.46db
44% Popularity • 63% Danceability • 44% Energy • 29% Liveness
31% Instrumentalness • 28% Positiveness
44% Popularity • 63% Danceability • 44% Energy • 29% Liveness
31% Instrumentalness • 28% Positiveness
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Autolux
Capital Kind Of Strain
113 bpm • F# Maj • 05:42 • -10.65db
23% Popularity • 69% Danceability • 57% Energy • 10% Liveness
68% Instrumentalness • 20% Positiveness
23% Popularity • 69% Danceability • 57% Energy • 10% Liveness
68% Instrumentalness • 20% Positiveness
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Atoms For Peace
Stuck Together Pieces
115 bpm • F# min • 05:28 • -10db
35% Popularity • 64% Danceability • 72% Energy • 14% Liveness
88% Instrumentalness • 65% Positiveness
35% Popularity • 64% Danceability • 72% Energy • 14% Liveness
88% Instrumentalness • 65% Positiveness
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Ex:Re
I Can't Keep You
113 bpm • F# Maj • 04:17 • -8db
30% Popularity • 51% Danceability • 59% Energy • 12% Liveness
79% Instrumentalness • 15% Positiveness
30% Popularity • 51% Danceability • 59% Energy • 12% Liveness
79% Instrumentalness • 15% Positiveness
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Sonic Youth
I Love You Golden Blue
113 bpm • B Maj • 07:02 • -10db
45% Popularity • 47% Danceability • 57% Energy • 7% Liveness
85% Instrumentalness • 23% Positiveness
45% Popularity • 47% Danceability • 57% Energy • 7% Liveness
85% Instrumentalness • 23% Positiveness
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Midlake
They Cannot Let It Expand
113 bpm • B Maj • 02:55 • -13db
32% Popularity • 43% Danceability • 41% Energy • 22% Liveness
81% Instrumentalness • 17% Positiveness
32% Popularity • 43% Danceability • 41% Energy • 22% Liveness
81% Instrumentalness • 17% Positiveness
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Galaxie 500
Tugboat
115 bpm • G Maj • 03:54 • -8.16db
26% Popularity • 28% Danceability • 88% Energy • 16% Liveness
59% Instrumentalness • 39% Positiveness
26% Popularity • 28% Danceability • 88% Energy • 16% Liveness
59% Instrumentalness • 39% Positiveness
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Electrelane
The Valleys
113 bpm • F# min • 05:20 • -12.64db
36% Popularity • 51% Danceability • 30% Energy • 10% Liveness
30% Instrumentalness • 29% Positiveness
36% Popularity • 51% Danceability • 30% Energy • 10% Liveness
30% Instrumentalness • 29% Positiveness
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Beth Gibbons
Funny Time Of Year
113 bpm • D min • 06:48 • -13.33db
34% Popularity • 35% Danceability • 29% Energy • 18% Liveness
14% Instrumentalness • 8% Positiveness
34% Popularity • 35% Danceability • 29% Energy • 18% Liveness
14% Instrumentalness • 8% Positiveness
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Beach House
Heart of Chambers
115 bpm • F# Maj • 04:25 • -9.56db
14% Popularity • 44% Danceability • 42% Energy • 8% Liveness
83% Instrumentalness • 6% Positiveness
14% Popularity • 44% Danceability • 42% Energy • 8% Liveness
83% Instrumentalness • 6% Positiveness
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Molly Nilsson
Wounds Itch When They Heal
116 bpm • C Maj • 02:13 • -8.12db
38% Popularity • 92% Danceability • 53% Energy • 12% Liveness
3% Instrumentalness • 53% Positiveness
38% Popularity • 92% Danceability • 53% Energy • 12% Liveness
3% Instrumentalness • 53% Positiveness
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The Brian Jonestown Massacre
(David Bowie I Love You) Since I Was Six
116 bpm • A# Maj • 03:23 • -7db
25% Popularity • 20% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 20% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Galaxie 500
When Will You Come Home
115 bpm • C Maj • 05:21 • -8.87db
9% Popularity • 32% Danceability • 62% Energy • 8% Liveness
86% Instrumentalness • 50% Positiveness
9% Popularity • 32% Danceability • 62% Energy • 8% Liveness
86% Instrumentalness • 50% Positiveness
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Suicide
Surrender ('88 Version) (2023 Remaster)
112 bpm • F# min • 03:47 • -6.96db
48% Popularity • 28% Danceability • 59% Energy • 14% Liveness
11% Instrumentalness • 30% Positiveness
48% Popularity • 28% Danceability • 59% Energy • 14% Liveness
11% Instrumentalness • 30% Positiveness
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Blonde Redhead
Girl Boy
116 bpm • A# min • 01:48 • -22.41db
57% Popularity • 81% Danceability • 17% Energy • 11% Liveness
71% Instrumentalness • 48% Positiveness
57% Popularity • 81% Danceability • 17% Energy • 11% Liveness
71% Instrumentalness • 48% Positiveness
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UNKLE
Rabbit in Your Headlights
112 bpm • A Maj • 06:16 • -9db
49% Popularity • 27% Danceability • 59% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
49% Popularity • 27% Danceability • 59% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
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Vincent Gallo
When
112 bpm • C Maj • 04:35 • -19.18db
29% Popularity • 41% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 41% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Songs: Ohia
Being In Love
112 bpm • D# min • 05:41 • -7.69db
29% Popularity • 64% Danceability • 49% Energy • 8% Liveness
40% Instrumentalness • 21% Positiveness
29% Popularity • 64% Danceability • 49% Energy • 8% Liveness
40% Instrumentalness • 21% Positiveness
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Cocteau Twins
Know Who You Are At Every Age - Remaster...
112 bpm • E min • 03:37 • -7.75db
49% Popularity • 58% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
49% Popularity • 58% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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The Clientele
We Could Walk Together
112 bpm • F min • 02:34 • -11.3db
28% Popularity • 36% Danceability • 66% Energy • 28% Liveness
9% Instrumentalness • 75% Positiveness
28% Popularity • 36% Danceability • 66% Energy • 28% Liveness
9% Instrumentalness • 75% Positiveness
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Sparklehorse
Spirit Ditch
116 bpm • B Maj • 03:23 • -18db
38% Popularity • 49% Danceability • 16% Energy • 10% Liveness
49% Instrumentalness • 10% Positiveness
38% Popularity • 49% Danceability • 16% Energy • 10% Liveness
49% Instrumentalness • 10% Positiveness
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Jason Molina
Let Me Go Let Me Go Let Me Go
116 bpm • C Maj • 06:39 • -14db
33% Popularity • 67% Danceability • 14% Energy • 8% Liveness
30% Instrumentalness • 6% Positiveness
33% Popularity • 67% Danceability • 14% Energy • 8% Liveness
30% Instrumentalness • 6% Positiveness
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Autolux
Great Days For The Passenger Element
112 bpm • C# Maj • 05:20 • -8.85db
22% Popularity • 58% Danceability • 49% Energy • 21% Liveness
9% Instrumentalness • 29% Positiveness
22% Popularity • 58% Danceability • 49% Energy • 21% Liveness
9% Instrumentalness • 29% Positiveness
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Bat For Lashes
What's a Girl to Do?
116 bpm • E min • 02:58 • -6.14db
35% Popularity • 61% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 61% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Blonde Redhead
U.F.O.
111 bpm • F# min • 05:38 • -9.86db
19% Popularity • 36% Danceability • 78% Energy • 7% Liveness
50% Instrumentalness • 49% Positiveness
19% Popularity • 36% Danceability • 78% Energy • 7% Liveness
50% Instrumentalness • 49% Positiveness
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Air
Remember
117 bpm • F min • 02:34 • -7.3db
49% Popularity • 45% Danceability • 68% Energy • 8% Liveness
14% Instrumentalness • 28% Positiveness
49% Popularity • 45% Danceability • 68% Energy • 8% Liveness
14% Instrumentalness • 28% Positiveness
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Sparklehorse
Comfort Me
112 bpm • G Maj • 05:01 • -9.64db
26% Popularity • 63% Danceability • 63% Energy • 15% Liveness
82% Instrumentalness • 50% Positiveness
26% Popularity • 63% Danceability • 63% Energy • 15% Liveness
82% Instrumentalness • 50% Positiveness
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Electrelane
I Keep Losing Heart
117 bpm • E min • 03:41 • -17.38db
22% Popularity • 53% Danceability • 21% Energy • 12% Liveness
81% Instrumentalness • 11% Positiveness
22% Popularity • 53% Danceability • 21% Energy • 12% Liveness
81% Instrumentalness • 11% Positiveness
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Cranes
Everywhere
117 bpm • G# min • 03:41 • -12.16db
38% Popularity • 68% Danceability • 52% Energy • 10% Liveness
54% Instrumentalness • 84% Positiveness
38% Popularity • 68% Danceability • 52% Energy • 10% Liveness
54% Instrumentalness • 84% Positiveness
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Arcade Fire
The Suburbs (continued)
117 bpm • F# min • 01:31 • -22.32db
58% Popularity • 39% Danceability • 8% Energy • 23% Liveness
27% Instrumentalness • 5% Positiveness
58% Popularity • 39% Danceability • 8% Energy • 23% Liveness
27% Instrumentalness • 5% Positiveness
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Pinback
Crutch
117 bpm • F min • 04:31 • -7.53db
40% Popularity • 78% Danceability • 60% Energy • 10% Liveness
76% Instrumentalness • 29% Positiveness
40% Popularity • 78% Danceability • 60% Energy • 10% Liveness
76% Instrumentalness • 29% Positiveness
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Blonde Redhead
Without Feathers
111 bpm • D Maj • 03:57 • -13.92db
20% Popularity • 28% Danceability • 57% Energy • 9% Liveness
86% Instrumentalness • 24% Positiveness
20% Popularity • 28% Danceability • 57% Energy • 9% Liveness
86% Instrumentalness • 24% Positiveness
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The Radio Dept.
Someone Else
117 bpm • D Maj • 02:18 • -8.02db
47% Popularity • 63% Danceability • 59% Energy • 12% Liveness
18% Instrumentalness • 57% Positiveness
47% Popularity • 63% Danceability • 59% Energy • 12% Liveness
18% Instrumentalness • 57% Positiveness
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Sibylle Baier
I Lost Something in the Hills
117 bpm • G# Maj • 03:28 • -14.67db
45% Popularity • 63% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
45% Popularity • 63% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Cranes
Jewel
118 bpm • D# min • 03:05 • -13.44db
44% Popularity • 71% Danceability • 66% Energy • 9% Liveness
54% Instrumentalness • 96% Positiveness
44% Popularity • 71% Danceability • 66% Energy • 9% Liveness
54% Instrumentalness • 96% Positiveness
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Sun Kil Moon
Convenient Parking
118 bpm • D min • 01:56 • -13.18db
41% Popularity • 42% Danceability • 32% Energy • 17% Liveness
78% Instrumentalness • 71% Positiveness
41% Popularity • 42% Danceability • 32% Energy • 17% Liveness
78% Instrumentalness • 71% Positiveness
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Lele Sacchi
Yoùre Only (Easy To Remember Remix) - L...
118 bpm • F min • 06:01 • -8.08db
2% Popularity • 68% Danceability • 81% Energy • 11% Liveness
24% Instrumentalness • 29% Positiveness
2% Popularity • 68% Danceability • 81% Energy • 11% Liveness
24% Instrumentalness • 29% Positiveness
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Tamaryn
Love Fade
118 bpm • G Maj • 03:40 • -4.59db
48% Popularity • 43% Danceability • 91% Energy • 36% Liveness
90% Instrumentalness • 19% Positiveness
48% Popularity • 43% Danceability • 91% Energy • 36% Liveness
90% Instrumentalness • 19% Positiveness
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Cocteau Twins
Blue Bell Knoll
110 bpm • C min • 03:21 • -6.41db
40% Popularity • 42% Danceability • 81% Energy • 12% Liveness
2% Instrumentalness • 43% Positiveness
40% Popularity • 42% Danceability • 81% Energy • 12% Liveness
2% Instrumentalness • 43% Positiveness
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John Maus
Sensitive Recollections
110 bpm • C min • 02:46 • -12.27db
36% Popularity • 65% Danceability • 37% Energy • 9% Liveness
95% Instrumentalness • 81% Positiveness
36% Popularity • 65% Danceability • 37% Energy • 9% Liveness
95% Instrumentalness • 81% Positiveness
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Cranes
Cloudless
110 bpm • G# Maj • 05:33 • -18db
25% Popularity • 60% Danceability • 30% Energy • 5% Liveness
77% Instrumentalness • 40% Positiveness
25% Popularity • 60% Danceability • 30% Energy • 5% Liveness
77% Instrumentalness • 40% Positiveness
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Slint
Washer
110 bpm • E min • 08:50 • -24.13db
45% Popularity • 43% Danceability • 10% Energy • 9% Liveness
52% Instrumentalness • 4% Positiveness
45% Popularity • 43% Danceability • 10% Energy • 9% Liveness
52% Instrumentalness • 4% Positiveness
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Drab City
Working For The Men
110 bpm • G min • 02:05 • -16.76db
31% Popularity • 63% Danceability • 34% Energy • 11% Liveness
97% Instrumentalness • 44% Positiveness
31% Popularity • 63% Danceability • 34% Energy • 11% Liveness
97% Instrumentalness • 44% Positiveness
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Tindersticks
El Diablo En El Ojo
110 bpm • A Maj • 03:32 • -17db
33% Popularity • 30% Danceability • 20% Energy • 15% Liveness
80% Instrumentalness • 10% Positiveness
33% Popularity • 30% Danceability • 20% Energy • 15% Liveness
80% Instrumentalness • 10% Positiveness
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Lush
Sweetness and Light
110 bpm • E Maj • 05:17 • -8db
45% Popularity • 46% Danceability • 88% Energy • 10% Liveness
81% Instrumentalness • 34% Positiveness
45% Popularity • 46% Danceability • 88% Energy • 10% Liveness
81% Instrumentalness • 34% Positiveness
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Grandaddy
Miner At The Dial-A-View
110 bpm • D Maj • 05:21 • -9.51db
27% Popularity • 60% Danceability • 46% Energy • 9% Liveness
8% Instrumentalness • 8% Positiveness
27% Popularity • 60% Danceability • 46% Energy • 9% Liveness
8% Instrumentalness • 8% Positiveness
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Cranes
Watersong
118 bpm • E min • 03:51 • -20.34db
36% Popularity • 66% Danceability • 10% Energy • 9% Liveness
79% Instrumentalness • 60% Positiveness
36% Popularity • 66% Danceability • 10% Energy • 9% Liveness
79% Instrumentalness • 60% Positiveness
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Angel Olsen
Unfucktheworld
119 bpm • C Maj • 02:05 • -13db
56% Popularity • 55% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
56% Popularity • 55% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
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Thom Yorke
The Eraser
119 bpm • E min • 04:55 • -11db
48% Popularity • 63% Danceability • 58% Energy • 10% Liveness
46% Instrumentalness • 25% Positiveness
48% Popularity • 63% Danceability • 58% Energy • 10% Liveness
46% Instrumentalness • 25% Positiveness
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Idaho
The Mystery
119 bpm • G# Maj • 02:44 • -18.15db
34% Popularity • 72% Danceability • 14% Energy • 9% Liveness
7% Instrumentalness • 15% Positiveness
34% Popularity • 72% Danceability • 14% Energy • 9% Liveness
7% Instrumentalness • 15% Positiveness
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Deerhunter
Never Stops
119 bpm • C Maj • 03:04 • -5db
31% Popularity • 52% Danceability • 82% Energy • 39% Liveness
64% Instrumentalness • 60% Positiveness
31% Popularity • 52% Danceability • 82% Energy • 39% Liveness
64% Instrumentalness • 60% Positiveness
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Cate Le Bon
Home to You
109 bpm • A min • 05:27 • -6.07db
41% Popularity • 80% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 80% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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The Radio Dept.
Sleeping in
109 bpm • E Maj • 03:31 • -8.72db
42% Popularity • 48% Danceability • 80% Energy • 22% Liveness
83% Instrumentalness • 86% Positiveness
42% Popularity • 48% Danceability • 80% Energy • 22% Liveness
83% Instrumentalness • 86% Positiveness
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Melody's Echo Chamber
Cross My Heart
109 bpm • G Maj • 06:55 • -7.24db
31% Popularity • 62% Danceability • 79% Energy • 9% Liveness
1% Instrumentalness • 57% Positiveness
31% Popularity • 62% Danceability • 79% Energy • 9% Liveness
1% Instrumentalness • 57% Positiveness
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The Raveonettes
I Wanna Be Adored
109 bpm • B Maj • 03:46 • -4.51db
43% Popularity • 51% Danceability • 98% Energy • 9% Liveness
72% Instrumentalness • 31% Positiveness
43% Popularity • 51% Danceability • 98% Energy • 9% Liveness
72% Instrumentalness • 31% Positiveness
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Lush
Light From A Dead Star
109 bpm • A min • 03:17 • -7db
36% Popularity • 51% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
36% Popularity • 51% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Interpol
Leif Erikson
109 bpm • G Maj • 04:00 • -8db
55% Popularity • 52% Danceability • 74% Energy • 9% Liveness
58% Instrumentalness • 65% Positiveness
55% Popularity • 52% Danceability • 74% Energy • 9% Liveness
58% Instrumentalness • 65% Positiveness
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Cranes
Shining Road
120 bpm • B min • 03:51 • -11db
32% Popularity • 58% Danceability • 83% Energy • 6% Liveness
45% Instrumentalness • 86% Positiveness
32% Popularity • 58% Danceability • 83% Energy • 6% Liveness
45% Instrumentalness • 86% Positiveness
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Blonde Redhead
Messenger
108 bpm • F# Maj • 03:21 • -8db
38% Popularity • 53% Danceability • 71% Energy • 10% Liveness
67% Instrumentalness • 31% Positiveness
38% Popularity • 53% Danceability • 71% Energy • 10% Liveness
67% Instrumentalness • 31% Positiveness
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Sparklehorse
Apple Bed
120 bpm • A min • 04:54 • -19.4db
31% Popularity • 81% Danceability • 16% Energy • 10% Liveness
48% Instrumentalness • 9% Positiveness
31% Popularity • 81% Danceability • 16% Energy • 10% Liveness
48% Instrumentalness • 9% Positiveness
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Lele Sacchi
Yoùre Only - Lele Sacchi Vs Blonde Red...
120 bpm • G# min • 06:16 • -7.91db
5% Popularity • 78% Danceability • 62% Energy • 15% Liveness
79% Instrumentalness • 41% Positiveness
5% Popularity • 78% Danceability • 62% Energy • 15% Liveness
79% Instrumentalness • 41% Positiveness
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Cocteau Twins
Those Eyes, That Mouth
120 bpm • B min • 03:38 • -8db
52% Popularity • 40% Danceability • 68% Energy • 8% Liveness
82% Instrumentalness • 27% Positiveness
52% Popularity • 40% Danceability • 68% Energy • 8% Liveness
82% Instrumentalness • 27% Positiveness
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Sibylle Baier
Tonight
120 bpm • F min • 02:26 • -14.71db
47% Popularity • 58% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
47% Popularity • 58% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Deerhunter
Agoraphobia
120 bpm • E Maj • 03:22 • -6.88db
42% Popularity • 58% Danceability • 94% Energy • 66% Liveness
82% Instrumentalness • 39% Positiveness
42% Popularity • 58% Danceability • 94% Energy • 66% Liveness
82% Instrumentalness • 39% Positiveness
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Blonde Redhead
The One I Love
120 bpm • C# Maj • 03:51 • -16.15db
24% Popularity • 68% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 68% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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CocoRosie
Noah's Ark
108 bpm • A# Maj • 04:13 • -13db
32% Popularity • 56% Danceability • 34% Energy • 27% Liveness
63% Instrumentalness • 15% Positiveness
32% Popularity • 56% Danceability • 34% Energy • 27% Liveness
63% Instrumentalness • 15% Positiveness
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Radiohead
Go Slowly
108 bpm • B min • 03:48 • -8.56db
51% Popularity • 44% Danceability • 39% Energy • 13% Liveness
80% Instrumentalness • 4% Positiveness
51% Popularity • 44% Danceability • 39% Energy • 13% Liveness
80% Instrumentalness • 4% Positiveness
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Autolux
Reappearing
120 bpm • D# min • 02:51 • -9.73db
19% Popularity • 42% Danceability • 55% Energy • 10% Liveness
92% Instrumentalness • 25% Positiveness
19% Popularity • 42% Danceability • 55% Energy • 10% Liveness
92% Instrumentalness • 25% Positiveness
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Melody's Echo Chamber
Unfold
108 bpm • G# Maj • 01:30 • -6.09db
47% Popularity • 59% Danceability • 80% Energy • 8% Liveness
5% Instrumentalness • 76% Positiveness
47% Popularity • 59% Danceability • 80% Energy • 8% Liveness
5% Instrumentalness • 76% Positiveness
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Slowdive
Slomo
108 bpm • G Maj • 06:53 • -7.22db
52% Popularity • 19% Danceability • 70% Energy • 13% Liveness
3% Instrumentalness • 35% Positiveness
52% Popularity • 19% Danceability • 70% Energy • 13% Liveness
3% Instrumentalness • 35% Positiveness
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Blonde Redhead
Oslo
120 bpm • F min • 03:54 • -9db
25% Popularity • 77% Danceability • 66% Energy • 10% Liveness
74% Instrumentalness • 58% Positiveness
25% Popularity • 77% Danceability • 66% Energy • 10% Liveness
74% Instrumentalness • 58% Positiveness
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Deerhunter
Like New
121 bpm • C# min • 02:13 • -8.08db
30% Popularity • 32% Danceability • 84% Energy • 30% Liveness
63% Instrumentalness • 4% Positiveness
30% Popularity • 32% Danceability • 84% Energy • 30% Liveness
63% Instrumentalness • 4% Positiveness
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Shannon Wright
You'll Be the Death
121 bpm • F min • 04:07 • -9.8db
11% Popularity • 50% Danceability • 65% Energy • 10% Liveness
6% Instrumentalness • 17% Positiveness
11% Popularity • 50% Danceability • 65% Energy • 10% Liveness
6% Instrumentalness • 17% Positiveness
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CocoRosie
K-hole
121 bpm • C Maj • 04:10 • -9db
30% Popularity • 56% Danceability • 59% Energy • 66% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 56% Danceability • 59% Energy • 66% Liveness
0% Instrumentalness • 68% Positiveness
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Carissa's Wierd
So You Wanna Be A Superhero
121 bpm • C min • 03:39 • -9.31db
40% Popularity • 47% Danceability • 51% Energy • 11% Liveness
80% Instrumentalness • 30% Positiveness
40% Popularity • 47% Danceability • 51% Energy • 11% Liveness
80% Instrumentalness • 30% Positiveness
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The American Analog Set
Punk as Fuck
121 bpm • G Maj • 04:09 • -10.39db
38% Popularity • 74% Danceability • 48% Energy • 12% Liveness
85% Instrumentalness • 93% Positiveness
38% Popularity • 74% Danceability • 48% Energy • 12% Liveness
85% Instrumentalness • 93% Positiveness
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Blonde Redhead
In Particular
121 bpm • F# Maj • 06:05 • -9.4db
41% Popularity • 82% Danceability • 55% Energy • 7% Liveness
1% Instrumentalness • 52% Positiveness
41% Popularity • 82% Danceability • 55% Energy • 7% Liveness
1% Instrumentalness • 52% Positiveness
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Tamaryn
While You're Sleeping, I'm Dreaming
121 bpm • E min • 04:25 • -4.15db
27% Popularity • 44% Danceability • 80% Energy • 35% Liveness
30% Instrumentalness • 50% Positiveness
27% Popularity • 44% Danceability • 80% Energy • 35% Liveness
30% Instrumentalness • 50% Positiveness
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Thom Yorke
Has Ended
121 bpm • F Maj • 04:56 • -9.99db
36% Popularity • 51% Danceability • 41% Energy • 21% Liveness
79% Instrumentalness • 11% Positiveness
36% Popularity • 51% Danceability • 41% Energy • 21% Liveness
79% Instrumentalness • 11% Positiveness
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Lush
Desire Lines
121 bpm • A min • 07:39 • -5.45db
46% Popularity • 38% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
46% Popularity • 38% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Sonic Youth
Shadow of a Doubt
121 bpm • E min • 03:32 • -13.39db
46% Popularity • 68% Danceability • 52% Energy • 11% Liveness
87% Instrumentalness • 34% Positiveness
46% Popularity • 68% Danceability • 52% Energy • 11% Liveness
87% Instrumentalness • 34% Positiveness
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Radiohead
Where I End and You Begin
121 bpm • G# Maj • 04:29 • -7.86db
56% Popularity • 30% Danceability • 71% Energy • 14% Liveness
86% Instrumentalness • 48% Positiveness
56% Popularity • 30% Danceability • 71% Energy • 14% Liveness
86% Instrumentalness • 48% Positiveness
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Blonde Redhead
Hated Because of Great Qualities
121 bpm • F# Maj • 04:42 • -9.78db
38% Popularity • 80% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 80% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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The Jesus and Mary Chain
Just Like Honey
121 bpm • G# Maj • 03:02 • -10.5db
58% Popularity • 34% Danceability • 55% Energy • 6% Liveness
62% Instrumentalness • 49% Positiveness
58% Popularity • 34% Danceability • 55% Energy • 6% Liveness
62% Instrumentalness • 49% Positiveness
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Broken Social Scene
Shampoo Suicide
121 bpm • F Maj • 04:05 • -5.8db
35% Popularity • 58% Danceability • 56% Energy • 20% Liveness
69% Instrumentalness • 39% Positiveness
35% Popularity • 58% Danceability • 56% Energy • 20% Liveness
69% Instrumentalness • 39% Positiveness
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The Raveonettes
Lust
107 bpm • F# min • 03:37 • -5.18db
34% Popularity • 64% Danceability • 72% Energy • 11% Liveness
22% Instrumentalness • 29% Positiveness
34% Popularity • 64% Danceability • 72% Energy • 11% Liveness
22% Instrumentalness • 29% Positiveness
