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Drive (For Daddy Gene)
Songs like
Drive (For Daddy Gene)
by
Alan Jackson
Based on a tempo of (+/- 10%) and a similar genre
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Alan Jackson
1976
125 bpm • A Maj • 04:09 • -13.84db
43% Popularity • 75% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Trisha Yearwood
She's In Love With The Boy - Single Vers...
125 bpm • D# Maj • 04:08 • -8.27db
70% Popularity • 78% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Jimmy Buffett
Margaritaville
125 bpm • D Maj • 04:10 • -13.64db
68% Popularity • 80% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Toby Keith
A Little Less Talk And A Lot More Action
125 bpm • A Maj • 02:50 • -8db
63% Popularity • 76% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Kenny Chesney
How Forever Feels
125 bpm • G Maj • 03:08 • -7.43db
60% Popularity • 72% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Brooks & Dunn
My Maria
126 bpm • D# Maj • 03:28 • -4.63db
68% Popularity • 67% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Alan Jackson
Hard Hat And A Hammer
125 bpm • E Maj • 02:48 • -7.49db
50% Popularity • 75% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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The Judds
Why Not Me
126 bpm • A# Maj • 03:29 • -9.28db
63% Popularity • 73% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Trisha Yearwood
XXX's And OOO's (An American Girl)
126 bpm • C Maj • 02:47 • -8.91db
63% Popularity • 71% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Rodney Atkins
Caught Up In The Country
124 bpm • G Maj • 02:40 • -7db
72% Popularity • 60% Danceability • 81% Energy • 54% Liveness
0% Instrumentalness • 68% Positiveness
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Dwight Yoakam
Fast as You
126 bpm • E Maj • 04:45 • -7.93db
64% Popularity • 63% Danceability • 80% Energy • 40% Liveness
9% Instrumentalness • 84% Positiveness
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Cody Jinks
Must Be the Whiskey
126 bpm • D# min • 03:25 • -5.81db
67% Popularity • 55% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Alan Jackson
Drive (For Daddy Gene)
125 bpm • B Maj • 04:02 • -8.07db
66% Popularity • 71% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Morgan Wallen
More Than My Hometown
126 bpm • F# Maj • 03:36 • -5.48db
79% Popularity • 62% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Gretchen Wilson
Here for the Party
124 bpm • C Maj • 03:16 • -4.87db
61% Popularity • 66% Danceability • 72% Energy • 90% Liveness
0% Instrumentalness • 81% Positiveness
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Tim McGraw
I Like It, I Love It
124 bpm • C Maj • 03:25 • -5.3db
70% Popularity • 64% Danceability • 96% Energy • 95% Liveness
0% Instrumentalness • 96% Positiveness
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HARDY
GIVE HEAVEN SOME HELL
126 bpm • B Maj • 03:37 • -4.98db
71% Popularity • 64% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Toby Keith
Who's Your Daddy?
126 bpm • A Maj • 03:57 • -5db
59% Popularity • 69% Danceability • 84% Energy • 5% Liveness
3% Instrumentalness • 88% Positiveness
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Alan Jackson
Remember When
125 bpm • D Maj • 04:30 • -10.62db
49% Popularity • 56% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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George Strait
Write This Down
124 bpm • D# Maj • 03:39 • -7.47db
69% Popularity • 73% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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Travis Tritt
Country Club
126 bpm • E Maj • 03:10 • -8db
55% Popularity • 80% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Hank Williams, Jr.
Family Tradition
126 bpm • E Maj • 04:02 • -12.07db
68% Popularity • 66% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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John Anderson
Seminole Wind
127 bpm • D Maj • 03:58 • -11.1db
57% Popularity • 62% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Toby Keith
Whiskey Girl
123 bpm • F# Maj • 03:59 • -5.27db
60% Popularity • 65% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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Alan Jackson
Gone Country
126 bpm • G Maj • 04:19 • -7db
54% Popularity • 68% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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The Chicks
There's Your Trouble
127 bpm • D Maj • 03:13 • -5.43db
63% Popularity • 74% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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Brothers Osborne
It Ain't My Fault
123 bpm • A Maj • 03:36 • -5.9db
65% Popularity • 74% Danceability • 83% Energy • 29% Liveness
22% Instrumentalness • 76% Positiveness
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Hank Williams, Jr.
All My Rowdy Friends (Have Settled Down)
127 bpm • C Maj • 04:00 • -10.32db
55% Popularity • 71% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Brooks & Dunn
Brand New Man - with Luke Combs
127 bpm • G Maj • 03:11 • -4.87db
67% Popularity • 57% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Kip Moore
She's Mine
123 bpm • G Maj • 03:49 • -5.86db
55% Popularity • 62% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Chris LeDoux
Whatcha Gonna Do With A Cowboy
127 bpm • D Maj • 02:35 • -7.63db
54% Popularity • 74% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Josh Turner
Would You Go With Me
123 bpm • F# Maj • 03:48 • -5.37db
71% Popularity • 60% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Merle Haggard
Pancho and Lefty
123 bpm • D Maj • 04:47 • -12.44db
60% Popularity • 69% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Deana Carter
Strawberry Wine
123 bpm • C# Maj • 04:51 • -6.57db
67% Popularity • 57% Danceability • 45% Energy • 3% Liveness
0% Instrumentalness • 21% Positiveness
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Brooks & Dunn
Brand New Man
128 bpm • G Maj • 02:59 • -4.36db
63% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Billy Currington
Good Directions
123 bpm • F Maj • 03:35 • -2.18db
72% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Tim McGraw
Down On The Farm
128 bpm • F min • 02:58 • -12db
61% Popularity • 72% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Riley Green
There Was This Girl
128 bpm • C# Maj • 03:14 • -4.22db
68% Popularity • 62% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Kenny Chesney
She Thinks My Tractor's Sexy
122 bpm • A# min • 04:08 • -7.07db
65% Popularity • 69% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Luke Combs
When It Rains It Pours
128 bpm • F# Maj • 04:00 • -5.07db
80% Popularity • 55% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Morgan Wallen
Cover Me Up
128 bpm • G Maj • 04:53 • -8.19db
76% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Billy Currington
We Are Tonight
128 bpm • B Maj • 03:52 • -5.35db
60% Popularity • 56% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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John Michael Montgomery
Letters from Home
128 bpm • C Maj • 04:27 • -7db
55% Popularity • 64% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Trey Lewis
Dicked Down in Dallas
122 bpm • F# Maj • 03:21 • -4.69db
69% Popularity • 51% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Aaron Lewis
Country Boy
122 bpm • F# Maj • 04:43 • -6.44db
62% Popularity • 60% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Josh Turner
Why Don't We Just Dance
122 bpm • F Maj • 03:12 • -5.93db
70% Popularity • 68% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Billy Ray Cyrus
Achy Breaky Heart
122 bpm • A Maj • 03:23 • -10.21db
68% Popularity • 80% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Alabama
I'm in a Hurry (And Don't Know Why)
129 bpm • A Maj • 02:48 • -8db
65% Popularity • 75% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Shenandoah
Two Dozen Roses
121 bpm • E Maj • 03:24 • -9.14db
70% Popularity • 69% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Little Texas
God Blessed Texas
129 bpm • A Maj • 03:28 • -8.51db
55% Popularity • 65% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Clint Black
Killin' Time
121 bpm • G Maj • 02:47 • -10.32db
62% Popularity • 71% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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Alan Jackson
I Don't Even Know Your Name
129 bpm • A Maj • 03:49 • -9.6db
34% Popularity • 62% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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Travis Tritt
It's A Great Day To Be Alive
129 bpm • G Maj • 04:01 • -4.94db
71% Popularity • 60% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Rhett Akins
That Ain't My Truck
129 bpm • G Maj • 04:03 • -9.01db
62% Popularity • 64% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Kenny Chesney
All the Pretty Girls
121 bpm • F# Maj • 03:32 • -3.74db
63% Popularity • 61% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Trace Adkins
Every Light In The House
129 bpm • F Maj • 02:59 • -7.3db
65% Popularity • 64% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 35% Positiveness
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Jerry Reed
East Bound and Down
121 bpm • G Maj • 02:48 • -8.12db
62% Popularity • 51% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Alan Jackson
Freight Train
121 bpm • G min • 04:39 • -7.54db
62% Popularity • 71% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Tracy Byrd
I'm From The Country - Single Version
130 bpm • D Maj • 03:33 • -4db
61% Popularity • 69% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Jamey Johnson
In Color
130 bpm • D# Maj • 04:50 • -8.75db
69% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Tracy Lawrence
Paint Me a Birmingham
130 bpm • F# Maj • 03:51 • -4.55db
51% Popularity • 52% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Zac Brown Band
Toes
130 bpm • B Maj • 04:22 • -5.4db
72% Popularity • 80% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Morgan Wallen
Up Down
130 bpm • F# Maj • 03:17 • -3.04db
73% Popularity • 59% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Dierks Bentley
Free And Easy (Down The Road I Go)
120 bpm • F# Maj • 03:19 • -5db
59% Popularity • 58% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Easton Corbin
Roll With It
120 bpm • F Maj • 03:27 • -8db
57% Popularity • 71% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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Koe Wetzel
Something to Talk About
130 bpm • A min • 03:24 • -5.13db
68% Popularity • 61% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Joe Diffie
John Deere Green
130 bpm • G Maj • 04:32 • -5.05db
59% Popularity • 70% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Cody Jinks
Mamma Song
120 bpm • A# Maj • 04:19 • -6.86db
61% Popularity • 57% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Brooks & Dunn
Boot Scootin' Boogie
130 bpm • B min • 03:18 • -4.3db
71% Popularity • 66% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Alan Jackson
Little Man
120 bpm • C# Maj • 04:27 • -11.44db
35% Popularity • 71% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Charley Pride
Kiss an Angel Good Mornin'
131 bpm • E Maj • 02:03 • -11db
62% Popularity • 66% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 87% Positiveness
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Merle Haggard
Are the Good Times Really Over (I Wish a...
131 bpm • C Maj • 04:13 • -15.44db
53% Popularity • 62% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Diamond Rio
One More Day
131 bpm • E Maj • 03:36 • -7.63db
54% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Toby Keith
Beer For My Horses
119 bpm • A# Maj • 03:24 • -5.33db
72% Popularity • 72% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Luke Combs
Lovin' On You
119 bpm • E Maj • 03:14 • -4.87db
70% Popularity • 57% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Tracy Lawrence
Paint Me A Birmingham
132 bpm • F# Maj • 03:48 • -9db
61% Popularity • 55% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Alan Jackson
Livin' On Love
119 bpm • A Maj • 03:48 • -9.71db
57% Popularity • 72% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Parker McCollum
Pretty Heart
132 bpm • G Maj • 04:05 • -4.45db
67% Popularity • 57% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Luke Bryan
Knockin' Boots
132 bpm • D Maj • 03:20 • -3.75db
69% Popularity • 73% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Toby Keith
As Good As I Once Was
119 bpm • F Maj • 03:47 • -4db
74% Popularity • 68% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Alabama
Roll On (Eighteen Wheeler)
132 bpm • F Maj • 04:24 • -9.04db
51% Popularity • 63% Danceability • 66% Energy • 65% Liveness
0% Instrumentalness • 67% Positiveness
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Tracy Lawrence
Time Marches On
118 bpm • F# min • 03:05 • -9db
68% Popularity • 86% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Martina McBride
Independence Day
118 bpm • A Maj • 03:24 • -6.2db
60% Popularity • 71% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Alan Jackson
Good Time
132 bpm • A Maj • 05:06 • -10.45db
66% Popularity • 65% Danceability • 77% Energy • 40% Liveness
0% Instrumentalness • 73% Positiveness
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Dierks Bentley
I Hold On
118 bpm • C Maj • 04:39 • -6.45db
59% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Kenny Chesney
No Shoes, No Shirt, No Problems
118 bpm • G Maj • 03:29 • -10.24db
60% Popularity • 72% Danceability • 55% Energy • 18% Liveness
1% Instrumentalness • 67% Positiveness
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Rascal Flatts
Fast Cars And Freedom
118 bpm • D# min • 04:22 • -4.84db
60% Popularity • 62% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Clay Walker
What's It to You
118 bpm • D Maj • 02:46 • -13.22db
57% Popularity • 72% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Neal McCoy
Wink
118 bpm • E Maj • 02:42 • -6.18db
58% Popularity • 71% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Alan Jackson
Small Town Southern Man
133 bpm • D# Maj • 04:40 • -12db
57% Popularity • 68% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Montgomery Gentry
Lucky Man
133 bpm • E Maj • 03:16 • -7db
54% Popularity • 58% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Kenny Chesney
She's Got It All
133 bpm • G Maj • 03:25 • -7db
60% Popularity • 71% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Toby Keith
Should've Been A Cowboy
133 bpm • G Maj • 03:31 • -8db
76% Popularity • 62% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Dierks Bentley
5-1-5-0
117 bpm • C# min • 03:02 • -5.18db
63% Popularity • 55% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Justin Moore
Why We Drink
117 bpm • F# Maj • 03:31 • -3.05db
60% Popularity • 62% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Alan Jackson
Who's Cheatin' Who
133 bpm • G Maj • 04:01 • -7db
51% Popularity • 66% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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Luke Combs
Where the Wild Things Are
117 bpm • D# Maj • 03:59 • -4.87db
84% Popularity • 71% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Rodney Atkins
Farmer's Daughter
134 bpm • F# Maj • 03:27 • -3.52db
65% Popularity • 61% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Toby Keith
Wish I Didn't Know Now
117 bpm • G Maj • 03:26 • -8.6db
65% Popularity • 80% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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The Charlie Daniels Band
The Devil Went Down to Georgia
134 bpm • C Maj • 03:34 • -9.43db
68% Popularity • 52% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Drive (For Daddy Gene)