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Drop Anchor
Songs like
Drop Anchor
by
Harmonica Slim
Based on a tempo of (+/- 10%) and a similar genre
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Albert King
Searchin' For A Woman
136 bpm • A# min • 03:02 • -12.68db
25% Popularity • 63% Danceability • 52% Energy • 9% Liveness
2% Instrumentalness • 94% Positiveness
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Slim Harpo
Little Queen Bee (Got a Brand New King)
136 bpm • C min • 02:38 • -11.74db
25% Popularity • 57% Danceability • 38% Energy • 10% Liveness
1% Instrumentalness • 80% Positiveness
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James "Son" Thomas
Beefsteak Blues
136 bpm • G Maj • 02:55 • -14.7db
24% Popularity • 69% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Lazy Lester
Dark End Of The Street
136 bpm • F Maj • 02:56 • -13db
22% Popularity • 52% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Washboard Willie
I Feel So Fine
136 bpm • C Maj • 02:22 • -8.28db
12% Popularity • 55% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Harmonica Slim
Drop Anchor
136 bpm • D min • 02:07 • -10.05db
20% Popularity • 82% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
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Hoochie Coochie Blues Band
Don´t Go No Further
135 bpm • B min • 02:37 • -8.78db
17% Popularity • 41% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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Slim Harpo
We're Two of a Kind
136 bpm • F Maj • 02:49 • -10.19db
19% Popularity • 70% Danceability • 39% Energy • 12% Liveness
12% Instrumentalness • 85% Positiveness
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Gary Smith
South Bay Beatdown
137 bpm • A Maj • 02:58 • -9.95db
16% Popularity • 58% Danceability • 63% Energy • 12% Liveness
94% Instrumentalness • 77% Positiveness
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Lazy Lester
Rooster Blues
135 bpm • A Maj • 03:02 • -7db
20% Popularity • 44% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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J.B. Lenoir
Mama Talk To Your Daughter
137 bpm • A min • 02:21 • -9db
39% Popularity • 61% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Sonny Terry and Brownie McGhee
Stranger Blues
137 bpm • F Maj • 02:26 • -14db
10% Popularity • 55% Danceability • 20% Energy • 8% Liveness
4% Instrumentalness • 24% Positiveness
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Kim Wilson
Tiger Man
137 bpm • G# Maj • 03:40 • -7.56db
16% Popularity • 52% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Slim Harpo
My Little Queen Bee (Got A Brand New Kin...
137 bpm • F Maj • 02:36 • -6.03db
32% Popularity • 48% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Big Mama Thornton
Hard Times
137 bpm • F min • 02:13 • -12.84db
16% Popularity • 58% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Lazy Lester
I'm Gonna Leave You Baby
137 bpm • A# Maj • 02:12 • -7.49db
26% Popularity • 62% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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Harmonica Slim
Hole in Her Belly
135 bpm • E Maj • 03:32 • -11.85db
1% Popularity • 63% Danceability • 44% Energy • 15% Liveness
22% Instrumentalness • 92% Positiveness
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J. B. Hutto
Hip-Shakin'
137 bpm • A# Maj • 02:24 • -15.04db
16% Popularity • 70% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Snooks Eaglin
I'm Slippin' In
135 bpm • C Maj • 02:51 • -9.05db
17% Popularity • 76% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Floyd Dixon
Hey, Bartender
135 bpm • A# Maj • 03:25 • -6db
35% Popularity • 54% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Memphis Minnie
Keep On Eatin'
135 bpm • C Maj • 02:37 • -17db
24% Popularity • 82% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Detroit Junior
Some Nerve
134 bpm • D Maj • 03:05 • -14.22db
28% Popularity • 56% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Harmonica Slim
Coal Black Mare
135 bpm • A Maj • 04:05 • -10.84db
1% Popularity • 74% Danceability • 46% Energy • 32% Liveness
2% Instrumentalness • 90% Positiveness
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Lacy Gibson
Wish Me Well
138 bpm • C Maj • 02:57 • -15.22db
27% Popularity • 63% Danceability • 76% Energy • 7% Liveness
9% Instrumentalness • 61% Positiveness
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J.B. Lenoir
Voodoo Boogie
134 bpm • F Maj • 01:58 • -11.97db
30% Popularity • 66% Danceability • 52% Energy • 8% Liveness
3% Instrumentalness • 86% Positiveness
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Big Mama Thornton
Sheriff O.E. & Me
138 bpm • F# min • 03:25 • -13.52db
10% Popularity • 65% Danceability • 56% Energy • 96% Liveness
0% Instrumentalness • 71% Positiveness
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Professor Longhair
How Long Has That Train Been Gone
138 bpm • F Maj • 05:35 • -13.73db
11% Popularity • 64% Danceability • 47% Energy • 22% Liveness
32% Instrumentalness • 90% Positiveness
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Ike Turner
I'm Tore Up
134 bpm • A min • 02:23 • -8.72db
14% Popularity • 66% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Harmonica Slim
Shake for Me
134 bpm • D Maj • 04:06 • -9.26db
0% Popularity • 78% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Luther "Snake Boy" Johnson
They call me the snake
138 bpm • E Maj • 05:37 • -13db
32% Popularity • 60% Danceability • 32% Energy • 29% Liveness
10% Instrumentalness • 41% Positiveness
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Nick Moss & The Flip Tops
This Little Voice - Bonus Track
138 bpm • A Maj • 02:18 • -4.01db
10% Popularity • 52% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Floyd Dixon
You Know That'll Get It
138 bpm • C min • 02:34 • -5.92db
27% Popularity • 73% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Eddie Shaw
Out Of Bad Luck
139 bpm • G Maj • 03:21 • -11.77db
27% Popularity • 66% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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Zuzu Bollin
Big Legs
139 bpm • F min • 02:37 • -13.78db
13% Popularity • 60% Danceability • 63% Energy • 30% Liveness
2% Instrumentalness • 68% Positiveness
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Harmonica Slim
Do What You Wanna Do
133 bpm • G Maj • 02:09 • -10.85db
2% Popularity • 76% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Amos Milburn
Chicken Shack Boogie
139 bpm • G Maj • 02:50 • -9.63db
17% Popularity • 57% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Little Junior Parker
I'll Forget About You
133 bpm • F# min • 02:19 • -11.34db
14% Popularity • 48% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Ike Turner
Do You Mean It
139 bpm • D Maj • 02:16 • -8db
8% Popularity • 58% Danceability • 54% Energy • 49% Liveness
0% Instrumentalness • 93% Positiveness
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Louisiana Red
I Am Louisiana Red
139 bpm • G Maj • 02:07 • -16db
20% Popularity • 55% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Clarence "Frogman" Henry
It Went to Your Head
132 bpm • G Maj • 02:10 • -11.55db
14% Popularity • 64% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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Smokey Joe Baugh
The Signifying Monkey
132 bpm • F Maj • 03:16 • -8db
9% Popularity • 76% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Big Mama Thornton
Rock-A-Bye Baby
140 bpm • D# Maj • 02:38 • -10.03db
10% Popularity • 64% Danceability • 52% Energy • 19% Liveness
30% Instrumentalness • 92% Positiveness
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Mark Hodgson
Tequila Quicksand
140 bpm • A Maj • 03:46 • -5.51db
12% Popularity • 40% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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William Clarke
Saturday Night Blues
132 bpm • F Maj • 02:40 • -6.1db
27% Popularity • 57% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Guitar Slim
Later For You Baby
132 bpm • F Maj • 02:20 • -12.19db
10% Popularity • 54% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Kim Wilson
Don't Bite the Hand That Feeds You
132 bpm • C min • 04:16 • -7.8db
13% Popularity • 62% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Zuzu Bollin
Why Don't You Eat Where You Slept Last N...
132 bpm • A# Maj • 02:54 • -16.3db
32% Popularity • 61% Danceability • 40% Energy • 8% Liveness
68% Instrumentalness • 82% Positiveness
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Little Arthur Duncan
44 Blues
132 bpm • A Maj • 03:46 • -11.15db
28% Popularity • 74% Danceability • 41% Energy • 75% Liveness
5% Instrumentalness • 56% Positiveness
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Harmonica Slim
My Baby Won't Quit Me
132 bpm • C min • 02:39 • -9.97db
1% Popularity • 78% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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The Fabulous Thunderbirds
Rock With Me
131 bpm • E Maj • 02:38 • -5db
24% Popularity • 61% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Paul Butterfield's Better Days
Too Many Drivers
132 bpm • D min • 03:21 • -13db
16% Popularity • 51% Danceability • 55% Energy • 29% Liveness
27% Instrumentalness • 76% Positiveness
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Jessie Hill
Ooh Poo Pah Do (Pt. 1)
131 bpm • B min • 02:17 • -10.59db
20% Popularity • 70% Danceability • 70% Energy • 46% Liveness
0% Instrumentalness • 66% Positiveness
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Frankie Lee Sims
She Likes To Boogie Real Low
141 bpm • C# Maj • 02:08 • -8db
19% Popularity • 65% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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J.B. Lenoir
Mama, What About Your Daughter
141 bpm • G# Maj • 02:29 • -10db
22% Popularity • 70% Danceability • 45% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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John Brim
Gary Stomp
141 bpm • F Maj • 02:48 • -11.84db
14% Popularity • 72% Danceability • 47% Energy • 11% Liveness
92% Instrumentalness • 96% Positiveness
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Harmonica Slim
San-Ho-Zay
141 bpm • E min • 03:08 • -9.14db
0% Popularity • 60% Danceability • 70% Energy • 4% Liveness
73% Instrumentalness • 95% Positiveness
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Snooky Pryor
Bottle It Up and Go
131 bpm • G# Maj • 03:02 • -11.63db
32% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Billy "The Kid" Emerson
Shim Sham Shimmy
142 bpm • G Maj • 02:23 • -8.82db
17% Popularity • 71% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Willie Nix
Baker Shop Boogie
142 bpm • C Maj • 02:41 • -8.76db
17% Popularity • 60% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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J.B. Lenoir
Five Years
141 bpm • D Maj • 01:46 • -10.36db
11% Popularity • 70% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Hound Dog Taylor & The HouseRockers
It's Alright
142 bpm • C# min • 03:14 • -17.13db
32% Popularity • 65% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 74% Positiveness
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William Clarke
Gambling For My Bread
130 bpm • A# Maj • 03:25 • -12.78db
22% Popularity • 70% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Lil Son Jackson
Upstairs Boogie
130 bpm • A# min • 02:16 • -13.45db
27% Popularity • 59% Danceability • 44% Energy • 32% Liveness
2% Instrumentalness • 76% Positiveness
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Lazy Lester
Bye Bye Baby
142 bpm • G Maj • 02:43 • -11.72db
23% Popularity • 50% Danceability • 72% Energy • 36% Liveness
10% Instrumentalness • 82% Positiveness
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Harold Burrage
She Knocks Me Out (Master)
142 bpm • D# Maj • 02:16 • -9db
26% Popularity • 63% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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J.B. Lenoir
I Feel So Good
130 bpm • B min • 01:54 • -7db
41% Popularity • 84% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Helen Humes
Real Fine Daddy
142 bpm • C Maj • 02:16 • -7.54db
27% Popularity • 63% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Homesick James
It Seem Like A Dream
130 bpm • C Maj • 02:40 • -6.43db
20% Popularity • 62% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Jackie Brenston
Much Later
143 bpm • A Maj • 02:15 • -6db
12% Popularity • 65% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
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Snooky Pryor
Keyhole in Your Door
129 bpm • G# Maj • 03:40 • -11.35db
23% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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William Clarke
I Feel Like Jumping
129 bpm • F Maj • 03:29 • -10.91db
16% Popularity • 57% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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R.J. Mischo
Got My Passport
144 bpm • E Maj • 03:58 • -8.93db
11% Popularity • 65% Danceability • 74% Energy • 7% Liveness
42% Instrumentalness • 92% Positiveness
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Amos Milburn
Roomin' House Boogie
144 bpm • G Maj • 02:44 • -8.91db
2% Popularity • 65% Danceability • 60% Energy • 8% Liveness
33% Instrumentalness • 86% Positiveness
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Esther Phillips
Cherry Wine
144 bpm • F min • 02:20 • -10db
17% Popularity • 61% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Jimmy Witherspoon
Good Rocking Tonight
144 bpm • G# Maj • 02:14 • -9.23db
25% Popularity • 48% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Jimmy Rogers
Rock With You Baby
128 bpm • A# Maj • 04:12 • -11.08db
21% Popularity • 57% Danceability • 55% Energy • 47% Liveness
40% Instrumentalness • 57% Positiveness
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J.B. Lenoir
Leavin' Here
144 bpm • A Maj • 01:38 • -7.52db
29% Popularity • 68% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Lonnie Brooks
Bon Ton Roulet
144 bpm • G Maj • 03:53 • -9.64db
14% Popularity • 68% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Earl King
Let's Make A Better World
128 bpm • A Maj • 03:05 • -7.35db
16% Popularity • 88% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Buster Benton
I Must Have A Hole In My Head
128 bpm • A min • 03:31 • -6.71db
35% Popularity • 68% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Harmonica Slim
You Better Believe It
128 bpm • G Maj • 02:23 • -9.37db
1% Popularity • 74% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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Queen Sylvia Embry
Blues This Morning
127 bpm • G Maj • 02:08 • -12db
29% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Floyd Dixon
Skeet's California Sunshine
127 bpm • C min • 02:39 • -4.38db
28% Popularity • 76% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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William Clarke
Looking To The Future
145 bpm • A Maj • 04:07 • -13db
23% Popularity • 45% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Earl King
Come Let The Good Times Roll
145 bpm • A Maj • 02:47 • -8.43db
27% Popularity • 65% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Little Milton
Next Time I See You
146 bpm • A# Maj • 02:33 • -9.08db
6% Popularity • 69% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Harmonica Slim
I Don't Want No Woman
127 bpm • C Maj • 03:33 • -8.76db
1% Popularity • 63% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Magic Slim
Don't Say That No More
147 bpm • D Maj • 03:44 • -9.32db
15% Popularity • 69% Danceability • 62% Energy • 6% Liveness
2% Instrumentalness • 90% Positiveness
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John Brim
Ice Cream Man
126 bpm • A Maj • 02:44 • -13.7db
34% Popularity • 71% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Homesick James
The Woman I'm Lovin'
147 bpm • G Maj • 02:06 • -13.15db
14% Popularity • 59% Danceability • 44% Energy • 20% Liveness
1% Instrumentalness • 77% Positiveness
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Sammy Myers
You Don't Have to Go
147 bpm • B min • 02:31 • -7.95db
8% Popularity • 49% Danceability • 54% Energy • 13% Liveness
4% Instrumentalness • 81% Positiveness
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Guitar Slim
Well I Done Got Over It
126 bpm • A# min • 02:27 • -13db
31% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Clifton Chenier
Boppin' The Rock
125 bpm • D min • 02:21 • -9.07db
26% Popularity • 68% Danceability • 86% Energy • 29% Liveness
19% Instrumentalness • 90% Positiveness
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Joe Louis Walker
Mean Old Train
148 bpm • E Maj • 03:03 • -7.55db
21% Popularity • 51% Danceability • 53% Energy • 16% Liveness
23% Instrumentalness • 71% Positiveness
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Magic Slim
Dirty Mother For You
148 bpm • E Maj • 05:07 • -10.94db
7% Popularity • 55% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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J.B. Lenoir
Give Me One More Shot
148 bpm • D Maj • 02:17 • -10.39db
26% Popularity • 61% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
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J. B. Hutto
Lulu Belle's Here
148 bpm • G Maj • 03:41 • -9.19db
24% Popularity • 56% Danceability • 59% Energy • 22% Liveness
24% Instrumentalness • 62% Positiveness
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Rosco Gordon
T-Model Boogie
148 bpm • D# min • 02:24 • -11.4db
12% Popularity • 48% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Frank Frost
Crawl Back
125 bpm • A# Maj • 02:01 • -11.82db
8% Popularity • 60% Danceability • 59% Energy • 32% Liveness
85% Instrumentalness • 96% Positiveness
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Guitar Slim
Letter To My Girlfriend (aka Prison Blue...
125 bpm • A# min • 02:08 • -11.08db
11% Popularity • 68% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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