Songs like Drop Pop & Roll Remix by Willie Clayton
Based on a tempo of (+/- 10%) and a similar genre
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Tucka: King Of Swing
Forever Swing
105 bpm • C Maj • 05:27 • -6.9db
29% Popularity • 83% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 83% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Arthur Young
Slide Wit It
105 bpm • B min • 03:55 • -7.42db
33% Popularity • 96% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 96% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Lacee
Thick Girl Love
105 bpm • C# Maj • 03:34 • -5.89db
23% Popularity • 83% Danceability • 66% Energy • 2% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 83% Danceability • 66% Energy • 2% Liveness
0% Instrumentalness • 83% Positiveness
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Willie Clayton
Whipped
105 bpm • A Maj • 05:00 • -9.49db
11% Popularity • 86% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 86% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Dez Dynamic
Do Ya Dance
105 bpm • G Maj • 02:28 • -5.02db
4% Popularity • 76% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
4% Popularity • 76% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
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La 26
Come on Home
105 bpm • C Maj • 03:43 • -7.9db
26% Popularity • 96% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 96% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Ronnie Bell
Boujie Booty
105 bpm • C# Maj • 04:44 • -5.74db
16% Popularity • 82% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
16% Popularity • 82% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Big Yayo
She Wants A Man
105 bpm • F min • 03:26 • -7.1db
15% Popularity • 85% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 85% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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LJ Echols
I Had to Tell Somebody
105 bpm • A# Maj • 04:19 • -6.77db
12% Popularity • 89% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 89% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Kenne' Wayne
Party On Da Weekend
105 bpm • A min • 03:34 • -9.66db
21% Popularity • 88% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 88% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 85% Positiveness
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Lacee
Juicy Lips
105 bpm • C# Maj • 03:13 • -3.87db
23% Popularity • 97% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 97% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Willie Clayton
Drop Pop and Roll
105 bpm • B min • 04:32 • -5.54db
12% Popularity • 85% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 85% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Avail Hollywood
Drinking Again
105 bpm • F# min • 03:57 • -5.62db
31% Popularity • 77% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 77% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Quinn Golden
I'm Gonna Be a Man About It
105 bpm • C Maj • 04:05 • -7.19db
32% Popularity • 79% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 79% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Cupid
Whats Your Flava?
105 bpm • G min • 03:39 • -5.58db
18% Popularity • 80% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 80% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Lebrado
You're So Sexy
105 bpm • G min • 03:28 • -6.26db
20% Popularity • 90% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 90% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Marvin Sease
Motel Lover
105 bpm • F# Maj • 04:33 • -13.53db
28% Popularity • 80% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 80% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Willie Clayton
Two Step
105 bpm • F min • 04:12 • -5.6db
10% Popularity • 87% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
10% Popularity • 87% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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JD Lawrence
The Best Time of Your Life
105 bpm • C Maj • 04:22 • -10.12db
4% Popularity • 64% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 75% Positiveness
4% Popularity • 64% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 75% Positiveness
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Nellie Tiger Travis
You Gone Make Me Cheat
104 bpm • C Maj • 03:29 • -5.48db
23% Popularity • 86% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 86% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Jeff Floyd
Let Me Know
104 bpm • D Maj • 05:08 • -7.09db
11% Popularity • 83% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 83% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Lebrado
Fire ( Club Mix)
106 bpm • B min • 05:24 • -4.28db
12% Popularity • 83% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 83% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
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Ice Buck
Back that Country Thang on Me
104 bpm • C Maj • 03:26 • -6.66db
17% Popularity • 77% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 77% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Willie Clayton
Drop Pop & Roll Remix
105 bpm • B min • 03:26 • -5.07db
10% Popularity • 79% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 79% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Tucka: King Of Swing
Sweet Shop
106 bpm • C# Maj • 05:34 • -7.92db
27% Popularity • 76% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 76% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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PC Band
Something Behind Ya
104 bpm • A# min • 03:31 • -7.63db
30% Popularity • 83% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 83% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Jeff Floyd
You Had It All
104 bpm • C Maj • 03:33 • -8.58db
30% Popularity • 94% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 94% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Lebrado
Fire
106 bpm • G Maj • 03:39 • -5.44db
34% Popularity • 86% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 86% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Theodis Ealey
Let Me Put the Head in It
106 bpm • A# min • 04:14 • -7.56db
24% Popularity • 79% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
24% Popularity • 79% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Willie Clayton
Walk Away From Love
106 bpm • A# Maj • 04:16 • -3.23db
10% Popularity • 68% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 68% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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O. B. Buchana
Face Down
106 bpm • G Maj • 04:40 • -9.31db
23% Popularity • 97% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 97% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Ms. Jody
The Spank
104 bpm • E min • 04:39 • -5.91db
10% Popularity • 82% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 82% Danceability • 86% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Floyd Taylor
Its On Me
106 bpm • A min • 03:57 • -6.2db
22% Popularity • 84% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 84% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Lebrado
Fire (Remix)
106 bpm • B min • 04:31 • -4.96db
10% Popularity • 85% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 85% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Ronnie Bell
Go Get a Room
106 bpm • B min • 04:49 • -7.42db
11% Popularity • 96% Danceability • 46% Energy • 53% Liveness
1% Instrumentalness • 78% Positiveness
11% Popularity • 96% Danceability • 46% Energy • 53% Liveness
1% Instrumentalness • 78% Positiveness
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Jaye Hammer
Making That Booty Roll
104 bpm • B min • 04:56 • -7.73db
22% Popularity • 84% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 84% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Theodis Ealey
Francine
106 bpm • F min • 04:18 • -6.19db
24% Popularity • 89% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 89% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Jay Morris Group
Full Course Meal
104 bpm • A Maj • 04:40 • -3.99db
21% Popularity • 88% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 88% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Nelson Curry
Call Me
106 bpm • G Maj • 04:21 • -6.71db
18% Popularity • 78% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 78% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Lebrado
Fire
106 bpm • B min • 04:31 • -4.28db
19% Popularity • 84% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 84% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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LJ Echols
Stop Looking
104 bpm • G# Maj • 04:10 • -5db
13% Popularity • 88% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 88% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Donnie Ray
It's Just a Party Thing
106 bpm • B min • 03:57 • -6.84db
31% Popularity • 81% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 81% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Jaye Hammer
Making That Booty Roll
104 bpm • D Maj • 04:33 • -6.81db
34% Popularity • 90% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
34% Popularity • 90% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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Lacee
Kush Kush - Radio
106 bpm • F# Maj • 03:14 • -4.91db
16% Popularity • 94% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
16% Popularity • 94% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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p2k dadiddy
Bottle After Bottle
104 bpm • F# min • 04:10 • -4.6db
27% Popularity • 91% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 91% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Mr. Sam
Broke as Hell
106 bpm • C Maj • 05:36 • -8.76db
13% Popularity • 72% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 72% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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O. B. Buchana
Booty Scoot
104 bpm • G# Maj • 05:19 • -10.63db
30% Popularity • 82% Danceability • 57% Energy • 6% Liveness
3% Instrumentalness • 87% Positiveness
30% Popularity • 82% Danceability • 57% Energy • 6% Liveness
3% Instrumentalness • 87% Positiveness
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Quinn Golden
Party On the Weekend
104 bpm • D# min • 03:59 • -8.02db
32% Popularity • 95% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
32% Popularity • 95% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Arthur Young
Putting in Work
104 bpm • C min • 03:23 • -8.55db
29% Popularity • 84% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 84% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Jackie Neal
Twurk It
104 bpm • C Maj • 05:30 • -9.55db
8% Popularity • 56% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 56% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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Karen Wolfe
B.O.B.
104 bpm • C Maj • 03:45 • -10.83db
16% Popularity • 84% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 84% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Ms. Jody
It's the Weekend
104 bpm • G min • 04:22 • -7.15db
34% Popularity • 83% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 83% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Magic One
The Baddest
104 bpm • F# Maj • 04:25 • -6.13db
36% Popularity • 90% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 90% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Willie Clayton
My Miss America
107 bpm • B Maj • 04:22 • -5.99db
11% Popularity • 76% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 76% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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O. B. Buchana
Swing On
107 bpm • C Maj • 04:50 • -6.86db
38% Popularity • 74% Danceability • 67% Energy • 57% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 74% Danceability • 67% Energy • 57% Liveness
0% Instrumentalness • 76% Positiveness
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Lebrado
Dance
107 bpm • F# min • 03:41 • -4.57db
9% Popularity • 79% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 79% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Karen Wolfe
DON'T TRY ME - Side A
107 bpm • C# Maj • 03:39 • -4.28db
10% Popularity • 71% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 71% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Lacee
Lacee's Groove
103 bpm • A min • 04:07 • -4.1db
31% Popularity • 87% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 87% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Quinn Golden
When This Dance Is Over - Extended Versi...
103 bpm • G min • 05:03 • -8.81db
23% Popularity • 80% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 80% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Floyd Taylor
Southern Soul Party
103 bpm • A Maj • 04:48 • -7.71db
20% Popularity • 89% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 89% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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David Brinston
You Caught Me With My Drawers Off
103 bpm • E min • 03:38 • -6.83db
11% Popularity • 84% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 84% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Cupid
Swing Around the Rosey
103 bpm • G Maj • 04:54 • -5.28db
28% Popularity • 77% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
28% Popularity • 77% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Jackie Neal
Down in da Club
103 bpm • A# min • 03:59 • -5.12db
35% Popularity • 86% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
35% Popularity • 86% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
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Lacee
Lacee's Groove (Remix)
103 bpm • C Maj • 04:23 • -6.82db
13% Popularity • 85% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 85% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Mel Waiters
Pop It Baby
103 bpm • C Maj • 03:36 • -5.88db
18% Popularity • 89% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 89% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 76% Positiveness
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Theodis Ealey
Move With the Motion
107 bpm • D Maj • 03:45 • -8db
27% Popularity • 94% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
27% Popularity • 94% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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David Brinston
Two Way Love Affair
103 bpm • F min • 03:58 • -6.3db
45% Popularity • 77% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
45% Popularity • 77% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Lysa
Sweet Nukie
103 bpm • G# min • 04:12 • -3.44db
16% Popularity • 72% Danceability • 87% Energy • 62% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 72% Danceability • 87% Energy • 62% Liveness
0% Instrumentalness • 80% Positiveness
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Magic One
Party
102 bpm • C min • 04:25 • -12.45db
12% Popularity • 83% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 83% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Mr. Campbell
I’m Steppin’ out
102 bpm • A# min • 03:04 • -12.91db
22% Popularity • 82% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 82% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Poonanny
Hole In Your Drawers
108 bpm • C Maj • 04:14 • -6.61db
9% Popularity • 87% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 87% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Jeff Floyd
I Found Love (On A Lonely Highway)
102 bpm • G Maj • 07:33 • -7.28db
36% Popularity • 79% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 79% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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David Brinston
I'll Be There
103 bpm • F# Maj • 04:09 • -6.94db
25% Popularity • 88% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
25% Popularity • 88% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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King South
Beg For It (Remix)
108 bpm • D Maj • 02:42 • -4.68db
25% Popularity • 64% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 64% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
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Mel Waiters
Hole In the Wall
108 bpm • C Maj • 04:13 • -4.54db
43% Popularity • 85% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
43% Popularity • 85% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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LJ Echols
Big Leg Woman
102 bpm • A min • 03:38 • -8.65db
11% Popularity • 93% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 93% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Carl Marshall
Ain't No Party (Like A Grown Folks Party...
108 bpm • F min • 05:47 • -6db
13% Popularity • 96% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 96% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Willie Clayton
Tell Me
108 bpm • A# min • 04:19 • -3.59db
8% Popularity • 46% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 46% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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David Brinston
Mississippi Boy
103 bpm • A# min • 05:21 • -4.72db
16% Popularity • 85% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 85% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Ms. Jody
I Did It
102 bpm • C# Maj • 04:19 • -9.3db
33% Popularity • 73% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
33% Popularity • 73% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Jaye Hammer
Soul Train Dancer
102 bpm • G Maj • 03:54 • -8.89db
23% Popularity • 89% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 89% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Theodis Ealey
Pop That Middle
102 bpm • C# min • 04:18 • -6.7db
30% Popularity • 80% Danceability • 58% Energy • 17% Liveness
1% Instrumentalness • 67% Positiveness
30% Popularity • 80% Danceability • 58% Energy • 17% Liveness
1% Instrumentalness • 67% Positiveness
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J-Wonn
Jigga Jigga
102 bpm • C Maj • 04:06 • -6.61db
14% Popularity • 84% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 84% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Marvin Sease
Do You Qualify
102 bpm • F# Maj • 03:53 • -8.07db
27% Popularity • 90% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 90% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Quinn Golden
Dance Party 2002
102 bpm • G min • 04:32 • -10.23db
21% Popularity • 80% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 80% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Pokey Bear
After Party
102 bpm • C Maj • 03:11 • -5.95db
19% Popularity • 79% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
19% Popularity • 79% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Lebrado
Let Me Be Your Daddy
102 bpm • C# Maj • 03:18 • -5.2db
28% Popularity • 90% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
28% Popularity • 90% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Meaux Green
No Discrimination
102 bpm • A# min • 03:01 • -2.58db
7% Popularity • 69% Danceability • 94% Energy • 68% Liveness
7% Instrumentalness • 43% Positiveness
7% Popularity • 69% Danceability • 94% Energy • 68% Liveness
7% Instrumentalness • 43% Positiveness
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David Brinston
Bounce That Booty
102 bpm • D# Maj • 03:58 • -7.62db
10% Popularity • 80% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 80% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Tucka: King Of Swing
Book of Love
102 bpm • C# Maj • 05:36 • -6.93db
31% Popularity • 81% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
31% Popularity • 81% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Quinn Golden
Dance Party
102 bpm • C min • 04:14 • -6.78db
37% Popularity • 72% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
37% Popularity • 72% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Audi Yo
In Love With Yo Mama
102 bpm • E Maj • 04:29 • -7.81db
2% Popularity • 83% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
2% Popularity • 83% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Damon Fletcher
Ready
102 bpm • G min • 02:49 • -6.49db
2% Popularity • 70% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
2% Popularity • 70% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Mr. David
Slide On
108 bpm • B Maj • 03:43 • -6.93db
25% Popularity • 77% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
25% Popularity • 77% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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Nellie Tiger Travis
Fix a Flat
109 bpm • B Maj • 04:15 • -3.58db
15% Popularity • 93% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 93% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Wilson Meadows
I Wanna Get Witcha Baby
102 bpm • D Maj • 04:12 • -3.71db
15% Popularity • 85% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 85% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Adrian Bagher
Stand Strong
109 bpm • D Maj • 04:23 • -7.83db
28% Popularity • 68% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 68% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Theodis Ealey
Please, Let Me In
109 bpm • A min • 03:46 • -8db
28% Popularity • 84% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 84% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
