Songs like Drumming: Part III by Steve Reich
Based on a tempo of (+/- 10%) and a similar genre
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Steve Reich
Music for 18 Musicians (1976): Section I
145 bpm • D Maj • 03:32 • -20.07db
10% Popularity • 29% Danceability • 40% Energy • 12% Liveness
96% Instrumentalness • 45% Positiveness
10% Popularity • 29% Danceability • 40% Energy • 12% Liveness
96% Instrumentalness • 45% Positiveness
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John Adams
China Gates
145 bpm • B Maj • 05:13 • -34.35db
26% Popularity • 37% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 25% Positiveness
26% Popularity • 37% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 25% Positiveness
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Meredith Monk
The Games: Spaceship (Arr. M. Gordon for...
145 bpm • A min • 04:18 • -14.72db
18% Popularity • 39% Danceability • 21% Energy • 8% Liveness
66% Instrumentalness • 14% Positiveness
18% Popularity • 39% Danceability • 21% Energy • 8% Liveness
66% Instrumentalness • 14% Positiveness
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Evelyn Glennie
Light in Darkness
145 bpm • G Maj • 03:41 • -38.47db
9% Popularity • 16% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Michael Galasso
Scene 6
144 bpm • A# Maj • 07:21 • -16.31db
13% Popularity • 48% Danceability • 15% Energy • 10% Liveness
7% Instrumentalness • 25% Positiveness
13% Popularity • 48% Danceability • 15% Energy • 10% Liveness
7% Instrumentalness • 25% Positiveness
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David Lang
Child: II. Sweet Air
144 bpm • G min • 08:47 • -21.54db
8% Popularity • 86% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 92% Positiveness
8% Popularity • 86% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 92% Positiveness
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Steve Reich
Drumming: Part III
145 bpm • C# Maj • 15:39 • -27.84db
3% Popularity • 32% Danceability • 31% Energy • 9% Liveness
91% Instrumentalness • 30% Positiveness
3% Popularity • 32% Danceability • 31% Energy • 9% Liveness
91% Instrumentalness • 30% Positiveness
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Caroline Shaw
Plan & Elevation: II. The Cutting Garden
144 bpm • A min • 02:56 • -19.59db
20% Popularity • 26% Danceability • 15% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
20% Popularity • 26% Danceability • 15% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
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John Adams
Shaker Loops (version for string orchest...
146 bpm • C Maj • 08:27 • -27db
14% Popularity • 22% Danceability • 10% Energy • 7% Liveness
56% Instrumentalness • 15% Positiveness
14% Popularity • 22% Danceability • 10% Energy • 7% Liveness
56% Instrumentalness • 15% Positiveness
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John Cage
A Room: From She Is Asleep
147 bpm • C# min • 02:18 • -44.83db
21% Popularity • 13% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
21% Popularity • 13% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Penguin Cafe Orchestra
Chartered Flight - 2008 Digital Remaster
147 bpm • F Maj • 06:42 • -16.63db
19% Popularity • 29% Danceability • 17% Energy • 8% Liveness
86% Instrumentalness • 7% Positiveness
19% Popularity • 29% Danceability • 17% Energy • 8% Liveness
86% Instrumentalness • 7% Positiveness
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Nico Muhly
A Hudson Cycle
142 bpm • A# min • 03:20 • -24db
19% Popularity • 28% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
19% Popularity • 28% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Steve Reich
Quartet (I. Fast)
145 bpm • D Maj • 07:09 • -16.26db
3% Popularity • 52% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
3% Popularity • 52% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Caroline Shaw
Limestone & Felt
147 bpm • D Maj • 05:42 • -25.22db
18% Popularity • 48% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
18% Popularity • 48% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 10% Positiveness
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Bryce Dessner
Aheym
142 bpm • C min • 09:59 • -10db
20% Popularity • 43% Danceability • 37% Energy • 14% Liveness
91% Instrumentalness • 63% Positiveness
20% Popularity • 43% Danceability • 37% Energy • 14% Liveness
91% Instrumentalness • 63% Positiveness
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Lou Harrison
Avalokiteshvara (Music for Harp) - 1964
142 bpm • F min • 02:43 • -22db
11% Popularity • 36% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
11% Popularity • 36% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
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Irena And Vojtech Havlovi
Piano & Violoncello 1
148 bpm • A min • 02:15 • -20.65db
33% Popularity • 28% Danceability • 9% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
33% Popularity • 28% Danceability • 9% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Morton Feldman
Rothko Chapel 2
141 bpm • B min • 04:35 • -39db
22% Popularity • 14% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
22% Popularity • 14% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Steve Reich
Drumming: Part II - Extract
144 bpm • F# Maj • 03:32 • -37.22db
2% Popularity • 50% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
2% Popularity • 50% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
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Jon Hassell
Her First Rain
141 bpm • C Maj • 01:38 • -29db
35% Popularity • 34% Danceability • 4% Energy • 15% Liveness
91% Instrumentalness • 18% Positiveness
35% Popularity • 34% Danceability • 4% Energy • 15% Liveness
91% Instrumentalness • 18% Positiveness
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Peter Michael Hamel
Organum: IV. Part 4
140 bpm • D Maj • 05:41 • -44.12db
9% Popularity • 14% Danceability • 0% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 0% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Colin Stetson
Spindrift
150 bpm • E Maj • 06:27 • -17db
30% Popularity • 19% Danceability • 50% Energy • 8% Liveness
96% Instrumentalness • 28% Positiveness
30% Popularity • 19% Danceability • 50% Energy • 8% Liveness
96% Instrumentalness • 28% Positiveness
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Evelyn Glennie
A Little Prayer
140 bpm • C Maj • 04:48 • -32.27db
16% Popularity • 21% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Lou Harrison
Four Pieces for Harp - Produced
140 bpm • E min • 02:23 • -25.24db
13% Popularity • 46% Danceability • 28% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
13% Popularity • 46% Danceability • 28% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
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Steve Reich
Quartet (III. Fast)
147 bpm • D Maj • 06:26 • -13.92db
2% Popularity • 52% Danceability • 47% Energy • 8% Liveness
90% Instrumentalness • 17% Positiveness
2% Popularity • 52% Danceability • 47% Energy • 8% Liveness
90% Instrumentalness • 17% Positiveness
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Philip Glass Ensemble
Act IV: Building
140 bpm • A# min • 10:20 • -18.16db
11% Popularity • 34% Danceability • 36% Energy • 28% Liveness
95% Instrumentalness • 29% Positiveness
11% Popularity • 34% Danceability • 36% Energy • 28% Liveness
95% Instrumentalness • 29% Positiveness
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Brian Eno
1/2 (Arr. D. Lang)
139 bpm • C# Maj • 08:34 • -18.91db
13% Popularity • 17% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
13% Popularity • 17% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Anna Thorvaldsdottir
In the Light of Air: III. Existence
139 bpm • C Maj • 03:43 • -36db
23% Popularity • 14% Danceability • 0% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
23% Popularity • 14% Danceability • 0% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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John Adams
Short Ride in a Fast Machine
152 bpm • E min • 04:14 • -14.26db
28% Popularity • 40% Danceability • 59% Energy • 32% Liveness
75% Instrumentalness • 15% Positiveness
28% Popularity • 40% Danceability • 59% Energy • 32% Liveness
75% Instrumentalness • 15% Positiveness
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Arvo Pärt
My Heart's in the Highlands
138 bpm • F min • 06:55 • -17db
10% Popularity • 22% Danceability • 4% Energy • 16% Liveness
94% Instrumentalness • 6% Positiveness
10% Popularity • 22% Danceability • 4% Energy • 16% Liveness
94% Instrumentalness • 6% Positiveness
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Steve Reich
Duet
140 bpm • F Maj • 04:56 • -20db
31% Popularity • 50% Danceability • 16% Energy • 25% Liveness
7% Instrumentalness • 35% Positiveness
31% Popularity • 50% Danceability • 16% Energy • 25% Liveness
7% Instrumentalness • 35% Positiveness
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Anne Müller
Drifting Circles
138 bpm • G Maj • 07:00 • -14db
31% Popularity • 80% Danceability • 35% Energy • 10% Liveness
91% Instrumentalness • 31% Positiveness
31% Popularity • 80% Danceability • 35% Energy • 10% Liveness
91% Instrumentalness • 31% Positiveness
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Eliza McCarthy
Riding Through Drinking Harpo Dine
153 bpm • C Maj • 02:21 • -22.88db
20% Popularity • 31% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 32% Positiveness
20% Popularity • 31% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 32% Positiveness
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John Luther Adams
The Farthest Place
153 bpm • D min • 10:54 • -22.5db
10% Popularity • 12% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
10% Popularity • 12% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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John Adams
China Gates
152 bpm • C# Maj • 05:24 • -26db
25% Popularity • 29% Danceability • 12% Energy • 19% Liveness
86% Instrumentalness • 17% Positiveness
25% Popularity • 29% Danceability • 12% Energy • 19% Liveness
86% Instrumentalness • 17% Positiveness
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Caroline Shaw
Valencia
137 bpm • F Maj • 05:49 • -19db
22% Popularity • 33% Danceability • 12% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
22% Popularity • 33% Danceability • 12% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Steve Reich
Drumming: II. Part 2
151 bpm • F# Maj • 18:06 • -16.28db
7% Popularity • 58% Danceability • 43% Energy • 12% Liveness
84% Instrumentalness • 52% Positiveness
7% Popularity • 58% Danceability • 43% Energy • 12% Liveness
84% Instrumentalness • 52% Positiveness
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Floating Points
Requiem for CS70 and Strings
137 bpm • C min • 02:23 • -20.87db
41% Popularity • 20% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
41% Popularity • 20% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Chris Merrick Hughes
Slow Motion Blackbird
137 bpm • E min • 05:46 • -17db
21% Popularity • 26% Danceability • 6% Energy • 31% Liveness
43% Instrumentalness • 4% Positiveness
21% Popularity • 26% Danceability • 6% Energy • 31% Liveness
43% Instrumentalness • 4% Positiveness
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Cluster
Für Luise
137 bpm • B Maj • 03:26 • -21.12db
30% Popularity • 23% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
30% Popularity • 23% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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John Adams
Adams: Shaker Loops: I. Shaking and Trem...
153 bpm • G Maj • 08:25 • -26.65db
10% Popularity • 22% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
10% Popularity • 22% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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Morton Feldman
Jackson Pollock (1950-51) for two Cellos...
154 bpm • D Maj • 01:22 • -47.69db
21% Popularity • 31% Danceability • 4% Energy • 19% Liveness
67% Instrumentalness • 23% Positiveness
21% Popularity • 31% Danceability • 4% Energy • 19% Liveness
67% Instrumentalness • 23% Positiveness
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Peter Gregson
I. Primary Colours
137 bpm • C min • 06:10 • -22.35db
22% Popularity • 19% Danceability • 16% Energy • 9% Liveness
66% Instrumentalness • 4% Positiveness
22% Popularity • 19% Danceability • 16% Energy • 9% Liveness
66% Instrumentalness • 4% Positiveness
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Moondog
Barn Dance
137 bpm • F Maj • 01:55 • -14.99db
19% Popularity • 37% Danceability • 31% Energy • 12% Liveness
86% Instrumentalness • 12% Positiveness
19% Popularity • 37% Danceability • 31% Energy • 12% Liveness
86% Instrumentalness • 12% Positiveness
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Brian Eno
2/1 (Arr. J. Wolfe)
137 bpm • F min • 11:30 • -17.54db
12% Popularity • 26% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
12% Popularity • 26% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Jon Hassell
Fearless
154 bpm • G Maj • 08:02 • -11.41db
23% Popularity • 59% Danceability • 45% Energy • 16% Liveness
87% Instrumentalness • 14% Positiveness
23% Popularity • 59% Danceability • 45% Energy • 16% Liveness
87% Instrumentalness • 14% Positiveness
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Meredith Monk
Ellis Island
136 bpm • A min • 03:01 • -20db
27% Popularity • 45% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 50% Positiveness
27% Popularity • 45% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 50% Positiveness
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Morton Feldman
Piano Piece 1952 - Version 2
137 bpm • G# Maj • 06:24 • -25.55db
13% Popularity • 22% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
13% Popularity • 22% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Ernst Reijseger
Child's Footprint Duo
136 bpm • B min • 04:30 • -17.28db
18% Popularity • 15% Danceability • 14% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
18% Popularity • 15% Danceability • 14% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
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David Skidmore
Aliens with Extraordinary Abilities: Tor...
155 bpm • F min • 04:31 • -6.81db
16% Popularity • 20% Danceability • 77% Energy • 19% Liveness
78% Instrumentalness • 36% Positiveness
16% Popularity • 20% Danceability • 77% Energy • 19% Liveness
78% Instrumentalness • 36% Positiveness
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Shida Shahabi
Abisme
135 bpm • A# Maj • 05:03 • -29.21db
28% Popularity • 23% Danceability • 15% Energy • 15% Liveness
94% Instrumentalness • 46% Positiveness
28% Popularity • 23% Danceability • 15% Energy • 15% Liveness
94% Instrumentalness • 46% Positiveness
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Somei Satoh
Birds In Warped Time II
135 bpm • B min • 10:24 • -28db
21% Popularity • 16% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 3% Positiveness
21% Popularity • 16% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 3% Positiveness
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Arvo Pärt
Fratres
155 bpm • D Maj • 11:28 • -23.37db
35% Popularity • 32% Danceability • 5% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
35% Popularity • 32% Danceability • 5% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
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Morton Feldman
Samoa (1968) for flute, horn, trumpet, h...
136 bpm • D Maj • 01:33 • -40db
29% Popularity • 45% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 17% Positiveness
29% Popularity • 45% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 17% Positiveness
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Paul Lansky
Threads: II. Recitative -
156 bpm • A# min • 01:53 • -20.69db
9% Popularity • 32% Danceability • 23% Energy • 10% Liveness
85% Instrumentalness • 17% Positiveness
9% Popularity • 32% Danceability • 23% Energy • 10% Liveness
85% Instrumentalness • 17% Positiveness
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Olivier Messiaen
Preludes: La colombe (The Dove)
135 bpm • F# min • 02:04 • -35db
38% Popularity • 42% Danceability • 0% Energy • 16% Liveness
97% Instrumentalness • 18% Positiveness
38% Popularity • 42% Danceability • 0% Energy • 16% Liveness
97% Instrumentalness • 18% Positiveness
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Alarm Will Sound
Blue Calx (arr. C. Burhans)
135 bpm • B min • 07:13 • -20db
14% Popularity • 59% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
14% Popularity • 59% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
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Penguin Cafe Orchestra
Cutting Branches For A Temporary Shelter...
156 bpm • F Maj • 03:08 • -21db
39% Popularity • 36% Danceability • 14% Energy • 29% Liveness
83% Instrumentalness • 51% Positiveness
39% Popularity • 36% Danceability • 14% Energy • 29% Liveness
83% Instrumentalness • 51% Positiveness
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Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
135 bpm • A# min • 04:04 • -20db
30% Popularity • 20% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
30% Popularity • 20% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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Morton Feldman
Intermission 1
135 bpm • G min • 01:51 • -48db
11% Popularity • 61% Danceability • 0% Energy • 8% Liveness
97% Instrumentalness • 0% Positiveness
11% Popularity • 61% Danceability • 0% Energy • 8% Liveness
97% Instrumentalness • 0% Positiveness
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Roedelius
Rohstoff
135 bpm • C# Maj • 02:29 • -16db
36% Popularity • 24% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
36% Popularity • 24% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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Steve Reich
Drumming:, Pt. IV
156 bpm • F# Maj • 09:50 • -16.81db
6% Popularity • 26% Danceability • 48% Energy • 8% Liveness
69% Instrumentalness • 29% Positiveness
6% Popularity • 26% Danceability • 48% Energy • 8% Liveness
69% Instrumentalness • 29% Positiveness
► Preview
Jonny Greenwood
Greenwood: Popcorn Superhet Receiver:, P...
156 bpm • G Maj • 01:52 • -20.32db
11% Popularity • 62% Danceability • 64% Energy • 15% Liveness
96% Instrumentalness • 93% Positiveness
11% Popularity • 62% Danceability • 64% Energy • 15% Liveness
96% Instrumentalness • 93% Positiveness
► Preview
Meredith Monk
Ellis Island
134 bpm • A min • 03:02 • -32.62db
45% Popularity • 43% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 52% Positiveness
45% Popularity • 43% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 52% Positiveness
► Preview
Ekkehard Ehlers
Plays John Cassavetes 2
134 bpm • G Maj • 09:57 • -12.46db
27% Popularity • 16% Danceability • 38% Energy • 9% Liveness
77% Instrumentalness • 4% Positiveness
27% Popularity • 16% Danceability • 38% Energy • 9% Liveness
77% Instrumentalness • 4% Positiveness
► Preview
Colin Stetson
All the days I've missed you (ILAIJ I)
134 bpm • A# Maj • 01:15 • -26.79db
36% Popularity • 17% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
36% Popularity • 17% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Ernst Reijseger
Carbon Date Piano
134 bpm • F Maj • 02:32 • -34.76db
17% Popularity • 26% Danceability • 0% Energy • 9% Liveness
86% Instrumentalness • 11% Positiveness
17% Popularity • 26% Danceability • 0% Energy • 9% Liveness
86% Instrumentalness • 11% Positiveness
► Preview
Jacob Druckman
Reflections on the Nature of Water: IV. ...
157 bpm • C min • 02:10 • -28.95db
24% Popularity • 27% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
24% Popularity • 27% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
► Preview
Luciano Berio
Wasserklavier
134 bpm • C# Maj • 03:03 • -33db
13% Popularity • 53% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 19% Positiveness
13% Popularity • 53% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 19% Positiveness
► Preview
Meredith Monk
Eon
157 bpm • A min • 02:55 • -23.54db
31% Popularity • 53% Danceability • 15% Energy • 8% Liveness
91% Instrumentalness • 49% Positiveness
31% Popularity • 53% Danceability • 15% Energy • 8% Liveness
91% Instrumentalness • 49% Positiveness
► Preview
Arvo Pärt
Fratres
133 bpm • C min • 09:25 • -26.77db
22% Popularity • 16% Danceability • 0% Energy • 10% Liveness
64% Instrumentalness • 3% Positiveness
22% Popularity • 16% Danceability • 0% Energy • 10% Liveness
64% Instrumentalness • 3% Positiveness
► Preview
Isao Tomita
The Snow Is Dancing
159 bpm • G min • 02:13 • -17.85db
27% Popularity • 24% Danceability • 29% Energy • 24% Liveness
80% Instrumentalness • 7% Positiveness
27% Popularity • 24% Danceability • 29% Energy • 24% Liveness
80% Instrumentalness • 7% Positiveness
► Preview
Steve Reich
Music For Mallet Instruments, Voices And...
132 bpm • C# Maj • 18:31 • -21.66db
7% Popularity • 44% Danceability • 24% Energy • 12% Liveness
17% Instrumentalness • 24% Positiveness
7% Popularity • 44% Danceability • 24% Energy • 12% Liveness
17% Instrumentalness • 24% Positiveness
► Preview
Robert Fripp
Wind On Water
160 bpm • G Maj • 05:29 • -18.33db
33% Popularity • 10% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
33% Popularity • 10% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Colin Stetson
And Still They Move
133 bpm • A# Maj • 02:56 • -18.38db
31% Popularity • 16% Danceability • 7% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 7% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Terry Riley
M - Music I - Inside C - Curved E-Entran...
132 bpm • F Maj • 02:11 • -13db
24% Popularity • 45% Danceability • 44% Energy • 13% Liveness
80% Instrumentalness • 18% Positiveness
24% Popularity • 45% Danceability • 44% Energy • 13% Liveness
80% Instrumentalness • 18% Positiveness
► Preview
Julius Eastman
Femenine: No. 2, Unison
131 bpm • A# Maj • 04:32 • -9.95db
16% Popularity • 34% Danceability • 26% Energy • 17% Liveness
5% Instrumentalness • 32% Positiveness
16% Popularity • 34% Danceability • 26% Energy • 17% Liveness
5% Instrumentalness • 32% Positiveness
► Preview
Morton Feldman
Triadic Memories: I
160 bpm • G# Maj • 08:09 • -26.54db
8% Popularity • 38% Danceability • 1% Energy • 19% Liveness
93% Instrumentalness • 4% Positiveness
8% Popularity • 38% Danceability • 1% Energy • 19% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Haruomi Hosono
Living Sketch
160 bpm • B min • 02:00 • -22db
32% Popularity • 59% Danceability • 29% Energy • 10% Liveness
78% Instrumentalness • 25% Positiveness
32% Popularity • 59% Danceability • 29% Energy • 10% Liveness
78% Instrumentalness • 25% Positiveness
► Preview
Jon Hassell
Empire I
131 bpm • E min • 02:00 • -27.85db
32% Popularity • 28% Danceability • 7% Energy • 26% Liveness
93% Instrumentalness • 71% Positiveness
32% Popularity • 28% Danceability • 7% Energy • 26% Liveness
93% Instrumentalness • 71% Positiveness
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Jürg Frey
Extended Circular Music No. 5
131 bpm • A# min • 04:19 • -28db
12% Popularity • 19% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 10% Positiveness
12% Popularity • 19% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 10% Positiveness
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Ernst Reijseger
Science Fiction
131 bpm • F Maj • 04:09 • -33.02db
8% Popularity • 16% Danceability • 1% Energy • 11% Liveness
77% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 1% Energy • 11% Liveness
77% Instrumentalness • 3% Positiveness
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Philip Glass Ensemble
Knee 2
131 bpm • A min • 06:08 • -25.37db
16% Popularity • 36% Danceability • 20% Energy • 28% Liveness
74% Instrumentalness • 86% Positiveness
16% Popularity • 36% Danceability • 20% Energy • 28% Liveness
74% Instrumentalness • 86% Positiveness
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Meredith Monk
Travellers 1, 2, 3
131 bpm • F Maj • 02:31 • -20.81db
23% Popularity • 42% Danceability • 7% Energy • 10% Liveness
40% Instrumentalness • 18% Positiveness
23% Popularity • 42% Danceability • 7% Energy • 10% Liveness
40% Instrumentalness • 18% Positiveness
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John Adams
China Gates
161 bpm • D# min • 04:39 • -30.9db
19% Popularity • 25% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
19% Popularity • 25% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 27% Positiveness
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Michael Galasso
Scene 2
131 bpm • G# Maj • 02:49 • -16.35db
21% Popularity • 32% Danceability • 8% Energy • 13% Liveness
68% Instrumentalness • 4% Positiveness
21% Popularity • 32% Danceability • 8% Energy • 13% Liveness
68% Instrumentalness • 4% Positiveness
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Steve Reich
Music for Mallet Instruments, Voices, an...
130 bpm • C# Maj • 15:59 • -19.45db
8% Popularity • 42% Danceability • 17% Energy • 8% Liveness
65% Instrumentalness • 9% Positiveness
8% Popularity • 42% Danceability • 17% Energy • 8% Liveness
65% Instrumentalness • 9% Positiveness
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Henryk Górecki
3 Utwory w dawnym stylu (3 Pieces in Old...
130 bpm • A min • 04:27 • -22db
23% Popularity • 16% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
23% Popularity • 16% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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Kronos Quartet
The Dark Side
130 bpm • G# Maj • 01:10 • -18db
35% Popularity • 60% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
35% Popularity • 60% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Meredith Monk
Parlour Games
130 bpm • A min • 07:37 • -21.96db
16% Popularity • 50% Danceability • 19% Energy • 11% Liveness
86% Instrumentalness • 46% Positiveness
16% Popularity • 50% Danceability • 19% Energy • 11% Liveness
86% Instrumentalness • 46% Positiveness
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Terry Riley
In C: Part 01
129 bpm • C Maj • 05:03 • -19.8db
13% Popularity • 64% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
13% Popularity • 64% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
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Iannis Xenakis
Persepolis #1
130 bpm • F# min • 04:58 • -16db
11% Popularity • 16% Danceability • 39% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 39% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Hans Otte
Das Buch der Klange: Part I
163 bpm • C Maj • 06:33 • -30.59db
13% Popularity • 12% Danceability • 4% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
13% Popularity • 12% Danceability • 4% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Paul Lansky
Threads: IV. Aria -
128 bpm • D Maj • 02:41 • -21.65db
9% Popularity • 50% Danceability • 6% Energy • 16% Liveness
61% Instrumentalness • 7% Positiveness
9% Popularity • 50% Danceability • 6% Energy • 16% Liveness
61% Instrumentalness • 7% Positiveness
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Toru Takemitsu
Romance
164 bpm • G min • 04:13 • -24db
20% Popularity • 41% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
20% Popularity • 41% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Meredith Monk
Obsolete Objects
162 bpm • A min • 01:59 • -21.04db
33% Popularity • 34% Danceability • 21% Energy • 10% Liveness
85% Instrumentalness • 50% Positiveness
33% Popularity • 34% Danceability • 21% Energy • 10% Liveness
85% Instrumentalness • 50% Positiveness
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Terry Riley
In C: Part 09
129 bpm • C Maj • 04:58 • -20db
9% Popularity • 35% Danceability • 25% Energy • 36% Liveness
84% Instrumentalness • 6% Positiveness
9% Popularity • 35% Danceability • 25% Energy • 36% Liveness
84% Instrumentalness • 6% Positiveness
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Bryce Dessner
Murder Ballades: Tears For Sister Polly
164 bpm • C min • 02:55 • -10.83db
11% Popularity • 59% Danceability • 57% Energy • 8% Liveness
84% Instrumentalness • 96% Positiveness
11% Popularity • 59% Danceability • 57% Energy • 8% Liveness
84% Instrumentalness • 96% Positiveness
