Songs like Drunken Poet's Dream by Ray Wylie Hubbard
Based on a tempo of (+/- 10%) and a similar genre
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Justin Wells
So Far Away
125 bpm • C min • 02:53 • -11.3db
22% Popularity • 64% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 64% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Eleven Hundred Springs
This Ain't the First Time (But It's the ...
125 bpm • D Maj • 03:37 • -4.71db
32% Popularity • 75% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 75% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Ray Wylie Hubbard
Drunken Poet's Dream
125 bpm • G Maj • 04:20 • -7.76db
40% Popularity • 48% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
40% Popularity • 48% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Adam Carroll
Red Bandanna Blues
125 bpm • E Maj • 04:00 • -6.98db
27% Popularity • 58% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 58% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Jason Boland
Shades of Gray
126 bpm • G Maj • 06:16 • -10.08db
35% Popularity • 41% Danceability • 35% Energy • 74% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 41% Danceability • 35% Energy • 74% Liveness
0% Instrumentalness • 34% Positiveness
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Ian Noe
That Kind of Life
124 bpm • F Maj • 03:20 • -10.67db
31% Popularity • 61% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 61% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Sturgill Simpson
Sitting Here Without You
124 bpm • F# Maj • 02:10 • -4.31db
47% Popularity • 52% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
47% Popularity • 52% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Uncle Lucius
Pocket Full of Misery
124 bpm • A Maj • 03:27 • -4.27db
35% Popularity • 57% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
35% Popularity • 57% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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Ray Wylie Hubbard
Tell the Devil I'm Gettin' there as Fast...
124 bpm • D Maj • 05:47 • -7.68db
34% Popularity • 62% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 62% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Jeremy Pinnell
Ballad of 1892
124 bpm • D Maj • 03:05 • -8.81db
48% Popularity • 80% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
48% Popularity • 80% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Hank Williams III
Country Heroes
126 bpm • E min • 03:28 • -7.45db
52% Popularity • 74% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
52% Popularity • 74% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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The Damn Quails
Me and the Whiskey
124 bpm • G Maj • 04:08 • -7.68db
36% Popularity • 60% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 60% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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Hayes Carll
Bad Liver And A Broken Heart
126 bpm • D Maj • 04:22 • -6.2db
34% Popularity • 53% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 53% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Drive-By Truckers
A Ghost to Most
124 bpm • F Maj • 04:41 • -5.37db
31% Popularity • 47% Danceability • 82% Energy • 17% Liveness
3% Instrumentalness • 51% Positiveness
31% Popularity • 47% Danceability • 82% Energy • 17% Liveness
3% Instrumentalness • 51% Positiveness
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Ray Wylie Hubbard
Old Wolf
124 bpm • D min • 03:17 • -8.4db
24% Popularity • 74% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
24% Popularity • 74% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Tennessee Jet
Pancho & Lefty
124 bpm • D Maj • 04:55 • -7.86db
17% Popularity • 50% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 50% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
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Dale Watson
The Ballad of Dale and Ray
123 bpm • A Maj • 03:45 • -9.53db
24% Popularity • 64% Danceability • 45% Energy • 22% Liveness
10% Instrumentalness • 80% Positiveness
24% Popularity • 64% Danceability • 45% Energy • 22% Liveness
10% Instrumentalness • 80% Positiveness
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John R. Miller
Half Ton Van
127 bpm • D Maj • 03:26 • -6.45db
27% Popularity • 60% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 60% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Hellbound Glory
Hank Williams Lifestyle
123 bpm • G Maj • 02:52 • -5db
26% Popularity • 61% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 61% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
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Red Shahan
Waterbill
123 bpm • G# Maj • 03:06 • -6.13db
41% Popularity • 63% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
41% Popularity • 63% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Ray Wylie Hubbard
Dallas After Midnight
124 bpm • D Maj • 04:42 • -10db
17% Popularity • 67% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 67% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Hank Williams III
Low Down
127 bpm • G Maj • 03:23 • -6db
46% Popularity • 69% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 69% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Uncle Lucius
The Light
127 bpm • D Maj • 03:00 • -7.1db
41% Popularity • 64% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 64% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Drive-By Truckers
Gravity's Gone
127 bpm • G Maj • 03:33 • -5.63db
48% Popularity • 56% Danceability • 84% Energy • 14% Liveness
5% Instrumentalness • 45% Positiveness
48% Popularity • 56% Danceability • 84% Energy • 14% Liveness
5% Instrumentalness • 45% Positiveness
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Hellbound Glory
'Merica - The Good Ole U.S.A.
123 bpm • C Maj • 02:31 • -5.64db
31% Popularity • 60% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
31% Popularity • 60% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
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The Steeldrivers
Angel Of The Night
123 bpm • C Maj • 03:59 • -5.74db
51% Popularity • 52% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
51% Popularity • 52% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
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Kelly Willis
Border Radio
127 bpm • C Maj • 02:50 • -6.79db
19% Popularity • 73% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
19% Popularity • 73% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Ray Wylie Hubbard
Henhouse
127 bpm • D Maj • 04:30 • -8db
26% Popularity • 74% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
26% Popularity • 74% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
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Wrinkle Neck Mules
The Waters All Run Dry
123 bpm • G Maj • 04:12 • -8.7db
9% Popularity • 60% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 60% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Sturgill Simpson
Old King Coal
128 bpm • E Maj • 03:07 • -5.2db
36% Popularity • 57% Danceability • 50% Energy • 8% Liveness
9% Instrumentalness • 26% Positiveness
36% Popularity • 57% Danceability • 50% Energy • 8% Liveness
9% Instrumentalness • 26% Positiveness
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Hellbound Glory
Sun Valley Blues #3 - Bloodweiser
127 bpm • G Maj • 02:34 • -7db
40% Popularity • 64% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
40% Popularity • 64% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
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Vincent Neil Emerson
High on the Mountain
128 bpm • C# min • 02:58 • -4.9db
32% Popularity • 53% Danceability • 86% Energy • 8% Liveness
1% Instrumentalness • 92% Positiveness
32% Popularity • 53% Danceability • 86% Energy • 8% Liveness
1% Instrumentalness • 92% Positiveness
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The Gourds
I Want It So Bad
122 bpm • C Maj • 03:37 • -5.9db
29% Popularity • 68% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 68% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Eleven Hundred Springs
I'm A S.O. B. (When I'm S-O-B-E-R)
128 bpm • A Maj • 03:30 • -5.72db
29% Popularity • 73% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 73% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Tennessee Jet
Couldn't Care Less
122 bpm • F# Maj • 02:58 • -10db
23% Popularity • 68% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 68% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Wrinkle Neck Mules
Okeechobee
122 bpm • G Maj • 04:23 • -7.42db
10% Popularity • 65% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 65% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Turnpike Troubadours
Wrecked
128 bpm • G Maj • 04:59 • -6.95db
48% Popularity • 65% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 65% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Ray Wylie Hubbard
Stone Blind Horses
128 bpm • A Maj • 03:34 • -9.2db
16% Popularity • 57% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
16% Popularity • 57% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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Drive-By Truckers
Self Destructive Zones
122 bpm • G Maj • 04:12 • -5.44db
32% Popularity • 59% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 59% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Eleven Hundred Springs
Why You Been Gone so Long
128 bpm • E Maj • 04:23 • -8.81db
34% Popularity • 68% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
34% Popularity • 68% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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The Steeldrivers
The Reckless Side Of Me
122 bpm • C Maj • 03:12 • -4.01db
37% Popularity • 52% Danceability • 85% Energy • 12% Liveness
4% Instrumentalness • 91% Positiveness
37% Popularity • 52% Danceability • 85% Energy • 12% Liveness
4% Instrumentalness • 91% Positiveness
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Hank Williams III
Thunderstorms & Neon Signs
128 bpm • E Maj • 04:21 • -8.64db
34% Popularity • 59% Danceability • 70% Energy • 76% Liveness
0% Instrumentalness • 67% Positiveness
34% Popularity • 59% Danceability • 70% Energy • 76% Liveness
0% Instrumentalness • 67% Positiveness
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Dale Watson
Where Do You Want It
121 bpm • D Maj • 02:12 • -9.66db
22% Popularity • 61% Danceability • 74% Energy • 30% Liveness
59% Instrumentalness • 97% Positiveness
22% Popularity • 61% Danceability • 74% Energy • 30% Liveness
59% Instrumentalness • 97% Positiveness
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The Gourds
Everybody's Missing the Sun
122 bpm • G Maj • 02:59 • -9.4db
31% Popularity • 68% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 68% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Drive-By Truckers
Daddy's Cup
122 bpm • G Maj • 05:53 • -7.74db
39% Popularity • 60% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 60% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Luke Bell
Sometimes
129 bpm • G Maj • 04:07 • -5.55db
35% Popularity • 59% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
35% Popularity • 59% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 81% Positiveness
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Levon Helm
The Mountain
129 bpm • G Maj • 03:35 • -6db
37% Popularity • 61% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 61% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Turnpike Troubadours
Before The Devil Knows We're Dead
129 bpm • A min • 03:54 • -6.69db
51% Popularity • 63% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
51% Popularity • 63% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Jamey Johnson
Playing The Part
120 bpm • D Maj • 04:29 • -10db
39% Popularity • 59% Danceability • 68% Energy • 67% Liveness
1% Instrumentalness • 44% Positiveness
39% Popularity • 59% Danceability • 68% Energy • 67% Liveness
1% Instrumentalness • 44% Positiveness
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Wrinkle Neck Mules
Stone Above Your Head
120 bpm • A Maj • 04:12 • -8db
7% Popularity • 56% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
7% Popularity • 56% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
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Jeremy Pinnell
Feel This Right
130 bpm • G Maj • 03:20 • -7.54db
36% Popularity • 80% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
36% Popularity • 80% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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The Bottle Rockets
Human Perfection
120 bpm • A Maj • 02:55 • -5.47db
23% Popularity • 68% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 68% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Brent Cobb
Diggin' Holes
120 bpm • G Maj • 02:52 • -7.61db
54% Popularity • 67% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
54% Popularity • 67% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Hellbound Glory
'Til The Lights Go Out
120 bpm • C Maj • 02:38 • -4.83db
24% Popularity • 58% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 58% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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Bruce Robison
Rock and Roll Honky Tonk Ramblin' Man
130 bpm • E Maj • 02:41 • -7db
34% Popularity • 68% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 68% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Adam Hood
New Deep Ellum Blues
120 bpm • E min • 03:37 • -1.99db
22% Popularity • 55% Danceability • 95% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
22% Popularity • 55% Danceability • 95% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
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Yarn
Bad Bad Man
120 bpm • G Maj • 02:35 • -7db
42% Popularity • 70% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
42% Popularity • 70% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Uncle Lucius
Coming Down
131 bpm • E min • 02:39 • -6.78db
30% Popularity • 55% Danceability • 76% Energy • 16% Liveness
7% Instrumentalness • 43% Positiveness
30% Popularity • 55% Danceability • 76% Energy • 16% Liveness
7% Instrumentalness • 43% Positiveness
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Brent Cobb
Sucker For A Good Time
130 bpm • A Maj • 05:00 • -7.25db
35% Popularity • 57% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 57% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Rodney Crowell
Telephone Road
131 bpm • G# min • 03:52 • -5.5db
24% Popularity • 73% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
24% Popularity • 73% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Gary P. Nunn
London Homesick Blues (Home With the Arm...
119 bpm • G Maj • 06:03 • -11.95db
30% Popularity • 46% Danceability • 52% Energy • 90% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 46% Danceability • 52% Energy • 90% Liveness
0% Instrumentalness • 56% Positiveness
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Shinyribs
Song of Lime Juice and Despair
120 bpm • D min • 03:29 • -7.65db
14% Popularity • 52% Danceability • 79% Energy • 98% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 52% Danceability • 79% Energy • 98% Liveness
0% Instrumentalness • 86% Positiveness
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The Black Lillies
Peach Pickin'
119 bpm • E Maj • 04:00 • -7.02db
29% Popularity • 70% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 70% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Bruce Robison
Squeezebox
131 bpm • D Maj • 02:38 • -8.93db
35% Popularity • 60% Danceability • 60% Energy • 13% Liveness
14% Instrumentalness • 87% Positiveness
35% Popularity • 60% Danceability • 60% Energy • 13% Liveness
14% Instrumentalness • 87% Positiveness
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Drive-By Truckers
Goddamn Lonely Love - Remastered
119 bpm • G Maj • 05:01 • -7.06db
43% Popularity • 43% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
43% Popularity • 43% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
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Arlo McKinley
Suicidal Saturday Night
119 bpm • F Maj • 03:55 • -7.37db
26% Popularity • 47% Danceability • 55% Energy • 40% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 47% Danceability • 55% Energy • 40% Liveness
0% Instrumentalness • 59% Positiveness
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Wrinkle Neck Mules
When The Wheels Touch Down
119 bpm • C Maj • 04:11 • -9.18db
20% Popularity • 37% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 37% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Paul Thorn
Holy Hottie Toddy
119 bpm • E Maj • 03:35 • -11.26db
19% Popularity • 73% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 73% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Brent Cobb
No Place Left to Leave
119 bpm • E Maj • 04:04 • -7.15db
46% Popularity • 67% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
46% Popularity • 67% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Guy Clark
Worry B Gone
119 bpm • D Maj • 03:14 • -17.04db
29% Popularity • 73% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 73% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Sarah Shook & the Disarmers
Dwight Yoakam
132 bpm • D Maj • 03:40 • -8.28db
32% Popularity • 60% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 60% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Summer Dean
Alabama (Can I Call You Hank)
132 bpm • A Maj • 04:02 • -6.5db
26% Popularity • 72% Danceability • 68% Energy • 10% Liveness
2% Instrumentalness • 81% Positiveness
26% Popularity • 72% Danceability • 68% Energy • 10% Liveness
2% Instrumentalness • 81% Positiveness
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The Black Lillies
Two Hearts Down
118 bpm • G min • 03:37 • -7db
27% Popularity • 57% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 57% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Luke Bell
All Blue
132 bpm • G Maj • 03:21 • -6.28db
35% Popularity • 57% Danceability • 82% Energy • 19% Liveness
34% Instrumentalness • 73% Positiveness
35% Popularity • 57% Danceability • 82% Energy • 19% Liveness
34% Instrumentalness • 73% Positiveness
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Jamey Johnson
Place Out On The Ocean
118 bpm • C Maj • 04:02 • -9db
47% Popularity • 71% Danceability • 68% Energy • 14% Liveness
15% Instrumentalness • 67% Positiveness
47% Popularity • 71% Danceability • 68% Energy • 14% Liveness
15% Instrumentalness • 67% Positiveness
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Uncle Lucius
Pick Your Head Up
118 bpm • E Maj • 04:00 • -6.39db
25% Popularity • 62% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 62% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Eric Church
Screw You, We're From Texas - Live At Am...
118 bpm • A Maj • 04:30 • -6.45db
18% Popularity • 52% Danceability • 97% Energy • 98% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 52% Danceability • 97% Energy • 98% Liveness
0% Instrumentalness • 57% Positiveness
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Hellbound Glory
Six Strings Away
118 bpm • G Maj • 02:22 • -6.43db
33% Popularity • 68% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
33% Popularity • 68% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Mandy Mercier
Run Out Of Darkness
133 bpm • D Maj • 03:12 • -5.03db
1% Popularity • 50% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
1% Popularity • 50% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
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John Prine
Bear Creek Blues
118 bpm • D Maj • 04:45 • -7db
29% Popularity • 59% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 59% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Drive-By Truckers
Carl Perkins' Cadillac
133 bpm • F Maj • 05:26 • -5.7db
31% Popularity • 39% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 39% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Jesse Dayton
I'm at Home Gettin' Hammered (While She'...
133 bpm • B min • 02:13 • -6.84db
22% Popularity • 53% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 53% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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The Gourds
Piss & Moan Blues
133 bpm • C# min • 03:17 • -10.53db
16% Popularity • 54% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 54% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Paul Thorn
You Might Be Wrong
117 bpm • A Maj • 03:29 • -12.75db
24% Popularity • 85% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 85% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Whitey Morgan and the 78's
Where Do Ya Want It?
117 bpm • D Maj • 02:45 • -6.61db
55% Popularity • 74% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
55% Popularity • 74% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Jason Eady
I Lost My Mind in Carolina
117 bpm • D Maj • 03:12 • -10db
25% Popularity • 58% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 58% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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The Steeldrivers
Good Corn Liquor
134 bpm • A Maj • 03:39 • -5db
52% Popularity • 59% Danceability • 72% Energy • 39% Liveness
6% Instrumentalness • 89% Positiveness
52% Popularity • 59% Danceability • 72% Energy • 39% Liveness
6% Instrumentalness • 89% Positiveness
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Adam Carroll
Bubble Gum
134 bpm • C Maj • 03:34 • -7.26db
16% Popularity • 69% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 69% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Josh Morningstar
Must Be the Whiskey
117 bpm • E min • 03:30 • -6db
31% Popularity • 59% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 59% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Paul Thorn
It's a Great Day to Whup Somebody's Ass
134 bpm • F# Maj • 03:31 • -8.8db
38% Popularity • 59% Danceability • 45% Energy • 92% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 59% Danceability • 45% Energy • 92% Liveness
0% Instrumentalness • 62% Positiveness
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Uncle Lucius
Liquor Store
134 bpm • E min • 03:59 • -6.4db
46% Popularity • 59% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
46% Popularity • 59% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Tom Russell
Who's Gonna Build Your Wall?
134 bpm • G Maj • 03:46 • -5.92db
23% Popularity • 60% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 60% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Brent Cobb
South Of Atlanta
134 bpm • E Maj • 05:22 • -12.02db
29% Popularity • 64% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 64% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Adam Carroll
Ol' Milwaukee's Best
134 bpm • A# Maj • 02:46 • -9.59db
30% Popularity • 60% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 60% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Ray Wylie Hubbard
Drink Till I See Double
116 bpm • G Maj • 03:58 • -5.93db
26% Popularity • 67% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 67% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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The Gourds
Omaha
135 bpm • E Maj • 03:15 • -8.51db
19% Popularity • 54% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 54% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Jeremy Pinnell
Wanna Do Something
116 bpm • A Maj • 02:50 • -6.85db
37% Popularity • 70% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 70% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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David Allan Coe
Spotlight
135 bpm • G Maj • 03:06 • -7.77db
43% Popularity • 50% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
43% Popularity • 50% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
