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Dry Water
Songs like
Dry Water
by
Michel Bisceglia
Based on a tempo of (+/- 10%) and a similar genre
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Michel Bisceglia
Dry Water
153 bpm • A# Maj • 05:43 • -21.37db
30% Popularity • 46% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 30% Positiveness
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Omer Klein
Don't be a Zombie
152 bpm • C min • 01:57 • -19.41db
26% Popularity • 56% Danceability • 32% Energy • 14% Liveness
86% Instrumentalness • 48% Positiveness
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Anat Fort Trio
Clouds Moving
152 bpm • C Maj • 05:35 • -16.38db
27% Popularity • 22% Danceability • 43% Energy • 10% Liveness
88% Instrumentalness • 34% Positiveness
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Dominic Miller
Étude
152 bpm • C# min • 05:42 • -20.44db
19% Popularity • 48% Danceability • 29% Energy • 11% Liveness
84% Instrumentalness • 55% Positiveness
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Bobo Stenson Trio
Élégie
152 bpm • F min • 06:11 • -22.74db
17% Popularity • 40% Danceability • 25% Energy • 9% Liveness
79% Instrumentalness • 17% Positiveness
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Eric Legnini Trio
Don't Let Me Be Lonely Tonight
152 bpm • G Maj • 03:10 • -17db
45% Popularity • 56% Danceability • 31% Energy • 10% Liveness
81% Instrumentalness • 58% Positiveness
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Ferenc Snétberger
Kék Kerék
152 bpm • E min • 04:04 • -24.35db
19% Popularity • 45% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
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Airelle Besson
Full Moon in K.
155 bpm • A min • 03:51 • -17.85db
29% Popularity • 46% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
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Ingebrigt HÃ¥ker Flaten & HÃ¥kon Kornstad
Paa Hinside Ørken
151 bpm • E min • 06:02 • -21.4db
29% Popularity • 42% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 28% Positiveness
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Buscemi
Don't Worry
150 bpm • A# min • 03:51 • -15.34db
0% Popularity • 45% Danceability • 22% Energy • 7% Liveness
94% Instrumentalness • 16% Positiveness
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Bobo Stenson Trio
Hemingway Intonations
155 bpm • G Maj • 06:40 • -24.73db
11% Popularity • 38% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
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Yaron Herman Trio
Saturn Returns
151 bpm • G Maj • 07:42 • -15db
12% Popularity • 46% Danceability • 40% Energy • 11% Liveness
60% Instrumentalness • 18% Positiveness
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Michel Bisceglia
Sofly As In The Morning Sunrise
156 bpm • G# Maj • 04:19 • -15.74db
4% Popularity • 32% Danceability • 43% Energy • 19% Liveness
26% Instrumentalness • 54% Positiveness
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Myriam Alter
In Sicily
149 bpm • C# Maj • 06:55 • -12db
12% Popularity • 33% Danceability • 24% Energy • 10% Liveness
3% Instrumentalness • 21% Positiveness
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Steve Dobrogosz
Ecnamor
157 bpm • A# min • 03:28 • -20.58db
17% Popularity • 42% Danceability • 13% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Omer Klein Trio
Desert Trip
148 bpm • D Maj • 05:44 • -19.97db
9% Popularity • 52% Danceability • 19% Energy • 7% Liveness
89% Instrumentalness • 16% Positiveness
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Espen Berg Trio
Hounds of Winter
158 bpm • B Maj • 04:07 • -16.58db
15% Popularity • 50% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 19% Positiveness
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Markus Stockhausen
Mona
148 bpm • G min • 05:00 • -13.4db
25% Popularity • 48% Danceability • 27% Energy • 10% Liveness
87% Instrumentalness • 32% Positiveness
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Michel Bisceglia
Waiting for the Bird
148 bpm • A min • 07:59 • -22db
9% Popularity • 37% Danceability • 7% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
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John Surman
Summer Song
147 bpm • F Maj • 05:22 • -17.1db
11% Popularity • 50% Danceability • 16% Energy • 18% Liveness
86% Instrumentalness • 41% Positiveness
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Airelle Besson
Ma ion
147 bpm • A min • 07:03 • -16.39db
19% Popularity • 51% Danceability • 7% Energy • 34% Liveness
83% Instrumentalness • 30% Positiveness
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Dominic Miller
Verveine
147 bpm • E Maj • 01:45 • -23.95db
42% Popularity • 42% Danceability • 15% Energy • 11% Liveness
59% Instrumentalness • 30% Positiveness
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Myriam Alter
I'm Telling You
146 bpm • A min • 07:58 • -16.58db
9% Popularity • 35% Danceability • 25% Energy • 10% Liveness
33% Instrumentalness • 15% Positiveness
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Tingvall Trio
Tokyo Dance
160 bpm • G# Maj • 04:33 • -12.31db
32% Popularity • 41% Danceability • 72% Energy • 10% Liveness
91% Instrumentalness • 80% Positiveness
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Marcin Wasilewski
Lugano Lake
146 bpm • D Maj • 06:33 • -23.07db
10% Popularity • 31% Danceability • 14% Energy • 18% Liveness
90% Instrumentalness • 7% Positiveness
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Michel Bisceglia
Blue Bird Prologue
144 bpm • D min • 09:58 • -26db
10% Popularity • 44% Danceability • 1% Energy • 9% Liveness
37% Instrumentalness • 7% Positiveness
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John Surman
Concentric Circles
144 bpm • C min • 06:32 • -15.76db
11% Popularity • 45% Danceability • 12% Energy • 8% Liveness
79% Instrumentalness • 19% Positiveness
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Jacques Loussier Trio
Gymnopédie No. 1: Var. 2
164 bpm • G Maj • 04:32 • -21.78db
21% Popularity • 45% Danceability • 17% Energy • 9% Liveness
91% Instrumentalness • 29% Positiveness
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Joachim Kühn
Somewhere
141 bpm • A# min • 02:51 • -19.58db
15% Popularity • 51% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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Tingvall Trio
Tres Bandidos
145 bpm • C# min • 04:58 • -14.67db
16% Popularity • 42% Danceability • 43% Energy • 14% Liveness
91% Instrumentalness • 10% Positiveness
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Eric Legnini Trio
Prelude to a Kiss
141 bpm • A min • 04:26 • -18.99db
34% Popularity • 45% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Michel Bisceglia
The Last Drive
144 bpm • C Maj • 02:46 • -26db
32% Popularity • 50% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Bobo Stenson
Chiquilin de Bachin
166 bpm • G Maj • 08:04 • -22.01db
8% Popularity • 37% Danceability • 23% Energy • 6% Liveness
86% Instrumentalness • 40% Positiveness
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Andy Sheppard Quartet
With Every Flower That Falls
166 bpm • C Maj • 05:53 • -20.62db
8% Popularity • 26% Danceability • 5% Energy • 12% Liveness
60% Instrumentalness • 15% Positiveness
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George Frideric Handel
Lascia ch'io pianga
140 bpm • C Maj • 04:22 • -16.93db
2% Popularity • 53% Danceability • 25% Energy • 10% Liveness
3% Instrumentalness • 39% Positiveness
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Jacob Karlzon
How It Ends
140 bpm • D min • 05:02 • -23.38db
15% Popularity • 54% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
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Buscemi
Nosferatu Awakens
139 bpm • E min • 04:40 • -20.48db
0% Popularity • 30% Danceability • 19% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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Michel Bisceglia
Presence of Mammals
142 bpm • G min • 08:03 • -21.34db
1% Popularity • 45% Danceability • 11% Energy • 12% Liveness
64% Instrumentalness • 11% Positiveness
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Bobo Stenson
Don's Kora Song
141 bpm • D# min • 05:08 • -22.03db
30% Popularity • 44% Danceability • 28% Energy • 12% Liveness
91% Instrumentalness • 75% Positiveness
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Cesare Picco
Karakoum
169 bpm • E min • 05:24 • -21.83db
15% Popularity • 29% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
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Esbjörn Svensson Trio
The Well-Wisher
139 bpm • G Maj • 03:43 • -19db
17% Popularity • 67% Danceability • 31% Energy • 11% Liveness
94% Instrumentalness • 64% Positiveness
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Jacob Karlzon
Fool's Gold
168 bpm • A Maj • 05:22 • -20.73db
15% Popularity • 52% Danceability • 23% Energy • 9% Liveness
88% Instrumentalness • 48% Positiveness
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Buscemi
Agent Knock
139 bpm • E min • 03:45 • -21.21db
0% Popularity • 45% Danceability • 22% Energy • 9% Liveness
75% Instrumentalness • 15% Positiveness
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Misha Alperin
At Home
139 bpm • A# Maj • 02:42 • -32db
36% Popularity • 45% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
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Airelle Besson
Vertiges
169 bpm • E Maj • 03:51 • -17.73db
17% Popularity • 45% Danceability • 3% Energy • 12% Liveness
84% Instrumentalness • 45% Positiveness
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Tord Gustavsen
Song Of Yearning - Solo
169 bpm • F min • 01:59 • -22.09db
39% Popularity • 31% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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Marcin Wasilewski
Ballad Of The Sad Young Men
138 bpm • G Maj • 05:29 • -21.78db
41% Popularity • 37% Danceability • 9% Energy • 16% Liveness
91% Instrumentalness • 8% Positiveness
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Jan Garbarek
Scene From Afar
138 bpm • G Maj • 05:14 • -13.59db
16% Popularity • 47% Danceability • 18% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
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Cesare Picco
Castle Dance
138 bpm • D min • 03:13 • -22.94db
23% Popularity • 42% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 25% Positiveness
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Arild Andersen
Rossetti
170 bpm • G min • 05:35 • -16db
19% Popularity • 41% Danceability • 22% Energy • 12% Liveness
76% Instrumentalness • 30% Positiveness
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Benedikt Jahnel Trio
Further Consequences
137 bpm • D Maj • 05:49 • -22db
8% Popularity • 30% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
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Anat Fort Trio
If
137 bpm • A Maj • 01:18 • -20.75db
47% Popularity • 29% Danceability • 15% Energy • 14% Liveness
67% Instrumentalness • 10% Positiveness
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Daniel GarcÃa Trio
Dream of Mompou - #2
170 bpm • G min • 02:19 • -20.63db
23% Popularity • 32% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 24% Positiveness
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Esbjörn Svensson Trio
The Chapel
171 bpm • A# min • 04:15 • -26.09db
27% Popularity • 28% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
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Bobo Stenson Trio
Golden Rain
137 bpm • A# Maj • 05:12 • -23db
18% Popularity • 44% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
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Andy Sheppard
Ballarina
137 bpm • D min • 03:43 • -20.67db
10% Popularity • 40% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Julia Kadel Trio
Held
171 bpm • F min • 03:29 • -17db
12% Popularity • 29% Danceability • 32% Energy • 11% Liveness
89% Instrumentalness • 46% Positiveness
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John Surman
Byndweed
137 bpm • C min • 05:11 • -15.59db
15% Popularity • 42% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 15% Positiveness
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Arve Henriksen
Migration
172 bpm • A# min • 05:41 • -17.57db
29% Popularity • 33% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 45% Positiveness
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Michel Bisceglia
Out To Sea
172 bpm • G# Maj • 05:00 • -19.3db
11% Popularity • 38% Danceability • 17% Energy • 18% Liveness
83% Instrumentalness • 30% Positiveness
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Buscemi
Gloomy Business (Jazz Rework)
136 bpm • G# Maj • 05:01 • -4.64db
2% Popularity • 71% Danceability • 97% Energy • 9% Liveness
61% Instrumentalness • 36% Positiveness
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Trio X of Sweden
Promenade
173 bpm • F Maj • 04:25 • -17.69db
25% Popularity • 38% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 43% Positiveness
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Dominic Miller
Ombu
135 bpm • G# min • 03:40 • -19.19db
18% Popularity • 53% Danceability • 31% Energy • 10% Liveness
70% Instrumentalness • 17% Positiveness
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Marc Copland
Afro Blue
173 bpm • E min • 06:19 • -22.88db
16% Popularity • 22% Danceability • 28% Energy • 20% Liveness
91% Instrumentalness • 20% Positiveness
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Carsten Dahl
The Prayer
135 bpm • F min • 08:34 • -13.1db
11% Popularity • 41% Danceability • 44% Energy • 12% Liveness
80% Instrumentalness • 47% Positiveness
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Alboran Trio
Nic's Road
135 bpm • A min • 06:25 • -20db
14% Popularity • 39% Danceability • 16% Energy • 26% Liveness
53% Instrumentalness • 24% Positiveness
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Michel Bisceglia
Paisellu Miu
135 bpm • F min • 05:34 • -17.09db
7% Popularity • 48% Danceability • 9% Energy • 10% Liveness
40% Instrumentalness • 29% Positiveness
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Anat Fort Trio
En If
135 bpm • A Maj • 05:54 • -21.11db
24% Popularity • 41% Danceability • 13% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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Buscemi
Count Orlok Theme
135 bpm • E min • 02:50 • -24.61db
0% Popularity • 31% Danceability • 2% Energy • 16% Liveness
70% Instrumentalness • 4% Positiveness
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Tingvall Trio
Cowboy
135 bpm • B min • 03:39 • -17.76db
27% Popularity • 49% Danceability • 32% Energy • 9% Liveness
82% Instrumentalness • 39% Positiveness
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John Surman
Invisible Threads
135 bpm • C Maj • 05:39 • -15.13db
9% Popularity • 52% Danceability • 13% Energy • 9% Liveness
81% Instrumentalness • 15% Positiveness
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Alboran Trio
Seguendo Il Filo
135 bpm • C Maj • 04:20 • -19db
10% Popularity • 46% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 35% Positiveness
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Dominic Miller
What You Didn’t Say
134 bpm • A min • 05:41 • -22.42db
26% Popularity • 50% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Anat Fort Trio
Minnesota
135 bpm • D Maj • 07:34 • -21db
26% Popularity • 45% Danceability • 16% Energy • 13% Liveness
83% Instrumentalness • 14% Positiveness
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Mats Eilertsen Trio
Sails Set
134 bpm • E Maj • 02:24 • -27.92db
25% Popularity • 49% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
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Tord Gustavsen Quartet
Playing
175 bpm • D Maj • 05:35 • -20.93db
13% Popularity • 32% Danceability • 21% Energy • 7% Liveness
91% Instrumentalness • 26% Positiveness
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Carla Bley
Vashkar
134 bpm • F# Maj • 07:22 • -16.18db
24% Popularity • 50% Danceability • 12% Energy • 14% Liveness
83% Instrumentalness • 22% Positiveness
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Jon Balke
This Is The Movie
134 bpm • C Maj • 05:18 • -26.98db
25% Popularity • 30% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Marcin Wasilewski
Plaza Real
134 bpm • F# Maj • 05:51 • -21.21db
26% Popularity • 40% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 14% Positiveness
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Anat Fort Trio
Paul Motian (2)
134 bpm • D Maj • 04:00 • -26.55db
27% Popularity • 30% Danceability • 9% Energy • 6% Liveness
63% Instrumentalness • 4% Positiveness
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Bobo Stenson Trio
Doubt Thou The Stars
133 bpm • G min • 07:57 • -22.11db
17% Popularity • 46% Danceability • 28% Energy • 15% Liveness
94% Instrumentalness • 19% Positiveness
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Branford Marsalis Quartet
Muldoon
133 bpm • A# min • 04:16 • -18.3db
36% Popularity • 43% Danceability • 3% Energy • 8% Liveness
85% Instrumentalness • 15% Positiveness
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Gilad Hekselman
Place Like No Home
133 bpm • G# Maj • 01:44 • -21db
35% Popularity • 45% Danceability • 10% Energy • 11% Liveness
69% Instrumentalness • 14% Positiveness
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Michel Bisceglia
Nunc Dimittis
133 bpm • C Maj • 02:27 • -26.09db
13% Popularity • 38% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
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Jan Lundgren Trio
The Poet
133 bpm • A min • 06:20 • -23.71db
9% Popularity • 50% Danceability • 25% Energy • 16% Liveness
56% Instrumentalness • 30% Positiveness
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Ketil Bjørnstad
Prelude 2
177 bpm • F Maj • 02:49 • -19.14db
31% Popularity • 40% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
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Eric Legnini Trio
Portrait in Black and White "Zingaro"
132 bpm • D# Maj • 02:38 • -19.09db
44% Popularity • 67% Danceability • 33% Energy • 16% Liveness
86% Instrumentalness • 74% Positiveness
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Jacob Karlzon
Goodbye
132 bpm • F Maj • 03:24 • -33.64db
32% Popularity • 34% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Mats Eilertsen
22
132 bpm • A# min • 04:58 • -28.56db
28% Popularity • 33% Danceability • 14% Energy • 10% Liveness
78% Instrumentalness • 7% Positiveness
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Trygve Seim
Nu Seglar Vi Inn
131 bpm • C min • 04:34 • -19.28db
13% Popularity • 34% Danceability • 3% Energy • 10% Liveness
13% Instrumentalness • 19% Positiveness
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Michel Bisceglia
A Whiter Shade of Pale
131 bpm • C Maj • 05:21 • -18.23db
5% Popularity • 47% Danceability • 20% Energy • 8% Liveness
78% Instrumentalness • 21% Positiveness
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Tord Gustavsen Quartet
Glow
131 bpm • F min • 05:11 • -15.03db
13% Popularity • 49% Danceability • 25% Energy • 10% Liveness
71% Instrumentalness • 13% Positiveness
► Preview
Marcin Wasilewski
Hyperballad
131 bpm • C min • 05:52 • -20.86db
22% Popularity • 39% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 12% Positiveness
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Grégory Privat
Song for Jojo
131 bpm • B min • 03:27 • -17db
33% Popularity • 37% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Daniel Karlsson Trio
Fuse Number Eleven
131 bpm • F min • 04:21 • -18db
13% Popularity • 56% Danceability • 37% Energy • 10% Liveness
91% Instrumentalness • 44% Positiveness
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Gianluigi Trovesi
Basin Street Blues
179 bpm • E min • 03:38 • -16.55db
24% Popularity • 42% Danceability • 8% Energy • 11% Liveness
76% Instrumentalness • 36% Positiveness
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Esbjörn Svensson
Prelude in D-Minor
130 bpm • F Maj • 04:13 • -15db
21% Popularity • 44% Danceability • 11% Energy • 8% Liveness
90% Instrumentalness • 26% Positiveness
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Michel Bisceglia
Side Square
130 bpm • A min • 08:09 • -20.45db
1% Popularity • 46% Danceability • 6% Energy • 14% Liveness
26% Instrumentalness • 14% Positiveness
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Tord Gustavsen Quartet
Staying There
130 bpm • F min • 04:52 • -15db
25% Popularity • 63% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
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Buscemi
Isolada Do Mundo (Jazz Rework)
130 bpm • G# Maj • 04:52 • -6.11db
2% Popularity • 73% Danceability • 88% Energy • 7% Liveness
43% Instrumentalness • 41% Positiveness
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Dry Water