Songs like Dub Glory by Sly & Robbie
Based on a tempo of (+/- 10%) and a similar genre
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Hook Shop
Grooving My Girl (Unplugged)
80 bpm • G Maj • 04:29 • -11.27db
5% Popularity • 66% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
5% Popularity • 66% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Al Campbell
Old Time People Say
80 bpm • D# min • 03:35 • -6.04db
33% Popularity • 83% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 83% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Bitty McLean
In and out of Love / Taxi to Paris
80 bpm • G Maj • 08:50 • -10.49db
26% Popularity • 77% Danceability • 48% Energy • 16% Liveness
3% Instrumentalness • 94% Positiveness
26% Popularity • 77% Danceability • 48% Energy • 16% Liveness
3% Instrumentalness • 94% Positiveness
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Junior Delgado
Every Natty
79 bpm • C min • 02:20 • -11.3db
28% Popularity • 75% Danceability • 41% Energy • 12% Liveness
4% Instrumentalness • 61% Positiveness
28% Popularity • 75% Danceability • 41% Energy • 12% Liveness
4% Instrumentalness • 61% Positiveness
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Ranking Joe
Weakheart Fadeaway
80 bpm • E min • 03:08 • -4.99db
8% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Cornell Campbell
General Dub
81 bpm • C# Maj • 02:21 • -10db
30% Popularity • 78% Danceability • 36% Energy • 25% Liveness
58% Instrumentalness • 43% Positiveness
30% Popularity • 78% Danceability • 36% Energy • 25% Liveness
58% Instrumentalness • 43% Positiveness
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Yellowman
Yellowman Getting Married
79 bpm • G# Maj • 03:35 • -7.05db
27% Popularity • 79% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 79% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Al Campbell
Mash It Already
80 bpm • D Maj • 01:50 • -5.41db
27% Popularity • 68% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 68% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Bitty McLean
In and out of Love
80 bpm • G Maj • 04:55 • -9.24db
28% Popularity • 76% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 76% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Sly & Robbie
Unmetered Taxi
79 bpm • A Maj • 02:38 • -13.3db
14% Popularity • 66% Danceability • 27% Energy • 9% Liveness
71% Instrumentalness • 53% Positiveness
14% Popularity • 66% Danceability • 27% Energy • 9% Liveness
71% Instrumentalness • 53% Positiveness
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Prince Jazzbo
School
81 bpm • B min • 02:38 • -10.18db
32% Popularity • 72% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
32% Popularity • 72% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
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Misty In Roots
Poor and Needy
79 bpm • A min • 10:59 • -9.96db
24% Popularity • 79% Danceability • 39% Energy • 11% Liveness
46% Instrumentalness • 88% Positiveness
24% Popularity • 79% Danceability • 39% Energy • 11% Liveness
46% Instrumentalness • 88% Positiveness
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Black Roots
Armageddon Dub Realaudio
79 bpm • C# Maj • 03:21 • -14.46db
9% Popularity • 70% Danceability • 47% Energy • 17% Liveness
85% Instrumentalness • 25% Positiveness
9% Popularity • 70% Danceability • 47% Energy • 17% Liveness
85% Instrumentalness • 25% Positiveness
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Al Campbell
Take a Ride
81 bpm • C# min • 02:51 • -10.27db
28% Popularity • 82% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 82% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Bitty McLean
Far as Eye Can See
80 bpm • E min • 03:36 • -8.28db
9% Popularity • 70% Danceability • 55% Energy • 31% Liveness
2% Instrumentalness • 79% Positiveness
9% Popularity • 70% Danceability • 55% Energy • 31% Liveness
2% Instrumentalness • 79% Positiveness
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Hook Shop
Black Mona Lisa (Unplugged)
81 bpm • F# Maj • 03:51 • -7.85db
6% Popularity • 74% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
6% Popularity • 74% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
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The Heptones
Pretty Looks Isn't All
81 bpm • A Maj • 02:37 • -14.46db
25% Popularity • 62% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 62% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Junior Delgado
Away With You Fussing and Fighting
81 bpm • A Maj • 04:13 • -7db
17% Popularity • 69% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 69% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Monty Alexander
Sidewinder
81 bpm • C# min • 04:57 • -11.52db
7% Popularity • 79% Danceability • 56% Energy • 10% Liveness
90% Instrumentalness • 72% Positiveness
7% Popularity • 79% Danceability • 56% Energy • 10% Liveness
90% Instrumentalness • 72% Positiveness
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Delroy Wilson
Rain from the Sky
79 bpm • C# Maj • 02:40 • -12.93db
24% Popularity • 78% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 78% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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Tenor Saw
Jah Guide and Protect Me
81 bpm • A# min • 03:44 • -9.76db
17% Popularity • 69% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 69% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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African Brothers
Dub On Fire
81 bpm • G# Maj • 02:29 • -6db
32% Popularity • 58% Danceability • 74% Energy • 22% Liveness
79% Instrumentalness • 30% Positiveness
32% Popularity • 58% Danceability • 74% Energy • 22% Liveness
79% Instrumentalness • 30% Positiveness
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Cornell Campbell
Natty Dread In A Greenwich Farm
79 bpm • G min • 02:47 • -9db
29% Popularity • 76% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 76% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Bitty McLean
Take My Heart Love Restart - Extended Mi...
81 bpm • B min • 08:39 • -13.8db
19% Popularity • 67% Danceability • 24% Energy • 25% Liveness
3% Instrumentalness • 62% Positiveness
19% Popularity • 67% Danceability • 24% Energy • 25% Liveness
3% Instrumentalness • 62% Positiveness
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Michigan
Rub a Dub Style
81 bpm • B min • 06:13 • -8.11db
20% Popularity • 81% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 81% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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The Tamlins
Baltimore
81 bpm • D Maj • 04:38 • -18db
26% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
26% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Tenor Saw
Lots Of Sign
81 bpm • C# Maj • 02:21 • -4db
36% Popularity • 60% Danceability • 89% Energy • 76% Liveness
0% Instrumentalness • 94% Positiveness
36% Popularity • 60% Danceability • 89% Energy • 76% Liveness
0% Instrumentalness • 94% Positiveness
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Annette Brissett
Talking Blues
82 bpm • A Maj • 04:59 • -7.62db
1% Popularity • 76% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
1% Popularity • 76% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Junior Byles
Fade Away
82 bpm • A# min • 03:01 • -6db
40% Popularity • 77% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
40% Popularity • 77% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Ini Kamoze
England Be Nice
82 bpm • B min • 04:33 • -7.89db
23% Popularity • 72% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 72% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Sly & Robbie
Dub Revolution
82 bpm • F Maj • 03:49 • -13.95db
2% Popularity • 77% Danceability • 31% Energy • 18% Liveness
66% Instrumentalness • 22% Positiveness
2% Popularity • 77% Danceability • 31% Energy • 18% Liveness
66% Instrumentalness • 22% Positiveness
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Cornell Campbell
I'll Mash You Down
82 bpm • F# min • 02:46 • -6db
33% Popularity • 69% Danceability • 68% Energy • 35% Liveness
1% Instrumentalness • 90% Positiveness
33% Popularity • 69% Danceability • 68% Energy • 35% Liveness
1% Instrumentalness • 90% Positiveness
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Anthony Johnson
Gunshot
78 bpm • D Maj • 03:08 • -7db
29% Popularity • 84% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 84% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Jimmy Riley
Sexual Healing
82 bpm • D# Maj • 03:10 • -9db
21% Popularity • 73% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 73% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Sly & The Revolutionaries
Marijuana
82 bpm • F# min • 02:42 • -10.86db
39% Popularity • 78% Danceability • 42% Energy • 12% Liveness
56% Instrumentalness • 42% Positiveness
39% Popularity • 78% Danceability • 42% Energy • 12% Liveness
56% Instrumentalness • 42% Positiveness
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Bitty McLean
Beauty You Are
78 bpm • G# min • 03:58 • -7.11db
11% Popularity • 60% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 60% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Sly & Robbie
Peaceful Dub
82 bpm • C Maj • 03:11 • -10.26db
2% Popularity • 84% Danceability • 41% Energy • 9% Liveness
76% Instrumentalness • 73% Positiveness
2% Popularity • 84% Danceability • 41% Energy • 9% Liveness
76% Instrumentalness • 73% Positiveness
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Cornell Campbell
Boxing Around
78 bpm • D Maj • 04:10 • -9.9db
24% Popularity • 85% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 85% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Bob Marley & The Wailers
Waiting In Vain Dub
78 bpm • A# min • 03:55 • -10.97db
26% Popularity • 62% Danceability • 49% Energy • 10% Liveness
18% Instrumentalness • 55% Positiveness
26% Popularity • 62% Danceability • 49% Energy • 10% Liveness
18% Instrumentalness • 55% Positiveness
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Cocoa Tea
I've Lost My Sonia
82 bpm • F# min • 03:34 • -4.79db
22% Popularity • 78% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 78% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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I-Roy
Heart Of A Lion - 2000 Digital Remaster
82 bpm • G Maj • 04:25 • -11.42db
12% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Junior Delgado
Twenty Third Psalm
82 bpm • F# Maj • 02:48 • -7.01db
15% Popularity • 74% Danceability • 65% Energy • 8% Liveness
5% Instrumentalness • 67% Positiveness
15% Popularity • 74% Danceability • 65% Energy • 8% Liveness
5% Instrumentalness • 67% Positiveness
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Sly & Robbie
Baltimore
82 bpm • D Maj • 04:38 • -16db
8% Popularity • 63% Danceability • 39% Energy • 7% Liveness
9% Instrumentalness • 86% Positiveness
8% Popularity • 63% Danceability • 39% Energy • 7% Liveness
9% Instrumentalness • 86% Positiveness
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Tenor Saw
Lots of Sign
78 bpm • C Maj • 03:35 • -5.27db
22% Popularity • 66% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
22% Popularity • 66% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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The Heptones
I've Got The Handle
78 bpm • G Maj • 02:58 • -12.46db
28% Popularity • 77% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 77% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Cocoa Tea
I'm Going Home
78 bpm • D# Maj • 03:38 • -14.44db
8% Popularity • 79% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 79% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Sly Dunbar
Mr Music
83 bpm • A# min • 04:28 • -14.46db
11% Popularity • 71% Danceability • 31% Energy • 28% Liveness
26% Instrumentalness • 63% Positiveness
11% Popularity • 71% Danceability • 31% Energy • 28% Liveness
26% Instrumentalness • 63% Positiveness
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Slim Smith
Rougher Yet
83 bpm • D# min • 03:06 • -7.74db
29% Popularity • 76% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 76% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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I-Roy
Hot Stuff
77 bpm • G Maj • 02:49 • -7.1db
21% Popularity • 68% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 93% Positiveness
21% Popularity • 68% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 93% Positiveness
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Michael Rose
Born Free
83 bpm • D Maj • 03:32 • -7.37db
23% Popularity • 69% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 69% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Anthony Johnson
Gunshot
77 bpm • D Maj • 06:49 • -8.05db
19% Popularity • 82% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 82% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Half Pint
Mr. Landlord
83 bpm • C# Maj • 03:08 • -15db
40% Popularity • 85% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 85% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Junior Delgado
Liberation
83 bpm • C# Maj • 03:41 • -9db
28% Popularity • 73% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 73% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Josey Wales
Love I Want
77 bpm • C# Maj • 03:02 • -13.19db
21% Popularity • 75% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 75% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Bitty McLean
My Call - Extended Mix
83 bpm • G Maj • 07:50 • -14.47db
9% Popularity • 70% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 70% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Al Campbell
Live Up
77 bpm • F Maj • 04:01 • -6.53db
22% Popularity • 77% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 77% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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King Tubby
Roots Of Dub
77 bpm • G# Maj • 03:18 • -10db
34% Popularity • 69% Danceability • 51% Energy • 17% Liveness
67% Instrumentalness • 47% Positiveness
34% Popularity • 69% Danceability • 51% Energy • 17% Liveness
67% Instrumentalness • 47% Positiveness
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Half Pint
Winsome
83 bpm • D Maj • 03:20 • -11.68db
32% Popularity • 76% Danceability • 34% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 76% Danceability • 34% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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John Holt
For The Love Of You
83 bpm • C# Maj • 03:37 • -5.79db
35% Popularity • 78% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 78% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Bob Andy
Let Them Say
77 bpm • G Maj • 03:49 • -15db
40% Popularity • 78% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 78% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Junior Byles
Dreadlocks Time/ Fist To Fist
77 bpm • A Maj • 05:31 • -6db
13% Popularity • 76% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 76% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Mikey Dread
Jah Jah Love (In the Morning)
84 bpm • C Maj • 06:47 • -8.77db
13% Popularity • 74% Danceability • 48% Energy • 7% Liveness
6% Instrumentalness • 68% Positiveness
13% Popularity • 74% Danceability • 48% Energy • 7% Liveness
6% Instrumentalness • 68% Positiveness
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Cornell Campbell
Dance In A Greenwich Farm
84 bpm • A min • 02:27 • -10db
9% Popularity • 69% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 69% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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Half Pint
One In A Million
83 bpm • F# min • 03:01 • -14.17db
30% Popularity • 73% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 73% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Kotch
Ooo Baby Baby
84 bpm • C Maj • 03:57 • -7.28db
26% Popularity • 78% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
26% Popularity • 78% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Leroy Smart
I Am The Don
77 bpm • E min • 03:21 • -5.02db
19% Popularity • 87% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 87% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
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Sly & Robbie
Hot You're Hot
84 bpm • E Maj • 03:38 • -9db
17% Popularity • 77% Danceability • 46% Energy • 6% Liveness
53% Instrumentalness • 73% Positiveness
17% Popularity • 77% Danceability • 46% Energy • 6% Liveness
53% Instrumentalness • 73% Positiveness
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Delroy Wilson
Dancing Mood
84 bpm • D Maj • 02:43 • -7db
22% Popularity • 84% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 84% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Carlton Livingston
Trodding
76 bpm • D Maj • 03:38 • -13db
38% Popularity • 81% Danceability • 40% Energy • 12% Liveness
30% Instrumentalness • 48% Positiveness
38% Popularity • 81% Danceability • 40% Energy • 12% Liveness
30% Instrumentalness • 48% Positiveness
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Prince Jammy
Saturn Bombardment
76 bpm • C# Maj • 04:05 • -10.42db
16% Popularity • 74% Danceability • 41% Energy • 35% Liveness
91% Instrumentalness • 42% Positiveness
16% Popularity • 74% Danceability • 41% Energy • 35% Liveness
91% Instrumentalness • 42% Positiveness
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Beshara
Glory Glory
76 bpm • A# min • 05:14 • -6.32db
9% Popularity • 72% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 72% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Dillinger
Five Man Army / Send Another Moses
84 bpm • F# min • 07:34 • -7.91db
20% Popularity • 68% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 68% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Kotch
Tears
85 bpm • E min • 03:53 • -13.26db
21% Popularity • 79% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 79% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Echo Minott
Lazy Body
76 bpm • G# Maj • 03:45 • -6.72db
18% Popularity • 77% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 77% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Bob Andy
Sun Shines for Me
75 bpm • F min • 04:26 • -11db
39% Popularity • 76% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
39% Popularity • 76% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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King Tubby
Dub Fever
75 bpm • A# min • 03:27 • -9.15db
29% Popularity • 85% Danceability • 49% Energy • 10% Liveness
82% Instrumentalness • 43% Positiveness
29% Popularity • 85% Danceability • 49% Energy • 10% Liveness
82% Instrumentalness • 43% Positiveness
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Cocoa Tea
Rocking Dolly
75 bpm • B min • 03:51 • -14.3db
29% Popularity • 83% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 83% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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I-Roy
Black Man Time
75 bpm • C# min • 03:40 • -4.44db
16% Popularity • 60% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 60% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Half Pint
One Big Ghetto
85 bpm • A# min • 03:12 • -7.68db
23% Popularity • 70% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 70% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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MIlton Henry
Rastafari Cannot Die
75 bpm • C# Maj • 03:22 • -8.05db
36% Popularity • 78% Danceability • 49% Energy • 22% Liveness
2% Instrumentalness • 83% Positiveness
36% Popularity • 78% Danceability • 49% Energy • 22% Liveness
2% Instrumentalness • 83% Positiveness
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Tenor Saw
Golden Hen
86 bpm • A Maj • 03:45 • -5.82db
32% Popularity • 75% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 75% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Sly & Robbie
Liquidation Dub
75 bpm • C Maj • 02:44 • -24.67db
4% Popularity • 64% Danceability • 13% Energy • 21% Liveness
44% Instrumentalness • 63% Positiveness
4% Popularity • 64% Danceability • 13% Energy • 21% Liveness
44% Instrumentalness • 63% Positiveness
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Prince Far I
Jah Do That
74 bpm • F Maj • 03:57 • -9.6db
28% Popularity • 75% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 84% Positiveness
28% Popularity • 75% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 84% Positiveness
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The Itals
In A Dis Ya Time
75 bpm • C Maj • 02:58 • -17.11db
40% Popularity • 75% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
40% Popularity • 75% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Michael Palmer
I'm Still Dancing
74 bpm • D Maj • 06:28 • -8.22db
24% Popularity • 82% Danceability • 31% Energy • 12% Liveness
7% Instrumentalness • 42% Positiveness
24% Popularity • 82% Danceability • 31% Energy • 12% Liveness
7% Instrumentalness • 42% Positiveness
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Wayne Jarrett
Satta Dread
74 bpm • F min • 03:05 • -6.84db
23% Popularity • 66% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 66% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
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Delroy Wilson
It's a Shame
86 bpm • A# min • 02:27 • -9db
24% Popularity • 76% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 76% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Fred Locks
Black Star Liner
74 bpm • C# Maj • 02:43 • -7.66db
23% Popularity • 72% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 72% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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The Heptones
Mistry Babylon
86 bpm • B Maj • 03:29 • -6.28db
16% Popularity • 73% Danceability • 58% Energy • 41% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 73% Danceability • 58% Energy • 41% Liveness
0% Instrumentalness • 54% Positiveness
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Sly & Robbie
Conference
74 bpm • A# min • 03:42 • -10.44db
3% Popularity • 84% Danceability • 40% Energy • 14% Liveness
90% Instrumentalness • 24% Positiveness
3% Popularity • 84% Danceability • 40% Energy • 14% Liveness
90% Instrumentalness • 24% Positiveness
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Triston Palma
Entertainment
74 bpm • A# Maj • 07:11 • -7.11db
14% Popularity • 75% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 75% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Tony Tuff
Come Fe Mash It
74 bpm • A min • 03:42 • -17.26db
10% Popularity • 70% Danceability • 27% Energy • 5% Liveness
4% Instrumentalness • 68% Positiveness
10% Popularity • 70% Danceability • 27% Energy • 5% Liveness
4% Instrumentalness • 68% Positiveness
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Dillinger
Chuky Skank
87 bpm • G Maj • 02:39 • -9.5db
26% Popularity • 75% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 75% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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Lloyd Robinson
Fire Fire
87 bpm • D Maj • 03:21 • -5.04db
4% Popularity • 74% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
4% Popularity • 74% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Prince Jammy
Martian Encounter
73 bpm • A# min • 04:29 • -12.9db
28% Popularity • 74% Danceability • 33% Energy • 34% Liveness
80% Instrumentalness • 56% Positiveness
28% Popularity • 74% Danceability • 33% Energy • 34% Liveness
80% Instrumentalness • 56% Positiveness
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Jah Lion
Wisdom
73 bpm • D Maj • 03:32 • -10.36db
18% Popularity • 73% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 73% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Triston Palma
Entertainment
74 bpm • C Maj • 05:49 • -2.74db
13% Popularity • 64% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 64% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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The Itals
Ina Disa Time
72 bpm • C Maj • 02:53 • -5.18db
34% Popularity • 62% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
34% Popularity • 62% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
