Songs like Dubbla signaler by Gustaf Spetz
Based on a tempo of (+/- 10%) and a similar genre
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1900
Den modernitet som aldrig kom - Fältins...
102 bpm • C min • 05:18 • -18.38db
11% Popularity • 16% Danceability • 23% Energy • 97% Liveness
74% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 23% Energy • 97% Liveness
74% Instrumentalness • 4% Positiveness
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Phosphorescent
Black Moon / Silver Waves
102 bpm • G Maj • 01:16 • -13.07db
39% Popularity • 28% Danceability • 35% Energy • 14% Liveness
99% Instrumentalness • 4% Positiveness
39% Popularity • 28% Danceability • 35% Energy • 14% Liveness
99% Instrumentalness • 4% Positiveness
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Ulf Dageby
Hästens öga
103 bpm • A min • 01:42 • -14.16db
10% Popularity • 53% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 54% Positiveness
10% Popularity • 53% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 54% Positiveness
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Ingrid Helene HÃ¥vik
Marianna
103 bpm • C# Maj • 05:24 • -7.72db
14% Popularity • 35% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
14% Popularity • 35% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Tvärvägen
Hem
101 bpm • G# Maj • 01:52 • -18.35db
19% Popularity • 38% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 24% Positiveness
19% Popularity • 38% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 24% Positiveness
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Irya Gmeyner
The Thin Blue Line
103 bpm • C# Maj • 01:47 • -9db
23% Popularity • 55% Danceability • 64% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
23% Popularity • 55% Danceability • 64% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Dolce
Vilken värld
103 bpm • C# min • 03:20 • -11.83db
30% Popularity • 39% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
30% Popularity • 39% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Anna Ternheim
Walking Aimlessly
101 bpm • F# min • 03:52 • -12.79db
33% Popularity • 54% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 34% Positiveness
33% Popularity • 54% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 34% Positiveness
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1900
Kolbrytarna
103 bpm • A min • 01:49 • -13.15db
26% Popularity • 58% Danceability • 37% Energy • 16% Liveness
90% Instrumentalness • 16% Positiveness
26% Popularity • 58% Danceability • 37% Energy • 16% Liveness
90% Instrumentalness • 16% Positiveness
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Valgeir Sigurðsson
I Offer Prosperity and Eternal Life
100 bpm • A# Maj • 01:51 • -19db
40% Popularity • 41% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
40% Popularity • 41% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Loney Dear
Lilies
104 bpm • G# Maj • 03:34 • -16.03db
17% Popularity • 39% Danceability • 18% Energy • 10% Liveness
16% Instrumentalness • 5% Positiveness
17% Popularity • 39% Danceability • 18% Energy • 10% Liveness
16% Instrumentalness • 5% Positiveness
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Sara Parkman
Preludium
100 bpm • G Maj • 01:51 • -16db
29% Popularity • 15% Danceability • 7% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
29% Popularity • 15% Danceability • 7% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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Teitur
Yellow / Green - Y Arpeggio in Eb / F
104 bpm • A# Maj • 02:26 • -21.74db
22% Popularity • 30% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
22% Popularity • 30% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Irya Gmeyner
Sara's Remedy
100 bpm • G min • 03:07 • -13.62db
15% Popularity • 35% Danceability • 11% Energy • 31% Liveness
72% Instrumentalness • 8% Positiveness
15% Popularity • 35% Danceability • 11% Energy • 31% Liveness
72% Instrumentalness • 8% Positiveness
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1900
Den minsta av segrar
100 bpm • F# min • 05:00 • -14.3db
40% Popularity • 31% Danceability • 17% Energy • 14% Liveness
82% Instrumentalness • 24% Positiveness
40% Popularity • 31% Danceability • 17% Energy • 14% Liveness
82% Instrumentalness • 24% Positiveness
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Benedikt
KMG
104 bpm • D min • 03:49 • -18.12db
15% Popularity • 66% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
15% Popularity • 66% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Fleshquartet
Tjockare än vatten - Theme Song From Th...
100 bpm • C min • 03:16 • -7.65db
29% Popularity • 45% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 45% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Sara Parkman
E4 N
100 bpm • B min • 03:34 • -12.94db
18% Popularity • 25% Danceability • 68% Energy • 8% Liveness
78% Instrumentalness • 11% Positiveness
18% Popularity • 25% Danceability • 68% Energy • 8% Liveness
78% Instrumentalness • 11% Positiveness
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Christina Hellström
San Francisco
100 bpm • F# Maj • 03:21 • -9.64db
28% Popularity • 42% Danceability • 47% Energy • 20% Liveness
73% Instrumentalness • 31% Positiveness
28% Popularity • 42% Danceability • 47% Energy • 20% Liveness
73% Instrumentalness • 31% Positiveness
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Susanne Sundfør
Silencer
100 bpm • C# min • 03:27 • -10.49db
32% Popularity • 37% Danceability • 24% Energy • 9% Liveness
51% Instrumentalness • 8% Positiveness
32% Popularity • 37% Danceability • 24% Energy • 9% Liveness
51% Instrumentalness • 8% Positiveness
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Moonica Mac
Ibland
100 bpm • A Maj • 03:37 • -12.75db
42% Popularity • 52% Danceability • 15% Energy • 25% Liveness
0% Instrumentalness • 9% Positiveness
42% Popularity • 52% Danceability • 15% Energy • 25% Liveness
0% Instrumentalness • 9% Positiveness
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Garth Stevenson
Departure
104 bpm • C Maj • 01:58 • -19.24db
9% Popularity • 15% Danceability • 12% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 12% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Ólafur Arnalds
Lag Fyrir Ömmu
100 bpm • G# Maj • 03:32 • -19.13db
42% Popularity • 29% Danceability • 4% Energy • 13% Liveness
93% Instrumentalness • 9% Positiveness
42% Popularity • 29% Danceability • 4% Energy • 13% Liveness
93% Instrumentalness • 9% Positiveness
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Gustaf Spetz
Rasmus cigaretter smakade som våren - I...
104 bpm • F# min • 04:12 • -20.16db
0% Popularity • 17% Danceability • 3% Energy • 30% Liveness
19% Instrumentalness • 4% Positiveness
0% Popularity • 17% Danceability • 3% Energy • 30% Liveness
19% Instrumentalness • 4% Positiveness
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Annika Norlin
Jag vill inte suddas ut
100 bpm • C Maj • 02:20 • -8db
33% Popularity • 34% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 34% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Inge Bremnes
For det første
99 bpm • E min • 01:08 • -31.47db
29% Popularity • 40% Danceability • 4% Energy • 19% Liveness
98% Instrumentalness • 36% Positiveness
29% Popularity • 40% Danceability • 4% Energy • 19% Liveness
98% Instrumentalness • 36% Positiveness
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Tom Adams
Come On, Dreamer
105 bpm • F Maj • 05:34 • -11.81db
28% Popularity • 34% Danceability • 33% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
28% Popularity • 34% Danceability • 33% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
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Christina Hellström
Jag Dansade En Sommar
105 bpm • D Maj • 03:57 • -9db
20% Popularity • 46% Danceability • 51% Energy • 20% Liveness
42% Instrumentalness • 54% Positiveness
20% Popularity • 46% Danceability • 51% Energy • 20% Liveness
42% Instrumentalness • 54% Positiveness
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Sara Parkman
Ediths låt
105 bpm • E min • 05:23 • -12.79db
20% Popularity • 44% Danceability • 62% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
20% Popularity • 44% Danceability • 62% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
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Rebekka Karijord
Snö
105 bpm • G min • 03:39 • -22.78db
11% Popularity • 40% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
11% Popularity • 40% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Winhill/Losehill
Aifos
99 bpm • F# Maj • 04:37 • -13.76db
9% Popularity • 45% Danceability • 23% Energy • 11% Liveness
63% Instrumentalness • 19% Positiveness
9% Popularity • 45% Danceability • 23% Energy • 11% Liveness
63% Instrumentalness • 19% Positiveness
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Days of August
Homeplace
105 bpm • G Maj • 04:14 • -13.94db
41% Popularity • 44% Danceability • 35% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
41% Popularity • 44% Danceability • 35% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
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HjaltalÃn
Baronesse
99 bpm • G Maj • 04:19 • -14.02db
23% Popularity • 56% Danceability • 46% Energy • 10% Liveness
56% Instrumentalness • 24% Positiveness
23% Popularity • 56% Danceability • 46% Energy • 10% Liveness
56% Instrumentalness • 24% Positiveness
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Ed Harcourt
Duet for Ghosts
105 bpm • F# Maj • 03:41 • -19db
25% Popularity • 42% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
25% Popularity • 42% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Moddi
House by the Sea
99 bpm • G# Maj • 03:38 • -17db
45% Popularity • 60% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 60% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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1900
Den minsta av segrar - Fältinspelad
98 bpm • F# min • 05:08 • -16.73db
12% Popularity • 42% Danceability • 11% Energy • 19% Liveness
84% Instrumentalness • 12% Positiveness
12% Popularity • 42% Danceability • 11% Energy • 19% Liveness
84% Instrumentalness • 12% Positiveness
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Ekko
Wild Peace
99 bpm • A Maj • 05:39 • -20.62db
11% Popularity • 47% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 13% Positiveness
11% Popularity • 47% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 13% Positiveness
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Henrik Lindstrand
Havet
106 bpm • C Maj • 03:09 • -25.17db
33% Popularity • 37% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
33% Popularity • 37% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
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Sara Parkman
Himmelriket
98 bpm • A min • 04:22 • -17.06db
8% Popularity • 34% Danceability • 21% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
8% Popularity • 34% Danceability • 21% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Bengt Nilsson
Gothenburg Night
107 bpm • C Maj • 01:33 • -13.09db
18% Popularity • 56% Danceability • 24% Energy • 12% Liveness
73% Instrumentalness • 9% Positiveness
18% Popularity • 56% Danceability • 24% Energy • 12% Liveness
73% Instrumentalness • 9% Positiveness
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Irya Gmeyner
The End
107 bpm • F Maj • 03:27 • -10.35db
21% Popularity • 57% Danceability • 59% Energy • 22% Liveness
94% Instrumentalness • 11% Positiveness
21% Popularity • 57% Danceability • 59% Energy • 22% Liveness
94% Instrumentalness • 11% Positiveness
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1900
Kolbrytarna - Fältinspelad
98 bpm • A min • 03:18 • -19.5db
13% Popularity • 65% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
13% Popularity • 65% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 5% Positiveness
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Ylja
Sævindur
107 bpm • F# min • 01:35 • -13.76db
26% Popularity • 50% Danceability • 10% Energy • 12% Liveness
60% Instrumentalness • 22% Positiveness
26% Popularity • 50% Danceability • 10% Energy • 12% Liveness
60% Instrumentalness • 22% Positiveness
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Paulina Palmgren
Mulen majhimmel
107 bpm • A Maj • 02:15 • -16.63db
20% Popularity • 43% Danceability • 2% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
20% Popularity • 43% Danceability • 2% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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Sara Parkman
Antropocen
107 bpm • G Maj • 04:39 • -11.16db
25% Popularity • 24% Danceability • 32% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
25% Popularity • 24% Danceability • 32% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Daniel Norgren
Are We Running Out of Love?
107 bpm • A min • 04:15 • -18.22db
34% Popularity • 26% Danceability • 12% Energy • 8% Liveness
14% Instrumentalness • 4% Positiveness
34% Popularity • 26% Danceability • 12% Energy • 8% Liveness
14% Instrumentalness • 4% Positiveness
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Irya Gmeyner
Urban City
97 bpm • G min • 02:22 • -9.98db
35% Popularity • 56% Danceability • 74% Energy • 12% Liveness
95% Instrumentalness • 18% Positiveness
35% Popularity • 56% Danceability • 74% Energy • 12% Liveness
95% Instrumentalness • 18% Positiveness
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Frans Bak
Theis and Pernille's Theme
108 bpm • C Maj • 03:51 • -22.87db
24% Popularity • 16% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Highasakite
Science & Blood Tests
108 bpm • C# Maj • 04:41 • -10db
9% Popularity • 55% Danceability • 47% Energy • 18% Liveness
20% Instrumentalness • 16% Positiveness
9% Popularity • 55% Danceability • 47% Energy • 18% Liveness
20% Instrumentalness • 16% Positiveness
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Stefan Nilsson
Mot Den Nya Världen - from Pelle Erövr...
96 bpm • A# min • 02:43 • -14.88db
19% Popularity • 21% Danceability • 17% Energy • 10% Liveness
96% Instrumentalness • 10% Positiveness
19% Popularity • 21% Danceability • 17% Energy • 10% Liveness
96% Instrumentalness • 10% Positiveness
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The White Birch
The Weight of Spring
96 bpm • B Maj • 06:03 • -24.05db
10% Popularity • 44% Danceability • 4% Energy • 11% Liveness
56% Instrumentalness • 6% Positiveness
10% Popularity • 44% Danceability • 4% Energy • 11% Liveness
56% Instrumentalness • 6% Positiveness
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Gustaf Spetz
Följ mitt hjärtas sång - Instrumental
96 bpm • D Maj • 01:26 • -7.34db
1% Popularity • 52% Danceability • 42% Energy • 6% Liveness
94% Instrumentalness • 24% Positiveness
1% Popularity • 52% Danceability • 42% Energy • 6% Liveness
94% Instrumentalness • 24% Positiveness
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Björn Olsson
Orust
96 bpm • A Maj • 01:43 • -12.3db
33% Popularity • 48% Danceability • 26% Energy • 16% Liveness
90% Instrumentalness • 17% Positiveness
33% Popularity • 48% Danceability • 26% Energy • 16% Liveness
90% Instrumentalness • 17% Positiveness
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Sofia Jannok
Nohkat
96 bpm • F Maj • 02:38 • -16.33db
22% Popularity • 25% Danceability • 13% Energy • 13% Liveness
61% Instrumentalness • 5% Positiveness
22% Popularity • 25% Danceability • 13% Energy • 13% Liveness
61% Instrumentalness • 5% Positiveness
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Elina Ryd
Borta med vinden
109 bpm • D Maj • 02:55 • -10db
24% Popularity • 36% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 36% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Menke
Troner och folk och städer
95 bpm • D# min • 02:31 • -14.21db
15% Popularity • 27% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 27% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Karl-Magnus Fredriksson
Tema ur filmen Bröderna Lejonhjärta
95 bpm • A Maj • 02:37 • -24.85db
28% Popularity • 25% Danceability • 1% Energy • 8% Liveness
69% Instrumentalness • 7% Positiveness
28% Popularity • 25% Danceability • 1% Energy • 8% Liveness
69% Instrumentalness • 7% Positiveness
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Gustaf Spetz
Följ mitt hjärtas sång
96 bpm • D Maj • 01:26 • -6.99db
7% Popularity • 51% Danceability • 49% Energy • 6% Liveness
59% Instrumentalness • 21% Positiveness
7% Popularity • 51% Danceability • 49% Energy • 6% Liveness
59% Instrumentalness • 21% Positiveness
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Björn Olsson
orkesterlåt
109 bpm • G min • 02:02 • -19.44db
8% Popularity • 34% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 15% Positiveness
8% Popularity • 34% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 15% Positiveness
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Susanne Sundfør
Memorial
109 bpm • D Maj • 10:06 • -12.41db
32% Popularity • 25% Danceability • 21% Energy • 11% Liveness
61% Instrumentalness • 4% Positiveness
32% Popularity • 25% Danceability • 21% Energy • 11% Liveness
61% Instrumentalness • 4% Positiveness
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Erlend Ropstad
Vend om
95 bpm • F Maj • 01:55 • -32.42db
20% Popularity • 25% Danceability • 1% Energy • 67% Liveness
96% Instrumentalness • 12% Positiveness
20% Popularity • 25% Danceability • 1% Energy • 67% Liveness
96% Instrumentalness • 12% Positiveness
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Andreas Söderström
Bangla Road
95 bpm • F min • 07:26 • -9.27db
10% Popularity • 38% Danceability • 44% Energy • 15% Liveness
85% Instrumentalness • 6% Positiveness
10% Popularity • 38% Danceability • 44% Energy • 15% Liveness
85% Instrumentalness • 6% Positiveness
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Marc Collin
Arcanes - Kyss Mig - With Every Heartbea...
95 bpm • A# min • 02:31 • -22.91db
12% Popularity • 38% Danceability • 3% Energy • 14% Liveness
97% Instrumentalness • 5% Positiveness
12% Popularity • 38% Danceability • 3% Energy • 14% Liveness
97% Instrumentalness • 5% Positiveness
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Gustaf Spetz
Ut paÌŠ djupt vatten
96 bpm • D Maj • 01:59 • -26.09db
2% Popularity • 31% Danceability • 10% Energy • 8% Liveness
85% Instrumentalness • 6% Positiveness
2% Popularity • 31% Danceability • 10% Energy • 8% Liveness
85% Instrumentalness • 6% Positiveness
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Janove
Spindelvevriff
95 bpm • G# Maj • 01:45 • -25.19db
28% Popularity • 52% Danceability • 12% Energy • 14% Liveness
90% Instrumentalness • 16% Positiveness
28% Popularity • 52% Danceability • 12% Energy • 14% Liveness
90% Instrumentalness • 16% Positiveness
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Susanne Sundfør
When
95 bpm • C Maj • 04:05 • -11.49db
27% Popularity • 27% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
27% Popularity • 27% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Sarah Klang
Agony
95 bpm • C Maj • 03:58 • -13.08db
32% Popularity • 33% Danceability • 19% Energy • 20% Liveness
3% Instrumentalness • 10% Positiveness
32% Popularity • 33% Danceability • 19% Energy • 20% Liveness
3% Instrumentalness • 10% Positiveness
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Andreas Söderström
Vinjett
95 bpm • A min • 01:39 • -10.81db
17% Popularity • 33% Danceability • 48% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
17% Popularity • 33% Danceability • 48% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Menke
I rörelse
110 bpm • F min • 01:59 • -11.91db
10% Popularity • 38% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 38% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 4% Positiveness
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Gustaf Spetz
Dewdrop
95 bpm • C# Maj • 03:46 • -5.83db
1% Popularity • 60% Danceability • 70% Energy • 14% Liveness
8% Instrumentalness • 43% Positiveness
1% Popularity • 60% Danceability • 70% Energy • 14% Liveness
8% Instrumentalness • 43% Positiveness
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Amanda Bergman
Falcons
110 bpm • G Maj • 03:54 • -10db
50% Popularity • 52% Danceability • 65% Energy • 7% Liveness
2% Instrumentalness • 36% Positiveness
50% Popularity • 52% Danceability • 65% Energy • 7% Liveness
2% Instrumentalness • 36% Positiveness
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Amason
Tjugonde
94 bpm • F Maj • 05:37 • -8db
32% Popularity • 57% Danceability • 52% Energy • 4% Liveness
22% Instrumentalness • 42% Positiveness
32% Popularity • 57% Danceability • 52% Energy • 4% Liveness
22% Instrumentalness • 42% Positiveness
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ARY
Kakofoni
94 bpm • B Maj • 01:01 • -19.16db
26% Popularity • 26% Danceability • 9% Energy • 22% Liveness
2% Instrumentalness • 46% Positiveness
26% Popularity • 26% Danceability • 9% Energy • 22% Liveness
2% Instrumentalness • 46% Positiveness
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Dragonborn
The Darkness
94 bpm • C# min • 03:14 • -13.69db
10% Popularity • 30% Danceability • 28% Energy • 11% Liveness
23% Instrumentalness • 13% Positiveness
10% Popularity • 30% Danceability • 28% Energy • 11% Liveness
23% Instrumentalness • 13% Positiveness
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Menke
Stjärnsång
110 bpm • F Maj • 02:10 • -14.85db
9% Popularity • 41% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 41% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Frøkedal
The Man Who Isn't Here
110 bpm • C min • 03:50 • -9.81db
26% Popularity • 33% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
26% Popularity • 33% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Gustaf Spetz
Du...
111 bpm • F# Maj • 03:19 • -17.39db
0% Popularity • 22% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
0% Popularity • 22% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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The White Birch
Storm-Broken Tree
111 bpm • F Maj • 03:21 • -22.72db
16% Popularity • 33% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
16% Popularity • 33% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Gyða Valtýsdóttir
Moonchild
94 bpm • G# min • 04:15 • -18db
13% Popularity • 33% Danceability • 12% Energy • 33% Liveness
4% Instrumentalness • 8% Positiveness
13% Popularity • 33% Danceability • 12% Energy • 33% Liveness
4% Instrumentalness • 8% Positiveness
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Benedikt
Halsmandlar
94 bpm • A min • 02:50 • -10db
32% Popularity • 64% Danceability • 41% Energy • 10% Liveness
4% Instrumentalness • 41% Positiveness
32% Popularity • 64% Danceability • 41% Energy • 10% Liveness
4% Instrumentalness • 41% Positiveness
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Menke
Tillägnan
110 bpm • F# min • 03:15 • -14.81db
9% Popularity • 31% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 31% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Ólafur Arnalds
A Stutter - Remastered 2023
94 bpm • F min • 05:09 • -22.77db
19% Popularity • 25% Danceability • 6% Energy • 11% Liveness
73% Instrumentalness • 12% Positiveness
19% Popularity • 25% Danceability • 6% Energy • 11% Liveness
73% Instrumentalness • 12% Positiveness
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Atli Örvarsson
Engin landamæri
94 bpm • C Maj • 02:25 • -19.49db
18% Popularity • 45% Danceability • 11% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
18% Popularity • 45% Danceability • 11% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Looptok
Knitting Peace
111 bpm • D min • 04:22 • -11.18db
9% Popularity • 45% Danceability • 40% Energy • 16% Liveness
92% Instrumentalness • 68% Positiveness
9% Popularity • 45% Danceability • 40% Energy • 16% Liveness
92% Instrumentalness • 68% Positiveness
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Björn Olsson
Melodi i H moll 2016
111 bpm • B min • 01:44 • -9.16db
14% Popularity • 55% Danceability • 35% Energy • 30% Liveness
80% Instrumentalness • 40% Positiveness
14% Popularity • 55% Danceability • 35% Energy • 30% Liveness
80% Instrumentalness • 40% Positiveness
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Alice Boman
Dreams
111 bpm • C# Maj • 03:13 • -15db
22% Popularity • 48% Danceability • 25% Energy • 19% Liveness
24% Instrumentalness • 28% Positiveness
22% Popularity • 48% Danceability • 25% Energy • 19% Liveness
24% Instrumentalness • 28% Positiveness
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Gustaf Spetz
Har du saknat det här?
94 bpm • A# Maj • 01:36 • -26.3db
3% Popularity • 38% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
3% Popularity • 38% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
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Max Kiusalaas
En Speciell Vals
111 bpm • A min • 03:10 • -12.88db
10% Popularity • 40% Danceability • 25% Energy • 20% Liveness
1% Instrumentalness • 17% Positiveness
10% Popularity • 40% Danceability • 25% Energy • 20% Liveness
1% Instrumentalness • 17% Positiveness
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Adam Nordén
Marja
93 bpm • F# min • 02:09 • -11.31db
10% Popularity • 14% Danceability • 21% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
10% Popularity • 14% Danceability • 21% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Anana
Vague
111 bpm • A Maj • 04:05 • -12db
36% Popularity • 30% Danceability • 27% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
36% Popularity • 30% Danceability • 27% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
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Björn Olsson
vissling i d
93 bpm • D Maj • 02:41 • -13.48db
11% Popularity • 46% Danceability • 31% Energy • 12% Liveness
94% Instrumentalness • 20% Positiveness
11% Popularity • 46% Danceability • 31% Energy • 12% Liveness
94% Instrumentalness • 20% Positiveness
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Dolce
HÃ¥gkomstljud
112 bpm • F Maj • 02:22 • -12.48db
14% Popularity • 19% Danceability • 22% Energy • 20% Liveness
90% Instrumentalness • 9% Positiveness
14% Popularity • 19% Danceability • 22% Energy • 20% Liveness
90% Instrumentalness • 9% Positiveness
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Gustaf Spetz
Slussen
111 bpm • D min • 02:33 • -34.27db
1% Popularity • 16% Danceability • 1% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
1% Popularity • 16% Danceability • 1% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Sara Parkman
Fält
93 bpm • G Maj • 03:16 • -11.53db
21% Popularity • 55% Danceability • 64% Energy • 38% Liveness
3% Instrumentalness • 12% Positiveness
21% Popularity • 55% Danceability • 64% Energy • 38% Liveness
3% Instrumentalness • 12% Positiveness
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Loney Dear
Ignorant Boy, Beautiful Girl
93 bpm • B Maj • 03:58 • -15db
23% Popularity • 51% Danceability • 76% Energy • 23% Liveness
92% Instrumentalness • 48% Positiveness
23% Popularity • 51% Danceability • 76% Energy • 23% Liveness
92% Instrumentalness • 48% Positiveness
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Jonathan Johansson
Aldrig ensam
93 bpm • C# Maj • 04:47 • -10.18db
44% Popularity • 79% Danceability • 43% Energy • 9% Liveness
65% Instrumentalness • 86% Positiveness
44% Popularity • 79% Danceability • 43% Energy • 9% Liveness
65% Instrumentalness • 86% Positiveness
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Tom Adams
Particle VIII (The Light Before the Rain...
112 bpm • C Maj • 03:17 • -21.39db
17% Popularity • 50% Danceability • 17% Energy • 12% Liveness
94% Instrumentalness • 13% Positiveness
17% Popularity • 50% Danceability • 17% Energy • 12% Liveness
94% Instrumentalness • 13% Positiveness
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Menke
Echo
93 bpm • A min • 03:28 • -13.89db
17% Popularity • 36% Danceability • 27% Energy • 5% Liveness
2% Instrumentalness • 4% Positiveness
17% Popularity • 36% Danceability • 27% Energy • 5% Liveness
2% Instrumentalness • 4% Positiveness
