Songs like Dublin Blues by Steve Earle
Based on a tempo of (+/- 10%) and a similar genre
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John Mellencamp
Jack & Diane
104 bpm • A Maj • 04:14 • -8.21db
75% Popularity • 81% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
75% Popularity • 81% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Jerry Reed
Guitar Man
104 bpm • F# Maj • 02:27 • -7db
41% Popularity • 62% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
41% Popularity • 62% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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The Bellamy Brothers
Old Hippie
104 bpm • B Maj • 04:05 • -13.25db
49% Popularity • 69% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 69% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Sturgill Simpson
Life Ain't Fair and the World Is Mean
104 bpm • B min • 02:06 • -5db
65% Popularity • 64% Danceability • 82% Energy • 26% Liveness
3% Instrumentalness • 73% Positiveness
65% Popularity • 64% Danceability • 82% Energy • 26% Liveness
3% Instrumentalness • 73% Positiveness
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Don Williams
Tulsa Time
104 bpm • E Maj • 03:15 • -13.01db
66% Popularity • 92% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
66% Popularity • 92% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Steve Earle
The Rain Came Down
105 bpm • G Maj • 04:07 • -16.58db
26% Popularity • 67% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
26% Popularity • 67% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Pat Green
Wave on Wave
104 bpm • D Maj • 04:04 • -5.27db
57% Popularity • 67% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
57% Popularity • 67% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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David Allan Coe
Tennessee Whiskey
105 bpm • D Maj • 02:58 • -11.12db
47% Popularity • 67% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
47% Popularity • 67% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Creedence Clearwater Revival
Lookin' Out My Back Door
105 bpm • A# Maj • 02:32 • -5.15db
74% Popularity • 77% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
74% Popularity • 77% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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George Jones
Tennessee Whiskey
105 bpm • F# Maj • 02:51 • -15.5db
50% Popularity • 59% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
50% Popularity • 59% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Colter Wall
Thirteen Silver Dollars
103 bpm • F Maj • 02:30 • -12.5db
62% Popularity • 60% Danceability • 28% Energy • 9% Liveness
31% Instrumentalness • 72% Positiveness
62% Popularity • 60% Danceability • 28% Energy • 9% Liveness
31% Instrumentalness • 72% Positiveness
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Steve Earle
Once You Love
105 bpm • D Maj • 04:40 • -15.73db
22% Popularity • 51% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 51% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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John Denver
Thank God I'm a Country Boy
106 bpm • A Maj • 03:13 • -9.58db
67% Popularity • 76% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
67% Popularity • 76% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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David Allan Coe
You Never Even Called Me by My Name
105 bpm • G Maj • 05:16 • -8db
61% Popularity • 63% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
61% Popularity • 63% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Conway Twitty
Tight Fittin' Jeans
102 bpm • F Maj • 02:51 • -13.95db
65% Popularity • 73% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
65% Popularity • 73% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Gordon Lightfoot
Sundown
106 bpm • B Maj • 03:33 • -15.49db
70% Popularity • 79% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
70% Popularity • 79% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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The Highwaymen
Live Forever
106 bpm • G Maj • 02:47 • -11.25db
58% Popularity • 65% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
58% Popularity • 65% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Big & Rich
Save a Horse (Ride a Cowboy)
102 bpm • D Maj • 03:20 • -2.28db
71% Popularity • 70% Danceability • 90% Energy • 45% Liveness
0% Instrumentalness • 82% Positiveness
71% Popularity • 70% Danceability • 90% Energy • 45% Liveness
0% Instrumentalness • 82% Positiveness
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Midland
Drinkin' Problem
102 bpm • A Maj • 03:40 • -6.4db
71% Popularity • 62% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
71% Popularity • 62% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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David Allan Coe
Jack Daniel's, If You Please
103 bpm • D Maj • 03:17 • -9.55db
52% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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The Marshall Tucker Band
Fire on the Mountain
102 bpm • E min • 03:56 • -6.36db
59% Popularity • 51% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
59% Popularity • 51% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Tyler Childers
Universal Sound
102 bpm • F Maj • 03:41 • -10db
68% Popularity • 67% Danceability • 44% Energy • 11% Liveness
26% Instrumentalness • 64% Positiveness
68% Popularity • 67% Danceability • 44% Energy • 11% Liveness
26% Instrumentalness • 64% Positiveness
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Corb Lund
Gettin' Down on the Mountain
107 bpm • G Maj • 03:28 • -6.92db
37% Popularity • 80% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
37% Popularity • 80% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Ray Wylie Hubbard
Cooler-N-Hell
101 bpm • E min • 03:31 • -8.2db
35% Popularity • 72% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 72% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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The Charlie Daniels Band
Trudy
101 bpm • A Maj • 04:48 • -19db
42% Popularity • 69% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
42% Popularity • 69% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Mel McDaniel
Baby's Got Her Blue Jeans On
107 bpm • A# Maj • 02:59 • -6db
63% Popularity • 87% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
63% Popularity • 87% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Catherine Britt
You And Me Against The World
107 bpm • A Maj • 03:44 • -7.48db
6% Popularity • 53% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
6% Popularity • 53% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Willie Nelson
Roll Me Up and Smoke Me When I Die - Liv...
107 bpm • C Maj • 02:14 • -9.02db
63% Popularity • 43% Danceability • 81% Energy • 87% Liveness
11% Instrumentalness • 34% Positiveness
63% Popularity • 43% Danceability • 81% Energy • 87% Liveness
11% Instrumentalness • 34% Positiveness
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Billy Currington
Pretty Good At Drinkin' Beer
107 bpm • F Maj • 02:59 • -4db
64% Popularity • 77% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
64% Popularity • 77% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Jerry Reed
When You're Hot, You're Hot
101 bpm • C# min • 02:16 • -8.27db
40% Popularity • 77% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
40% Popularity • 77% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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The Charlie Daniels Band
Uneasy Rider '88
107 bpm • C Maj • 04:24 • -14db
48% Popularity • 77% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
48% Popularity • 77% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Sturgill Simpson
Sam
101 bpm • C Maj • 01:12 • -11db
68% Popularity • 71% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
68% Popularity • 71% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Don Williams
Good Ole Boys Like Me
107 bpm • A Maj • 04:15 • -17.56db
54% Popularity • 66% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
54% Popularity • 66% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Brooks Jefferson
Friends in Low Places
108 bpm • A Maj • 04:18 • -5.84db
63% Popularity • 55% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
63% Popularity • 55% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Ryan Bingham
The Weary Kind
100 bpm • D Maj • 04:18 • -16.36db
53% Popularity • 48% Danceability • 31% Energy • 12% Liveness
2% Instrumentalness • 27% Positiveness
53% Popularity • 48% Danceability • 31% Energy • 12% Liveness
2% Instrumentalness • 27% Positiveness
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David Lee Murphy
Dust On The Bottle
100 bpm • B Maj • 03:44 • -11.12db
72% Popularity • 74% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
72% Popularity • 74% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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The Charlie Daniels Band
(What This World Needs Is) A Few More Re...
100 bpm • C Maj • 03:42 • -11db
55% Popularity • 72% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
55% Popularity • 72% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Sturgill Simpson
Some Days
100 bpm • E Maj • 03:30 • -5.71db
51% Popularity • 53% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
51% Popularity • 53% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Rosanne Cash
I'll Change For You
108 bpm • F# min • 03:50 • -7.42db
12% Popularity • 66% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 66% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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John Fogerty
Blue Moon Nights
108 bpm • A Maj • 02:33 • -5.59db
40% Popularity • 68% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 68% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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Reckless Kelly
Seven Nights In Eire
108 bpm • A min • 03:17 • -7.6db
49% Popularity • 45% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 45% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Johnny Paycheck
I'm the Only Hell (Mama Ever Raised)
108 bpm • C Maj • 03:09 • -13.89db
52% Popularity • 75% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
52% Popularity • 75% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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The Charlie Daniels Band
The Legend Of Wooley Swamp
100 bpm • G Maj • 04:14 • -11.72db
46% Popularity • 48% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
46% Popularity • 48% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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Corb Lund
The Truck Got Stuck
109 bpm • D Maj • 02:58 • -9db
43% Popularity • 76% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
43% Popularity • 76% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Michael Martin Murphey
Geronimo's Cadillac
109 bpm • A Maj • 05:25 • -6.29db
7% Popularity • 62% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 62% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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John Anderson
Straight Tequila Night
109 bpm • A Maj • 02:53 • -10.11db
62% Popularity • 64% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
62% Popularity • 64% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Gary Stewart
She's Actin' Single (I'm Drinkin' Double...
109 bpm • F# Maj • 02:48 • -11.02db
58% Popularity • 70% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
58% Popularity • 70% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Alabama
Mountain Music
110 bpm • A Maj • 03:37 • -9.52db
61% Popularity • 47% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
61% Popularity • 47% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Lucinda Williams
Car Wheels On A Gravel Road
99 bpm • B Maj • 04:44 • -6.98db
45% Popularity • 63% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
45% Popularity • 63% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Bob Seger
Against The Wind
110 bpm • G Maj • 05:33 • -5.61db
66% Popularity • 67% Danceability • 77% Energy • 13% Liveness
3% Instrumentalness • 72% Positiveness
66% Popularity • 67% Danceability • 77% Energy • 13% Liveness
3% Instrumentalness • 72% Positiveness
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Toby Keith
How Do You Like Me Now?!
110 bpm • C Maj • 03:29 • -8.99db
72% Popularity • 65% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
72% Popularity • 65% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Tom T. Hall
That's How I Got To Memphis
110 bpm • E Maj • 03:02 • -13.43db
59% Popularity • 71% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
59% Popularity • 71% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Merle Haggard & The Strangers
Sing Me Back Home - 2001 Remaster
110 bpm • A Maj • 02:51 • -11db
41% Popularity • 66% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
41% Popularity • 66% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Alabama
If You're Gonna Play in Texas (You Gotta...
110 bpm • A Maj • 03:32 • -15.2db
58% Popularity • 45% Danceability • 64% Energy • 90% Liveness
0% Instrumentalness • 78% Positiveness
58% Popularity • 45% Danceability • 64% Energy • 90% Liveness
0% Instrumentalness • 78% Positiveness
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Travis Tritt
Where Corn Don't Grow
98 bpm • E Maj • 03:28 • -9.38db
51% Popularity • 56% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 56% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Tim McGraw
Indian Outlaw
110 bpm • A Maj • 03:02 • -7.23db
65% Popularity • 66% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
65% Popularity • 66% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Conway Twitty
Louisiana Woman, Mississippi Man
98 bpm • C# Maj • 02:31 • -6.94db
62% Popularity • 62% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
62% Popularity • 62% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Traveling Wilburys
Tweeter And The Monkey Man
111 bpm • A min • 05:27 • -5.39db
57% Popularity • 80% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
57% Popularity • 80% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Corb Lund
Cows Around
111 bpm • B Maj • 04:30 • -7.46db
34% Popularity • 79% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 79% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Steve Earle
The Firebreak Line
98 bpm • E Maj • 03:14 • -6.31db
20% Popularity • 33% Danceability • 74% Energy • 16% Liveness
3% Instrumentalness • 74% Positiveness
20% Popularity • 33% Danceability • 74% Energy • 16% Liveness
3% Instrumentalness • 74% Positiveness
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Jerry Reed
She Got the Goldmine (I Got the Shaft)
111 bpm • A Maj • 03:16 • -13.79db
47% Popularity • 77% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
47% Popularity • 77% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Rosanne Cash
Tennessee Flat Top Box
98 bpm • F min • 03:09 • -16.01db
39% Popularity • 61% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
39% Popularity • 61% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Hank Williams
I'm So Lonesome I Could Cry
111 bpm • E Maj • 02:48 • -13db
57% Popularity • 68% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
57% Popularity • 68% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Ryan Bingham
Southside Of Heaven
111 bpm • G Maj • 06:19 • -10.21db
63% Popularity • 39% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
63% Popularity • 39% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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George Strait
Check Yes Or No
111 bpm • F Maj • 03:20 • -12.64db
76% Popularity • 71% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
76% Popularity • 71% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Steve Earle
Dixieland
97 bpm • D Maj • 02:56 • -5.9db
29% Popularity • 47% Danceability • 80% Energy • 17% Liveness
8% Instrumentalness • 95% Positiveness
29% Popularity • 47% Danceability • 80% Energy • 17% Liveness
8% Instrumentalness • 95% Positiveness
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Merle Haggard & The Strangers
Mama Tried - Remastered 2001
97 bpm • D Maj • 02:12 • -6db
68% Popularity • 72% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
68% Popularity • 72% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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C.W. McCall
Convoy
112 bpm • F Maj • 03:50 • -14.88db
61% Popularity • 68% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
61% Popularity • 68% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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The Highwaymen
The Road Goes On Forever
112 bpm • D Maj • 04:41 • -10db
55% Popularity • 71% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
55% Popularity • 71% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Buck Owens
I've Got A Tiger By The Tail
97 bpm • E Maj • 02:14 • -10.77db
49% Popularity • 69% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
49% Popularity • 69% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Toby Keith
Courtesy Of The Red, White And Blue (The...
112 bpm • D Maj • 03:15 • -5.55db
71% Popularity • 42% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
71% Popularity • 42% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Steve Earle
San Antonio Girl
112 bpm • A Maj • 03:10 • -15.32db
20% Popularity • 73% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
20% Popularity • 73% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Ray Wylie Hubbard
Conversation With The Devil
112 bpm • G Maj • 04:54 • -9.04db
48% Popularity • 67% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
48% Popularity • 67% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Cross Canadian Ragweed
Alabama
97 bpm • B min • 03:38 • -6.5db
54% Popularity • 44% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
54% Popularity • 44% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Mel McDaniel
Big Ole Brew
96 bpm • E Maj • 02:47 • -12.91db
55% Popularity • 64% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
55% Popularity • 64% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Travis Tritt
Here's a Quarter (Call Someone Who Cares...
112 bpm • G Maj • 02:32 • -7db
63% Popularity • 65% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
63% Popularity • 65% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Randy Travis
On the Other Hand
96 bpm • F Maj • 03:06 • -9.92db
58% Popularity • 66% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
58% Popularity • 66% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Steve Earle
Even When I'm Blue
112 bpm • D Maj • 04:14 • -14.72db
29% Popularity • 57% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 57% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Chris Stapleton
Them Stems
113 bpm • D min • 03:00 • -6.86db
60% Popularity • 65% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
60% Popularity • 65% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Cross Canadian Ragweed
Boys From Oklahoma
113 bpm • G Maj • 05:54 • -7.68db
52% Popularity • 43% Danceability • 80% Energy • 92% Liveness
0% Instrumentalness • 73% Positiveness
52% Popularity • 43% Danceability • 80% Energy • 92% Liveness
0% Instrumentalness • 73% Positiveness
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The Charlie Daniels Band
Uneasy Rider
96 bpm • C Maj • 05:18 • -10.73db
47% Popularity • 66% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
47% Popularity • 66% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
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Alabama
Dixieland Delight - Single Edit
96 bpm • G Maj • 03:56 • -12.54db
58% Popularity • 46% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
58% Popularity • 46% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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The Oak Ridge Boys
Leaving Louisiana In The Broad Daylight
96 bpm • F Maj • 02:59 • -14.41db
56% Popularity • 62% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
56% Popularity • 62% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Steve Earle
The Mountain
112 bpm • D Maj • 04:43 • -9.5db
35% Popularity • 48% Danceability • 47% Energy • 27% Liveness
10% Instrumentalness • 42% Positiveness
35% Popularity • 48% Danceability • 47% Energy • 27% Liveness
10% Instrumentalness • 42% Positiveness
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Chris Stapleton
Parachute
113 bpm • F# Maj • 04:13 • -7.41db
76% Popularity • 64% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
76% Popularity • 64% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Preservation Hall Jazz Band
T'aint Nobody's Business
96 bpm • C Maj • 03:27 • -9.1db
6% Popularity • 67% Danceability • 65% Energy • 92% Liveness
0% Instrumentalness • 87% Positiveness
6% Popularity • 67% Danceability • 65% Energy • 92% Liveness
0% Instrumentalness • 87% Positiveness
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Charley Crockett
Jamestown Ferry
113 bpm • F# Maj • 03:06 • -8.4db
58% Popularity • 67% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
58% Popularity • 67% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Alabama
Dixieland Delight
96 bpm • D Maj • 05:22 • -15.04db
65% Popularity • 44% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
65% Popularity • 44% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Ryan Bingham
Bread & Water
114 bpm • E Maj • 04:07 • -5.84db
49% Popularity • 59% Danceability • 94% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
49% Popularity • 59% Danceability • 94% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
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Steve Earle
Angry Young Man
113 bpm • G Maj • 04:26 • -16.55db
26% Popularity • 62% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 62% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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The Steeldrivers
Where Rainbows Never Die
113 bpm • E Maj • 03:49 • -8.89db
65% Popularity • 60% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
65% Popularity • 60% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Ray Wylie Hubbard
Choctaw Bingo
95 bpm • A Maj • 08:20 • -5.81db
41% Popularity • 64% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
41% Popularity • 64% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Reba McEntire
Fancy
95 bpm • B Maj • 04:59 • -11.23db
67% Popularity • 67% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
67% Popularity • 67% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Tom Petty
I Won't Back Down
114 bpm • G Maj • 02:58 • -13.49db
76% Popularity • 76% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
76% Popularity • 76% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Waylon Jennings
Are You Sure Hank Done It This Way
114 bpm • E Maj • 02:54 • -9.22db
59% Popularity • 81% Danceability • 65% Energy • 16% Liveness
39% Instrumentalness • 77% Positiveness
59% Popularity • 81% Danceability • 65% Energy • 16% Liveness
39% Instrumentalness • 77% Positiveness
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Steve Earle
Waiting On You
113 bpm • E Maj • 05:10 • -14.88db
23% Popularity • 50% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 50% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Jamey Johnson
That Lonesome Song
95 bpm • G Maj • 04:01 • -8.77db
60% Popularity • 52% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 18% Positiveness
60% Popularity • 52% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 18% Positiveness
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Allman Brothers Band
Midnight Rider
94 bpm • G Maj • 03:00 • -9.67db
74% Popularity • 58% Danceability • 53% Energy • 23% Liveness
1% Instrumentalness • 68% Positiveness
74% Popularity • 58% Danceability • 53% Energy • 23% Liveness
1% Instrumentalness • 68% Positiveness
