Songs like Dublin in the Green by Patsy Watchorn
Based on a tempo of (+/- 10%) and a similar genre
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Patsy Watchorn
The Irish Republican Army
134 bpm • G Maj • 03:02 • -3.85db
22% Popularity • 65% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 65% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
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The Clancy Brothers & Tommy Makem
The Juice Of The Barley
134 bpm • B Maj • 03:32 • -19.46db
28% Popularity • 57% Danceability • 13% Energy • 71% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 57% Danceability • 13% Energy • 71% Liveness
0% Instrumentalness • 41% Positiveness
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The Blarney Lads
Bold O'Donaghue
134 bpm • G Maj • 01:34 • -10.71db
22% Popularity • 75% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 75% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Terence O'Neill & Cormac O'Moore
Micheal Collins
134 bpm • G Maj • 03:39 • -14db
9% Popularity • 41% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 41% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Phil Coulter
Home From The Sea
134 bpm • C Maj • 04:57 • -17.19db
29% Popularity • 47% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 47% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Dolores Keane
Emigrant Eyes
134 bpm • F Maj • 04:15 • -13.15db
31% Popularity • 65% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 65% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Waxies Dargle
Home Boys Home
133 bpm • D Maj • 03:51 • -9.43db
13% Popularity • 69% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 69% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Shamróg
Sean South of Garyowen
133 bpm • G Maj • 02:12 • -9.55db
33% Popularity • 44% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 44% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Skipinnish
Going Home
134 bpm • F Maj • 04:03 • -8db
23% Popularity • 45% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 45% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Mark's Men
Man from Mullingar
133 bpm • D Maj • 02:24 • -8db
17% Popularity • 54% Danceability • 83% Energy • 84% Liveness
1% Instrumentalness • 86% Positiveness
17% Popularity • 54% Danceability • 83% Energy • 84% Liveness
1% Instrumentalness • 86% Positiveness
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Daoirà Farrell
Valley Of Knockanure
132 bpm • G Maj • 04:36 • -7.9db
33% Popularity • 54% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 54% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Alastair McDonald
Charlie Is My Darlin'
132 bpm • G# Maj • 02:06 • -13.69db
17% Popularity • 75% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 75% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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North Sea Gas
Kishorn Commandos
136 bpm • E Maj • 02:58 • -9.62db
28% Popularity • 61% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 61% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
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Cu Chulainn
Galway Races
132 bpm • D Maj • 03:22 • -7.04db
29% Popularity • 40% Danceability • 76% Energy • 11% Liveness
22% Instrumentalness • 96% Positiveness
29% Popularity • 40% Danceability • 76% Energy • 11% Liveness
22% Instrumentalness • 96% Positiveness
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The Town Pants
O'Reilly's Daughter
131 bpm • C Maj • 02:30 • -8.06db
29% Popularity • 34% Danceability • 83% Energy • 72% Liveness
0% Instrumentalness • 93% Positiveness
29% Popularity • 34% Danceability • 83% Energy • 72% Liveness
0% Instrumentalness • 93% Positiveness
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The Saw Doctors
N17
136 bpm • G Maj • 04:36 • -4.45db
52% Popularity • 46% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
52% Popularity • 46% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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The Freemen
The Belfast Brigade
131 bpm • C Maj • 02:11 • -9.72db
15% Popularity • 73% Danceability • 50% Energy • 8% Liveness
28% Instrumentalness • 96% Positiveness
15% Popularity • 73% Danceability • 50% Energy • 8% Liveness
28% Instrumentalness • 96% Positiveness
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The Clare Celts
Strolling Down the Falls Road
137 bpm • D Maj • 02:26 • -10.05db
22% Popularity • 60% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 60% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Alastair McDonald
Glencoe (House Of Macdonald)
131 bpm • G Maj • 04:00 • -16.56db
16% Popularity • 44% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 44% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Patsy Watchorn
Raglan Road
138 bpm • C Maj • 03:48 • -10.64db
0% Popularity • 51% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
0% Popularity • 51% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Shan-Nos
Go on Home British Soldiers
130 bpm • E Maj • 02:17 • -10db
27% Popularity • 64% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 64% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
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The Tartan Lads
The Inveraray Inn
130 bpm • C Maj • 02:36 • -12.78db
14% Popularity • 64% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 64% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Flying Column
Boolavogue
137 bpm • G Maj • 06:13 • -7.6db
9% Popularity • 30% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 30% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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All Folk'd Up
The Mermaid
130 bpm • A Maj • 05:33 • -7.21db
30% Popularity • 73% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 73% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Waxies Dargle
Paddle Me Own Canoe
138 bpm • G Maj • 02:45 • -6.59db
39% Popularity • 59% Danceability • 70% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 59% Danceability • 70% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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North Sea Gas
Over the Hills and Far Away
130 bpm • G Maj • 04:04 • -9.65db
21% Popularity • 74% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 74% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Shamróg
A Nation Once Again
130 bpm • G Maj • 02:51 • -11db
20% Popularity • 54% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 54% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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The Fureys
Gallipoli
130 bpm • D Maj • 04:02 • -11db
34% Popularity • 36% Danceability • 51% Energy • 67% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 36% Danceability • 51% Energy • 67% Liveness
0% Instrumentalness • 80% Positiveness
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Barnbrack
I'll Tell Me Ma
129 bpm • E Maj • 00:50 • -11db
24% Popularity • 68% Danceability • 63% Energy • 67% Liveness
0% Instrumentalness • 95% Positiveness
24% Popularity • 68% Danceability • 63% Energy • 67% Liveness
0% Instrumentalness • 95% Positiveness
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Irish Lads Of Limerick
When Irish Eyes Are Smiling
129 bpm • A# Maj • 02:34 • -13.18db
25% Popularity • 37% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 37% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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The Town Pants
Home Boys Home
129 bpm • E Maj • 03:57 • -8db
41% Popularity • 45% Danceability • 65% Energy • 97% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 45% Danceability • 65% Energy • 97% Liveness
0% Instrumentalness • 82% Positiveness
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The Freemen
On the One Road
129 bpm • D Maj • 02:10 • -9db
13% Popularity • 55% Danceability • 70% Energy • 46% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 55% Danceability • 70% Energy • 46% Liveness
0% Instrumentalness • 55% Positiveness
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Shamróg
Black and Tans
130 bpm • B min • 02:25 • -13db
30% Popularity • 52% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 52% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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Andy Stewart
The Muckin' O' Geordie's Byre
129 bpm • G Maj • 01:58 • -13.04db
22% Popularity • 66% Danceability • 56% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 66% Danceability • 56% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
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Flying Column
Legion Of the Rearguard
129 bpm • C Maj • 02:52 • -8db
23% Popularity • 55% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 55% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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Dermot O'Brien
Home Boys Home
129 bpm • D Maj • 02:26 • -11.1db
9% Popularity • 57% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 57% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Brian Dullaghan
Whistling Gypsy Rover
128 bpm • F Maj • 03:29 • -7db
28% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 48% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Calum Kennedy
Brochan Lom.
140 bpm • G# Maj • 01:59 • -7.89db
19% Popularity • 46% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 46% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 87% Positiveness
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Goats Don’t Shave
Mary Mary
140 bpm • G Maj • 02:24 • -6.73db
25% Popularity • 51% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 51% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Barnbrack
Wild Rover/Whiskey In The Jar/I'll Tell ...
128 bpm • G Maj • 02:53 • -12.27db
15% Popularity • 47% Danceability • 62% Energy • 97% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 47% Danceability • 62% Energy • 97% Liveness
0% Instrumentalness • 93% Positiveness
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Shamróg
The Boys of the Old Brigade
140 bpm • G Maj • 02:32 • -12.44db
27% Popularity • 42% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 42% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Flying Column
Johnston's Motor Car
128 bpm • D Maj • 01:41 • -8db
34% Popularity • 67% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 97% Positiveness
34% Popularity • 67% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 97% Positiveness
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Gaberlunzie
Wild Mountain Thyme
141 bpm • E Maj • 03:18 • -10.12db
15% Popularity • 36% Danceability • 57% Energy • 95% Liveness
0% Instrumentalness • 39% Positiveness
15% Popularity • 36% Danceability • 57% Energy • 95% Liveness
0% Instrumentalness • 39% Positiveness
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Brendan McFarlane
Terrorist or a Dreamer
127 bpm • F Maj • 06:59 • -13db
19% Popularity • 42% Danceability • 32% Energy • 9% Liveness
20% Instrumentalness • 60% Positiveness
19% Popularity • 42% Danceability • 32% Energy • 9% Liveness
20% Instrumentalness • 60% Positiveness
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Patsy Watchorn
Home Boys Home
127 bpm • F Maj • 03:49 • -9.43db
8% Popularity • 72% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 72% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Brendan Bowyer
The West's Awake
142 bpm • C Maj • 03:25 • -19.26db
26% Popularity • 45% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 45% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The McCalmans
Lochs of the Tay
127 bpm • C# Maj • 03:46 • -16.08db
10% Popularity • 71% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 71% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Scocha
Scots Wha Hae
142 bpm • F# Maj • 02:47 • -7.97db
30% Popularity • 44% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 44% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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The Dublin City Ramblers
Ringsend Rose
126 bpm • D# Maj • 03:57 • -14.95db
24% Popularity • 47% Danceability • 26% Energy • 40% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 47% Danceability • 26% Energy • 40% Liveness
0% Instrumentalness • 45% Positiveness
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Alasdair Gillies
Loch Marie Islands
126 bpm • D Maj • 02:05 • -13.38db
16% Popularity • 49% Danceability • 73% Energy • 81% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 49% Danceability • 73% Energy • 81% Liveness
0% Instrumentalness • 96% Positiveness
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Flying Column
Four Green Fields
126 bpm • D Maj • 05:33 • -10.29db
15% Popularity • 34% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 34% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Paddy O'Connor
Ramblin' Irishman
126 bpm • G Maj • 04:06 • -12db
21% Popularity • 47% Danceability • 25% Energy • 11% Liveness
39% Instrumentalness • 75% Positiveness
21% Popularity • 47% Danceability • 25% Energy • 11% Liveness
39% Instrumentalness • 75% Positiveness
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Brier
Seven Drunkun Nights
125 bpm • D# Maj • 03:29 • -15.59db
17% Popularity • 71% Danceability • 41% Energy • 94% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 71% Danceability • 41% Energy • 94% Liveness
0% Instrumentalness • 94% Positiveness
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Scocha
Ye Jacobites
126 bpm • C# min • 03:02 • -3.42db
29% Popularity • 40% Danceability • 95% Energy • 99% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 40% Danceability • 95% Energy • 99% Liveness
0% Instrumentalness • 88% Positiveness
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Shamróg
On the One Road
143 bpm • A Maj • 03:04 • -11.66db
9% Popularity • 54% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 54% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Terry O' Neill
Down by the Glenside
143 bpm • D min • 03:42 • -9.99db
10% Popularity • 32% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 32% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Dermot O'Brien
Off To Dublin In The Green
125 bpm • A Maj • 02:32 • -16db
16% Popularity • 66% Danceability • 53% Energy • 13% Liveness
79% Instrumentalness • 85% Positiveness
16% Popularity • 66% Danceability • 53% Energy • 13% Liveness
79% Instrumentalness • 85% Positiveness
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Stockton's Wing
The Humours Of Tulla: The Bucks Of Oranm...
125 bpm • D Maj • 02:11 • -9db
17% Popularity • 59% Danceability • 66% Energy • 16% Liveness
57% Instrumentalness • 93% Positiveness
17% Popularity • 59% Danceability • 66% Energy • 16% Liveness
57% Instrumentalness • 93% Positiveness
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The Town Pants
The Holy Ground
125 bpm • D Maj • 02:44 • -8.33db
36% Popularity • 47% Danceability • 82% Energy • 85% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 47% Danceability • 82% Energy • 85% Liveness
0% Instrumentalness • 76% Positiveness
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Eugene McEldowney
Arbour Hill
125 bpm • G Maj • 02:35 • -17.65db
26% Popularity • 35% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 35% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Declan Hunt
Off to Dublin
125 bpm • D Maj • 02:54 • -10.42db
11% Popularity • 47% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 47% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Blackthorn
She Moved Through The Fair
125 bpm • G Maj • 03:29 • -15.68db
1% Popularity • 26% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
1% Popularity • 26% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Dolores Keane
Galway Bay
144 bpm • G Maj • 03:34 • -13.87db
33% Popularity • 32% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 32% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Flying Column
Golden Jubilee An Old Maid in a Garrett
125 bpm • D Maj • 02:39 • -10db
18% Popularity • 71% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 71% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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The Town Pants
Nancy Whiskey
125 bpm • G Maj • 03:24 • -8.96db
36% Popularity • 52% Danceability • 69% Energy • 86% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 52% Danceability • 69% Energy • 86% Liveness
0% Instrumentalness • 90% Positiveness
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Na Fianna
Sean South from Garryowen - Live
124 bpm • F# Maj • 03:02 • -7.99db
23% Popularity • 69% Danceability • 76% Energy • 96% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 69% Danceability • 76% Energy • 96% Liveness
0% Instrumentalness • 83% Positiveness
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Irish Lads Of Limerick
Dear Old Donegal
124 bpm • C Maj • 01:41 • -5.23db
34% Popularity • 73% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
34% Popularity • 73% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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Danny Doyle
Twenty Men From Dublin Town
124 bpm • F# Maj • 02:31 • -13db
18% Popularity • 45% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 45% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Patsy Watchorn
Dancing At Whitsun
124 bpm • E Maj • 03:55 • -6.99db
2% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
2% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Flying Column
Sean South / Boys of Wexford / Bold Feni...
124 bpm • C Maj • 03:30 • -6.44db
13% Popularity • 58% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 58% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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The Wild Rover
Poor Paddy Works On The Railway
124 bpm • B Maj • 02:54 • -6.96db
30% Popularity • 66% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 66% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Eimhear Ni Ghlacain
The Dying Rebel
124 bpm • C Maj • 04:58 • -6db
21% Popularity • 56% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 56% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Waxies Dargle
The Irish Rover
124 bpm • D Maj • 03:57 • -8.96db
11% Popularity • 49% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 49% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Brendan McFarlane
Song for Marcella (A Tribute to Bobby Sa...
123 bpm • D# Maj • 04:21 • -15db
25% Popularity • 36% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 36% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Patsy Watchorn
Banks of the Roses
124 bpm • D Maj • 02:21 • -10.21db
7% Popularity • 68% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 68% Danceability • 65% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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Alastair McDonald and Leo Maguire
The Wee Cooper of Fife
123 bpm • A# Maj • 02:19 • -14.64db
21% Popularity • 80% Danceability • 35% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 80% Danceability • 35% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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The Fureys & Davey Arthur
Old Bog Road
123 bpm • E Maj • 04:31 • -18.78db
14% Popularity • 40% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 40% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Pat Woods
The Rare Oul Times
123 bpm • G Maj • 03:33 • -10.59db
14% Popularity • 51% Danceability • 43% Energy • 62% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 51% Danceability • 43% Energy • 62% Liveness
0% Instrumentalness • 58% Positiveness
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Scocha
Calling Doon the Line (The Piper's Call)
123 bpm • A# Maj • 04:36 • -11db
25% Popularity • 62% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 62% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Terry O' Neill
Broad Black Brimmer
123 bpm • G Maj • 02:47 • -4db
10% Popularity • 40% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 40% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Patsy Watchorn
The Travelling People
123 bpm • A# Maj • 03:35 • -13.42db
2% Popularity • 53% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
2% Popularity • 53% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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Blarney Folk
All For My Grog
123 bpm • F Maj • 02:16 • -9db
12% Popularity • 56% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 56% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Declan Hunt
Recruiting Sergeant
123 bpm • A min • 01:16 • -13db
26% Popularity • 60% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
26% Popularity • 60% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
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Kilfenora Céilà Band
My Hearts Tonight in Ireland. (Song)
123 bpm • G Maj • 03:50 • -6db
31% Popularity • 69% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 69% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Pecker Dunne
Portlaoise Jail
123 bpm • G Maj • 02:10 • -13db
33% Popularity • 52% Danceability • 25% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
33% Popularity • 52% Danceability • 25% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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North Sea Gas
The Massacre of Glencoe
123 bpm • G Maj • 04:28 • -16.62db
15% Popularity • 38% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 38% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Na Fianna
I'll Tell Me Ma - Live
123 bpm • F# Maj • 02:20 • -9db
22% Popularity • 73% Danceability • 73% Energy • 74% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 73% Danceability • 73% Energy • 74% Liveness
0% Instrumentalness • 96% Positiveness
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Irish Lads Of Limerick
Bold O'Donaghue
123 bpm • F Maj • 01:41 • -11db
36% Popularity • 78% Danceability • 51% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 78% Danceability • 51% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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The Dicey Rileys
I'll Tell Me Ma
122 bpm • G Maj • 02:12 • -5.15db
35% Popularity • 64% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 64% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
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Flying Column
Sean South / Boys of Wexford / Bold Feni...
123 bpm • C Maj • 03:29 • -8db
10% Popularity • 57% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 57% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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The Wolfe Tones' Derek Warfield
The Broad Black Brimmer.
122 bpm • E Maj • 02:29 • -7db
21% Popularity • 56% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
21% Popularity • 56% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
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Sean Dunphy
If You're Irish / McNamara's Band / With...
122 bpm • E Maj • 03:11 • -15db
27% Popularity • 81% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 81% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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The Wild Rover
Gypsy Rover
122 bpm • E Maj • 02:15 • -8db
24% Popularity • 66% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 66% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Kathleen Largey
Our Lads in Crumlin Jail
122 bpm • D# Maj • 02:29 • -9db
14% Popularity • 60% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 60% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Dermot O'Brien
On The One Road
122 bpm • E Maj • 02:59 • -10db
14% Popularity • 59% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 59% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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The Clancy Brothers & Tommy Makem
Old Woman from Wexford
122 bpm • B Maj • 01:59 • -14.19db
7% Popularity • 75% Danceability • 47% Energy • 10% Liveness
43% Instrumentalness • 97% Positiveness
7% Popularity • 75% Danceability • 47% Energy • 10% Liveness
43% Instrumentalness • 97% Positiveness
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North Sea Gas
Killiecrankie
122 bpm • F Maj • 03:29 • -8.27db
23% Popularity • 67% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 67% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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Patsy Watchorn
Sean South of Garryowen
122 bpm • E Maj • 02:30 • -5.96db
16% Popularity • 66% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 66% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness