Songs like Ductia, Pt. 1 by Anonymous
Based on a tempo of (+/- 10%) and a similar genre
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Schola Gregoriana Del Coro F. Paer
Vultum Tuum
114 bpm • F Maj • 02:27 • -26db
26% Popularity • 28% Danceability • 7% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
26% Popularity • 28% Danceability • 7% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Choir Of St. Abuscus
Ubi caritas et amor Antiphona (Gründonn...
114 bpm • C Maj • 02:54 • -20db
27% Popularity • 27% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
27% Popularity • 27% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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Anonymous
Stabat Mater
114 bpm • F# Maj • 05:49 • -20.5db
35% Popularity • 24% Danceability • 12% Energy • 22% Liveness
14% Instrumentalness • 6% Positiveness
35% Popularity • 24% Danceability • 12% Energy • 22% Liveness
14% Instrumentalness • 6% Positiveness
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Francesco Landini
Nella partita
114 bpm • A Maj • 03:45 • -29db
10% Popularity • 25% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 25% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Nova Schola Gregoriana
Missa de angelis - Credo
113 bpm • A Maj • 04:42 • -20db
32% Popularity • 29% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
32% Popularity • 29% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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La Capella Reial De Catalunya
Alfons V El Magnà nim: Adoramus te (4v.)...
114 bpm • E min • 03:46 • -26db
15% Popularity • 21% Danceability • 2% Energy • 12% Liveness
44% Instrumentalness • 4% Positiveness
15% Popularity • 21% Danceability • 2% Energy • 12% Liveness
44% Instrumentalness • 4% Positiveness
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Paschal de l'Estocart
Veu que du tout (Ps. 11)
115 bpm • C# min • 01:38 • -18.46db
28% Popularity • 21% Danceability • 17% Energy • 11% Liveness
37% Instrumentalness • 6% Positiveness
28% Popularity • 21% Danceability • 17% Energy • 11% Liveness
37% Instrumentalness • 6% Positiveness
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Dom Le Feuvre
Dans la joie de Pâques : Alleluia
113 bpm • C Maj • 01:19 • -20db
39% Popularity • 28% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
39% Popularity • 28% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Anonymous
Prose of Easter (Victimae Paschali Laude...
113 bpm • G min • 03:27 • -15.49db
18% Popularity • 17% Danceability • 32% Energy • 24% Liveness
55% Instrumentalness • 14% Positiveness
18% Popularity • 17% Danceability • 32% Energy • 24% Liveness
55% Instrumentalness • 14% Positiveness
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Monks Of The Abbey Of Notre Dame
Dies Ire
115 bpm • C Maj • 02:45 • -23db
42% Popularity • 26% Danceability • 8% Energy • 11% Liveness
26% Instrumentalness • 6% Positiveness
42% Popularity • 26% Danceability • 8% Energy • 11% Liveness
26% Instrumentalness • 6% Positiveness
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![Gloria (recons. M. Bent): Gloria in canon [reconstructed M. Bent] cover art](https://i.scdn.co/image/ab67616d00001e02fa842f0b6f053872807e368b)
John Dunstable
Gloria (recons. M. Bent): Gloria in cano...
113 bpm • F# Maj • 02:57 • -13.94db
9% Popularity • 20% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 20% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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The Tallis Scholars
Isaac: Virgo Prudentissima, 6vv - 1. Vir...
112 bpm • E min • 05:19 • -20db
24% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
24% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
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St. Symeon Orthodox Church Octet
Hypakoe (Kontakion of Pascha)
116 bpm • F# Maj • 01:52 • -18db
23% Popularity • 21% Danceability • 20% Energy • 16% Liveness
12% Instrumentalness • 14% Positiveness
23% Popularity • 21% Danceability • 20% Energy • 16% Liveness
12% Instrumentalness • 14% Positiveness
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Guillaume de Machaut
Messe de Notre-Dame: XI. Communion. Resp...
112 bpm • G Maj • 02:52 • -24db
12% Popularity • 20% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 20% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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Pérotin
Viderunt omnes: ...fines terre salutare ...
111 bpm • G# Maj • 00:56 • -22.29db
26% Popularity • 19% Danceability • 22% Energy • 24% Liveness
32% Instrumentalness • 18% Positiveness
26% Popularity • 19% Danceability • 22% Energy • 24% Liveness
32% Instrumentalness • 18% Positiveness
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Monks Of The Abbey Of Notre Dame
Alleluia
113 bpm • E min • 03:44 • -22db
45% Popularity • 21% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
45% Popularity • 21% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Anonymous
Pueri Hebraeorum Portantes. AntÃfona (M...
119 bpm • E min • 02:16 • -21.26db
28% Popularity • 28% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
28% Popularity • 28% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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St. Tikhon's Seminary Choir
O Gladsome Light
109 bpm • B min • 01:30 • -22.25db
39% Popularity • 23% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
39% Popularity • 23% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Jordi Savall
Cuncti simus concanentes
119 bpm • G min • 04:16 • -15.56db
18% Popularity • 39% Danceability • 49% Energy • 14% Liveness
6% Instrumentalness • 52% Positiveness
18% Popularity • 39% Danceability • 49% Energy • 14% Liveness
6% Instrumentalness • 52% Positiveness
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Guillaume de Machaut
Messe de Notre-Dame: IV. Graduel. Suscep...
111 bpm • E Maj • 05:09 • -24db
13% Popularity • 20% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 20% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Nektarius Eginskij
Agni parthene - Hymnos akahistos
109 bpm • D min • 02:39 • -31db
21% Popularity • 18% Danceability • 1% Energy • 5% Liveness
48% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 1% Energy • 5% Liveness
48% Instrumentalness • 4% Positiveness
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Traditional
Requiem aeternam
119 bpm • C min • 02:11 • -15db
37% Popularity • 27% Danceability • 21% Energy • 10% Liveness
26% Instrumentalness • 7% Positiveness
37% Popularity • 27% Danceability • 21% Energy • 10% Liveness
26% Instrumentalness • 7% Positiveness
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Anonymous
Asi no papacito
110 bpm • E Maj • 04:09 • -12.2db
39% Popularity • 80% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
39% Popularity • 80% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
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Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Messe de la toussaint : Gloria iii
109 bpm • A min • 03:08 • -27.69db
35% Popularity • 24% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
35% Popularity • 24% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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Coro De Monjes Del Monasterio De Silos
Ut Queant Laxis (Modo 2)
108 bpm • F Maj • 01:34 • -18db
25% Popularity • 27% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 27% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 16% Positiveness
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Antonio Lotti
Miserere
109 bpm • G# min • 01:30 • -19db
37% Popularity • 18% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
37% Popularity • 18% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Schola Cantorum Gymevensis
Sacris solemnis - hymn z uroczystości n...
121 bpm • C min • 03:48 • -20.73db
22% Popularity • 30% Danceability • 9% Energy • 38% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 30% Danceability • 9% Energy • 38% Liveness
0% Instrumentalness • 13% Positiveness
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Nova Schola Gregoriana
Missa orbis factor - Kyrie
107 bpm • G# Maj • 01:39 • -23db
40% Popularity • 28% Danceability • 5% Energy • 11% Liveness
7% Instrumentalness • 11% Positiveness
40% Popularity • 28% Danceability • 5% Energy • 11% Liveness
7% Instrumentalness • 11% Positiveness
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Anonymous
Viderunt omnes - Graduale/In Nativitate ...
108 bpm • E min • 02:26 • -23.99db
31% Popularity • 27% Danceability • 7% Energy • 10% Liveness
58% Instrumentalness • 8% Positiveness
31% Popularity • 27% Danceability • 7% Energy • 10% Liveness
58% Instrumentalness • 8% Positiveness
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Gregorian Chants
Dominica Pentecostes: IV. Offertorium (C...
121 bpm • F Maj • 01:53 • -14.88db
33% Popularity • 29% Danceability • 20% Energy • 14% Liveness
56% Instrumentalness • 4% Positiveness
33% Popularity • 29% Danceability • 20% Energy • 14% Liveness
56% Instrumentalness • 4% Positiveness
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Nathan Jones
I Would Live in Your Love
121 bpm • A# Maj • 04:55 • -31db
25% Popularity • 17% Danceability • 2% Energy • 11% Liveness
6% Instrumentalness • 3% Positiveness
25% Popularity • 17% Danceability • 2% Energy • 11% Liveness
6% Instrumentalness • 3% Positiveness
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Monks Choir of Kyiv Pechersk Monastery
Fall Asleep by the Flash
107 bpm • C Maj • 02:07 • -16db
20% Popularity • 17% Danceability • 25% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 25% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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"Drevnerussky Rospev" Male Choir
Glorious Miracle
107 bpm • A# Maj • 01:14 • -29db
26% Popularity • 26% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 26% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Jordi Savall
Música Religiosa (Vol. I), I. Adoramus ...
122 bpm • E min • 01:22 • -28db
16% Popularity • 23% Danceability • 2% Energy • 9% Liveness
33% Instrumentalness • 4% Positiveness
16% Popularity • 23% Danceability • 2% Energy • 9% Liveness
33% Instrumentalness • 4% Positiveness
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Robert Lucas Pearsall
Sing we and chaunt it
107 bpm • C# min • 01:56 • -25db
33% Popularity • 26% Danceability • 19% Energy • 12% Liveness
18% Instrumentalness • 22% Positiveness
33% Popularity • 26% Danceability • 19% Energy • 12% Liveness
18% Instrumentalness • 22% Positiveness
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Urmas Sisask
Sisask : Gloria Patri... 24 Hymns for Mi...
122 bpm • F# min • 03:30 • -26.6db
3% Popularity • 20% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
3% Popularity • 20% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Monks Of The Abbey Of Notre Dame
Te Joseph
122 bpm • F# min • 02:37 • -23.13db
41% Popularity • 27% Danceability • 8% Energy • 11% Liveness
53% Instrumentalness • 7% Positiveness
41% Popularity • 27% Danceability • 8% Energy • 11% Liveness
53% Instrumentalness • 7% Positiveness
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Anonymous
Nos esprits libres et contents
107 bpm • D min • 05:29 • -27db
25% Popularity • 20% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 20% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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The Benedictine Nuns of St. Cecilia's Abbey
Short Responsory
107 bpm • G Maj • 01:06 • -23.13db
32% Popularity • 26% Danceability • 9% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
32% Popularity • 26% Danceability • 9% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Kamil Przygrodzki
Introibo ad altare Dei
122 bpm • C min • 03:20 • -15.54db
14% Popularity • 26% Danceability • 27% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
14% Popularity • 26% Danceability • 27% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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The Male Choir of Valaam Singing Culture Institute
Taking Up Into Heaven
107 bpm • F# min • 01:34 • -19.99db
16% Popularity • 21% Danceability • 21% Energy • 11% Liveness
80% Instrumentalness • 5% Positiveness
16% Popularity • 21% Danceability • 21% Energy • 11% Liveness
80% Instrumentalness • 5% Positiveness
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Psalterium
Dindirindin
122 bpm • D# min • 01:44 • -18db
13% Popularity • 32% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 32% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Choeur des moines de l'abbaye Notre Dame de Fontgombault
Les Vêpres: Hymne "Ave maris Stella"
123 bpm • D Maj • 03:07 • -27.04db
24% Popularity • 22% Danceability • 7% Energy • 10% Liveness
43% Instrumentalness • 14% Positiveness
24% Popularity • 22% Danceability • 7% Energy • 10% Liveness
43% Instrumentalness • 14% Positiveness
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Anonymous
Saint Sacrement : Panis Angelicus
106 bpm • A# min • 01:40 • -19.21db
39% Popularity • 28% Danceability • 16% Energy • 24% Liveness
6% Instrumentalness • 6% Positiveness
39% Popularity • 28% Danceability • 16% Energy • 24% Liveness
6% Instrumentalness • 6% Positiveness
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Jordi Savall
Música Religiosa (Vol. I), I. Adoramus ...
123 bpm • E min • 01:10 • -24db
24% Popularity • 28% Danceability • 4% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
24% Popularity • 28% Danceability • 4% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
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Francisco de Peñalosa
Sancta Maria succure miseris
106 bpm • A min • 02:28 • -19.32db
8% Popularity • 25% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
8% Popularity • 25% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
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authentic Kiev chant
Thy Resurrection-(authentic Kiev chant)
106 bpm • C# min • 04:28 • -13.77db
23% Popularity • 21% Danceability • 27% Energy • 15% Liveness
9% Instrumentalness • 5% Positiveness
23% Popularity • 21% Danceability • 27% Energy • 15% Liveness
9% Instrumentalness • 5% Positiveness
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Alfonso X El Sabio
Cantigas de Santa Maria: Nenbressete Mad...
123 bpm • A# min • 01:55 • -20.69db
31% Popularity • 29% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 29% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Triswiatoje
106 bpm • D# min • 01:31 • -18.99db
20% Popularity • 27% Danceability • 8% Energy • 17% Liveness
2% Instrumentalness • 6% Positiveness
20% Popularity • 27% Danceability • 8% Energy • 17% Liveness
2% Instrumentalness • 6% Positiveness
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Anonymous
Kyrie fons bonitatis. Tropo (Modo III) -...
106 bpm • A# min • 04:05 • -17db
23% Popularity • 26% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
23% Popularity • 26% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Ensemble Discantus
Cantiga de Santa Maria 300: Muito deveri...
105 bpm • F# Maj • 04:22 • -21.94db
9% Popularity • 22% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 22% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Choir of Beirut
Tractus, Regina Caeli Solemne
124 bpm • F Maj • 02:09 • -24db
34% Popularity • 27% Danceability • 2% Energy • 12% Liveness
1% Instrumentalness • 25% Positiveness
34% Popularity • 27% Danceability • 2% Energy • 12% Liveness
1% Instrumentalness • 25% Positiveness
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Claudin de Sermisy
Tant que vivrai
124 bpm • G Maj • 01:22 • -32db
33% Popularity • 18% Danceability • 0% Energy • 15% Liveness
98% Instrumentalness • 36% Positiveness
33% Popularity • 18% Danceability • 0% Energy • 15% Liveness
98% Instrumentalness • 36% Positiveness
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The Orthodox Church Music Ensemble
Noble Joseph
125 bpm • E Maj • 02:21 • -31.32db
20% Popularity • 17% Danceability • 9% Energy • 16% Liveness
99% Instrumentalness • 9% Positiveness
20% Popularity • 17% Danceability • 9% Energy • 16% Liveness
99% Instrumentalness • 9% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Bogorodice, Devo, Radujsa
124 bpm • F Maj • 02:24 • -24.96db
18% Popularity • 17% Danceability • 12% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 12% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Anonymous
Ave verum Corpus - Sequentia in Honorem ...
124 bpm • G Maj • 01:34 • -26.73db
29% Popularity • 24% Danceability • 2% Energy • 11% Liveness
13% Instrumentalness • 10% Positiveness
29% Popularity • 24% Danceability • 2% Energy • 11% Liveness
13% Instrumentalness • 10% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 1. Sancte Deus
104 bpm • A min • 01:46 • -23.94db
36% Popularity • 25% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
36% Popularity • 25% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Choir of Beirut
Hymnus, Ave Maria
125 bpm • C Maj • 01:07 • -26.53db
46% Popularity • 29% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 29% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Schola Gregoriana Del Coro F. Paer
Alle Psallite
104 bpm • G min • 01:51 • -18.47db
14% Popularity • 33% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 33% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
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Clément Janequin
Au joly jeu
105 bpm • C Maj • 01:38 • -28db
38% Popularity • 32% Danceability • 2% Energy • 13% Liveness
82% Instrumentalness • 59% Positiveness
38% Popularity • 32% Danceability • 2% Energy • 13% Liveness
82% Instrumentalness • 59% Positiveness
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John Dunstable
Quam pulchra es, JD 44
125 bpm • A# Maj • 02:35 • -26db
24% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
24% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
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Anonymous
Lauda Sion: Nunc dimittis - Sequentia in...
106 bpm • A Maj • 06:56 • -22.54db
29% Popularity • 23% Danceability • 11% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 23% Danceability • 11% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: Laetatus Sum, RV 607
125 bpm • F Maj • 03:37 • -15.39db
13% Popularity • 32% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 32% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Choeur des moines de l'abbaye Notre Dame de Fontgombault
Kyrie XVII b
104 bpm • G Maj • 02:07 • -23db
34% Popularity • 23% Danceability • 6% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
34% Popularity • 23% Danceability • 6% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
► Preview
Canonici Regolari Di Sant'Antimo
Tempo Della Manifestazione. Responsorio:...
126 bpm • F# Maj • 03:24 • -25db
24% Popularity • 23% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
24% Popularity • 23% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
OCP Session Choir
Asperges Me - Chant Mass
103 bpm • D Maj • 01:48 • -23.76db
39% Popularity • 20% Danceability • 12% Energy • 22% Liveness
22% Instrumentalness • 4% Positiveness
39% Popularity • 20% Danceability • 12% Energy • 22% Liveness
22% Instrumentalness • 4% Positiveness
► Preview
Men's Choir of the Valaam ...
He Intricately Prophesied A Lot
126 bpm • B Maj • 02:39 • -23db
13% Popularity • 17% Danceability • 16% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 16% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
► Preview
Anonymous
Marian Antiphons. Alma Redemptoris. Ave ...
124 bpm • G Maj • 06:20 • -24.28db
29% Popularity • 26% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 26% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Gregorian Chants
Miss De Angelis: V. Agnus Dei
126 bpm • F Maj • 01:18 • -21db
35% Popularity • 24% Danceability • 9% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
35% Popularity • 24% Danceability • 9% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Choeur des moines de l'abbaye Notre Dame de Fontgombault
Introït "Dignus est Agnus"
126 bpm • F# Maj • 01:42 • -20db
41% Popularity • 29% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
41% Popularity • 29% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
► Preview
Thomas Morley
A lieta vita (Sing and we chant it)
103 bpm • F# Maj • 01:31 • -22db
24% Popularity • 48% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 48% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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"The Orthodox Singers" Male Choir
Blessed Is The Man Who Seeks No Councel ...
127 bpm • F Maj • 04:30 • -32.53db
19% Popularity • 17% Danceability • 3% Energy • 10% Liveness
20% Instrumentalness • 5% Positiveness
19% Popularity • 17% Danceability • 3% Energy • 10% Liveness
20% Instrumentalness • 5% Positiveness
► Preview
Jordi Savall
Laudemus Virginem
127 bpm • E min • 02:45 • -15.62db
15% Popularity • 22% Danceability • 26% Energy • 22% Liveness
64% Instrumentalness • 18% Positiveness
15% Popularity • 22% Danceability • 26% Energy • 22% Liveness
64% Instrumentalness • 18% Positiveness
► Preview
Anonymous
Les mystères douloureux : Stabat Mater ...
125 bpm • F Maj • 02:41 • -26.53db
35% Popularity • 30% Danceability • 1% Energy • 11% Liveness
17% Instrumentalness • 11% Positiveness
35% Popularity • 30% Danceability • 1% Energy • 11% Liveness
17% Instrumentalness • 11% Positiveness
► Preview
Théodore Dubois
Adoramus te Christe
127 bpm • C Maj • 02:11 • -30db
39% Popularity • 20% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
39% Popularity • 20% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Divna Ljubojevic
Defte Lai / Дефте лаи
127 bpm • F min • 01:30 • -11.64db
20% Popularity • 29% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 29% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Prima Luce
Florete Flores
102 bpm • A Maj • 01:20 • -29.89db
18% Popularity • 23% Danceability • 1% Energy • 29% Liveness
0% Instrumentalness • 5% Positiveness
18% Popularity • 23% Danceability • 1% Energy • 29% Liveness
0% Instrumentalness • 5% Positiveness
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Monks Of The Abbey Of Notre Dame
Ad Benedictus Sanctissime
127 bpm • C# min • 03:22 • -23db
41% Popularity • 24% Danceability • 10% Energy • 14% Liveness
47% Instrumentalness • 7% Positiveness
41% Popularity • 24% Danceability • 10% Energy • 14% Liveness
47% Instrumentalness • 7% Positiveness
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Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Messe de la toussaint : Kyrie iii
127 bpm • F min • 02:48 • -32.7db
37% Popularity • 22% Danceability • 1% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
37% Popularity • 22% Danceability • 1% Energy • 11% Liveness
54% Instrumentalness • 4% Positiveness
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Anonymous
O Spem MÃram
126 bpm • D Maj • 03:35 • -23.38db
32% Popularity • 26% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
32% Popularity • 26% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Moscow Cathedral Choir
O Gentle Light
127 bpm • B Maj • 03:25 • -20.17db
21% Popularity • 18% Danceability • 17% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 17% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Guillaume de Machaut
Chanson: Rose, liz, printemps, verdure
128 bpm • C Maj • 04:25 • -26db
9% Popularity • 20% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 20% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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"The Orthodox Singers" Male Choir
How Glorious Is Our Lord In Zion
128 bpm • F Maj • 04:35 • -19.88db
10% Popularity • 18% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 18% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
128 bpm • F# Maj • 01:42 • -24.88db
27% Popularity • 20% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
27% Popularity • 20% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Cherubika
Sophronievskaia Cherubic Hymn, Russian C...
128 bpm • D min • 05:22 • -18db
22% Popularity • 22% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
22% Popularity • 22% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Anonymous
Veni creator spiritus. Himno (Modo VIII)...
127 bpm • G# min • 02:37 • -18.16db
29% Popularity • 26% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
29% Popularity • 26% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Léonin
Viderunt omnes No. 1: ...Dominus...
128 bpm • C# Maj • 01:34 • -19.79db
27% Popularity • 23% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 23% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
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Monks Of The Abbey Of Notre Dame
Sanctum Et Immaculata
101 bpm • E min • 03:41 • -28db
45% Popularity • 19% Danceability • 4% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
45% Popularity • 19% Danceability • 4% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Office des laudes : Respons vidi angelum
128 bpm • F# Maj • 04:13 • -29db
37% Popularity • 23% Danceability • 2% Energy • 10% Liveness
21% Instrumentalness • 7% Positiveness
37% Popularity • 23% Danceability • 2% Energy • 10% Liveness
21% Instrumentalness • 7% Positiveness
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Coro De La AbadÃa De San Florián Y La Iglesia De Santa Rita
Sederunt PrÃncipes
128 bpm • E Maj • 03:04 • -16db
22% Popularity • 25% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 25% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Chrámový Zbor Campana
Omni die dic Mariae
101 bpm • A# Maj • 02:31 • -22.2db
20% Popularity • 19% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 19% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Anonymous
Lieder ohne Worte (Song without Words), ...
102 bpm • A Maj • 02:42 • -24.95db
25% Popularity • 20% Danceability • 6% Energy • 7% Liveness
84% Instrumentalness • 15% Positiveness
25% Popularity • 20% Danceability • 6% Energy • 7% Liveness
84% Instrumentalness • 15% Positiveness
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Pérotin
Mass for the Nativity of the Virgin: I. ...
130 bpm • F min • 09:22 • -22.12db
10% Popularity • 20% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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The Russian State Symphony Cappella
Lord Have Mercy
130 bpm • C Maj • 03:47 • -17.15db
22% Popularity • 17% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
22% Popularity • 17% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
► Preview
Choeur des moines de l'abbaye Notre Dame de Fontgombault
La Messe: Alleluia "Assumpta est Maria"
130 bpm • D# Maj • 02:27 • -25.43db
34% Popularity • 19% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
34% Popularity • 19% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
Nova Schola Gregoriana
Missa cunctipotens genitor Deus - Sanctu...
100 bpm • C Maj • 01:36 • -21.86db
37% Popularity • 20% Danceability • 10% Energy • 30% Liveness
4% Instrumentalness • 8% Positiveness
37% Popularity • 20% Danceability • 10% Energy • 30% Liveness
4% Instrumentalness • 8% Positiveness
► Preview
Gregorian Chants
Missa Kyrie fons bonitatisV. Agnus Dei
130 bpm • D# Maj • 01:50 • -16db
23% Popularity • 24% Danceability • 15% Energy • 13% Liveness
3% Instrumentalness • 4% Positiveness
23% Popularity • 24% Danceability • 15% Energy • 13% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Anonymous
O sacrum convivium - Antiphona (tonus mo...
129 bpm • C# Maj • 01:16 • -19.11db
29% Popularity • 24% Danceability • 18% Energy • 9% Liveness
2% Instrumentalness • 7% Positiveness
29% Popularity • 24% Danceability • 18% Energy • 9% Liveness
2% Instrumentalness • 7% Positiveness
