Songs like Dungen by Henrik Lindstrand
Based on a tempo of (+/- 10%) and a similar genre
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Jane Antonia Cornish
Into Silence I
55 bpm • A min • 06:47 • -17db
28% Popularity • 22% Danceability • 9% Energy • 8% Liveness
78% Instrumentalness • 3% Positiveness
28% Popularity • 22% Danceability • 9% Energy • 8% Liveness
78% Instrumentalness • 3% Positiveness
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Runar Blesvik
Rest
60 bpm • C min • 02:52 • -28.17db
17% Popularity • 51% Danceability • 1% Energy • 12% Liveness
88% Instrumentalness • 28% Positiveness
17% Popularity • 51% Danceability • 1% Energy • 12% Liveness
88% Instrumentalness • 28% Positiveness
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Thom Robson
Remembering
60 bpm • G Maj • 03:54 • -15.18db
31% Popularity • 20% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
31% Popularity • 20% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Lara Somogyi
breathwork
60 bpm • D# Maj • 01:52 • -25.96db
26% Popularity • 16% Danceability • 10% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 16% Danceability • 10% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Alex Kozobolis
Closure
61 bpm • F# Maj • 02:17 • -18.31db
41% Popularity • 25% Danceability • 20% Energy • 11% Liveness
87% Instrumentalness • 23% Positiveness
41% Popularity • 25% Danceability • 20% Energy • 11% Liveness
87% Instrumentalness • 23% Positiveness
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Mike Lazarev
Absent
62 bpm • A min • 02:27 • -24.42db
38% Popularity • 23% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 5% Positiveness
38% Popularity • 23% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 5% Positiveness
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Ben Lukas Boysen
Opening
62 bpm • C min • 03:34 • -20.03db
21% Popularity • 7% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
21% Popularity • 7% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Roger Eno
Clearly
63 bpm • D# Maj • 02:29 • -25.36db
42% Popularity • 34% Danceability • 5% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
42% Popularity • 34% Danceability • 5% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Brambles
Unsayable
63 bpm • G# min • 02:52 • -25.25db
43% Popularity • 42% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 10% Positiveness
43% Popularity • 42% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 10% Positiveness
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Gyða Valtýsdóttir
Cute Kittens Lick Cream
64 bpm • A min • 03:57 • -19db
40% Popularity • 20% Danceability • 33% Energy • 13% Liveness
94% Instrumentalness • 24% Positiveness
40% Popularity • 20% Danceability • 33% Energy • 13% Liveness
94% Instrumentalness • 24% Positiveness
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Martyn Heyne
Luxury
51 bpm • F min • 02:16 • -27.81db
42% Popularity • 50% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
42% Popularity • 50% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Henrik Lindstrand
Flora
64 bpm • A min • 02:36 • -23.28db
20% Popularity • 44% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 40% Positiveness
20% Popularity • 44% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 40% Positiveness
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Valgeir Sigurðsson
Eva's Lament
64 bpm • A# Maj • 01:38 • -21db
39% Popularity • 25% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
39% Popularity • 25% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
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Dustin O'Halloran
Contreaux n 2
64 bpm • F# Maj • 04:22 • -15.42db
29% Popularity • 46% Danceability • 19% Energy • 16% Liveness
92% Instrumentalness • 21% Positiveness
29% Popularity • 46% Danceability • 19% Energy • 16% Liveness
92% Instrumentalness • 21% Positiveness
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Daniel Herskedal
The Lighthouse
64 bpm • C Maj • 05:33 • -26db
33% Popularity • 6% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
33% Popularity • 6% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Illuminine
Take 1 - Patterns
66 bpm • A Maj • 03:19 • -21.53db
25% Popularity • 16% Danceability • 9% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
25% Popularity • 16% Danceability • 9% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Roedelius
Black White Felt
66 bpm • G Maj • 04:01 • -25db
39% Popularity • 6% Danceability • 7% Energy • 9% Liveness
77% Instrumentalness • 7% Positiveness
39% Popularity • 6% Danceability • 7% Energy • 9% Liveness
77% Instrumentalness • 7% Positiveness
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Henrik Lindstrand
Klangland
65 bpm • C# Maj • 04:32 • -24.17db
10% Popularity • 7% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
10% Popularity • 7% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Slow Shiver
Above - composed as the score to a Matth...
66 bpm • A# Maj • 02:07 • -22db
38% Popularity • 19% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
38% Popularity • 19% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Michael Peter Olsen
Mayday
66 bpm • D Maj • 03:13 • -16.52db
29% Popularity • 18% Danceability • 20% Energy • 12% Liveness
85% Instrumentalness • 8% Positiveness
29% Popularity • 18% Danceability • 20% Energy • 12% Liveness
85% Instrumentalness • 8% Positiveness
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Mattia Vlad Morleo
Øyne
66 bpm • D Maj • 03:30 • -24.89db
29% Popularity • 16% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
29% Popularity • 16% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
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Sten Erland Hermundstad
Saw
66 bpm • C min • 01:23 • -22.5db
29% Popularity • 34% Danceability • 12% Energy • 15% Liveness
98% Instrumentalness • 15% Positiveness
29% Popularity • 34% Danceability • 12% Energy • 15% Liveness
98% Instrumentalness • 15% Positiveness
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Tom Ashbrook
Solitude II
67 bpm • D min • 03:57 • -22db
17% Popularity • 28% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
17% Popularity • 28% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Cedric Vermue
Aether
66 bpm • G# min • 04:05 • -19.78db
9% Popularity • 23% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 11% Positiveness
9% Popularity • 23% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 11% Positiveness
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Illuminine
Take 10 - Meadow
68 bpm • G Maj • 03:00 • -23db
41% Popularity • 23% Danceability • 5% Energy • 6% Liveness
86% Instrumentalness • 5% Positiveness
41% Popularity • 23% Danceability • 5% Energy • 6% Liveness
86% Instrumentalness • 5% Positiveness
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Henrik Lindstrand
Tuvstarr
68 bpm • F Maj • 03:22 • -25.52db
13% Popularity • 17% Danceability • 7% Energy • 9% Liveness
81% Instrumentalness • 6% Positiveness
13% Popularity • 17% Danceability • 7% Energy • 9% Liveness
81% Instrumentalness • 6% Positiveness
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Johannes Motschmann
Papillon
68 bpm • C# min • 02:06 • -25.41db
39% Popularity • 20% Danceability • 19% Energy • 12% Liveness
86% Instrumentalness • 10% Positiveness
39% Popularity • 20% Danceability • 19% Energy • 12% Liveness
86% Instrumentalness • 10% Positiveness
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Neil Cowley
Tramlines
68 bpm • D min • 03:46 • -29.4db
27% Popularity • 23% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
27% Popularity • 23% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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Tom Ashbrook
Nocturne I
67 bpm • F# min • 02:25 • -16.99db
28% Popularity • 17% Danceability • 26% Energy • 16% Liveness
97% Instrumentalness • 3% Positiveness
28% Popularity • 17% Danceability • 26% Energy • 16% Liveness
97% Instrumentalness • 3% Positiveness
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Felix Rösch
What Remains
68 bpm • A min • 03:08 • -19.51db
39% Popularity • 10% Danceability • 18% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
39% Popularity • 10% Danceability • 18% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
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EydÃs Evensen
Brotin
68 bpm • B min • 03:15 • -25.42db
38% Popularity • 37% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
38% Popularity • 37% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Henrik Lindstrand
Nattresan
68 bpm • A# Maj • 04:09 • -20.04db
18% Popularity • 42% Danceability • 16% Energy • 17% Liveness
96% Instrumentalness • 18% Positiveness
18% Popularity • 42% Danceability • 16% Energy • 17% Liveness
96% Instrumentalness • 18% Positiveness
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KEYNVOR
Bedruthan Steps (50.480868, -5.031929)
68 bpm • D min • 04:30 • -20.42db
32% Popularity • 18% Danceability • 18% Energy • 62% Liveness
83% Instrumentalness • 3% Positiveness
32% Popularity • 18% Danceability • 18% Energy • 62% Liveness
83% Instrumentalness • 3% Positiveness
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James Heather
Beginnings
68 bpm • C Maj • 03:58 • -27db
49% Popularity • 23% Danceability • 4% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
49% Popularity • 23% Danceability • 4% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Roger Eno
Still Day
69 bpm • D min • 02:22 • -22.31db
29% Popularity • 22% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
29% Popularity • 22% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Alaskan Tapes
Wake
68 bpm • C# Maj • 02:12 • -32.85db
39% Popularity • 27% Danceability • 0% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
39% Popularity • 27% Danceability • 0% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
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Balmorhea
Solanales
69 bpm • D Maj • 05:32 • -29.25db
34% Popularity • 22% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
34% Popularity • 22% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
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Henrik Lindstrand
Tumlare
68 bpm • A# Maj • 03:43 • -18.69db
12% Popularity • 11% Danceability • 25% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
12% Popularity • 11% Danceability • 25% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
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Ben Lukas Boysen
Winding and Unwinding
69 bpm • C min • 03:12 • -13.35db
28% Popularity • 21% Danceability • 36% Energy • 5% Liveness
91% Instrumentalness • 4% Positiveness
28% Popularity • 21% Danceability • 36% Energy • 5% Liveness
91% Instrumentalness • 4% Positiveness
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Elskavon
The Past is a Troubled Soul
69 bpm • D# min • 01:46 • -24.99db
48% Popularity • 38% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
48% Popularity • 38% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
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Martyn Heyne
Wilde Wide
70 bpm • C min • 02:42 • -20db
37% Popularity • 31% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 19% Positiveness
37% Popularity • 31% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 19% Positiveness
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A Winged Victory for the Sullen
Our Lord Debussy
70 bpm • C Maj • 09:52 • -19db
32% Popularity • 7% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
32% Popularity • 7% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Hior Chronik
Facing The Sun
70 bpm • F min • 03:17 • -25.25db
15% Popularity • 13% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 37% Positiveness
15% Popularity • 13% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 37% Positiveness
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Henrik Lindstrand
Gammafly
69 bpm • A# Maj • 03:11 • -20db
21% Popularity • 15% Danceability • 3% Energy • 14% Liveness
97% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 3% Energy • 14% Liveness
97% Instrumentalness • 4% Positiveness
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Benjamin Gustafsson
Silent In A World Of Talking
71 bpm • G Maj • 03:10 • -23.9db
14% Popularity • 23% Danceability • 8% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
14% Popularity • 23% Danceability • 8% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Runar Blesvik
Emergence
71 bpm • C Maj • 03:28 • -28.97db
33% Popularity • 8% Danceability • 1% Energy • 5% Liveness
95% Instrumentalness • 3% Positiveness
33% Popularity • 8% Danceability • 1% Energy • 5% Liveness
95% Instrumentalness • 3% Positiveness
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James Heather
Balance
71 bpm • D# Maj • 02:50 • -31.55db
46% Popularity • 31% Danceability • 0% Energy • 12% Liveness
90% Instrumentalness • 15% Positiveness
46% Popularity • 31% Danceability • 0% Energy • 12% Liveness
90% Instrumentalness • 15% Positiveness
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A Winged Victory for the Sullen
The Merchants Of Seven Nations
71 bpm • E min • 02:20 • -19.24db
25% Popularity • 7% Danceability • 21% Energy • 7% Liveness
84% Instrumentalness • 3% Positiveness
25% Popularity • 7% Danceability • 21% Energy • 7% Liveness
84% Instrumentalness • 3% Positiveness
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Sebastian Plano
Abeyance
71 bpm • B min • 03:59 • -24.48db
31% Popularity • 13% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
31% Popularity • 13% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Henrik Lindstrand
Fri
70 bpm • A min • 01:41 • -23.02db
11% Popularity • 45% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 20% Positiveness
11% Popularity • 45% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 20% Positiveness
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Luca Longobardi
Promenade No. 3
71 bpm • C Maj • 01:10 • -26.77db
51% Popularity • 40% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
51% Popularity • 40% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
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Anne Müller
Heliopause
71 bpm • A Maj • 05:22 • -21.71db
14% Popularity • 7% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 3% Positiveness
14% Popularity • 7% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 3% Positiveness
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EydÃs Evensen
Wandering I
72 bpm • G min • 04:38 • -20.15db
26% Popularity • 12% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
26% Popularity • 12% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Illuminine
Take 2 - Traces
72 bpm • C# Maj • 03:05 • -21.55db
20% Popularity • 16% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Neil Cowley
Dip Your Toe
72 bpm • G Maj • 03:33 • -29.27db
14% Popularity • 24% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
14% Popularity • 24% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
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Henrik Lindstrand
Cykel
71 bpm • C# Maj • 01:15 • -27.89db
23% Popularity • 18% Danceability • 7% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
23% Popularity • 18% Danceability • 7% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
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Niklas Paschburg
Duvet
73 bpm • F# Maj • 03:24 • -22.78db
52% Popularity • 40% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
52% Popularity • 40% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
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Arnold Kasar
Violet Sunset
74 bpm • C# Maj • 04:13 • -18.15db
21% Popularity • 28% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
21% Popularity • 28% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 8% Positiveness
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Sebastian Plano
Liv
74 bpm • C# min • 05:57 • -18.66db
18% Popularity • 15% Danceability • 14% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 14% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Illuminine
Dear, Limerence - Affan Rework
73 bpm • E min • 04:27 • -32.31db
24% Popularity • 38% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
24% Popularity • 38% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
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Sergio DÃaz De Rojas
Mundo Flotante
74 bpm • C# Maj • 02:24 • -35.14db
39% Popularity • 41% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
39% Popularity • 41% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
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Henrik Lindstrand
CPH-ARN
72 bpm • B Maj • 04:45 • -22.83db
29% Popularity • 21% Danceability • 6% Energy • 7% Liveness
76% Instrumentalness • 7% Positiveness
29% Popularity • 21% Danceability • 6% Energy • 7% Liveness
76% Instrumentalness • 7% Positiveness
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Phoria
In Brackets
74 bpm • B Maj • 01:43 • -31.16db
43% Popularity • 22% Danceability • 2% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
43% Popularity • 22% Danceability • 2% Energy • 12% Liveness
81% Instrumentalness • 7% Positiveness
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![[Time] Place cover art](https://i.scdn.co/image/ab67616d00001e029e475305784637d0d7f20b86)
Neighborhood Libraries
[Time] Place
75 bpm • G min • 07:07 • -22db
39% Popularity • 24% Danceability • 15% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
39% Popularity • 24% Danceability • 15% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Martyn Heyne
The Hall Reprise
75 bpm • C# min • 03:27 • -16.2db
10% Popularity • 8% Danceability • 15% Energy • 8% Liveness
74% Instrumentalness • 4% Positiveness
10% Popularity • 8% Danceability • 15% Energy • 8% Liveness
74% Instrumentalness • 4% Positiveness
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Elskavon
Anthos
75 bpm • F min • 01:38 • -25.88db
51% Popularity • 43% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
51% Popularity • 43% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
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Sebastian Plano
Agos
75 bpm • E Maj • 03:34 • -17.55db
23% Popularity • 16% Danceability • 19% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 19% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Otto A. Totland
North Way
75 bpm • D# Maj • 02:14 • -28.23db
35% Popularity • 35% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 17% Positiveness
35% Popularity • 35% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 17% Positiveness
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Danny Mulhern
Perpetual Motion
75 bpm • B min • 02:26 • -14.32db
17% Popularity • 34% Danceability • 19% Energy • 12% Liveness
81% Instrumentalness • 8% Positiveness
17% Popularity • 34% Danceability • 19% Energy • 12% Liveness
81% Instrumentalness • 8% Positiveness
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Felix Rösch
Barcarole
75 bpm • C min • 02:48 • -28.01db
30% Popularity • 30% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
30% Popularity • 30% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
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Antonymes
Reef
75 bpm • D Maj • 04:11 • -23.79db
54% Popularity • 19% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
54% Popularity • 19% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Elskavon
Fair Fading
75 bpm • A# Maj • 02:42 • -29.41db
43% Popularity • 17% Danceability • 1% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
43% Popularity • 17% Danceability • 1% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Thrupence
Exercise in Silence
76 bpm • G# min • 01:58 • -37.67db
28% Popularity • 36% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
28% Popularity • 36% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
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Henrik Meierkord
Slaap
76 bpm • C Maj • 03:56 • -19.32db
28% Popularity • 15% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
28% Popularity • 15% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Sergio DÃaz De Rojas
Despedida
76 bpm • D# Maj • 02:36 • -33.75db
36% Popularity • 28% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 7% Positiveness
36% Popularity • 28% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 7% Positiveness
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Illuminine
Dying Flame - Blurstem Rework
76 bpm • D# min • 03:16 • -34.76db
34% Popularity • 20% Danceability • 0% Energy • 6% Liveness
84% Instrumentalness • 11% Positiveness
34% Popularity • 20% Danceability • 0% Energy • 6% Liveness
84% Instrumentalness • 11% Positiveness
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Robot Koch
Post String Theory (Foam and Sand Rework...
76 bpm • C Maj • 04:50 • -19.9db
24% Popularity • 7% Danceability • 14% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
24% Popularity • 7% Danceability • 14% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Neil Cowley
Prayer
77 bpm • C Maj • 03:23 • -26.61db
22% Popularity • 23% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
22% Popularity • 23% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Hania Rani
Sun
77 bpm • G Maj • 05:22 • -29.14db
40% Popularity • 21% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
40% Popularity • 21% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Daniel Pioro
Diane
77 bpm • D min • 03:57 • -21.25db
21% Popularity • 7% Danceability • 8% Energy • 9% Liveness
57% Instrumentalness • 6% Positiveness
21% Popularity • 7% Danceability • 8% Energy • 9% Liveness
57% Instrumentalness • 6% Positiveness
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Pêtr Aleksänder
Cortège for Clouds
77 bpm • D min • 02:16 • -28db
45% Popularity • 35% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
45% Popularity • 35% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
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Nathan Shubert
Thought and Thinker
77 bpm • C Maj • 02:04 • -34db
23% Popularity • 31% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 16% Positiveness
23% Popularity • 31% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 16% Positiveness
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James Heather
Immortal Beloved
77 bpm • G min • 03:54 • -32.12db
40% Popularity • 21% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
40% Popularity • 21% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Sylvain Chauveau
Nuage II
77 bpm • F Maj • 01:18 • -14.07db
47% Popularity • 16% Danceability • 10% Energy • 25% Liveness
30% Instrumentalness • 4% Positiveness
47% Popularity • 16% Danceability • 10% Energy • 25% Liveness
30% Instrumentalness • 4% Positiveness
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Tom Ashbrook
Nidore
78 bpm • F Maj • 02:20 • -19.32db
16% Popularity • 31% Danceability • 19% Energy • 13% Liveness
93% Instrumentalness • 18% Positiveness
16% Popularity • 31% Danceability • 19% Energy • 13% Liveness
93% Instrumentalness • 18% Positiveness
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Patrik Berg Almkvisth
Ljusnan
78 bpm • F Maj • 02:51 • -25.26db
41% Popularity • 29% Danceability • 3% Energy • 23% Liveness
96% Instrumentalness • 16% Positiveness
41% Popularity • 29% Danceability • 3% Energy • 23% Liveness
96% Instrumentalness • 16% Positiveness
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Sergio DÃaz De Rojas
Birch Forest
78 bpm • F# Maj • 03:24 • -31.39db
30% Popularity • 33% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
30% Popularity • 33% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Felix Rösch
Clouds
78 bpm • C min • 02:46 • -13.81db
30% Popularity • 15% Danceability • 34% Energy • 21% Liveness
82% Instrumentalness • 16% Positiveness
30% Popularity • 15% Danceability • 34% Energy • 21% Liveness
82% Instrumentalness • 16% Positiveness
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James Heather
Meant To Be
78 bpm • D# min • 03:55 • -27.08db
36% Popularity • 12% Danceability • 11% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
36% Popularity • 12% Danceability • 11% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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Lara Somogyi
aviary
78 bpm • D min • 02:09 • -19.48db
20% Popularity • 14% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 18% Positiveness
20% Popularity • 14% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 18% Positiveness
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Phoria
Current
78 bpm • G# min • 05:50 • -19.02db
46% Popularity • 21% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
46% Popularity • 21% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Cedric Vermue
Before Us
78 bpm • F min • 04:26 • -22.52db
19% Popularity • 13% Danceability • 8% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
19% Popularity • 13% Danceability • 8% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Lambert
Time Out
79 bpm • F min • 03:04 • -27.1db
36% Popularity • 40% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
36% Popularity • 40% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Felix Rösch
Vienna
78 bpm • F Maj • 03:50 • -14.38db
28% Popularity • 10% Danceability • 19% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
28% Popularity • 10% Danceability • 19% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Illuminine
Patterns, Erase - Simeon Walker Rework
79 bpm • C# Maj • 04:31 • -34.95db
54% Popularity • 29% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
54% Popularity • 29% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Henrik Meierkord
Ballongen
79 bpm • F Maj • 03:24 • -15.8db
24% Popularity • 7% Danceability • 15% Energy • 31% Liveness
96% Instrumentalness • 3% Positiveness
24% Popularity • 7% Danceability • 15% Energy • 31% Liveness
96% Instrumentalness • 3% Positiveness
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Phoria
Nouveau-Né (Re-Imagined)
79 bpm • B Maj • 03:20 • -25.06db
38% Popularity • 22% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 11% Positiveness
38% Popularity • 22% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 11% Positiveness
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Jameson Nathan Jones
Time Will Wait for Me
79 bpm • B Maj • 04:12 • -24.56db
16% Popularity • 15% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
16% Popularity • 15% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
