Songs like Dunsinane Blues by John Dankworth
Based on a tempo of (+/- 10%) and a similar genre
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Francesco De Masi
Oggi in Africa
129 bpm • G# Maj • 03:03 • -11.94db
15% Popularity • 58% Danceability • 36% Energy • 9% Liveness
18% Instrumentalness • 54% Positiveness
15% Popularity • 58% Danceability • 36% Energy • 9% Liveness
18% Instrumentalness • 54% Positiveness
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Lionel Hampton
Midnight Sun
129 bpm • C# Maj • 03:18 • -15.83db
15% Popularity • 53% Danceability • 12% Energy • 11% Liveness
28% Instrumentalness • 22% Positiveness
15% Popularity • 53% Danceability • 12% Energy • 11% Liveness
28% Instrumentalness • 22% Positiveness
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John Dankworth
Modesty Blaise - Main Theme
129 bpm • A# Maj • 03:46 • -12.08db
9% Popularity • 47% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 47% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Lalo Schifrin
On the Way to San Mateo
129 bpm • C min • 02:31 • -17.34db
22% Popularity • 57% Danceability • 42% Energy • 9% Liveness
86% Instrumentalness • 75% Positiveness
22% Popularity • 57% Danceability • 42% Energy • 9% Liveness
86% Instrumentalness • 75% Positiveness
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Ken Griffin
I Saw You
128 bpm • G min • 02:32 • -21.51db
3% Popularity • 36% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 68% Positiveness
3% Popularity • 36% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 68% Positiveness
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Nino Rota
Rosa Aurata
129 bpm • G# Maj • 02:41 • -20.18db
12% Popularity • 42% Danceability • 12% Energy • 13% Liveness
86% Instrumentalness • 10% Positiveness
12% Popularity • 42% Danceability • 12% Energy • 13% Liveness
86% Instrumentalness • 10% Positiveness
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David Lindup
Zero Hour
130 bpm • G Maj • 01:23 • -14.31db
9% Popularity • 43% Danceability • 45% Energy • 12% Liveness
13% Instrumentalness • 58% Positiveness
9% Popularity • 43% Danceability • 45% Energy • 12% Liveness
13% Instrumentalness • 58% Positiveness
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Xavier Cugat & His Orchestra
Manhattan (Cha-Cha)
128 bpm • G min • 02:21 • -12.2db
22% Popularity • 75% Danceability • 52% Energy • 39% Liveness
85% Instrumentalness • 93% Positiveness
22% Popularity • 75% Danceability • 52% Energy • 39% Liveness
85% Instrumentalness • 93% Positiveness
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John Dankworth
U.S Radio Station Promotion (Bonus Track...
130 bpm • A# Maj • 01:00 • -11.1db
1% Popularity • 53% Danceability • 45% Energy • 66% Liveness
0% Instrumentalness • 80% Positiveness
1% Popularity • 53% Danceability • 45% Energy • 66% Liveness
0% Instrumentalness • 80% Positiveness
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Lalo Schifrin
Room 26 - Movie
128 bpm • F min • 02:28 • -9db
18% Popularity • 57% Danceability • 52% Energy • 36% Liveness
76% Instrumentalness • 35% Positiveness
18% Popularity • 57% Danceability • 52% Energy • 36% Liveness
76% Instrumentalness • 35% Positiveness
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ORF Big Band
Swinging Flutes
130 bpm • F Maj • 03:28 • -15.95db
14% Popularity • 61% Danceability • 24% Energy • 9% Liveness
87% Instrumentalness • 52% Positiveness
14% Popularity • 61% Danceability • 24% Energy • 9% Liveness
87% Instrumentalness • 52% Positiveness
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Giorgio Gaslini
Teneramente
128 bpm • C Maj • 01:13 • -25.09db
18% Popularity • 57% Danceability • 19% Energy • 12% Liveness
20% Instrumentalness • 32% Positiveness
18% Popularity • 57% Danceability • 19% Energy • 12% Liveness
20% Instrumentalness • 32% Positiveness
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Hugo Montenegro & His Orchestra
Solo's Samba
128 bpm • G Maj • 02:26 • -18.48db
26% Popularity • 53% Danceability • 32% Energy • 31% Liveness
92% Instrumentalness • 51% Positiveness
26% Popularity • 53% Danceability • 32% Energy • 31% Liveness
92% Instrumentalness • 51% Positiveness
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Xavier Cugat & His Orchestra
One Mint Julep (Cha-Cha Twist)
128 bpm • D# Maj • 03:05 • -11.06db
32% Popularity • 66% Danceability • 67% Energy • 32% Liveness
7% Instrumentalness • 86% Positiveness
32% Popularity • 66% Danceability • 67% Energy • 32% Liveness
7% Instrumentalness • 86% Positiveness
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John Dankworth
Two-Piece Flower
128 bpm • F Maj • 03:50 • -14.54db
5% Popularity • 43% Danceability • 26% Energy • 23% Liveness
53% Instrumentalness • 50% Positiveness
5% Popularity • 43% Danceability • 26% Energy • 23% Liveness
53% Instrumentalness • 50% Positiveness
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Syd Dale
All Together
127 bpm • C Maj • 02:56 • -12.63db
12% Popularity • 60% Danceability • 41% Energy • 11% Liveness
49% Instrumentalness • 78% Positiveness
12% Popularity • 60% Danceability • 41% Energy • 11% Liveness
49% Instrumentalness • 78% Positiveness
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Noel Coward
I'Ll See You Again
131 bpm • G Maj • 03:17 • -19.29db
11% Popularity • 40% Danceability • 8% Energy • 10% Liveness
68% Instrumentalness • 25% Positiveness
11% Popularity • 40% Danceability • 8% Energy • 10% Liveness
68% Instrumentalness • 25% Positiveness
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Gordon Rees
Soft Lights and Music
131 bpm • A min • 02:20 • -13.84db
14% Popularity • 66% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 66% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Luis Bacalov
Panna e Mirtilli
131 bpm • F Maj • 03:30 • -15.34db
11% Popularity • 60% Danceability • 28% Energy • 8% Liveness
35% Instrumentalness • 38% Positiveness
11% Popularity • 60% Danceability • 28% Energy • 8% Liveness
35% Instrumentalness • 38% Positiveness
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Dudley Moore Trio
Main Title
131 bpm • F min • 02:10 • -12db
8% Popularity • 36% Danceability • 44% Energy • 14% Liveness
31% Instrumentalness • 21% Positiveness
8% Popularity • 36% Danceability • 44% Energy • 14% Liveness
31% Instrumentalness • 21% Positiveness
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John Dankworth
Clarinet Concerto "The Woolwich": IV. Bo...
128 bpm • C Maj • 04:24 • -20.94db
1% Popularity • 38% Danceability • 15% Energy • 13% Liveness
60% Instrumentalness • 6% Positiveness
1% Popularity • 38% Danceability • 15% Energy • 13% Liveness
60% Instrumentalness • 6% Positiveness
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Nino Rota
Il Giardino Delle Fate
127 bpm • B Maj • 02:14 • -14.21db
11% Popularity • 40% Danceability • 28% Energy • 11% Liveness
85% Instrumentalness • 37% Positiveness
11% Popularity • 40% Danceability • 28% Energy • 11% Liveness
85% Instrumentalness • 37% Positiveness
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Marvin Hamlisch
Easy Four
132 bpm • G Maj • 03:01 • -15.91db
24% Popularity • 56% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
24% Popularity • 56% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Bob Crosby & The Bob Cats
The Big Noise From Winnetka
132 bpm • G# Maj • 02:37 • -29.66db
21% Popularity • 46% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 64% Positiveness
21% Popularity • 46% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 64% Positiveness
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Gert Wilden & Orchestra
Blue Mood (Die Jungen Ausreisserinnen)
126 bpm • D min • 02:21 • -8.59db
16% Popularity • 42% Danceability • 35% Energy • 12% Liveness
6% Instrumentalness • 43% Positiveness
16% Popularity • 42% Danceability • 35% Energy • 12% Liveness
6% Instrumentalness • 43% Positiveness
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Warren Barker Orchestra
Caper At the Coffee House
132 bpm • D min • 02:10 • -16.18db
32% Popularity • 67% Danceability • 22% Energy • 11% Liveness
77% Instrumentalness • 38% Positiveness
32% Popularity • 67% Danceability • 22% Energy • 11% Liveness
77% Instrumentalness • 38% Positiveness
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John Dankworth
Libra
131 bpm • C# min • 02:51 • -21.73db
0% Popularity • 51% Danceability • 9% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
0% Popularity • 51% Danceability • 9% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
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Neal Hefti
The Odd Couple Main Title
126 bpm • F min • 01:40 • -14.37db
31% Popularity • 68% Danceability • 34% Energy • 18% Liveness
23% Instrumentalness • 65% Positiveness
31% Popularity • 68% Danceability • 34% Energy • 18% Liveness
23% Instrumentalness • 65% Positiveness
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Nino Rota
Blues / La Dolce Vita Dei Nobili
126 bpm • F min • 05:44 • -20.09db
28% Popularity • 33% Danceability • 10% Energy • 15% Liveness
73% Instrumentalness • 24% Positiveness
28% Popularity • 33% Danceability • 10% Energy • 15% Liveness
73% Instrumentalness • 24% Positiveness
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Alan Moorhouse
Roses and Moonlight
126 bpm • A# Maj • 02:28 • -17.32db
13% Popularity • 37% Danceability • 13% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 37% Danceability • 13% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Enoch Light & The Light Brigade
Lover's Concerto
132 bpm • C Maj • 02:56 • -17.56db
14% Popularity • 40% Danceability • 22% Energy • 8% Liveness
98% Instrumentalness • 52% Positiveness
14% Popularity • 40% Danceability • 22% Energy • 8% Liveness
98% Instrumentalness • 52% Positiveness
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Walter Wanderley
It Hurts To Say Goodbye
132 bpm • C min • 02:09 • -21.35db
24% Popularity • 66% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 66% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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John Dankworth
Light of the World
127 bpm • F Maj • 02:35 • -18.46db
0% Popularity • 23% Danceability • 24% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
0% Popularity • 23% Danceability • 24% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
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Neil Richardson
Busy Spectacle
133 bpm • F Maj • 01:50 • -10.21db
13% Popularity • 49% Danceability • 64% Energy • 16% Liveness
90% Instrumentalness • 74% Positiveness
13% Popularity • 49% Danceability • 64% Energy • 16% Liveness
90% Instrumentalness • 74% Positiveness
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Syd Dale
Blues All Around
125 bpm • F min • 02:30 • -12.64db
9% Popularity • 50% Danceability • 54% Energy • 66% Liveness
94% Instrumentalness • 71% Positiveness
9% Popularity • 50% Danceability • 54% Energy • 66% Liveness
94% Instrumentalness • 71% Positiveness
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Dudley Moore Trio
The Millionaire
125 bpm • A# min • 05:17 • -13.78db
27% Popularity • 59% Danceability • 43% Energy • 16% Liveness
20% Instrumentalness • 46% Positiveness
27% Popularity • 59% Danceability • 43% Energy • 16% Liveness
20% Instrumentalness • 46% Positiveness
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Charlie Kunz
Room 504
133 bpm • C Maj • 01:33 • -25.73db
23% Popularity • 65% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 45% Positiveness
23% Popularity • 65% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 45% Positiveness
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Members Of The Les Brown Orchestra
Coffee Time
125 bpm • G min • 02:15 • -16.79db
11% Popularity • 59% Danceability • 20% Energy • 15% Liveness
35% Instrumentalness • 56% Positiveness
11% Popularity • 59% Danceability • 20% Energy • 15% Liveness
35% Instrumentalness • 56% Positiveness
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Angela Morley
Fashion Show
133 bpm • D min • 02:40 • -13db
9% Popularity • 19% Danceability • 34% Energy • 10% Liveness
98% Instrumentalness • 22% Positiveness
9% Popularity • 19% Danceability • 34% Energy • 10% Liveness
98% Instrumentalness • 22% Positiveness
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Tommy Smith
Children's Song No. 7
125 bpm • G Maj • 01:22 • -16.75db
8% Popularity • 35% Danceability • 18% Energy • 14% Liveness
84% Instrumentalness • 32% Positiveness
8% Popularity • 35% Danceability • 18% Energy • 14% Liveness
84% Instrumentalness • 32% Positiveness
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Sid Ramin
Illeana's Theme
125 bpm • C Maj • 02:52 • -19.25db
16% Popularity • 33% Danceability • 34% Energy • 34% Liveness
40% Instrumentalness • 32% Positiveness
16% Popularity • 33% Danceability • 34% Energy • 34% Liveness
40% Instrumentalness • 32% Positiveness
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Scott Regan
High Noon
134 bpm • G Maj • 02:20 • -22.26db
27% Popularity • 31% Danceability • 36% Energy • 10% Liveness
95% Instrumentalness • 35% Positiveness
27% Popularity • 31% Danceability • 36% Energy • 10% Liveness
95% Instrumentalness • 35% Positiveness
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Hugo Montenegro & His Orchestra
A Martini Built for Two
125 bpm • C Maj • 02:22 • -21.76db
36% Popularity • 70% Danceability • 19% Energy • 42% Liveness
90% Instrumentalness • 76% Positiveness
36% Popularity • 70% Danceability • 19% Energy • 42% Liveness
90% Instrumentalness • 76% Positiveness
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Percy Faith
Perfida
124 bpm • A Maj • 02:52 • -14.72db
9% Popularity • 25% Danceability • 39% Energy • 26% Liveness
59% Instrumentalness • 30% Positiveness
9% Popularity • 25% Danceability • 39% Energy • 26% Liveness
59% Instrumentalness • 30% Positiveness
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Neil Richardson
Another Happening
124 bpm • F min • 01:49 • -8.01db
18% Popularity • 64% Danceability • 54% Energy • 6% Liveness
92% Instrumentalness • 70% Positiveness
18% Popularity • 64% Danceability • 54% Energy • 6% Liveness
92% Instrumentalness • 70% Positiveness
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Johnny Pearson
A Kiss in the Moonlight
135 bpm • F Maj • 02:36 • -11.42db
10% Popularity • 16% Danceability • 34% Energy • 16% Liveness
91% Instrumentalness • 26% Positiveness
10% Popularity • 16% Danceability • 34% Energy • 16% Liveness
91% Instrumentalness • 26% Positiveness
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John Dankworth
The Slider
124 bpm • D Maj • 03:43 • -8.46db
0% Popularity • 55% Danceability • 46% Energy • 8% Liveness
81% Instrumentalness • 66% Positiveness
0% Popularity • 55% Danceability • 46% Energy • 8% Liveness
81% Instrumentalness • 66% Positiveness
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Sonny Rollins
Alfie's Theme Differently
135 bpm • A# min • 03:44 • -10.1db
27% Popularity • 53% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 53% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Khalil Davis
Afternoon Chill
135 bpm • A Maj • 02:04 • -23.58db
13% Popularity • 57% Danceability • 27% Energy • 11% Liveness
91% Instrumentalness • 47% Positiveness
13% Popularity • 57% Danceability • 27% Energy • 11% Liveness
91% Instrumentalness • 47% Positiveness
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Francis Lemarque
Musique Strand 2 - Play Time
123 bpm • F min • 02:07 • -17db
8% Popularity • 37% Danceability • 22% Energy • 9% Liveness
15% Instrumentalness • 31% Positiveness
8% Popularity • 37% Danceability • 22% Energy • 9% Liveness
15% Instrumentalness • 31% Positiveness
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Bobby Hackett
Afterglow
123 bpm • A# Maj • 02:52 • -13.13db
9% Popularity • 30% Danceability • 18% Energy • 16% Liveness
86% Instrumentalness • 14% Positiveness
9% Popularity • 30% Danceability • 18% Energy • 16% Liveness
86% Instrumentalness • 14% Positiveness
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Elmer Bernstein
The Man With The Golden Arm
123 bpm • F min • 02:50 • -15.07db
10% Popularity • 52% Danceability • 47% Energy • 11% Liveness
90% Instrumentalness • 70% Positiveness
10% Popularity • 52% Danceability • 47% Energy • 11% Liveness
90% Instrumentalness • 70% Positiveness
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John Dankworth
Canal Trip - Modesty in Amsterdam
135 bpm • G# Maj • 02:46 • -13.65db
0% Popularity • 36% Danceability • 39% Energy • 18% Liveness
58% Instrumentalness • 14% Positiveness
0% Popularity • 36% Danceability • 39% Energy • 18% Liveness
58% Instrumentalness • 14% Positiveness
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Piero Umiliani
Gangster's Song
135 bpm • A min • 03:37 • -7.57db
10% Popularity • 38% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 38% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Khalil Davis
Saturday Vibe
135 bpm • A Maj • 02:02 • -22.49db
13% Popularity • 63% Danceability • 23% Energy • 10% Liveness
89% Instrumentalness • 37% Positiveness
13% Popularity • 63% Danceability • 23% Energy • 10% Liveness
89% Instrumentalness • 37% Positiveness
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Cal Tjader
China Nights (Shina No Yoru)
123 bpm • A min • 03:31 • -16.58db
7% Popularity • 54% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
7% Popularity • 54% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Jim Zimmerman Quartet
Spring Sprang, Sprung
123 bpm • D min • 05:26 • -12.22db
0% Popularity • 48% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
0% Popularity • 48% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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The Universal International Orchestra
Tana's Theme
123 bpm • F Maj • 02:26 • -11.98db
9% Popularity • 51% Danceability • 43% Energy • 15% Liveness
94% Instrumentalness • 70% Positiveness
9% Popularity • 51% Danceability • 43% Energy • 15% Liveness
94% Instrumentalness • 70% Positiveness
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Herbie Hancock
Blow-Up (Main Title)
122 bpm • C Maj • 01:32 • -13db
29% Popularity • 47% Danceability • 56% Energy • 12% Liveness
31% Instrumentalness • 88% Positiveness
29% Popularity • 47% Danceability • 56% Energy • 12% Liveness
31% Instrumentalness • 88% Positiveness
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Armando Trovajoli
Those Lazy Days
136 bpm • D# Maj • 02:30 • -12.92db
15% Popularity • 57% Danceability • 21% Energy • 20% Liveness
91% Instrumentalness • 20% Positiveness
15% Popularity • 57% Danceability • 21% Energy • 20% Liveness
91% Instrumentalness • 20% Positiveness
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Piero Umiliani
La Legge Dei Gangsters
136 bpm • C# Maj • 07:39 • -9.54db
14% Popularity • 44% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 44% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Alan Hawkshaw
Calendar Girl
136 bpm • A min • 01:56 • -14db
13% Popularity • 62% Danceability • 41% Energy • 21% Liveness
26% Instrumentalness • 59% Positiveness
13% Popularity • 62% Danceability • 41% Energy • 21% Liveness
26% Instrumentalness • 59% Positiveness
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The Baja Marimba Band
Comin' In The Back Door
122 bpm • F Maj • 02:16 • -24.16db
13% Popularity • 63% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 37% Positiveness
13% Popularity • 63% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 37% Positiveness
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Elmer Bernstein
Staccato's Theme
122 bpm • A# min • 02:56 • -10.29db
10% Popularity • 40% Danceability • 46% Energy • 18% Liveness
36% Instrumentalness • 47% Positiveness
10% Popularity • 40% Danceability • 46% Energy • 18% Liveness
36% Instrumentalness • 47% Positiveness
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Berto Pisano
Coppia diabolica
137 bpm • G min • 01:16 • -13.14db
20% Popularity • 19% Danceability • 20% Energy • 32% Liveness
84% Instrumentalness • 11% Positiveness
20% Popularity • 19% Danceability • 20% Energy • 32% Liveness
84% Instrumentalness • 11% Positiveness
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Syd Dale
Italian Scene
137 bpm • D# Maj • 03:20 • -11db
13% Popularity • 47% Danceability • 50% Energy • 67% Liveness
76% Instrumentalness • 41% Positiveness
13% Popularity • 47% Danceability • 50% Energy • 67% Liveness
76% Instrumentalness • 41% Positiveness
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Piero Umiliani
Le Ragazze Dell'Arcipelago
137 bpm • D Maj • 03:08 • -10db
20% Popularity • 50% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 50% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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John Dankworth
The Infant Phenomenom
137 bpm • A# Maj • 02:12 • -15.36db
0% Popularity • 51% Danceability • 35% Energy • 13% Liveness
11% Instrumentalness • 38% Positiveness
0% Popularity • 51% Danceability • 35% Energy • 13% Liveness
11% Instrumentalness • 38% Positiveness
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JAZZ SONATA
Vientos de Tranquilidad
137 bpm • E min • 02:31 • -24.79db
12% Popularity • 33% Danceability • 14% Energy • 11% Liveness
97% Instrumentalness • 7% Positiveness
12% Popularity • 33% Danceability • 14% Energy • 11% Liveness
97% Instrumentalness • 7% Positiveness
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Jerry Goldsmith
Our Man Flint
137 bpm • C Maj • 01:48 • -11.27db
16% Popularity • 27% Danceability • 50% Energy • 12% Liveness
77% Instrumentalness • 39% Positiveness
16% Popularity • 27% Danceability • 50% Energy • 12% Liveness
77% Instrumentalness • 39% Positiveness
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Lalo Schifrin
Cinnamon (The Lady Was Made To Be Loved)
121 bpm • G# Maj • 02:37 • -11.15db
9% Popularity • 21% Danceability • 32% Energy • 14% Liveness
7% Instrumentalness • 22% Positiveness
9% Popularity • 21% Danceability • 32% Energy • 14% Liveness
7% Instrumentalness • 22% Positiveness
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Alain Romans
Quel temps fait-il à Paris
121 bpm • C min • 02:12 • -13.1db
12% Popularity • 67% Danceability • 30% Energy • 30% Liveness
91% Instrumentalness • 61% Positiveness
12% Popularity • 67% Danceability • 30% Energy • 30% Liveness
91% Instrumentalness • 61% Positiveness
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Gabriel Andrés Gallegos
Esta existencia ciega
138 bpm • G Maj • 02:48 • -17db
14% Popularity • 25% Danceability • 12% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
14% Popularity • 25% Danceability • 12% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
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George Gershwin
Oh Kay!: Overture
138 bpm • D# Maj • 03:55 • -14.15db
9% Popularity • 37% Danceability • 31% Energy • 9% Liveness
90% Instrumentalness • 48% Positiveness
9% Popularity • 37% Danceability • 31% Energy • 9% Liveness
90% Instrumentalness • 48% Positiveness
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John Dankworth
Our Delight
121 bpm • G# Maj • 03:22 • -8.64db
0% Popularity • 52% Danceability • 63% Energy • 6% Liveness
51% Instrumentalness • 86% Positiveness
0% Popularity • 52% Danceability • 63% Energy • 6% Liveness
51% Instrumentalness • 86% Positiveness
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Michel Magne
Palm Beach
121 bpm • A# Maj • 02:29 • -12.26db
24% Popularity • 44% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 44% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Billy May & His Orchestra
Handful Of Stars
138 bpm • G Maj • 02:44 • -13.47db
16% Popularity • 17% Danceability • 36% Energy • 38% Liveness
81% Instrumentalness • 12% Positiveness
16% Popularity • 17% Danceability • 36% Energy • 38% Liveness
81% Instrumentalness • 12% Positiveness
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Alfred Newman
Inez' Theme
120 bpm • A Maj • 01:31 • -23.56db
15% Popularity • 60% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 51% Positiveness
15% Popularity • 60% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 51% Positiveness
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François de Roubaix
Michelin Radial
120 bpm • F Maj • 01:31 • -17.32db
15% Popularity • 65% Danceability • 31% Energy • 24% Liveness
94% Instrumentalness • 81% Positiveness
15% Popularity • 65% Danceability • 31% Energy • 24% Liveness
94% Instrumentalness • 81% Positiveness
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Cy Coleman
Playboy's Theme - Remastered
120 bpm • F min • 02:50 • -15.5db
23% Popularity • 54% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 54% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
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John Dankworth
Modesty Chased - Modesty Unchaste!
121 bpm • F min • 01:31 • -11.84db
0% Popularity • 62% Danceability • 74% Energy • 14% Liveness
87% Instrumentalness • 36% Positiveness
0% Popularity • 62% Danceability • 74% Energy • 14% Liveness
87% Instrumentalness • 36% Positiveness
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Alain Goraguer
Shoes Rock
139 bpm • A min • 01:57 • -15.39db
9% Popularity • 56% Danceability • 74% Energy • 23% Liveness
16% Instrumentalness • 18% Positiveness
9% Popularity • 56% Danceability • 74% Energy • 23% Liveness
16% Instrumentalness • 18% Positiveness
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Alain Romans
How Is the Weather In Paris
120 bpm • C min • 02:14 • -23db
37% Popularity • 57% Danceability • 11% Energy • 31% Liveness
84% Instrumentalness • 66% Positiveness
37% Popularity • 57% Danceability • 11% Energy • 31% Liveness
84% Instrumentalness • 66% Positiveness
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Piero Umiliani
Apertura In Jazz
120 bpm • F Maj • 03:55 • -13.04db
9% Popularity • 44% Danceability • 17% Energy • 9% Liveness
37% Instrumentalness • 13% Positiveness
9% Popularity • 44% Danceability • 17% Energy • 9% Liveness
37% Instrumentalness • 13% Positiveness
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Dominic Frontiere & His Orchestra
House Of Dawn (Paccari-Tampu)
139 bpm • G Maj • 02:16 • -20db
15% Popularity • 36% Danceability • 32% Energy • 14% Liveness
33% Instrumentalness • 53% Positiveness
15% Popularity • 36% Danceability • 32% Energy • 14% Liveness
33% Instrumentalness • 53% Positiveness
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Syd Dale
Man Friday
139 bpm • C Maj • 02:37 • -5.39db
17% Popularity • 35% Danceability • 90% Energy • 39% Liveness
25% Instrumentalness • 62% Positiveness
17% Popularity • 35% Danceability • 90% Energy • 39% Liveness
25% Instrumentalness • 62% Positiveness
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John Dankworth
Happy Landings
120 bpm • A# min • 03:08 • -15.01db
0% Popularity • 30% Danceability • 33% Energy • 30% Liveness
96% Instrumentalness • 29% Positiveness
0% Popularity • 30% Danceability • 33% Energy • 30% Liveness
96% Instrumentalness • 29% Positiveness
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The Raymond Scott Quintet
Who?
139 bpm • A# min • 01:57 • -16.11db
8% Popularity • 38% Danceability • 16% Energy • 36% Liveness
90% Instrumentalness • 44% Positiveness
8% Popularity • 38% Danceability • 16% Energy • 36% Liveness
90% Instrumentalness • 44% Positiveness
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The Medici Quartet
Frantic Firefly
139 bpm • D Maj • 03:25 • -17.61db
0% Popularity • 42% Danceability • 11% Energy • 20% Liveness
88% Instrumentalness • 8% Positiveness
0% Popularity • 42% Danceability • 11% Energy • 20% Liveness
88% Instrumentalness • 8% Positiveness
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Martial Solal
Poursuite - Version 2 / Bande originale ...
119 bpm • F min • 02:22 • -12.46db
14% Popularity • 60% Danceability • 31% Energy • 11% Liveness
11% Instrumentalness • 24% Positiveness
14% Popularity • 60% Danceability • 31% Energy • 11% Liveness
11% Instrumentalness • 24% Positiveness
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Joe Loss & His Orchestra
Music to Drive By - 2011 Remaster
140 bpm • F Maj • 02:52 • -13.96db
9% Popularity • 46% Danceability • 40% Energy • 20% Liveness
73% Instrumentalness • 63% Positiveness
9% Popularity • 46% Danceability • 40% Energy • 20% Liveness
73% Instrumentalness • 63% Positiveness
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Aldo Piga
Concorso per giovani attrici
140 bpm • G Maj • 02:06 • -11db
8% Popularity • 68% Danceability • 66% Energy • 8% Liveness
96% Instrumentalness • 88% Positiveness
8% Popularity • 68% Danceability • 66% Energy • 8% Liveness
96% Instrumentalness • 88% Positiveness
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George French
Fully Fashioned
140 bpm • A# Maj • 01:36 • -23.49db
10% Popularity • 21% Danceability • 8% Energy • 49% Liveness
70% Instrumentalness • 34% Positiveness
10% Popularity • 21% Danceability • 8% Energy • 49% Liveness
70% Instrumentalness • 34% Positiveness
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John Dankworth
Bullring
119 bpm • A# Maj • 05:16 • -14.63db
0% Popularity • 36% Danceability • 53% Energy • 16% Liveness
90% Instrumentalness • 16% Positiveness
0% Popularity • 36% Danceability • 53% Energy • 16% Liveness
90% Instrumentalness • 16% Positiveness
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Hugo Montenegro & His Orchestra
Goldfinger
119 bpm • F Maj • 01:55 • -5.68db
15% Popularity • 45% Danceability • 60% Energy • 8% Liveness
77% Instrumentalness • 55% Positiveness
15% Popularity • 45% Danceability • 60% Energy • 8% Liveness
77% Instrumentalness • 55% Positiveness
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Lorenzo Cimino
Electric Trumpet 3
140 bpm • A min • 02:27 • -22.67db
9% Popularity • 58% Danceability • 18% Energy • 34% Liveness
3% Instrumentalness • 49% Positiveness
9% Popularity • 58% Danceability • 18% Energy • 34% Liveness
3% Instrumentalness • 49% Positiveness
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Billy May & His Orchestra
Man With The Golden Arm
119 bpm • A# Maj • 02:52 • -12.09db
23% Popularity • 43% Danceability • 55% Energy • 74% Liveness
46% Instrumentalness • 28% Positiveness
23% Popularity • 43% Danceability • 55% Energy • 74% Liveness
46% Instrumentalness • 28% Positiveness
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Laurie Johnson
Paris Honeymoon
140 bpm • D min • 01:30 • -6db
17% Popularity • 29% Danceability • 48% Energy • 24% Liveness
96% Instrumentalness • 42% Positiveness
17% Popularity • 29% Danceability • 48% Energy • 24% Liveness
96% Instrumentalness • 42% Positiveness