Songs like Duo Concertant: 4. Gigue by Igor Stravinsky
Based on a tempo of (+/- 10%) and a similar genre
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Béla Bartók
Piano Concerto No. 2, Sz. 95: I. Allegro
98 bpm • D Maj • 10:10 • -19db
23% Popularity • 40% Danceability • 29% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
23% Popularity • 40% Danceability • 29% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
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Alexander Borodin
Prince Igor: Polovtsian Dances (Remaster...
99 bpm • F Maj • 02:10 • -16db
16% Popularity • 55% Danceability • 18% Energy • 13% Liveness
13% Instrumentalness • 32% Positiveness
16% Popularity • 55% Danceability • 18% Energy • 13% Liveness
13% Instrumentalness • 32% Positiveness
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Richard Wagner
Tannhauser: Overture
98 bpm • B Maj • 09:48 • -21db
32% Popularity • 18% Danceability • 4% Energy • 58% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 18% Danceability • 4% Energy • 58% Liveness
92% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Circus Polka for a Young Elephant
99 bpm • G# min • 03:41 • -16db
14% Popularity • 55% Danceability • 19% Energy • 31% Liveness
87% Instrumentalness • 58% Positiveness
14% Popularity • 55% Danceability • 19% Energy • 31% Liveness
87% Instrumentalness • 58% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Gnomus
99 bpm • B Maj • 02:39 • -20.94db
27% Popularity • 31% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 9% Positiveness
27% Popularity • 31% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 9% Positiveness
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Samuel Dushkin
Circus Polka (arr. S. Dushkin for violin...
97 bpm • G# min • 03:39 • -16db
4% Popularity • 62% Danceability • 17% Energy • 18% Liveness
44% Instrumentalness • 66% Positiveness
4% Popularity • 62% Danceability • 17% Energy • 18% Liveness
44% Instrumentalness • 66% Positiveness
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David Abramovitz
Chants Populaires: Chanson Espagnole
99 bpm • G Maj • 02:25 • -27db
30% Popularity • 30% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 30% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Sergei Prokofiev
Symphony No. 1 in D, Op. 25 "Classical S...
97 bpm • E min • 04:24 • -22.82db
21% Popularity • 48% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 49% Positiveness
21% Popularity • 48% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 49% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
97 bpm • G Maj • 07:06 • -13.04db
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
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Erich Wolfgang Korngold
Korngold: Violin Concerto in D Major, Op...
97 bpm • C Maj • 08:14 • -28.5db
10% Popularity • 18% Danceability • 4% Energy • 13% Liveness
3% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 4% Energy • 13% Liveness
3% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Pulcinella: 1. Ouverture: Allegro modera...
99 bpm • D Maj • 01:46 • -24.41db
21% Popularity • 56% Danceability • 3% Energy • 24% Liveness
42% Instrumentalness • 56% Positiveness
21% Popularity • 56% Danceability • 3% Energy • 24% Liveness
42% Instrumentalness • 56% Positiveness
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Francis Poulenc
Organ Concerto, FP 93: Allegro giocoso
99 bpm • G Maj • 01:53 • -17.51db
16% Popularity • 32% Danceability • 19% Energy • 56% Liveness
93% Instrumentalness • 17% Positiveness
16% Popularity • 32% Danceability • 19% Energy • 56% Liveness
93% Instrumentalness • 17% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
97 bpm • D# min • 01:05 • -26.62db
43% Popularity • 42% Danceability • 4% Energy • 15% Liveness
47% Instrumentalness • 22% Positiveness
43% Popularity • 42% Danceability • 4% Energy • 15% Liveness
47% Instrumentalness • 22% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
97 bpm • F Maj • 02:11 • -19.15db
15% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
15% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
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Maurice Ravel
Rhapsodie espagnole, M. 54: IV. Feria
99 bpm • C Maj • 06:40 • -21.76db
13% Popularity • 18% Danceability • 17% Energy • 21% Liveness
72% Instrumentalness • 7% Positiveness
13% Popularity • 18% Danceability • 17% Energy • 21% Liveness
72% Instrumentalness • 7% Positiveness
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Samuel Barber
Concerto for Violin & Orchestra, Op. 14:...
97 bpm • A min • 03:49 • -16db
19% Popularity • 39% Danceability • 50% Energy • 22% Liveness
81% Instrumentalness • 65% Positiveness
19% Popularity • 39% Danceability • 50% Energy • 22% Liveness
81% Instrumentalness • 65% Positiveness
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Alexander Scriabin
4 Pieces, Op. 51: III. Poème ailé
97 bpm • B Maj • 01:06 • -32.42db
43% Popularity • 44% Danceability • 1% Energy • 11% Liveness
76% Instrumentalness • 11% Positiveness
43% Popularity • 44% Danceability • 1% Energy • 11% Liveness
76% Instrumentalness • 11% Positiveness
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Francis Poulenc
Concerto for 2 Pianos and Orchestra in D...
99 bpm • D# Maj • 08:20 • -24db
14% Popularity • 38% Danceability • 11% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
14% Popularity • 38% Danceability • 11% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Zoltán Kocsis
Le tombeau de Couperin (arr. Z. Kocsis):...
97 bpm • G Maj • 05:11 • -30.45db
14% Popularity • 16% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 2. Du...
97 bpm • C Maj • 05:41 • -15db
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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Igor Stravinsky
The Rite of Spring: Part One: Adoration ...
96 bpm • D min • 01:08 • -17db
30% Popularity • 36% Danceability • 50% Energy • 84% Liveness
93% Instrumentalness • 25% Positiveness
30% Popularity • 36% Danceability • 50% Energy • 84% Liveness
93% Instrumentalness • 25% Positiveness
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Samuel Barber
III. Presto in moto perpetuo
96 bpm • A min • 03:48 • -25.2db
7% Popularity • 36% Danceability • 25% Energy • 14% Liveness
73% Instrumentalness • 60% Positiveness
7% Popularity • 36% Danceability • 25% Energy • 14% Liveness
73% Instrumentalness • 60% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: I. Liturgi...
100 bpm • F min • 02:42 • -30db
24% Popularity • 34% Danceability • 4% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
24% Popularity • 34% Danceability • 4% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
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Béla Bartók
Concerto for Orchestra, Sz. 116: 4. Inte...
96 bpm • F Maj • 04:19 • -27.01db
6% Popularity • 16% Danceability • 4% Energy • 16% Liveness
60% Instrumentalness • 4% Positiveness
6% Popularity • 16% Danceability • 4% Energy • 16% Liveness
60% Instrumentalness • 4% Positiveness
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Gustav Mahler
Mahler: Blumine
100 bpm • C Maj • 08:26 • -24.61db
30% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30, TrV 176...
100 bpm • C Maj • 07:59 • -15.22db
24% Popularity • 19% Danceability • 23% Energy • 66% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 19% Danceability • 23% Energy • 66% Liveness
91% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Cello Concerto in E Minor: II. Andante s...
96 bpm • G Maj • 07:53 • -23db
11% Popularity • 15% Danceability • 6% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 6% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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Paul Hindemith
In einer Nacht, Op. 15: No. 2, Sehr lang...
100 bpm • C# min • 01:24 • -34db
44% Popularity • 47% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
44% Popularity • 47% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: IV. Interm...
96 bpm • F# Maj • 01:41 • -17db
17% Popularity • 40% Danceability • 16% Energy • 34% Liveness
20% Instrumentalness • 38% Positiveness
17% Popularity • 40% Danceability • 16% Energy • 34% Liveness
20% Instrumentalness • 38% Positiveness
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Hector Berlioz
Béatrice et Bénédict, Op. 27, H 138: ...
101 bpm • G Maj • 08:13 • -23.12db
14% Popularity • 26% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 11% Positiveness
14% Popularity • 26% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 11% Positiveness
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Benjamin Britten
Britten: Four Sea Interludes from Peter ...
101 bpm • E Maj • 04:35 • -16.96db
12% Popularity • 24% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
12% Popularity • 24% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
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Richard Strauss
Capriccio, Op. 85, TrV 279: Mondscheinmu...
100 bpm • A Maj • 03:40 • -17.18db
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Aram Khachaturian
Symphony No. 2: 2. Allegro risoluto
101 bpm • G# Maj • 09:29 • -16.23db
13% Popularity • 28% Danceability • 26% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
13% Popularity • 28% Danceability • 26% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
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Charles Ives
Ives: Set No. 3 for Chamber Orchestra: I...
95 bpm • G Maj • 01:07 • -41.99db
20% Popularity • 16% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Carl Nielsen
Aladdin Suite, Op. 34, FS 89: IV. Chines...
95 bpm • E min • 03:15 • -25db
23% Popularity • 22% Danceability • 7% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
23% Popularity • 22% Danceability • 7% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Dance ...
95 bpm • F Maj • 02:20 • -16.48db
34% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
34% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: VI. Finale: Danc...
101 bpm • C min • 01:46 • -16.19db
36% Popularity • 32% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 12% Positiveness
36% Popularity • 32% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 12% Positiveness
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Niccolò Paganini
Paganini: 24 Caprices, Op. 1: No. 1 in E...
102 bpm • E Maj • 01:40 • -17db
35% Popularity • 46% Danceability • 32% Energy • 29% Liveness
81% Instrumentalness • 78% Positiveness
35% Popularity • 46% Danceability • 32% Energy • 29% Liveness
81% Instrumentalness • 78% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 1 in C Minor, Op. 35:...
95 bpm • A min • 07:44 • -25.18db
2% Popularity • 21% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
2% Popularity • 21% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Cum mortuis i...
102 bpm • B Maj • 02:08 • -43.23db
32% Popularity • 14% Danceability • 0% Energy • 79% Liveness
89% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 0% Energy • 79% Liveness
89% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Prokofiev: Violin Concerto No. 1 in D Ma...
94 bpm • G Maj • 09:54 • -24.97db
16% Popularity • 28% Danceability • 6% Energy • 24% Liveness
34% Instrumentalness • 7% Positiveness
16% Popularity • 28% Danceability • 6% Energy • 24% Liveness
34% Instrumentalness • 7% Positiveness
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Richard Wagner
Lohengrin, Act III: Prelude
94 bpm • G Maj • 02:31 • -17db
41% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
41% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
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Ottorino Respighi
Pines Of Rome, P. 141: 1. The Pines Of V...
102 bpm • F Maj • 02:56 • -16db
23% Popularity • 32% Danceability • 34% Energy • 87% Liveness
97% Instrumentalness • 46% Positiveness
23% Popularity • 32% Danceability • 34% Energy • 87% Liveness
97% Instrumentalness • 46% Positiveness
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AntonÃn Dvořák
Symphony No. 7 in D Minor, Op. 70, B. 14...
94 bpm • A Maj • 09:59 • -18.08db
24% Popularity • 24% Danceability • 17% Energy • 13% Liveness
95% Instrumentalness • 16% Positiveness
24% Popularity • 24% Danceability • 17% Energy • 13% Liveness
95% Instrumentalness • 16% Positiveness
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Sergei Rachmaninoff
Symphony No. 1 in D Minor, Op. 13: II. A...
94 bpm • F Maj • 08:24 • -29db
16% Popularity • 18% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
16% Popularity • 18% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
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Igor Stravinsky
Concerto en re For Violin And Orchestra:...
94 bpm • G Maj • 05:51 • -21db
17% Popularity • 44% Danceability • 24% Energy • 41% Liveness
72% Instrumentalness • 51% Positiveness
17% Popularity • 44% Danceability • 24% Energy • 41% Liveness
72% Instrumentalness • 51% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: II. Longa...
94 bpm • D min • 01:40 • -30db
36% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
36% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
93 bpm • A# Maj • 05:18 • -26.07db
31% Popularity • 16% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
31% Popularity • 16% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Claude Debussy
Printemps, L. 61: II. Modéré
103 bpm • F# min • 06:00 • -17db
15% Popularity • 25% Danceability • 24% Energy • 8% Liveness
80% Instrumentalness • 8% Positiveness
15% Popularity • 25% Danceability • 24% Energy • 8% Liveness
80% Instrumentalness • 8% Positiveness
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Arnold Schoenberg
Violin Concerto, Op. 36: II. Andante gra...
103 bpm • D min • 07:29 • -22.86db
15% Popularity • 24% Danceability • 10% Energy • 30% Liveness
34% Instrumentalness • 5% Positiveness
15% Popularity • 24% Danceability • 10% Energy • 30% Liveness
34% Instrumentalness • 5% Positiveness
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Samuel Dushkin
Le baiser de la fee: Divertimento (arr. ...
103 bpm • G Maj • 04:51 • -19db
0% Popularity • 64% Danceability • 11% Energy • 13% Liveness
33% Instrumentalness • 30% Positiveness
0% Popularity • 64% Danceability • 11% Energy • 13% Liveness
33% Instrumentalness • 30% Positiveness
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Igor Stravinsky
Stravinsky: The Rite of Spring, Pt. 1 "A...
103 bpm • A Maj • 05:02 • -22db
24% Popularity • 31% Danceability • 10% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
24% Popularity • 31% Danceability • 10% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Francis Poulenc
Poulenc: Concerto for Two Pianos in D Mi...
103 bpm • D# Maj • 08:23 • -25.2db
18% Popularity • 42% Danceability • 7% Energy • 6% Liveness
78% Instrumentalness • 6% Positiveness
18% Popularity • 42% Danceability • 7% Energy • 6% Liveness
78% Instrumentalness • 6% Positiveness
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Sergei Prokofiev
Lieutenant Kijé Suite, Op. 60: V. Buria...
104 bpm • G min • 05:55 • -32db
10% Popularity • 24% Danceability • 2% Energy • 4% Liveness
2% Instrumentalness • 8% Positiveness
10% Popularity • 24% Danceability • 2% Energy • 4% Liveness
2% Instrumentalness • 8% Positiveness
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Gustav Holst
Symphony in F Major, Op. 8, "The Cotswol...
104 bpm • F Maj • 03:34 • -21db
23% Popularity • 38% Danceability • 12% Energy • 6% Liveness
86% Instrumentalness • 30% Positiveness
23% Popularity • 38% Danceability • 12% Energy • 6% Liveness
86% Instrumentalness • 30% Positiveness
► Preview
Arnold Schoenberg
Schoenberg: 3 Piano Pieces, Op. 11: No. ...
103 bpm • G# Maj • 04:00 • -32db
17% Popularity • 39% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
17% Popularity • 39% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30, TrV 176...
93 bpm • F# min • 02:48 • -23.42db
27% Popularity • 17% Danceability • 8% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 8% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Igor Stravinsky
Le Sacre du Printemps - Revised version ...
103 bpm • D min • 01:10 • -16.15db
26% Popularity • 41% Danceability • 56% Energy • 35% Liveness
94% Instrumentalness • 45% Positiveness
26% Popularity • 41% Danceability • 56% Energy • 35% Liveness
94% Instrumentalness • 45% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: II. Variatio...
92 bpm • F Maj • 05:23 • -22db
26% Popularity • 14% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
26% Popularity • 14% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Samuel Barber
Concerto for Violin & Orchestra, Op. 14:...
92 bpm • G Maj • 10:13 • -18.16db
17% Popularity • 21% Danceability • 17% Energy • 52% Liveness
70% Instrumentalness • 7% Positiveness
17% Popularity • 21% Danceability • 17% Energy • 52% Liveness
70% Instrumentalness • 7% Positiveness
► Preview
Aaron Copland
Appalachian Spring: V. Subito allegro
92 bpm • C Maj • 03:43 • -15.28db
27% Popularity • 32% Danceability • 27% Energy • 7% Liveness
91% Instrumentalness • 18% Positiveness
27% Popularity • 32% Danceability • 27% Energy • 7% Liveness
91% Instrumentalness • 18% Positiveness
► Preview
Anton Webern
Webern - Langsamer Satz, M.78
92 bpm • D# Maj • 11:07 • -17.62db
11% Popularity • 13% Danceability • 17% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
11% Popularity • 13% Danceability • 17% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
Daphnis et Chloé, M. 57 / Première par...
92 bpm • B min • 03:21 • -23.3db
28% Popularity • 11% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
28% Popularity • 11% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Igor Stravinsky
Apollo (1947 revision): Tableau I: Prolo...
104 bpm • C Maj • 04:02 • -26.39db
22% Popularity • 20% Danceability • 4% Energy • 26% Liveness
91% Instrumentalness • 8% Positiveness
22% Popularity • 20% Danceability • 4% Energy • 26% Liveness
91% Instrumentalness • 8% Positiveness
► Preview
AntonÃn Dvořák
Serenade for Wind in D Minor, Op. 44: I....
104 bpm • F Maj • 04:03 • -22.57db
21% Popularity • 39% Danceability • 6% Energy • 8% Liveness
88% Instrumentalness • 14% Positiveness
21% Popularity • 39% Danceability • 6% Energy • 8% Liveness
88% Instrumentalness • 14% Positiveness
► Preview
Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
► Preview
Sergei Prokofiev
Prokofiev: Symphony No. 1 in D Major, Op...
104 bpm • A Maj • 04:09 • -29.1db
16% Popularity • 35% Danceability • 4% Energy • 10% Liveness
61% Instrumentalness • 10% Positiveness
16% Popularity • 35% Danceability • 4% Energy • 10% Liveness
61% Instrumentalness • 10% Positiveness
► Preview
Aram Khachaturian
Gayane Suite No. 3: I. The Hunt - Andant...
92 bpm • D Maj • 05:00 • -17.08db
9% Popularity • 21% Danceability • 22% Energy • 18% Liveness
91% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 22% Energy • 18% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Jean Sibelius
Pelléas et Mélisande, (Suite), Op. 46:...
105 bpm • A Maj • 02:53 • -17.68db
16% Popularity • 45% Danceability • 33% Energy • 8% Liveness
88% Instrumentalness • 42% Positiveness
16% Popularity • 45% Danceability • 33% Energy • 8% Liveness
88% Instrumentalness • 42% Positiveness
► Preview
Igor Stravinsky
Le Sacre du Printemps / Pt 1: L'Adoratio...
104 bpm • G# min • 03:25 • -16.65db
21% Popularity • 51% Danceability • 29% Energy • 52% Liveness
93% Instrumentalness • 38% Positiveness
21% Popularity • 51% Danceability • 29% Energy • 52% Liveness
93% Instrumentalness • 38% Positiveness
► Preview
Paul Hindemith
Symphonic Metamorphoses on Themes of Car...
105 bpm • D min • 03:58 • -17db
17% Popularity • 48% Danceability • 32% Energy • 9% Liveness
86% Instrumentalness • 44% Positiveness
17% Popularity • 48% Danceability • 32% Energy • 9% Liveness
86% Instrumentalness • 44% Positiveness
► Preview
Modest Mussorgsky
Pictures At An Exhibition: The Tuileries...
105 bpm • D# min • 01:16 • -32.39db
30% Popularity • 31% Danceability • 2% Energy • 11% Liveness
16% Instrumentalness • 14% Positiveness
30% Popularity • 31% Danceability • 2% Energy • 11% Liveness
16% Instrumentalness • 14% Positiveness
► Preview
Samuel Dushkin
Le baiser de la fee: Divertimento (arr. ...
92 bpm • G Maj • 02:09 • -17db
4% Popularity • 60% Danceability • 18% Energy • 9% Liveness
9% Instrumentalness • 55% Positiveness
4% Popularity • 60% Danceability • 18% Energy • 9% Liveness
9% Instrumentalness • 55% Positiveness
► Preview
Richard Strauss
Also sprach Zarathustra, Op. 30, TrV 176...
105 bpm • G Maj • 02:07 • -16db
35% Popularity • 17% Danceability • 11% Energy • 66% Liveness
89% Instrumentalness • 4% Positiveness
35% Popularity • 17% Danceability • 11% Energy • 66% Liveness
89% Instrumentalness • 4% Positiveness
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Francis Poulenc
Poulenc: Concerto for Two Pianos in D Mi...
105 bpm • D Maj • 05:41 • -22.15db
14% Popularity • 46% Danceability • 12% Energy • 5% Liveness
85% Instrumentalness • 10% Positiveness
14% Popularity • 46% Danceability • 12% Energy • 5% Liveness
85% Instrumentalness • 10% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: III. ...
105 bpm • D Maj • 08:27 • -19.29db
41% Popularity • 33% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
41% Popularity • 33% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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Paul Hindemith
Symphonic Metamorphoses on Themes of Car...
92 bpm • A# Maj • 07:15 • -20.09db
17% Popularity • 45% Danceability • 27% Energy • 22% Liveness
80% Instrumentalness • 23% Positiveness
17% Popularity • 45% Danceability • 27% Energy • 22% Liveness
80% Instrumentalness • 23% Positiveness
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Hector Berlioz
Symphonie fantastique, H. 48: Va. Songe ...
105 bpm • C min • 03:10 • -20.22db
17% Popularity • 28% Danceability • 11% Energy • 36% Liveness
50% Instrumentalness • 4% Positiveness
17% Popularity • 28% Danceability • 11% Energy • 36% Liveness
50% Instrumentalness • 4% Positiveness
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Samuel Dushkin
Le baiser de la fee: Divertimento (arr. ...
91 bpm • G Maj • 00:58 • -25.55db
12% Popularity • 60% Danceability • 9% Energy • 9% Liveness
39% Instrumentalness • 86% Positiveness
12% Popularity • 60% Danceability • 9% Energy • 9% Liveness
39% Instrumentalness • 86% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: The Market-pl...
106 bpm • D# Maj • 01:29 • -18.76db
33% Popularity • 55% Danceability • 29% Energy • 61% Liveness
95% Instrumentalness • 47% Positiveness
33% Popularity • 55% Danceability • 29% Energy • 61% Liveness
95% Instrumentalness • 47% Positiveness
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Aaron Copland
Appalachian Spring: VIII. Coda. Moderato
106 bpm • C Maj • 03:40 • -31db
29% Popularity • 15% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
29% Popularity • 15% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Concerto in E-Flat Major, "Dumbarton Oak...
91 bpm • D# Maj • 04:14 • -21.48db
19% Popularity • 55% Danceability • 17% Energy • 12% Liveness
95% Instrumentalness • 50% Positiveness
19% Popularity • 55% Danceability • 17% Energy • 12% Liveness
95% Instrumentalness • 50% Positiveness
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Paul Hindemith
Symphonic Metamorphosis of Themes by Car...
91 bpm • F min • 04:01 • -29.86db
25% Popularity • 21% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
25% Popularity • 21% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
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Charles Ives
Ives / Orch. Brant: A Concord Symphony: ...
91 bpm • D# Maj • 06:12 • -15db
4% Popularity • 12% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
4% Popularity • 12% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 1 i...
106 bpm • G Maj • 04:25 • -12.98db
31% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
31% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
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Dmitri Shostakovich
Symphony No. 5 in D Minor, Op. 47: IV. A...
106 bpm • A# Maj • 08:59 • -13.38db
37% Popularity • 28% Danceability • 35% Energy • 16% Liveness
91% Instrumentalness • 12% Positiveness
37% Popularity • 28% Danceability • 35% Energy • 16% Liveness
91% Instrumentalness • 12% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: The St...
90 bpm • G Maj • 03:21 • -21.89db
29% Popularity • 41% Danceability • 18% Energy • 17% Liveness
67% Instrumentalness • 34% Positiveness
29% Popularity • 41% Danceability • 18% Energy • 17% Liveness
67% Instrumentalness • 34% Positiveness
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Maurice Ravel
Ma mère l'oye, M. 62: Prélude: Très l...
90 bpm • G Maj • 03:28 • -31db
25% Popularity • 14% Danceability • 1% Energy • 29% Liveness
59% Instrumentalness • 3% Positiveness
25% Popularity • 14% Danceability • 1% Energy • 29% Liveness
59% Instrumentalness • 3% Positiveness
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Paul Hindemith
Symphonie "Mathis der Maler": 1. Engelko...
106 bpm • G Maj • 08:24 • -17.49db
11% Popularity • 26% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
11% Popularity • 26% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
► Preview
Benjamin Britten
Simple Symphony, Op. 4: I. Boisterous Bo...
106 bpm • A min • 03:29 • -16.75db
23% Popularity • 40% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 33% Positiveness
23% Popularity • 40% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 33% Positiveness
► Preview
Alexander Glazunov
Raymonda, Act III: Variation 3
106 bpm • E Maj • 01:26 • -33.12db
44% Popularity • 28% Danceability • 2% Energy • 6% Liveness
59% Instrumentalness • 22% Positiveness
44% Popularity • 28% Danceability • 2% Energy • 6% Liveness
59% Instrumentalness • 22% Positiveness
► Preview
Edward Elgar
The Crown of India, Op. 66: March of the...
90 bpm • B min • 03:59 • -13.1db
24% Popularity • 38% Danceability • 44% Energy • 5% Liveness
84% Instrumentalness • 17% Positiveness
24% Popularity • 38% Danceability • 44% Energy • 5% Liveness
84% Instrumentalness • 17% Positiveness
► Preview
Igor Stravinsky
The Firebird Suite (1919 Version): Intro...
90 bpm • C min • 03:21 • -35db
10% Popularity • 11% Danceability • 1% Energy • 41% Liveness
63% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 1% Energy • 41% Liveness
63% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
Piece en forme de habanera (arr. A. Hoer...
90 bpm • G min • 03:12 • -32.84db
27% Popularity • 15% Danceability • 2% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
27% Popularity • 15% Danceability • 2% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
► Preview
Olivier Messiaen
Quatuor pour la fin du Temps: VI. Danse ...
107 bpm • C# Maj • 06:03 • -14db
16% Popularity • 43% Danceability • 22% Energy • 23% Liveness
88% Instrumentalness • 16% Positiveness
16% Popularity • 43% Danceability • 22% Energy • 23% Liveness
88% Instrumentalness • 16% Positiveness
► Preview
Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
90 bpm • A Maj • 02:55 • -19db
34% Popularity • 18% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
34% Popularity • 18% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
► Preview
Ottorino Respighi
Respighi: Pini di Roma, P. 141: I. I pin...
90 bpm • F Maj • 02:34 • -17db
13% Popularity • 24% Danceability • 36% Energy • 40% Liveness
92% Instrumentalness • 41% Positiveness
13% Popularity • 24% Danceability • 36% Energy • 40% Liveness
92% Instrumentalness • 41% Positiveness
► Preview
Nikolai Medtner
Piano Concerto No. 1 in C Minor, Op. 33:...
90 bpm • G Maj • 08:50 • -19.73db
10% Popularity • 24% Danceability • 22% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
10% Popularity • 24% Danceability • 22% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
