Songs like Dustland (feat. Bruce Springsteen) by The Killers
Based on a tempo of (+/- 10%) and a similar genre
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Paul Weller
Shades Of Blue
138 bpm • F Maj • 03:06 • -6.73db
31% Popularity • 62% Danceability • 65% Energy • 15% Liveness
5% Instrumentalness • 75% Positiveness
31% Popularity • 62% Danceability • 65% Energy • 15% Liveness
5% Instrumentalness • 75% Positiveness
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The Killers
Sleepwalker
138 bpm • A# Maj • 04:27 • -5.43db
36% Popularity • 71% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
36% Popularity • 71% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Kings of Leon
Golden Restless Age
138 bpm • A Maj • 04:33 • -6db
51% Popularity • 52% Danceability • 85% Energy • 8% Liveness
80% Instrumentalness • 48% Positiveness
51% Popularity • 52% Danceability • 85% Energy • 8% Liveness
80% Instrumentalness • 48% Positiveness
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Joe Grushecky and the Houserockers
That's What Makes Us Great
138 bpm • D Maj • 03:23 • -5db
28% Popularity • 47% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 47% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Big Red Machine
Phoenix
138 bpm • F Maj • 04:15 • -7db
52% Popularity • 48% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
52% Popularity • 48% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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The Pogues
Love You 'Till the End
138 bpm • B Maj • 04:32 • -13db
53% Popularity • 55% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
53% Popularity • 55% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Dire Straits
Tunnel Of Love
138 bpm • F Maj • 08:09 • -7.88db
61% Popularity • 49% Danceability • 79% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
61% Popularity • 49% Danceability • 79% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
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The Killers
Sleepwalker - Abridged
138 bpm • A# Maj • 04:04 • -4.87db
33% Popularity • 72% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 72% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Roy Orbison
I Drove All Night
139 bpm • F Maj • 03:46 • -11.16db
58% Popularity • 48% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
58% Popularity • 48% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Jesse Malin
State of the Art
137 bpm • E Maj • 03:45 • -5.55db
17% Popularity • 50% Danceability • 92% Energy • 18% Liveness
1% Instrumentalness • 72% Positiveness
17% Popularity • 50% Danceability • 92% Energy • 18% Liveness
1% Instrumentalness • 72% Positiveness
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Imelda May
Made To Love
137 bpm • D Maj • 03:25 • -5db
26% Popularity • 45% Danceability • 81% Energy • 52% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 45% Danceability • 81% Energy • 52% Liveness
0% Instrumentalness • 54% Positiveness
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Johnossi
Koala Before the Storm
139 bpm • C Maj • 03:59 • -6.46db
25% Popularity • 58% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 58% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Greta Van Fleet
Heat Above
139 bpm • D# Maj • 05:41 • -4db
64% Popularity • 34% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
64% Popularity • 34% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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The Killers
Dustland
138 bpm • C# Maj • 04:24 • -9db
51% Popularity • 28% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 10% Positiveness
51% Popularity • 28% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 10% Positiveness
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The Airborne Toxic Event
Faithless
139 bpm • G min • 04:10 • -3.73db
38% Popularity • 46% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 46% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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U2
City Of Blinding Lights
139 bpm • G# Maj • 05:45 • -4.13db
60% Popularity • 44% Danceability • 77% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
60% Popularity • 44% Danceability • 77% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
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Roger Taylor
We're All Just Trying To Get By
139 bpm • D# Maj • 02:52 • -11.06db
15% Popularity • 53% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 53% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Elvis Costello & The Attractions
Pump It Up
139 bpm • E Maj • 03:28 • -4.54db
19% Popularity • 65% Danceability • 91% Energy • 10% Liveness
34% Instrumentalness • 95% Positiveness
19% Popularity • 65% Danceability • 91% Energy • 10% Liveness
34% Instrumentalness • 95% Positiveness
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Yusuf / Cat Stevens
Father And Son
137 bpm • F# Maj • 03:49 • -7.7db
38% Popularity • 47% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 47% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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The Black Keys
Gold on the Ceiling - BBC Session
136 bpm • F Maj • 03:48 • -6.92db
23% Popularity • 25% Danceability • 91% Energy • 72% Liveness
43% Instrumentalness • 67% Positiveness
23% Popularity • 25% Danceability • 91% Energy • 72% Liveness
43% Instrumentalness • 67% Positiveness
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Arcade Fire
Wake Up
139 bpm • C Maj • 05:35 • -4.85db
64% Popularity • 25% Danceability • 80% Energy • 12% Liveness
5% Instrumentalness • 29% Positiveness
64% Popularity • 25% Danceability • 80% Energy • 12% Liveness
5% Instrumentalness • 29% Positiveness
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Passenger
A Song for the Drunk and Broken Hearted
136 bpm • D Maj • 03:59 • -8.92db
40% Popularity • 57% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
40% Popularity • 57% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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U2
Beautiful Day
136 bpm • B min • 04:08 • -6.49db
76% Popularity • 54% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
76% Popularity • 54% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Foy Vance
Roman Attack
140 bpm • G Maj • 04:27 • -9.26db
24% Popularity • 64% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
24% Popularity • 64% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Maximo Park
I Don't Know What I'm Doing
140 bpm • A Maj • 02:50 • -4db
16% Popularity • 47% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 47% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Keane
Burning The Days - Demo
136 bpm • C# Maj • 04:07 • -6.65db
33% Popularity • 54% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 54% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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The Killers
For Reasons Unknown
140 bpm • D# Maj • 03:32 • -4.21db
62% Popularity • 50% Danceability • 88% Energy • 11% Liveness
4% Instrumentalness • 52% Positiveness
62% Popularity • 50% Danceability • 88% Energy • 11% Liveness
4% Instrumentalness • 52% Positiveness
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Bruce Springsteen
Thunder Road
141 bpm • F Maj • 04:48 • -5.87db
63% Popularity • 37% Danceability • 76% Energy • 53% Liveness
0% Instrumentalness • 66% Positiveness
63% Popularity • 37% Danceability • 76% Energy • 53% Liveness
0% Instrumentalness • 66% Positiveness
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U2
Vertigo - iNNOCENCE + eXPERIENCE Live In...
140 bpm • D Maj • 05:10 • -5.8db
34% Popularity • 41% Danceability • 94% Energy • 99% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 41% Danceability • 94% Energy • 99% Liveness
0% Instrumentalness • 44% Positiveness
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Band of Horses
Is There A Ghost
136 bpm • C# Maj • 02:59 • -4db
54% Popularity • 30% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
54% Popularity • 30% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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White Lies
Death
135 bpm • G Maj • 05:01 • -5.62db
54% Popularity • 45% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 22% Positiveness
54% Popularity • 45% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 22% Positiveness
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Ludwig Hart
Bloodshot Eyes
141 bpm • C min • 03:45 • -4.22db
22% Popularity • 46% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 46% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Maximo Park
All Of Me
135 bpm • G Maj • 03:41 • -6db
27% Popularity • 50% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 50% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Elvis Costello
Magnificent Hurt
135 bpm • B min • 03:13 • -5.19db
24% Popularity • 61% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 61% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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U2
Vertigo
140 bpm • A Maj • 03:13 • -3.97db
66% Popularity • 42% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
66% Popularity • 42% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Bryan Adams
Summer Of '69 - MTV Unplugged Version
141 bpm • A Maj • 04:01 • -7.79db
55% Popularity • 47% Danceability • 60% Energy • 98% Liveness
0% Instrumentalness • 42% Positiveness
55% Popularity • 47% Danceability • 60% Energy • 98% Liveness
0% Instrumentalness • 42% Positiveness
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White Lies
I Don't Want To Go To Mars
135 bpm • E Maj • 04:37 • -4.61db
36% Popularity • 45% Danceability • 97% Energy • 5% Liveness
4% Instrumentalness • 44% Positiveness
36% Popularity • 45% Danceability • 97% Energy • 5% Liveness
4% Instrumentalness • 44% Positiveness
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Oasis
Songbird
135 bpm • D Maj • 02:07 • -6.21db
58% Popularity • 49% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
58% Popularity • 49% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Stereophonics
Handbags And Gladrags
135 bpm • D# Maj • 04:37 • -3.94db
58% Popularity • 33% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
58% Popularity • 33% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Counting Crows
Mr. Jones
142 bpm • C Maj • 04:32 • -6.54db
78% Popularity • 58% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
78% Popularity • 58% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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The Killers
A Dustland Fairytale
134 bpm • D Maj • 03:45 • -6.5db
55% Popularity • 43% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
55% Popularity • 43% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Semisonic
Basement Tapes
134 bpm • E Maj • 03:33 • -6.3db
23% Popularity • 57% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 57% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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U2
Sweetest Thing
142 bpm • C Maj • 03:04 • -8.97db
69% Popularity • 52% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
69% Popularity • 52% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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The White Buffalo
No History
134 bpm • C Maj • 04:00 • -6.19db
26% Popularity • 57% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
26% Popularity • 57% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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The Struts
Another Hit Of Showmanship
142 bpm • F# Maj • 03:42 • -1.34db
34% Popularity • 41% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 41% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Counting Crows
Bobby and the Rat-Kings
142 bpm • F Maj • 05:29 • -4.58db
31% Popularity • 48% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 48% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Coldplay
Coloratura
134 bpm • D Maj • 10:17 • -10.84db
55% Popularity • 28% Danceability • 26% Energy • 7% Liveness
18% Instrumentalness • 7% Positiveness
55% Popularity • 28% Danceability • 26% Energy • 7% Liveness
18% Instrumentalness • 7% Positiveness
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The Lumineers
BRIGHTSIDE
134 bpm • A# Maj • 03:49 • -7.01db
51% Popularity • 55% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
51% Popularity • 55% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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The Killers
The Getting By II
142 bpm • F min • 03:16 • -4db
44% Popularity • 44% Danceability • 98% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
44% Popularity • 44% Danceability • 98% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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The Pogues
Tuesday Morning
134 bpm • G Maj • 03:30 • -11.74db
45% Popularity • 59% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
45% Popularity • 59% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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The Wallflowers
Maybe Your Heart’s Not In It No More
142 bpm • E Maj • 05:00 • -6.05db
22% Popularity • 52% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 52% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Kings of Leon
Notion
143 bpm • E Maj • 03:00 • -5db
61% Popularity • 43% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
61% Popularity • 43% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Pulp
Disco 2000
133 bpm • G min • 04:33 • -7.58db
64% Popularity • 56% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
64% Popularity • 56% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Inhaler
Cheer Up Baby
143 bpm • G# Maj • 03:53 • -6.38db
50% Popularity • 46% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
50% Popularity • 46% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Passenger
What You're Waiting For
143 bpm • F# Maj • 02:37 • -8.84db
40% Popularity • 57% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
40% Popularity • 57% Danceability • 71% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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The Killers
Miss Atomic Bomb
133 bpm • A# Maj • 04:53 • -7.09db
56% Popularity • 56% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
56% Popularity • 56% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
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The Wallflowers
Move The River
134 bpm • A min • 04:28 • -3.91db
13% Popularity • 48% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 48% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 79% Positiveness
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Frank Turner
The Gathering
144 bpm • G Maj • 02:39 • -4.32db
35% Popularity • 46% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 46% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Yusuf / Cat Stevens
Moonshadow - Olympic Studio Demo / 1970
133 bpm • D Maj • 02:30 • -9.85db
25% Popularity • 53% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 53% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Billy Bragg
Pass It On
144 bpm • C Maj • 03:52 • -11.15db
16% Popularity • 55% Danceability • 39% Energy • 15% Liveness
4% Instrumentalness • 32% Positiveness
16% Popularity • 55% Danceability • 39% Energy • 15% Liveness
4% Instrumentalness • 32% Positiveness
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Keane
The Way I Feel
144 bpm • C Maj • 04:06 • -6.92db
51% Popularity • 51% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
51% Popularity • 51% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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The Killers
Be Still
144 bpm • D# Maj • 04:33 • -8.98db
52% Popularity • 55% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
52% Popularity • 55% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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The Wallflowers
I’ll Let You Down (But Will Not Give Y...
143 bpm • D min • 04:04 • -5.94db
14% Popularity • 41% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 41% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Counting Crows
Angel of 14th Street
144 bpm • G min • 05:01 • -4.97db
28% Popularity • 50% Danceability • 85% Energy • 62% Liveness
4% Instrumentalness • 64% Positiveness
28% Popularity • 50% Danceability • 85% Energy • 62% Liveness
4% Instrumentalness • 64% Positiveness
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Biffy Clyro
Tiny Indoor Fireworks
144 bpm • C Maj • 03:15 • -3.6db
43% Popularity • 52% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
43% Popularity • 52% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
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Ray Davies
Better Things
132 bpm • D Maj • 03:12 • -4.72db
25% Popularity • 49% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
25% Popularity • 49% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Keane
Dirt
144 bpm • A Maj • 04:07 • -7.07db
42% Popularity • 48% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
42% Popularity • 48% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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The Killers
Read My Mind
132 bpm • C# Maj • 04:06 • -3.39db
69% Popularity • 54% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
69% Popularity • 54% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Dire Straits
On Every Street
132 bpm • C Maj • 05:01 • -11.19db
62% Popularity • 32% Danceability • 27% Energy • 17% Liveness
22% Instrumentalness • 15% Positiveness
62% Popularity • 32% Danceability • 27% Energy • 17% Liveness
22% Instrumentalness • 15% Positiveness
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Counting Crows
Angel of 14th Street (Single Edit)
144 bpm • A# Maj • 05:11 • -5.22db
19% Popularity • 51% Danceability • 82% Energy • 5% Liveness
2% Instrumentalness • 70% Positiveness
19% Popularity • 51% Danceability • 82% Energy • 5% Liveness
2% Instrumentalness • 70% Positiveness
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Nathaniel Rateliff & The Night Sweats
Love Don’t
132 bpm • A Maj • 05:10 • -4.38db
44% Popularity • 60% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
44% Popularity • 60% Danceability • 92% Energy • 27% Liveness
0% Instrumentalness • 73% Positiveness
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Matt Pond PA
Spaceland
132 bpm • C Maj • 03:02 • -6.29db
22% Popularity • 62% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 62% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Bruce Springsteen
Burnin' Train
132 bpm • C Maj • 04:03 • -5.97db
40% Popularity • 38% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 38% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Greta Van Fleet
My Way, Soon
132 bpm • A# Maj • 04:15 • -4db
56% Popularity • 41% Danceability • 94% Energy • 9% Liveness
11% Instrumentalness • 44% Positiveness
56% Popularity • 41% Danceability • 94% Energy • 9% Liveness
11% Instrumentalness • 44% Positiveness
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Dion
Hymn To Him
132 bpm • F min • 04:30 • -8.39db
20% Popularity • 51% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 51% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Neil Young
Rockin' in the Free World
132 bpm • E min • 04:41 • -4.99db
58% Popularity • 49% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
58% Popularity • 49% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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Kings of Leon
The Bandit
145 bpm • C Maj • 04:10 • -5db
56% Popularity • 39% Danceability • 82% Energy • 10% Liveness
77% Instrumentalness • 38% Positiveness
56% Popularity • 39% Danceability • 82% Energy • 10% Liveness
77% Instrumentalness • 38% Positiveness
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Keane
Nothing To Something
132 bpm • B min • 03:33 • -8.94db
29% Popularity • 46% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 46% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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James Dean Bradfield
RECUERDA
145 bpm • C# min • 03:53 • -6.31db
13% Popularity • 30% Danceability • 86% Energy • 18% Liveness
5% Instrumentalness • 39% Positiveness
13% Popularity • 30% Danceability • 86% Energy • 18% Liveness
5% Instrumentalness • 39% Positiveness
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Joe Cocker
With A Little Help From My Friends
145 bpm • D Maj • 05:12 • -11.33db
66% Popularity • 31% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
66% Popularity • 31% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Band of Horses
Warning Signs
131 bpm • A Maj • 04:20 • -7.3db
42% Popularity • 46% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
42% Popularity • 46% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Genesis
Invisible Touch - 2007 Remaster
131 bpm • C Maj • 03:28 • -6.85db
72% Popularity • 62% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
72% Popularity • 62% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Paul McCartney
Women And Wives - Studio Outtake
131 bpm • C Maj • 03:14 • -10db
18% Popularity • 46% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
18% Popularity • 46% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Pulp
Common People - Full Length Version
145 bpm • C Maj • 05:51 • -9.03db
69% Popularity • 31% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
69% Popularity • 31% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Sam Fender
Hypersonic Missiles
131 bpm • E Maj • 03:57 • -3.68db
68% Popularity • 55% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
68% Popularity • 55% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Biffy Clyro
Weird Leisure
145 bpm • F Maj • 04:08 • -4db
46% Popularity • 23% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 23% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Band of Horses
Crutch
145 bpm • D Maj • 03:43 • -5.38db
47% Popularity • 46% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
47% Popularity • 46% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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John Fogerty
When Will I Be Loved
131 bpm • C# Maj • 02:37 • -4.42db
31% Popularity • 53% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 53% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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The Killers
When You Were Young
130 bpm • B Maj • 03:40 • -3.31db
78% Popularity • 47% Danceability • 99% Energy • 28% Liveness
5% Instrumentalness • 32% Positiveness
78% Popularity • 47% Danceability • 99% Energy • 28% Liveness
5% Instrumentalness • 32% Positiveness
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Stereophonics
Fly Like an Eagle
146 bpm • C Maj • 04:32 • -8.03db
42% Popularity • 52% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
42% Popularity • 52% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Kurt Vile
Run Run Run - Radio Edit
146 bpm • D Maj • 04:04 • -6.34db
20% Popularity • 31% Danceability • 67% Energy • 9% Liveness
49% Instrumentalness • 26% Positiveness
20% Popularity • 31% Danceability • 67% Energy • 9% Liveness
49% Instrumentalness • 26% Positiveness
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Bruce Springsteen
Born to Run
146 bpm • E Maj • 04:29 • -4.2db
72% Popularity • 27% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
72% Popularity • 27% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Bono
Eden (To Find Love)
130 bpm • A Maj • 04:28 • -9.35db
14% Popularity • 59% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 59% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
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Slowhand & Van
The Rebels
130 bpm • E Maj • 04:07 • -3.45db
21% Popularity • 60% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 60% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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The Killers
C'est La Vie
130 bpm • D Maj • 03:05 • -7db
31% Popularity • 67% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 67% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Stereophonics
Dakota
147 bpm • E Maj • 04:57 • -3.5db
71% Popularity • 51% Danceability • 93% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
71% Popularity • 51% Danceability • 93% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
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The Coral
Vacancy
130 bpm • F Maj • 02:43 • -5.64db
26% Popularity • 54% Danceability • 91% Energy • 28% Liveness
6% Instrumentalness • 62% Positiveness
26% Popularity • 54% Danceability • 91% Energy • 28% Liveness
6% Instrumentalness • 62% Positiveness
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INXS
Mystify
129 bpm • A min • 03:17 • -5.66db
64% Popularity • 60% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
64% Popularity • 60% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
