Songs like Dutilleux: Ainsi la nuit: I. Nocturne by Henri Dutilleux
Based on a tempo of (+/- 10%) and a similar genre
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GraĹşnya Bacewicz
Concerto for String Orchestra: II. Andan...
110 bpm • B min • 04:17 • -23.06db
9% Popularity • 16% Danceability • 8% Energy • 12% Liveness
72% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 8% Energy • 12% Liveness
72% Instrumentalness • 3% Positiveness
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Henri Dutilleux
Dutilleux: Ainsi la nuit: I. Nocturne
110 bpm • G# Maj • 02:42 • -27db
5% Popularity • 24% Danceability • 2% Energy • 20% Liveness
40% Instrumentalness • 4% Positiveness
5% Popularity • 24% Danceability • 2% Energy • 20% Liveness
40% Instrumentalness • 4% Positiveness
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Anonymous
Gypsy Songs, Op. 55, B. 104: Zigeunermel...
110 bpm • C min • 03:08 • -25db
10% Popularity • 22% Danceability • 6% Energy • 15% Liveness
89% Instrumentalness • 7% Positiveness
10% Popularity • 22% Danceability • 6% Energy • 15% Liveness
89% Instrumentalness • 7% Positiveness
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Bournemouth Symphony Orchestra
Summer Night - Suite from 'The Duenna', ...
110 bpm • C Maj • 02:26 • -13.67db
2% Popularity • 27% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 32% Positiveness
2% Popularity • 27% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 32% Positiveness
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Mieczysław Weinberg
Trumpet Concerto in B-Flat Major, Op. 94...
110 bpm • E min • 01:18 • -32.22db
12% Popularity • 34% Danceability • 2% Energy • 23% Liveness
85% Instrumentalness • 20% Positiveness
12% Popularity • 34% Danceability • 2% Energy • 23% Liveness
85% Instrumentalness • 20% Positiveness
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Samy Moussa
Violin Concerto “Adrano”: II. Cadenz...
111 bpm • G Maj • 02:09 • -35.23db
9% Popularity • 25% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 25% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 4% Positiveness
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Francis Poulenc
Organ Concerto, FP 93: Andante
109 bpm • F Maj • 03:03 • -21.46db
9% Popularity • 16% Danceability • 1% Energy • 24% Liveness
83% Instrumentalness • 7% Positiveness
9% Popularity • 16% Danceability • 1% Energy • 24% Liveness
83% Instrumentalness • 7% Positiveness
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Henri Dutilleux
Dutilleux: Au gré des ondes: III. Impro...
110 bpm • C Maj • 01:33 • -36.24db
2% Popularity • 52% Danceability • 2% Energy • 15% Liveness
86% Instrumentalness • 10% Positiveness
2% Popularity • 52% Danceability • 2% Energy • 15% Liveness
86% Instrumentalness • 10% Positiveness
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Alessandro Gozzo
Finestra Sul Tempo
111 bpm • C# Maj • 01:16 • -29.28db
8% Popularity • 45% Danceability • 3% Energy • 13% Liveness
28% Instrumentalness • 5% Positiveness
8% Popularity • 45% Danceability • 3% Energy • 13% Liveness
28% Instrumentalness • 5% Positiveness
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John Adams
Girls of the Golden West: Lola Montez Do...
111 bpm • G Maj • 05:52 • -20.15db
17% Popularity • 42% Danceability • 17% Energy • 11% Liveness
80% Instrumentalness • 7% Positiveness
17% Popularity • 42% Danceability • 17% Energy • 11% Liveness
80% Instrumentalness • 7% Positiveness
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Arthur Bliss
Bliss: Cello Concerto: III. Allegro
111 bpm • A min • 06:00 • -16.33db
7% Popularity • 33% Danceability • 27% Energy • 8% Liveness
88% Instrumentalness • 23% Positiveness
7% Popularity • 33% Danceability • 27% Energy • 8% Liveness
88% Instrumentalness • 23% Positiveness
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Aaron Copland
Statements for Orchestra: I. Militant
111 bpm • G# Maj • 02:48 • -14.61db
7% Popularity • 36% Danceability • 7% Energy • 5% Liveness
89% Instrumentalness • 5% Positiveness
7% Popularity • 36% Danceability • 7% Energy • 5% Liveness
89% Instrumentalness • 5% Positiveness
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BĂ©la BartĂłk
Divertimento for Strings, Sz. 113: I. Al...
108 bpm • A# Maj • 08:20 • -17.83db
9% Popularity • 23% Danceability • 16% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
9% Popularity • 23% Danceability • 16% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
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Carl Reinecke
Sonata "Undine" Op. 167 for Flute and Pi...
108 bpm • E min • 06:38 • -25.91db
10% Popularity • 26% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
10% Popularity • 26% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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Claude Debussy
Debussy: String Quartet in G Minor, Op. ...
112 bpm • D# Maj • 06:21 • -20db
30% Popularity • 29% Danceability • 12% Energy • 6% Liveness
82% Instrumentalness • 10% Positiveness
30% Popularity • 29% Danceability • 12% Energy • 6% Liveness
82% Instrumentalness • 10% Positiveness
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Benjamin Britten
Violin Concerto in D Minor, Op. 15: I. M...
108 bpm • G Maj • 09:59 • -24.37db
8% Popularity • 32% Danceability • 5% Energy • 9% Liveness
9% Instrumentalness • 6% Positiveness
8% Popularity • 32% Danceability • 5% Energy • 9% Liveness
9% Instrumentalness • 6% Positiveness
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Max Reger
Variations and Fugue on a Theme of Mozar...
108 bpm • F Maj • 01:42 • -17db
11% Popularity • 41% Danceability • 19% Energy • 14% Liveness
65% Instrumentalness • 23% Positiveness
11% Popularity • 41% Danceability • 19% Energy • 14% Liveness
65% Instrumentalness • 23% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. M. Rave...
108 bpm • D# Maj • 03:51 • -32.69db
15% Popularity • 16% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Olivier Messiaen
Chants de Terre et de Ciel: No. 2, Antie...
112 bpm • A min • 01:48 • -23.53db
3% Popularity • 35% Danceability • 8% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
3% Popularity • 35% Danceability • 8% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
112 bpm • F# Maj • 01:42 • -30.74db
9% Popularity • 29% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
9% Popularity • 29% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
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Claude Debussy
Deux arabesques, L. 74 (Arr. For Cello A...
108 bpm • G Maj • 04:27 • -24.67db
0% Popularity • 50% Danceability • 5% Energy • 10% Liveness
85% Instrumentalness • 32% Positiveness
0% Popularity • 50% Danceability • 5% Energy • 10% Liveness
85% Instrumentalness • 32% Positiveness
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Francis Poulenc
Poulenc: Sextet for Piano and Winds, FP ...
112 bpm • C Maj • 05:21 • -17db
9% Popularity • 33% Danceability • 11% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
9% Popularity • 33% Danceability • 11% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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BĂ©la BartĂłk
Divertimento for Strings, BB 118 (Sz.113...
107 bpm • A# Maj • 07:17 • -20.1db
9% Popularity • 36% Danceability • 20% Energy • 38% Liveness
73% Instrumentalness • 18% Positiveness
9% Popularity • 36% Danceability • 20% Energy • 38% Liveness
73% Instrumentalness • 18% Positiveness
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Bohuslav MartinĹŻ
Concerto for Violin, Piano and Orchestra...
107 bpm • A# Maj • 08:26 • -21.26db
13% Popularity • 31% Danceability • 18% Energy • 12% Liveness
77% Instrumentalness • 22% Positiveness
13% Popularity • 31% Danceability • 18% Energy • 12% Liveness
77% Instrumentalness • 22% Positiveness
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Christian Lindberg
Hamnöy 1976 V
113 bpm • A Maj • 01:03 • -10db
16% Popularity • 41% Danceability • 61% Energy • 37% Liveness
88% Instrumentalness • 30% Positiveness
16% Popularity • 41% Danceability • 61% Energy • 37% Liveness
88% Instrumentalness • 30% Positiveness
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Valentin Silvestrov
Cantata No. 4: No. 2, Pastoral
113 bpm • G Maj • 02:10 • -40.88db
21% Popularity • 17% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Claude Debussy
Debussy: String Quartet in G Minor, Op. ...
107 bpm • D# Maj • 04:03 • -22.43db
19% Popularity • 47% Danceability • 14% Energy • 13% Liveness
79% Instrumentalness • 37% Positiveness
19% Popularity • 47% Danceability • 14% Energy • 13% Liveness
79% Instrumentalness • 37% Positiveness
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GraĹĽyna Bacewicz
Concerto for String Orchestra: III. Vivo
113 bpm • D min • 05:03 • -19db
9% Popularity • 44% Danceability • 29% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
9% Popularity • 44% Danceability • 29% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
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Dmitri Shostakovich
String Quartet No. 6 in G Major, Op. 101...
107 bpm • D Maj • 07:21 • -20.41db
9% Popularity • 39% Danceability • 8% Energy • 10% Liveness
50% Instrumentalness • 9% Positiveness
9% Popularity • 39% Danceability • 8% Energy • 10% Liveness
50% Instrumentalness • 9% Positiveness
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George Enescu
Octet, Op. 7 (Arr. for String Orchestra ...
113 bpm • G Maj • 12:50 • -23.15db
9% Popularity • 20% Danceability • 12% Energy • 16% Liveness
59% Instrumentalness • 6% Positiveness
9% Popularity • 20% Danceability • 12% Energy • 16% Liveness
59% Instrumentalness • 6% Positiveness
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Steve Elcock
Violin Concerto: III. Passacaglia. Andan...
107 bpm • G min • 06:49 • -20.18db
23% Popularity • 24% Danceability • 16% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
23% Popularity • 24% Danceability • 16% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: VI. Danse ...
107 bpm • C# Maj • 06:03 • -14db
17% Popularity • 43% Danceability • 22% Energy • 23% Liveness
88% Instrumentalness • 16% Positiveness
17% Popularity • 43% Danceability • 22% Energy • 23% Liveness
88% Instrumentalness • 16% Positiveness
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Benjamin Britten
Sinfonia da Requiem, Op. 20: I. Lacrymos...
106 bpm • A# Maj • 08:01 • -21.86db
21% Popularity • 16% Danceability • 6% Energy • 11% Liveness
71% Instrumentalness • 3% Positiveness
21% Popularity • 16% Danceability • 6% Energy • 11% Liveness
71% Instrumentalness • 3% Positiveness
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Henri Dutilleux
Dutilleux: Piano Sonata: I. Allegro con ...
106 bpm • C# Maj • 07:39 • -22.31db
7% Popularity • 36% Danceability • 16% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
7% Popularity • 36% Danceability • 16% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
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Paul Hindemith
Kleine Kammermusik, Op. 24, No. 2: 1. Lu...
106 bpm • E Maj • 03:10 • -25.83db
8% Popularity • 35% Danceability • 12% Energy • 15% Liveness
93% Instrumentalness • 6% Positiveness
8% Popularity • 35% Danceability • 12% Energy • 15% Liveness
93% Instrumentalness • 6% Positiveness
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Mieczysław Weinberg
Trumpet Concerto in B-Flat Major, Op. 94...
114 bpm • C Maj • 00:59 • -20.44db
21% Popularity • 55% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
21% Popularity • 55% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Darius Milhaud
Scaramouche, Op. 165b: III. Brazileira (...
106 bpm • F Maj • 02:17 • -18.76db
11% Popularity • 63% Danceability • 28% Energy • 13% Liveness
88% Instrumentalness • 74% Positiveness
11% Popularity • 63% Danceability • 28% Energy • 13% Liveness
88% Instrumentalness • 74% Positiveness
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Heitor Villa-Lobos
Fantasia for Cello & Orchestra, W454: II...
105 bpm • G min • 05:36 • -26.84db
9% Popularity • 24% Danceability • 10% Energy • 26% Liveness
92% Instrumentalness • 12% Positiveness
9% Popularity • 24% Danceability • 10% Energy • 26% Liveness
92% Instrumentalness • 12% Positiveness
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Benjamin Britten
Violin Concerto, Op. 15: I. Moderato con...
106 bpm • G min • 10:05 • -23.47db
17% Popularity • 28% Danceability • 13% Energy • 8% Liveness
31% Instrumentalness • 8% Positiveness
17% Popularity • 28% Danceability • 13% Energy • 8% Liveness
31% Instrumentalness • 8% Positiveness
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Henri Dutilleux
Dutilleux: Ainsi la nuit: IV. Litanies 2
106 bpm • A# min • 03:31 • -32db
3% Popularity • 21% Danceability • 1% Energy • 10% Liveness
42% Instrumentalness • 3% Positiveness
3% Popularity • 21% Danceability • 1% Energy • 10% Liveness
42% Instrumentalness • 3% Positiveness
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Augusta Holmès
Trois petites pièces: Gigue
105 bpm • F Maj • 01:23 • -24db
19% Popularity • 58% Danceability • 18% Energy • 14% Liveness
89% Instrumentalness • 88% Positiveness
19% Popularity • 58% Danceability • 18% Energy • 14% Liveness
89% Instrumentalness • 88% Positiveness
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Germaine Tailleferre
Concerto pour piano
105 bpm • D Maj • 04:52 • -17.47db
10% Popularity • 46% Danceability • 24% Energy • 25% Liveness
88% Instrumentalness • 50% Positiveness
10% Popularity • 46% Danceability • 24% Energy • 25% Liveness
88% Instrumentalness • 50% Positiveness
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Andrew Norman
The Companion Guide To Rome: II Benedett...
115 bpm • G Maj • 01:39 • -16.16db
7% Popularity • 38% Danceability • 17% Energy • 23% Liveness
88% Instrumentalness • 22% Positiveness
7% Popularity • 38% Danceability • 17% Energy • 23% Liveness
88% Instrumentalness • 22% Positiveness
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Rolf Wallin
Whirld: I. Nigredo
105 bpm • G Maj • 05:59 • -25.75db
8% Popularity • 32% Danceability • 13% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
8% Popularity • 32% Danceability • 13% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
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Nino Rota
Clarinet Sonata in D Major: I. Allegrett...
105 bpm • D Maj • 05:24 • -31.22db
10% Popularity • 24% Danceability • 1% Energy • 9% Liveness
20% Instrumentalness • 8% Positiveness
10% Popularity • 24% Danceability • 1% Energy • 9% Liveness
20% Instrumentalness • 8% Positiveness
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Henri Dutilleux
Dutilleux: Jardin d'enfants: Bergerie
105 bpm • G Maj • 01:16 • -33.79db
3% Popularity • 42% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 42% Positiveness
3% Popularity • 42% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 42% Positiveness
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Philippe Hersant
Fantaisies sur le nom de Sacher, for Str...
105 bpm • E min • 01:05 • -30.21db
9% Popularity • 38% Danceability • 5% Energy • 13% Liveness
37% Instrumentalness • 14% Positiveness
9% Popularity • 38% Danceability • 5% Energy • 13% Liveness
37% Instrumentalness • 14% Positiveness
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JĂĽri Reinvere
And Tired From Happiness, They Started t...
105 bpm • A Maj • 08:01 • -24.79db
24% Popularity • 16% Danceability • 18% Energy • 28% Liveness
79% Instrumentalness • 3% Positiveness
24% Popularity • 16% Danceability • 18% Energy • 28% Liveness
79% Instrumentalness • 3% Positiveness
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Francis Poulenc
Concerto for 2 Pianos and Orchestra in D...
116 bpm • B min • 05:24 • -20db
11% Popularity • 48% Danceability • 17% Energy • 9% Liveness
80% Instrumentalness • 17% Positiveness
11% Popularity • 48% Danceability • 17% Energy • 9% Liveness
80% Instrumentalness • 17% Positiveness
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Ottorino Respighi
Suite in G Major, P. 58 : III. Pastorale...
104 bpm • D min • 04:36 • -25db
14% Popularity • 16% Danceability • 9% Energy • 20% Liveness
51% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 9% Energy • 20% Liveness
51% Instrumentalness • 3% Positiveness
► Preview
Einojuhani Rautavaara
Piano Concerto No. 1, Op. 45: II. Andant...
104 bpm • C# Maj • 08:01 • -27db
12% Popularity • 25% Danceability • 2% Energy • 18% Liveness
17% Instrumentalness • 3% Positiveness
12% Popularity • 25% Danceability • 2% Energy • 18% Liveness
17% Instrumentalness • 3% Positiveness
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Henri Dutilleux
Dutilleux: Sonatina for Flute and Piano:...
115 bpm • F Maj • 03:56 • -27db
14% Popularity • 39% Danceability • 8% Energy • 14% Liveness
76% Instrumentalness • 12% Positiveness
14% Popularity • 39% Danceability • 8% Energy • 14% Liveness
76% Instrumentalness • 12% Positiveness
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Anton Bruckner
Symphony No. 9 in D Minor, WAB 109 : II....
104 bpm • D min • 09:49 • -20.09db
19% Popularity • 33% Danceability • 12% Energy • 11% Liveness
52% Instrumentalness • 7% Positiveness
19% Popularity • 33% Danceability • 12% Energy • 11% Liveness
52% Instrumentalness • 7% Positiveness
► Preview
Benjamin Britten
Reveille, concert study for violin with ...
116 bpm • A min • 04:53 • -29.36db
24% Popularity • 29% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 29% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Igor Stravinsky
Pulcinella, Ballet in One Act After Perg...
116 bpm • G Maj • 03:03 • -21.11db
2% Popularity • 44% Danceability • 8% Energy • 16% Liveness
35% Instrumentalness • 58% Positiveness
2% Popularity • 44% Danceability • 8% Energy • 16% Liveness
35% Instrumentalness • 58% Positiveness
► Preview
Ralph Vaughan Williams
The Lark Ascending: IV. Senza misura
103 bpm • G Maj • 01:54 • -35.77db
11% Popularity • 24% Danceability • 5% Energy • 9% Liveness
6% Instrumentalness • 9% Positiveness
11% Popularity • 24% Danceability • 5% Energy • 9% Liveness
6% Instrumentalness • 9% Positiveness
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Robert Schumann
IV. Nicht schnell
103 bpm • G Maj • 02:41 • -31.35db
9% Popularity • 20% Danceability • 2% Energy • 21% Liveness
26% Instrumentalness • 6% Positiveness
9% Popularity • 20% Danceability • 2% Energy • 21% Liveness
26% Instrumentalness • 6% Positiveness
► Preview
Henri Dutilleux
Dutilleux: Ainsi la nuit: VII. Temps sus...
104 bpm • D min • 02:36 • -28db
3% Popularity • 29% Danceability • 1% Energy • 6% Liveness
4% Instrumentalness • 4% Positiveness
3% Popularity • 29% Danceability • 1% Energy • 6% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Frank Bridge
Novelletten, H. 44: I. Andante moderato
103 bpm • F min • 05:06 • -21.74db
8% Popularity • 16% Danceability • 5% Energy • 14% Liveness
34% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 5% Energy • 14% Liveness
34% Instrumentalness • 4% Positiveness
► Preview
Belize Ensemble
Dvorak Cello Concerto
103 bpm • E Maj • 08:26 • -20.36db
9% Popularity • 22% Danceability • 14% Energy • 13% Liveness
80% Instrumentalness • 10% Positiveness
9% Popularity • 22% Danceability • 14% Energy • 13% Liveness
80% Instrumentalness • 10% Positiveness
► Preview
G. M. Rodriguez
Tango (La cumparsita)
118 bpm • A# Maj • 04:14 • -21.53db
11% Popularity • 40% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
11% Popularity • 40% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
► Preview
Emil von Sauer
Piano Concerto No. 2 in C Minor: IV. All...
103 bpm • D# Maj • 06:35 • -20.94db
0% Popularity • 40% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
0% Popularity • 40% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
► Preview
Benjamin Britten
Suite for Violin and Piano, Op. 6: IV. W...
103 bpm • G Maj • 05:18 • -23.41db
14% Popularity • 42% Danceability • 13% Energy • 6% Liveness
2% Instrumentalness • 20% Positiveness
14% Popularity • 42% Danceability • 13% Energy • 6% Liveness
2% Instrumentalness • 20% Positiveness
► Preview
Henri Dutilleux
Dutilleux: Figures de résonances for 2 ...
117 bpm • D# Maj • 02:14 • -25.75db
1% Popularity • 48% Danceability • 1% Energy • 11% Liveness
67% Instrumentalness • 16% Positiveness
1% Popularity • 48% Danceability • 1% Energy • 11% Liveness
67% Instrumentalness • 16% Positiveness
► Preview
Olivier Messiaen
Turangalîla-Symphony: IV. Chant d'amour...
118 bpm • A Maj • 10:24 • -21.52db
10% Popularity • 32% Danceability • 22% Energy • 8% Liveness
64% Instrumentalness • 5% Positiveness
10% Popularity • 32% Danceability • 22% Energy • 8% Liveness
64% Instrumentalness • 5% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mozart: Flute Sonata in E Minor, K. 304:...
119 bpm • E min • 05:43 • -20.93db
38% Popularity • 37% Danceability • 12% Energy • 15% Liveness
89% Instrumentalness • 14% Positiveness
38% Popularity • 37% Danceability • 12% Energy • 15% Liveness
89% Instrumentalness • 14% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Variations on a Rococo Theme, Op. 33 (Ar...
118 bpm • A Maj • 03:28 • -28.16db
12% Popularity • 26% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
12% Popularity • 26% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
► Preview
Jean Sibelius
Rakastava, Op. 14: II. The Path of His B...
102 bpm • F min • 02:15 • -37.29db
13% Popularity • 25% Danceability • 3% Energy • 8% Liveness
97% Instrumentalness • 44% Positiveness
13% Popularity • 25% Danceability • 3% Energy • 8% Liveness
97% Instrumentalness • 44% Positiveness
► Preview
Huw Watkins
Piano Quartet
102 bpm • C# Maj • 08:32 • -23.36db
0% Popularity • 25% Danceability • 8% Energy • 5% Liveness
34% Instrumentalness • 4% Positiveness
0% Popularity • 25% Danceability • 8% Energy • 5% Liveness
34% Instrumentalness • 4% Positiveness
► Preview
Henri Dutilleux
Piano Sonata: I. Allegro Con Moto
103 bpm • D Maj • 07:48 • -23.3db
2% Popularity • 36% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
2% Popularity • 36% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
► Preview
Alessandro Gozzo
Berg Lasciami In Pace
102 bpm • F min • 01:17 • -18db
8% Popularity • 40% Danceability • 13% Energy • 34% Liveness
66% Instrumentalness • 22% Positiveness
8% Popularity • 40% Danceability • 13% Energy • 34% Liveness
66% Instrumentalness • 22% Positiveness
► Preview
Christian Schittenhelm
Impression de lièvre
119 bpm • A# min • 01:22 • -18.51db
12% Popularity • 32% Danceability • 30% Energy • 20% Liveness
85% Instrumentalness • 20% Positiveness
12% Popularity • 32% Danceability • 30% Energy • 20% Liveness
85% Instrumentalness • 20% Positiveness
► Preview
KNOXVILLETRACKZ
SBC
119 bpm • F# Maj • 01:04 • -49.16db
21% Popularity • 25% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
21% Popularity • 25% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
► Preview
Charles Koechlin
The Seven Stars' Symphony, Op. 132: II. ...
119 bpm • A min • 02:17 • -24.68db
11% Popularity • 26% Danceability • 9% Energy • 13% Liveness
78% Instrumentalness • 11% Positiveness
11% Popularity • 26% Danceability • 9% Energy • 13% Liveness
78% Instrumentalness • 11% Positiveness
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Havergal Brian
Violin Concerto in C Major: I. Allegro m...
101 bpm • E Maj • 01:47 • -29.18db
17% Popularity • 36% Danceability • 4% Energy • 30% Liveness
86% Instrumentalness • 31% Positiveness
17% Popularity • 36% Danceability • 4% Energy • 30% Liveness
86% Instrumentalness • 31% Positiveness
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Henri Dutilleux
Dutilleux: Figures de résonances for 2 ...
103 bpm • C Maj • 01:24 • -24.88db
1% Popularity • 60% Danceability • 0% Energy • 14% Liveness
73% Instrumentalness • 0% Positiveness
1% Popularity • 60% Danceability • 0% Energy • 14% Liveness
73% Instrumentalness • 0% Positiveness
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Olivier Messiaen
Turangalîla-Symphony: V. Joie du sang d...
101 bpm • C# Maj • 06:02 • -16.19db
10% Popularity • 28% Danceability • 61% Energy • 37% Liveness
2% Instrumentalness • 17% Positiveness
10% Popularity • 28% Danceability • 61% Energy • 37% Liveness
2% Instrumentalness • 17% Positiveness
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Krzysztof Penderecki
3 Pieces in Old Style: No. 3. Menuetto I...
119 bpm • D Maj • 02:08 • -19db
20% Popularity • 33% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
20% Popularity • 33% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
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Nikolai Rimsky-Korsakov
Pictures at an Exhibition: Tuileries
120 bpm • C# min • 01:01 • -23.9db
10% Popularity • 33% Danceability • 5% Energy • 10% Liveness
35% Instrumentalness • 13% Positiveness
10% Popularity • 33% Danceability • 5% Energy • 10% Liveness
35% Instrumentalness • 13% Positiveness
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Sergei Prokofiev
Prokofiev: Symphony No. 7 in C-Sharp Min...
120 bpm • C# Maj • 09:35 • -22.87db
7% Popularity • 23% Danceability • 7% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
7% Popularity • 23% Danceability • 7% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
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mantekito loko
carino es hola de un poco de ruido
120 bpm • D min • 01:55 • -24.42db
10% Popularity • 66% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
10% Popularity • 66% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
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Henri Dutilleux
Dutilleux: Au gré des ondes: V. Hommage...
119 bpm • G min • 02:52 • -38db
3% Popularity • 28% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 52% Positiveness
3% Popularity • 28% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 52% Positiveness
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Johannes Brahms
Trio for Piano, Violin and Horn in E-Fla...
101 bpm • D# min • 07:26 • -23.99db
0% Popularity • 16% Danceability • 6% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 6% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Jean Françaix
String Trio: II. Scherzo - Vivo
120 bpm • G Maj • 03:27 • -20.97db
8% Popularity • 54% Danceability • 8% Energy • 12% Liveness
7% Instrumentalness • 50% Positiveness
8% Popularity • 54% Danceability • 8% Energy • 12% Liveness
7% Instrumentalness • 50% Positiveness
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Richard Strauss
Ein Heldenleben, Op. 40, TrV 190: IV. De...
121 bpm • F# Maj • 05:51 • -29.91db
9% Popularity • 17% Danceability • 3% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 3% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Olivier Messiaen
Turangalîla Symphonie: 5. Joie du sang ...
121 bpm • D# min • 06:41 • -18.55db
14% Popularity • 34% Danceability • 46% Energy • 17% Liveness
3% Instrumentalness • 22% Positiveness
14% Popularity • 34% Danceability • 46% Energy • 17% Liveness
3% Instrumentalness • 22% Positiveness
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Claude Debussy
String Quartet in G Minor, Op. 10: IV. T...
121 bpm • G Maj • 07:26 • -18.16db
0% Popularity • 31% Danceability • 20% Energy • 9% Liveness
65% Instrumentalness • 6% Positiveness
0% Popularity • 31% Danceability • 20% Energy • 9% Liveness
65% Instrumentalness • 6% Positiveness
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Henri Dutilleux
Dutilleux: Au gré des ondes: II. Claque...
120 bpm • G min • 01:06 • -30.12db
2% Popularity • 45% Danceability • 16% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness
2% Popularity • 45% Danceability • 16% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness
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Igor Stravinsky
Petrushka, K12 (1947 Version): IVb. Danc...
121 bpm • A min • 02:35 • -18.84db
14% Popularity • 52% Danceability • 27% Energy • 24% Liveness
93% Instrumentalness • 65% Positiveness
14% Popularity • 52% Danceability • 27% Energy • 24% Liveness
93% Instrumentalness • 65% Positiveness
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Tomás Bretón
4 Spanish Pieces: No. 4. Polo Gitano
100 bpm • C Maj • 03:16 • -18db
7% Popularity • 40% Danceability • 14% Energy • 8% Liveness
17% Instrumentalness • 45% Positiveness
7% Popularity • 40% Danceability • 14% Energy • 8% Liveness
17% Instrumentalness • 45% Positiveness
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KNOXVILLETRACKZ
SBP
100 bpm • F# Maj • 01:04 • -45.36db
21% Popularity • 13% Danceability • 0% Energy • 14% Liveness
100% Instrumentalness • 7% Positiveness
21% Popularity • 13% Danceability • 0% Energy • 14% Liveness
100% Instrumentalness • 7% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: I. Liturgi...
100 bpm • F min • 02:42 • -30db
25% Popularity • 34% Danceability • 4% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
25% Popularity • 34% Danceability • 4% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
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ROBERTO CARPIO
R. CARPIO: Suite Hospital Prelude (Chuqu...
121 bpm • C# Maj • 01:08 • -21.29db
27% Popularity • 30% Danceability • 33% Energy • 12% Liveness
92% Instrumentalness • 26% Positiveness
27% Popularity • 30% Danceability • 33% Energy • 12% Liveness
92% Instrumentalness • 26% Positiveness
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Witold Lutosławski
Dance Preludes *: No. 1. Allegro molto
100 bpm • B Maj • 00:52 • -19db
13% Popularity • 56% Danceability • 28% Energy • 9% Liveness
95% Instrumentalness • 38% Positiveness
13% Popularity • 56% Danceability • 28% Energy • 9% Liveness
95% Instrumentalness • 38% Positiveness
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Dmitri Shostakovich
Cello Concerto No. 1 in E-Flat Major, Op...
122 bpm • D# Maj • 06:22 • -18.2db
10% Popularity • 49% Danceability • 22% Energy • 10% Liveness
84% Instrumentalness • 30% Positiveness
10% Popularity • 49% Danceability • 22% Energy • 10% Liveness
84% Instrumentalness • 30% Positiveness
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Christian Lindberg
Hamnöy 1976 I
99 bpm • G# Maj • 01:02 • -10.97db
18% Popularity • 78% Danceability • 59% Energy • 27% Liveness
94% Instrumentalness • 98% Positiveness
18% Popularity • 78% Danceability • 59% Energy • 27% Liveness
94% Instrumentalness • 98% Positiveness
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John Williams
Violin Concerto No. 1: I. Moderato
122 bpm • G Maj • 10:58 • -24.63db
0% Popularity • 32% Danceability • 7% Energy • 14% Liveness
2% Instrumentalness • 6% Positiveness
0% Popularity • 32% Danceability • 7% Energy • 14% Liveness
2% Instrumentalness • 6% Positiveness
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Fernand de la Tombelle
RĂŞverie
99 bpm • E Maj • 02:24 • -22.93db
14% Popularity • 13% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
14% Popularity • 13% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
