Songs like Early Morning by Peder af Ugglas
Based on a tempo of (+/- 10%) and a similar genre
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Chris Kramer
Black Is The Colour
119 bpm • F min • 04:36 • -13.84db
16% Popularity • 49% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
16% Popularity • 49% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Nat Bartsch
Billie
119 bpm • D Maj • 03:54 • -18.66db
12% Popularity • 39% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
12% Popularity • 39% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
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Flaherty Brotherhood
Transfiguration Blues
119 bpm • A min • 04:17 • -16.12db
21% Popularity • 79% Danceability • 12% Energy • 9% Liveness
3% Instrumentalness • 26% Positiveness
21% Popularity • 79% Danceability • 12% Energy • 9% Liveness
3% Instrumentalness • 26% Positiveness
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Dan Brown
Crystalline
120 bpm • C min • 04:01 • -20.15db
17% Popularity • 60% Danceability • 10% Energy • 7% Liveness
93% Instrumentalness • 14% Positiveness
17% Popularity • 60% Danceability • 10% Energy • 7% Liveness
93% Instrumentalness • 14% Positiveness
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Brian Grey
Dreams Of Fire
120 bpm • G Maj • 04:15 • -12.15db
13% Popularity • 61% Danceability • 26% Energy • 10% Liveness
80% Instrumentalness • 17% Positiveness
13% Popularity • 61% Danceability • 26% Energy • 10% Liveness
80% Instrumentalness • 17% Positiveness
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Link
Ella's Song
120 bpm • D Maj • 06:10 • -6.91db
27% Popularity • 31% Danceability • 43% Energy • 49% Liveness
63% Instrumentalness • 23% Positiveness
27% Popularity • 31% Danceability • 43% Energy • 49% Liveness
63% Instrumentalness • 23% Positiveness
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Ding Ke
The Aerial Garden
120 bpm • D# Maj • 02:29 • -7.89db
16% Popularity • 57% Danceability • 39% Energy • 16% Liveness
8% Instrumentalness • 29% Positiveness
16% Popularity • 57% Danceability • 39% Energy • 16% Liveness
8% Instrumentalness • 29% Positiveness
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Miller and the Other Sinners
Baptized In Bourbon
118 bpm • C# min • 05:48 • -6.76db
19% Popularity • 40% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 40% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Kailash Kokopelli
Holy Land
120 bpm • D min • 05:44 • -13.7db
21% Popularity • 69% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
21% Popularity • 69% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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Fabio Mazzini
Three Mountains
118 bpm • F Maj • 02:49 • -16.38db
14% Popularity • 51% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 32% Positiveness
14% Popularity • 51% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 32% Positiveness
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Peder af Ugglas
Reflection
120 bpm • A min • 03:40 • -16.3db
2% Popularity • 63% Danceability • 17% Energy • 12% Liveness
96% Instrumentalness • 9% Positiveness
2% Popularity • 63% Danceability • 17% Energy • 12% Liveness
96% Instrumentalness • 9% Positiveness
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Duke Levine
The Slow Claw Drag
118 bpm • F min • 06:48 • -14.71db
15% Popularity • 62% Danceability • 32% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
15% Popularity • 62% Danceability • 32% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
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Julie Abbé
Songs of Love
120 bpm • C min • 04:21 • -14.74db
14% Popularity • 79% Danceability • 26% Energy • 10% Liveness
67% Instrumentalness • 72% Positiveness
14% Popularity • 79% Danceability • 26% Energy • 10% Liveness
67% Instrumentalness • 72% Positiveness
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Phil Klein
Sparks and Fascination Reimagined (2024)
120 bpm • G# Maj • 05:50 • -16.11db
12% Popularity • 68% Danceability • 31% Energy • 12% Liveness
79% Instrumentalness • 11% Positiveness
12% Popularity • 68% Danceability • 31% Energy • 12% Liveness
79% Instrumentalness • 11% Positiveness
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Sunhill
Night Runner
120 bpm • F min • 02:56 • -11.4db
15% Popularity • 49% Danceability • 70% Energy • 10% Liveness
66% Instrumentalness • 33% Positiveness
15% Popularity • 49% Danceability • 70% Energy • 10% Liveness
66% Instrumentalness • 33% Positiveness
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Ã…smund Reistad
Sensommervals
120 bpm • C min • 03:52 • -16.55db
8% Popularity • 51% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
8% Popularity • 51% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
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Peder af Ugglas
Spring Tide
120 bpm • D min • 02:35 • -25.45db
1% Popularity • 58% Danceability • 10% Energy • 18% Liveness
91% Instrumentalness • 26% Positiveness
1% Popularity • 58% Danceability • 10% Energy • 18% Liveness
91% Instrumentalness • 26% Positiveness
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Margido
Natt
120 bpm • G# Maj • 03:09 • -15.16db
16% Popularity • 44% Danceability • 18% Energy • 14% Liveness
93% Instrumentalness • 13% Positiveness
16% Popularity • 44% Danceability • 18% Energy • 14% Liveness
93% Instrumentalness • 13% Positiveness
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Luca Fasolin
Fourth impression
120 bpm • C min • 01:28 • -22.95db
8% Popularity • 51% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
8% Popularity • 51% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
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Steinar Ytrehus
Black City
120 bpm • D min • 02:43 • -13.27db
18% Popularity • 72% Danceability • 25% Energy • 8% Liveness
20% Instrumentalness • 43% Positiveness
18% Popularity • 72% Danceability • 25% Energy • 8% Liveness
20% Instrumentalness • 43% Positiveness
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Angular Man
Susquehanna
120 bpm • D Maj • 01:28 • -25.22db
24% Popularity • 58% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 71% Positiveness
24% Popularity • 58% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 71% Positiveness
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Marcelo D'Amico
Promeni
118 bpm • G# Maj • 03:27 • -10.16db
19% Popularity • 38% Danceability • 49% Energy • 10% Liveness
96% Instrumentalness • 20% Positiveness
19% Popularity • 38% Danceability • 49% Energy • 10% Liveness
96% Instrumentalness • 20% Positiveness
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Peder af Ugglas
Summer Light
120 bpm • A min • 03:24 • -8.45db
1% Popularity • 72% Danceability • 65% Energy • 19% Liveness
59% Instrumentalness • 66% Positiveness
1% Popularity • 72% Danceability • 65% Energy • 19% Liveness
59% Instrumentalness • 66% Positiveness
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Amy Laurenson
Shetland Wedding Tunes
118 bpm • G Maj • 04:15 • -12.18db
11% Popularity • 45% Danceability • 43% Energy • 13% Liveness
89% Instrumentalness • 10% Positiveness
11% Popularity • 45% Danceability • 43% Energy • 13% Liveness
89% Instrumentalness • 10% Positiveness
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Guy Verlinde
Breaking Dawn
121 bpm • G Maj • 00:54 • -13.85db
18% Popularity • 38% Danceability • 23% Energy • 11% Liveness
98% Instrumentalness • 8% Positiveness
18% Popularity • 38% Danceability • 23% Energy • 11% Liveness
98% Instrumentalness • 8% Positiveness
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Henning
MÃ¥laren
121 bpm • G Maj • 03:25 • -9.34db
10% Popularity • 48% Danceability • 26% Energy • 12% Liveness
76% Instrumentalness • 32% Positiveness
10% Popularity • 48% Danceability • 26% Energy • 12% Liveness
76% Instrumentalness • 32% Positiveness
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Rêve D'éléphant Orchestra
Papillon
121 bpm • A# Maj • 05:28 • -14.82db
19% Popularity • 64% Danceability • 23% Energy • 10% Liveness
73% Instrumentalness • 48% Positiveness
19% Popularity • 64% Danceability • 23% Energy • 10% Liveness
73% Instrumentalness • 48% Positiveness
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Lincoln Barr
Who Am I
121 bpm • G Maj • 04:53 • -12.23db
13% Popularity • 48% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 48% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Peder af Ugglas
Nordic Investigation
120 bpm • D min • 04:30 • -20.7db
2% Popularity • 50% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 11% Positiveness
2% Popularity • 50% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 11% Positiveness
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Biel Ballester Trio
Cry Out To Me
117 bpm • B min • 01:47 • -16.59db
14% Popularity • 72% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 40% Positiveness
14% Popularity • 72% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 40% Positiveness
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Brian Grey
Song Of Mirrors
117 bpm • A min • 04:19 • -9.11db
9% Popularity • 47% Danceability • 38% Energy • 33% Liveness
23% Instrumentalness • 18% Positiveness
9% Popularity • 47% Danceability • 38% Energy • 33% Liveness
23% Instrumentalness • 18% Positiveness
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Andrea Benfks
Extraordinary Music
122 bpm • G# min • 01:26 • -17.7db
21% Popularity • 66% Danceability • 39% Energy • 19% Liveness
96% Instrumentalness • 89% Positiveness
21% Popularity • 66% Danceability • 39% Energy • 19% Liveness
96% Instrumentalness • 89% Positiveness
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Nat Bartsch
Fight Not Flight
122 bpm • D Maj • 06:08 • -17.29db
8% Popularity • 48% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
8% Popularity • 48% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Aegteskab
World Gone Wrong
122 bpm • D Maj • 03:41 • -13.14db
15% Popularity • 53% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 53% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Peder af Ugglas
Old Memories
120 bpm • A min • 02:58 • -21.95db
2% Popularity • 57% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
2% Popularity • 57% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Tom Media
City in the Rain
116 bpm • D Maj • 04:17 • -16.14db
9% Popularity • 70% Danceability • 23% Energy • 13% Liveness
93% Instrumentalness • 7% Positiveness
9% Popularity • 70% Danceability • 23% Energy • 13% Liveness
93% Instrumentalness • 7% Positiveness
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Aspens Pyramid
He is awesome
116 bpm • D Maj • 01:58 • -9.58db
25% Popularity • 54% Danceability • 33% Energy • 10% Liveness
3% Instrumentalness • 34% Positiveness
25% Popularity • 54% Danceability • 33% Energy • 10% Liveness
3% Instrumentalness • 34% Positiveness
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Laszlo Buring
Clocks
122 bpm • A min • 04:33 • -9.16db
7% Popularity • 46% Danceability • 50% Energy • 11% Liveness
34% Instrumentalness • 23% Positiveness
7% Popularity • 46% Danceability • 50% Energy • 11% Liveness
34% Instrumentalness • 23% Positiveness
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Austie
Apprehension
116 bpm • A Maj • 02:12 • -15.3db
15% Popularity • 51% Danceability • 21% Energy • 12% Liveness
83% Instrumentalness • 16% Positiveness
15% Popularity • 51% Danceability • 21% Energy • 12% Liveness
83% Instrumentalness • 16% Positiveness
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Chris Rea
West Africa (Instrumental)
122 bpm • A min • 04:16 • -13.72db
8% Popularity • 75% Danceability • 56% Energy • 20% Liveness
80% Instrumentalness • 80% Positiveness
8% Popularity • 75% Danceability • 56% Energy • 20% Liveness
80% Instrumentalness • 80% Positiveness
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Peder af Ugglas
Keep Distance
120 bpm • D min • 06:22 • -12.03db
1% Popularity • 55% Danceability • 34% Energy • 12% Liveness
93% Instrumentalness • 19% Positiveness
1% Popularity • 55% Danceability • 34% Energy • 12% Liveness
93% Instrumentalness • 19% Positiveness
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Tom Media
Great Days
116 bpm • A min • 04:17 • -14.92db
9% Popularity • 68% Danceability • 24% Energy • 31% Liveness
67% Instrumentalness • 18% Positiveness
9% Popularity • 68% Danceability • 24% Energy • 31% Liveness
67% Instrumentalness • 18% Positiveness
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Marco Baracchino
Lo Scrittore
122 bpm • D min • 03:37 • -8.32db
8% Popularity • 56% Danceability • 37% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
8% Popularity • 56% Danceability • 37% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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Ermis
Παιδί
122 bpm • C min • 02:40 • -15.81db
14% Popularity • 57% Danceability • 21% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
14% Popularity • 57% Danceability • 21% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
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John Leventhal
Rumble Strip
122 bpm • F# min • 04:19 • -11.05db
19% Popularity • 82% Danceability • 28% Energy • 11% Liveness
86% Instrumentalness • 36% Positiveness
19% Popularity • 82% Danceability • 28% Energy • 11% Liveness
86% Instrumentalness • 36% Positiveness
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Ã…smund Reistad
Tidevann
116 bpm • G Maj • 02:47 • -16.57db
8% Popularity • 66% Danceability • 32% Energy • 10% Liveness
95% Instrumentalness • 45% Positiveness
8% Popularity • 66% Danceability • 32% Energy • 10% Liveness
95% Instrumentalness • 45% Positiveness
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Peder af Ugglas
Penguins in Spring
120 bpm • C Maj • 06:24 • -25.33db
2% Popularity • 62% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
2% Popularity • 62% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Tom Media
Night with a Glass of Wine
116 bpm • G Maj • 04:17 • -15.68db
8% Popularity • 62% Danceability • 24% Energy • 37% Liveness
84% Instrumentalness • 15% Positiveness
8% Popularity • 62% Danceability • 24% Energy • 37% Liveness
84% Instrumentalness • 15% Positiveness
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Angular Man
Snake
122 bpm • D# Maj • 01:35 • -26.78db
24% Popularity • 77% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 67% Positiveness
24% Popularity • 77% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 67% Positiveness
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Ruurd Jellema
Your Planet
116 bpm • F Maj • 04:19 • -13.35db
28% Popularity • 68% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 68% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Cedric Burnside
Strong
116 bpm • G Maj • 01:55 • -16.02db
21% Popularity • 64% Danceability • 14% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 64% Danceability • 14% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Bo Ramsey
Remember Me
122 bpm • D Maj • 03:50 • -12.91db
13% Popularity • 68% Danceability • 27% Energy • 13% Liveness
6% Instrumentalness • 18% Positiveness
13% Popularity • 68% Danceability • 27% Energy • 13% Liveness
6% Instrumentalness • 18% Positiveness
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Peder af Ugglas
Awakening
120 bpm • C Maj • 03:54 • -13.93db
1% Popularity • 53% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
1% Popularity • 53% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
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Tom Media
Night Alone
116 bpm • D min • 04:17 • -16.9db
8% Popularity • 68% Danceability • 20% Energy • 28% Liveness
84% Instrumentalness • 4% Positiveness
8% Popularity • 68% Danceability • 20% Energy • 28% Liveness
84% Instrumentalness • 4% Positiveness
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Jim Campilongo
What’ll I Do
122 bpm • E Maj • 03:56 • -16.74db
9% Popularity • 47% Danceability • 5% Energy • 11% Liveness
76% Instrumentalness • 14% Positiveness
9% Popularity • 47% Danceability • 5% Energy • 11% Liveness
76% Instrumentalness • 14% Positiveness
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Henning
Orion
123 bpm • D Maj • 02:39 • -13.53db
9% Popularity • 42% Danceability • 23% Energy • 11% Liveness
19% Instrumentalness • 11% Positiveness
9% Popularity • 42% Danceability • 23% Energy • 11% Liveness
19% Instrumentalness • 11% Positiveness
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Will Marsh
The Weekly Blues
123 bpm • A min • 04:50 • -8.18db
9% Popularity • 67% Danceability • 56% Energy • 10% Liveness
77% Instrumentalness • 63% Positiveness
9% Popularity • 67% Danceability • 56% Energy • 10% Liveness
77% Instrumentalness • 63% Positiveness
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Angular Man
Aspen
115 bpm • F# min • 00:39 • -16.83db
28% Popularity • 80% Danceability • 22% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
28% Popularity • 80% Danceability • 22% Energy • 11% Liveness
94% Instrumentalness • 49% Positiveness
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Peder af Ugglas
Make Sense
120 bpm • C Maj • 04:21 • -11.95db
2% Popularity • 76% Danceability • 34% Energy • 8% Liveness
94% Instrumentalness • 39% Positiveness
2% Popularity • 76% Danceability • 34% Energy • 8% Liveness
94% Instrumentalness • 39% Positiveness
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Tom Media
Blue and Sentimental
116 bpm • A min • 04:17 • -14.26db
9% Popularity • 67% Danceability • 20% Energy • 15% Liveness
86% Instrumentalness • 7% Positiveness
9% Popularity • 67% Danceability • 20% Energy • 15% Liveness
86% Instrumentalness • 7% Positiveness
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Andrea Benfks
Spiritual Atmosphere
123 bpm • C Maj • 01:25 • -17.79db
21% Popularity • 68% Danceability • 29% Energy • 13% Liveness
83% Instrumentalness • 69% Positiveness
21% Popularity • 68% Danceability • 29% Energy • 13% Liveness
83% Instrumentalness • 69% Positiveness
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Hugo Linns
Cordões
115 bpm • C min • 01:14 • -14.95db
25% Popularity • 66% Danceability • 22% Energy • 13% Liveness
94% Instrumentalness • 59% Positiveness
25% Popularity • 66% Danceability • 22% Energy • 13% Liveness
94% Instrumentalness • 59% Positiveness
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Steinar Karlsen
Ly
114 bpm • A# Maj • 02:51 • -16.31db
13% Popularity • 62% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
13% Popularity • 62% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
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Stephen L Ward
Premunition LiveZ Flaming Tears
124 bpm • G Maj • 02:41 • -12.79db
12% Popularity • 69% Danceability • 36% Energy • 51% Liveness
84% Instrumentalness • 65% Positiveness
12% Popularity • 69% Danceability • 36% Energy • 51% Liveness
84% Instrumentalness • 65% Positiveness
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Peder af Ugglas
Seashore
120 bpm • A min • 04:33 • -18.67db
2% Popularity • 60% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
2% Popularity • 60% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
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Tom Media
The Happiest
116 bpm • F min • 04:17 • -12.93db
8% Popularity • 64% Danceability • 29% Energy • 34% Liveness
80% Instrumentalness • 12% Positiveness
8% Popularity • 64% Danceability • 29% Energy • 34% Liveness
80% Instrumentalness • 12% Positiveness
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Gary O'Slide
Hina
124 bpm • E Maj • 01:19 • -19.53db
23% Popularity • 46% Danceability • 3% Energy • 9% Liveness
63% Instrumentalness • 49% Positiveness
23% Popularity • 46% Danceability • 3% Energy • 9% Liveness
63% Instrumentalness • 49% Positiveness
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Angular Man
Chattahoochee
114 bpm • C Maj • 01:20 • -29.26db
24% Popularity • 56% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 16% Positiveness
24% Popularity • 56% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 16% Positiveness
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Patrick Davis
Wrong Side Of The Tracks
124 bpm • D min • 03:51 • -7.8db
9% Popularity • 69% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 69% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Bo Ramsey
On The Range
114 bpm • G Maj • 04:03 • -12.5db
12% Popularity • 61% Danceability • 34% Energy • 15% Liveness
19% Instrumentalness • 8% Positiveness
12% Popularity • 61% Danceability • 34% Energy • 15% Liveness
19% Instrumentalness • 8% Positiveness
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Peder af Ugglas
Late Evening
120 bpm • A min • 03:54 • -14.47db
1% Popularity • 66% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 30% Positiveness
1% Popularity • 66% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 30% Positiveness
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Pierre Lech
The Sun Is On Your Skin
124 bpm • F Maj • 02:55 • -11.01db
27% Popularity • 80% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 80% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
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Luka Bloom
The Day the Great Oak Fell
114 bpm • E Maj • 04:06 • -18.05db
11% Popularity • 58% Danceability • 24% Energy • 12% Liveness
6% Instrumentalness • 16% Positiveness
11% Popularity • 58% Danceability • 24% Energy • 12% Liveness
6% Instrumentalness • 16% Positiveness
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Edgar Park
A California Way
125 bpm • G min • 02:23 • -17.45db
12% Popularity • 66% Danceability • 22% Energy • 11% Liveness
4% Instrumentalness • 39% Positiveness
12% Popularity • 66% Danceability • 22% Energy • 11% Liveness
4% Instrumentalness • 39% Positiveness
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Brian Grey
Shiny Nights
125 bpm • E min • 04:00 • -11.41db
11% Popularity • 65% Danceability • 26% Energy • 15% Liveness
74% Instrumentalness • 11% Positiveness
11% Popularity • 65% Danceability • 26% Energy • 15% Liveness
74% Instrumentalness • 11% Positiveness
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Rocky Reynaldo
Thousand Stones
125 bpm • E min • 02:46 • -13.46db
20% Popularity • 54% Danceability • 24% Energy • 11% Liveness
55% Instrumentalness • 22% Positiveness
20% Popularity • 54% Danceability • 24% Energy • 11% Liveness
55% Instrumentalness • 22% Positiveness
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Peder af Ugglas
Cümbüs Blues
120 bpm • E Maj • 03:22 • -15.43db
1% Popularity • 68% Danceability • 28% Energy • 30% Liveness
86% Instrumentalness • 30% Positiveness
1% Popularity • 68% Danceability • 28% Energy • 30% Liveness
86% Instrumentalness • 30% Positiveness
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Bo Ramsey
Stranger Blues Again
125 bpm • A min • 03:06 • -12.14db
17% Popularity • 76% Danceability • 52% Energy • 11% Liveness
68% Instrumentalness • 79% Positiveness
17% Popularity • 76% Danceability • 52% Energy • 11% Liveness
68% Instrumentalness • 79% Positiveness
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Leandro Aguiar
Mefibosete - Playback
125 bpm • G Maj • 04:28 • -11.97db
8% Popularity • 63% Danceability • 48% Energy • 12% Liveness
98% Instrumentalness • 48% Positiveness
8% Popularity • 63% Danceability • 48% Energy • 12% Liveness
98% Instrumentalness • 48% Positiveness
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Taylor Eigsti
Bewitched, Bothered and Bewildered
113 bpm • C min • 05:46 • -9.13db
15% Popularity • 52% Danceability • 48% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
15% Popularity • 52% Danceability • 48% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
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Stephen Warbeck
After the Picnic
125 bpm • E min • 01:42 • -23.2db
9% Popularity • 44% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 22% Positiveness
9% Popularity • 44% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 22% Positiveness
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Ilsey
The Way I Feel
126 bpm • A# Maj • 03:30 • -10.49db
10% Popularity • 47% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
10% Popularity • 47% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
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Peder af Ugglas
Above the Clouds
122 bpm • C# Maj • 03:50 • -17.75db
1% Popularity • 70% Danceability • 16% Energy • 13% Liveness
93% Instrumentalness • 9% Positiveness
1% Popularity • 70% Danceability • 16% Energy • 13% Liveness
93% Instrumentalness • 9% Positiveness
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Tomasz Trzcinski
Jo scyrkowski górol - wersja improwizow...
112 bpm • F Maj • 03:16 • -12.16db
9% Popularity • 31% Danceability • 49% Energy • 21% Liveness
94% Instrumentalness • 35% Positiveness
9% Popularity • 31% Danceability • 49% Energy • 21% Liveness
94% Instrumentalness • 35% Positiveness
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Roman Astra
Loving Strangers
126 bpm • C Maj • 04:34 • -11.84db
7% Popularity • 73% Danceability • 40% Energy • 16% Liveness
88% Instrumentalness • 37% Positiveness
7% Popularity • 73% Danceability • 40% Energy • 16% Liveness
88% Instrumentalness • 37% Positiveness
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Rathfarnham
Dangerous Innovator
126 bpm • C Maj • 00:58 • -10.23db
14% Popularity • 36% Danceability • 32% Energy • 12% Liveness
95% Instrumentalness • 32% Positiveness
14% Popularity • 36% Danceability • 32% Energy • 12% Liveness
95% Instrumentalness • 32% Positiveness
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Dobrotto
Cutaino
126 bpm • C Maj • 02:50 • -11.28db
9% Popularity • 46% Danceability • 35% Energy • 11% Liveness
90% Instrumentalness • 28% Positiveness
9% Popularity • 46% Danceability • 35% Energy • 11% Liveness
90% Instrumentalness • 28% Positiveness
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Luiz Helenio
Charme Enganador
112 bpm • D Maj • 02:18 • -13.42db
12% Popularity • 74% Danceability • 29% Energy • 12% Liveness
75% Instrumentalness • 12% Positiveness
12% Popularity • 74% Danceability • 29% Energy • 12% Liveness
75% Instrumentalness • 12% Positiveness
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Peder af Ugglas
Blue Departure
122 bpm • D min • 04:19 • -11.94db
2% Popularity • 25% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
2% Popularity • 25% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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Allen & Bright
Navajo Valley - String Version
112 bpm • C Maj • 02:22 • -12.38db
23% Popularity • 39% Danceability • 21% Energy • 8% Liveness
3% Instrumentalness • 36% Positiveness
23% Popularity • 39% Danceability • 21% Energy • 8% Liveness
3% Instrumentalness • 36% Positiveness
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Buty
Prisla vase pani
126 bpm • A min • 01:26 • -14.48db
10% Popularity • 62% Danceability • 34% Energy • 15% Liveness
94% Instrumentalness • 42% Positiveness
10% Popularity • 62% Danceability • 34% Energy • 15% Liveness
94% Instrumentalness • 42% Positiveness
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Traditional
Tack, Fader, för den dag du gav
112 bpm • C Maj • 03:20 • -29.61db
8% Popularity • 40% Danceability • 2% Energy • 10% Liveness
79% Instrumentalness • 7% Positiveness
8% Popularity • 40% Danceability • 2% Energy • 10% Liveness
79% Instrumentalness • 7% Positiveness
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Dalmo Mota
Bio (Part 1)
112 bpm • G Maj • 01:48 • -16.95db
9% Popularity • 48% Danceability • 23% Energy • 11% Liveness
46% Instrumentalness • 13% Positiveness
9% Popularity • 48% Danceability • 23% Energy • 11% Liveness
46% Instrumentalness • 13% Positiveness
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Lutz Moeller
Ein neuer Tag
127 bpm • E min • 01:29 • -8.85db
21% Popularity • 77% Danceability • 38% Energy • 10% Liveness
84% Instrumentalness • 55% Positiveness
21% Popularity • 77% Danceability • 38% Energy • 10% Liveness
84% Instrumentalness • 55% Positiveness
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Peder af Ugglas
Waltz for Bo & Anna
122 bpm • C Maj • 04:29 • -11.35db
1% Popularity • 50% Danceability • 36% Energy • 10% Liveness
95% Instrumentalness • 23% Positiveness
1% Popularity • 50% Danceability • 36% Energy • 10% Liveness
95% Instrumentalness • 23% Positiveness
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Anis Benhallak
Le Funambule De Bagdad
127 bpm • D min • 02:00 • -15.15db
31% Popularity • 37% Danceability • 7% Energy • 14% Liveness
65% Instrumentalness • 21% Positiveness
31% Popularity • 37% Danceability • 7% Energy • 14% Liveness
65% Instrumentalness • 21% Positiveness
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Chill Blues Vibes
Laid-back Blues Reverie
111 bpm • D min • 02:00 • -13.07db
12% Popularity • 68% Danceability • 27% Energy • 10% Liveness
73% Instrumentalness • 45% Positiveness
12% Popularity • 68% Danceability • 27% Energy • 10% Liveness
73% Instrumentalness • 45% Positiveness
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Levi J. Burr
Another Domino Map
111 bpm • C Maj • 05:21 • -10.55db
11% Popularity • 57% Danceability • 37% Energy • 12% Liveness
76% Instrumentalness • 11% Positiveness
11% Popularity • 57% Danceability • 37% Energy • 12% Liveness
76% Instrumentalness • 11% Positiveness
