Songs like Earthquake by Jackie Mittoo
Based on a tempo of (+/- 10%) and a similar genre
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Ken Parker
True True True
79 bpm • G Maj • 02:15 • -10db
36% Popularity • 74% Danceability • 44% Energy • 5% Liveness
9% Instrumentalness • 67% Positiveness
36% Popularity • 74% Danceability • 44% Energy • 5% Liveness
9% Instrumentalness • 67% Positiveness
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Phyllis Dillon
Love the One You're With
79 bpm • A Maj • 02:51 • -9.92db
28% Popularity • 80% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 80% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Roland Alphonso
A.B.C. Rocksteady
79 bpm • A# Maj • 02:02 • -9.61db
17% Popularity • 74% Danceability • 41% Energy • 9% Liveness
91% Instrumentalness • 46% Positiveness
17% Popularity • 74% Danceability • 41% Energy • 9% Liveness
91% Instrumentalness • 46% Positiveness
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The Abyssinians
Thunderstorm Alternate Mix
79 bpm • A Maj • 03:23 • -12.05db
13% Popularity • 78% Danceability • 67% Energy • 18% Liveness
86% Instrumentalness • 84% Positiveness
13% Popularity • 78% Danceability • 67% Energy • 18% Liveness
86% Instrumentalness • 84% Positiveness
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Dub Specialist
Hooligan
79 bpm • E min • 02:30 • -9.6db
17% Popularity • 82% Danceability • 72% Energy • 13% Liveness
30% Instrumentalness • 97% Positiveness
17% Popularity • 82% Danceability • 72% Energy • 13% Liveness
30% Instrumentalness • 97% Positiveness
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The Sound Dimension
Soulful Strut
80 bpm • A# Maj • 02:02 • -9.4db
24% Popularity • 78% Danceability • 78% Energy • 11% Liveness
59% Instrumentalness • 89% Positiveness
24% Popularity • 78% Danceability • 78% Energy • 11% Liveness
59% Instrumentalness • 89% Positiveness
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Jackie Mittoo
Earthquake
79 bpm • A# min • 03:21 • -7.68db
27% Popularity • 70% Danceability • 64% Energy • 11% Liveness
84% Instrumentalness • 62% Positiveness
27% Popularity • 70% Danceability • 64% Energy • 11% Liveness
84% Instrumentalness • 62% Positiveness
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Lennie Hibbert
Real Hot
78 bpm • F min • 02:27 • -6.84db
26% Popularity • 80% Danceability • 62% Energy • 8% Liveness
90% Instrumentalness • 49% Positiveness
26% Popularity • 80% Danceability • 62% Energy • 8% Liveness
90% Instrumentalness • 49% Positiveness
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Johnny Osbourne
Truth and Rights
80 bpm • C# min • 03:01 • -11db
39% Popularity • 77% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 77% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Joe Gibbs & The Professionals
The Entebbe Affair
78 bpm • E Maj • 02:44 • -8.68db
14% Popularity • 63% Danceability • 53% Energy • 46% Liveness
4% Instrumentalness • 50% Positiveness
14% Popularity • 63% Danceability • 53% Energy • 46% Liveness
4% Instrumentalness • 50% Positiveness
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Dub Specialist
Cairo
80 bpm • F Maj • 02:08 • -17.11db
24% Popularity • 72% Danceability • 43% Energy • 9% Liveness
92% Instrumentalness • 77% Positiveness
24% Popularity • 72% Danceability • 43% Energy • 9% Liveness
92% Instrumentalness • 77% Positiveness
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Pat Kelly
Talk About Love
78 bpm • A Maj • 02:43 • -13db
31% Popularity • 75% Danceability • 28% Energy • 8% Liveness
2% Instrumentalness • 49% Positiveness
31% Popularity • 75% Danceability • 28% Energy • 8% Liveness
2% Instrumentalness • 49% Positiveness
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Jackie Mittoo
Deeper and Deeper
78 bpm • F# Maj • 02:50 • -8.65db
18% Popularity • 58% Danceability • 59% Energy • 10% Liveness
77% Instrumentalness • 54% Positiveness
18% Popularity • 58% Danceability • 59% Energy • 10% Liveness
77% Instrumentalness • 54% Positiveness
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Vin Gordon
Red Blood
78 bpm • B min • 03:19 • -9.97db
17% Popularity • 82% Danceability • 69% Energy • 15% Liveness
76% Instrumentalness • 97% Positiveness
17% Popularity • 82% Danceability • 69% Energy • 15% Liveness
76% Instrumentalness • 97% Positiveness
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Prince Jazzbo
Crabwalking
78 bpm • A min • 03:15 • -6db
24% Popularity • 68% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 68% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Carlton & The Shoes
I've Got Soul
80 bpm • B min • 02:58 • -15.29db
18% Popularity • 58% Danceability • 30% Energy • 28% Liveness
13% Instrumentalness • 85% Positiveness
18% Popularity • 58% Danceability • 30% Energy • 28% Liveness
13% Instrumentalness • 85% Positiveness
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Joe Gibbs & The Professionals
Rockers Version
78 bpm • G# Maj • 02:48 • -14.31db
21% Popularity • 77% Danceability • 49% Energy • 5% Liveness
21% Instrumentalness • 72% Positiveness
21% Popularity • 77% Danceability • 49% Energy • 5% Liveness
21% Instrumentalness • 72% Positiveness
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Sister Nancy
Transport Connection
78 bpm • A min • 03:45 • -6.81db
40% Popularity • 59% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
40% Popularity • 59% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
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Derrick Harriott
Tonight
78 bpm • C Maj • 02:52 • -14.18db
22% Popularity • 75% Danceability • 26% Energy • 12% Liveness
67% Instrumentalness • 61% Positiveness
22% Popularity • 75% Danceability • 26% Energy • 12% Liveness
67% Instrumentalness • 61% Positiveness
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King Jammy
Jammy V Mittoo Pt 6
78 bpm • B Maj • 02:46 • -7.06db
3% Popularity • 76% Danceability • 52% Energy • 14% Liveness
62% Instrumentalness • 63% Positiveness
3% Popularity • 76% Danceability • 52% Energy • 14% Liveness
62% Instrumentalness • 63% Positiveness
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Ken Parker
A Change Gonna Come
80 bpm • C Maj • 02:54 • -15.23db
22% Popularity • 66% Danceability • 27% Energy • 13% Liveness
4% Instrumentalness • 69% Positiveness
22% Popularity • 66% Danceability • 27% Energy • 13% Liveness
4% Instrumentalness • 69% Positiveness
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Jackie Mittoo
Vibes
78 bpm • B Maj • 02:46 • -7db
13% Popularity • 76% Danceability • 54% Energy • 14% Liveness
54% Instrumentalness • 63% Positiveness
13% Popularity • 76% Danceability • 54% Energy • 14% Liveness
54% Instrumentalness • 63% Positiveness
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Brentford All-Stars
Race Track
80 bpm • G# Maj • 02:17 • -12.69db
25% Popularity • 86% Danceability • 50% Energy • 12% Liveness
46% Instrumentalness • 96% Positiveness
25% Popularity • 86% Danceability • 50% Energy • 12% Liveness
46% Instrumentalness • 96% Positiveness
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The Frightnrs
Dispute
80 bpm • G# Maj • 03:13 • -9db
44% Popularity • 72% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
44% Popularity • 72% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
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The Ethiopians
Engine 54
77 bpm • A# Maj • 02:39 • -10.91db
44% Popularity • 85% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 85% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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I-Roy
Hot Stuff
77 bpm • G Maj • 02:49 • -7.1db
21% Popularity • 68% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 93% Positiveness
21% Popularity • 68% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 93% Positiveness
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Prince Fatty
Roof Over My Dub
77 bpm • E min • 02:55 • -6.53db
31% Popularity • 68% Danceability • 68% Energy • 30% Liveness
86% Instrumentalness • 87% Positiveness
31% Popularity • 68% Danceability • 68% Energy • 30% Liveness
86% Instrumentalness • 87% Positiveness
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Al Campbell
Take a Ride
81 bpm • C# min • 02:51 • -10.27db
27% Popularity • 82% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 82% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Dub Specialist
Bionic Dub
77 bpm • E min • 03:21 • -11.39db
19% Popularity • 67% Danceability • 50% Energy • 9% Liveness
84% Instrumentalness • 93% Positiveness
19% Popularity • 67% Danceability • 50% Energy • 9% Liveness
84% Instrumentalness • 93% Positiveness
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The Frightnrs
Gotta Find a Way
77 bpm • F Maj • 03:49 • -8db
47% Popularity • 78% Danceability • 38% Energy • 9% Liveness
2% Instrumentalness • 84% Positiveness
47% Popularity • 78% Danceability • 38% Energy • 9% Liveness
2% Instrumentalness • 84% Positiveness
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The Sound Dimension
Heavy Rock
77 bpm • A Maj • 02:54 • -9.11db
16% Popularity • 73% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
16% Popularity • 73% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Hopeton Lewis
Tom Drunk
81 bpm • E min • 02:32 • -10.63db
21% Popularity • 84% Danceability • 73% Energy • 9% Liveness
3% Instrumentalness • 89% Positiveness
21% Popularity • 84% Danceability • 73% Energy • 9% Liveness
3% Instrumentalness • 89% Positiveness
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Phyllis Dillon
Picture On the Wall
81 bpm • D Maj • 02:44 • -11.38db
38% Popularity • 69% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
38% Popularity • 69% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Hortense Ellis
I'm Just a Girl
81 bpm • D Maj • 08:21 • -10.59db
15% Popularity • 75% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 75% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Dub Specialist
Take a Ride Version
81 bpm • E Maj • 02:26 • -14.52db
25% Popularity • 81% Danceability • 28% Energy • 20% Liveness
88% Instrumentalness • 72% Positiveness
25% Popularity • 81% Danceability • 28% Energy • 20% Liveness
88% Instrumentalness • 72% Positiveness
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Prince Jazzbo
School
81 bpm • B min • 02:38 • -10.18db
29% Popularity • 72% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
29% Popularity • 72% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
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The Scientist
Taxi to Baltimore
81 bpm • F Maj • 04:01 • -13db
30% Popularity • 75% Danceability • 49% Energy • 19% Liveness
48% Instrumentalness • 66% Positiveness
30% Popularity • 75% Danceability • 49% Energy • 19% Liveness
48% Instrumentalness • 66% Positiveness
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Dillinger
Natty Kung Fu
81 bpm • C# Maj • 03:03 • -10.17db
17% Popularity • 85% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 85% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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The Ethiopians
Give Me Your Love
81 bpm • E min • 02:23 • -9.99db
35% Popularity • 74% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 74% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Hortense Ellis
People Make The World Go Round
81 bpm • C# Maj • 03:16 • -9.58db
25% Popularity • 86% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
25% Popularity • 86% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Ansel Collins
Stalag 17
81 bpm • F Maj • 02:59 • -9.49db
37% Popularity • 87% Danceability • 40% Energy • 7% Liveness
74% Instrumentalness • 49% Positiveness
37% Popularity • 87% Danceability • 40% Energy • 7% Liveness
74% Instrumentalness • 49% Positiveness
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The Sound Dimension
Real Rock
81 bpm • D# Maj • 02:29 • -9db
30% Popularity • 82% Danceability • 46% Energy • 6% Liveness
94% Instrumentalness • 82% Positiveness
30% Popularity • 82% Danceability • 46% Energy • 6% Liveness
94% Instrumentalness • 82% Positiveness
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Wilburn Cole
Crying Every Night (These Eyes)
81 bpm • G Maj • 02:31 • -7.9db
39% Popularity • 87% Danceability • 68% Energy • 11% Liveness
11% Instrumentalness • 96% Positiveness
39% Popularity • 87% Danceability • 68% Energy • 11% Liveness
11% Instrumentalness • 96% Positiveness
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Hopeton Lewis
Rock A Shacka
81 bpm • C min • 02:30 • -8.59db
17% Popularity • 83% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
17% Popularity • 83% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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Jackie Mittoo
Reggae Rock
81 bpm • F min • 01:57 • -10db
26% Popularity • 75% Danceability • 44% Energy • 12% Liveness
32% Instrumentalness • 83% Positiveness
26% Popularity • 75% Danceability • 44% Energy • 12% Liveness
32% Instrumentalness • 83% Positiveness
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The Tamlins
Baltimore
81 bpm • D Maj • 04:38 • -18db
27% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Val Bennett
Baby Baby (aka 5-10-15 Hours)
77 bpm • A# Maj • 02:15 • -11.75db
29% Popularity • 78% Danceability • 45% Energy • 7% Liveness
60% Instrumentalness • 96% Positiveness
29% Popularity • 78% Danceability • 45% Energy • 7% Liveness
60% Instrumentalness • 96% Positiveness
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Keith Hudson
In The Rain
82 bpm • C# Maj • 03:14 • -8.99db
16% Popularity • 70% Danceability • 59% Energy • 6% Liveness
93% Instrumentalness • 47% Positiveness
16% Popularity • 70% Danceability • 59% Energy • 6% Liveness
93% Instrumentalness • 47% Positiveness
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Tommy McCook & The Supersonics
The Shadow of Your Smile
82 bpm • E min • 03:24 • -6.7db
34% Popularity • 83% Danceability • 46% Energy • 7% Liveness
91% Instrumentalness • 71% Positiveness
34% Popularity • 83% Danceability • 46% Energy • 7% Liveness
91% Instrumentalness • 71% Positiveness
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Ken Parker
I Can't Hide
82 bpm • C Maj • 02:25 • -10.84db
44% Popularity • 77% Danceability • 46% Energy • 5% Liveness
61% Instrumentalness • 65% Positiveness
44% Popularity • 77% Danceability • 46% Energy • 5% Liveness
61% Instrumentalness • 65% Positiveness
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Lester Sterling
Soul Voyage
82 bpm • G Maj • 02:58 • -11.56db
25% Popularity • 85% Danceability • 40% Energy • 7% Liveness
66% Instrumentalness • 74% Positiveness
25% Popularity • 85% Danceability • 40% Energy • 7% Liveness
66% Instrumentalness • 74% Positiveness
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Jennifer Lara
Consider Me
82 bpm • C min • 02:13 • -10.53db
29% Popularity • 48% Danceability • 42% Energy • 51% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 48% Danceability • 42% Energy • 51% Liveness
0% Instrumentalness • 70% Positiveness
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Marcia Griffiths
Feel Like Jumping
82 bpm • C Maj • 03:33 • -9db
38% Popularity • 78% Danceability • 43% Energy • 7% Liveness
17% Instrumentalness • 64% Positiveness
38% Popularity • 78% Danceability • 43% Energy • 7% Liveness
17% Instrumentalness • 64% Positiveness
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Dennis Bovell
Beefy's Tune
76 bpm • F# min • 02:19 • -8.01db
16% Popularity • 83% Danceability • 74% Energy • 7% Liveness
18% Instrumentalness • 81% Positiveness
16% Popularity • 83% Danceability • 74% Energy • 7% Liveness
18% Instrumentalness • 81% Positiveness
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The Paragons
Everyday Is a Holiday
76 bpm • B min • 02:35 • -9.43db
22% Popularity • 69% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
22% Popularity • 69% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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Prince Jammy
Mr Joe Is Dubbing
82 bpm • C# Maj • 02:12 • -8db
31% Popularity • 79% Danceability • 56% Energy • 8% Liveness
91% Instrumentalness • 47% Positiveness
31% Popularity • 79% Danceability • 56% Energy • 8% Liveness
91% Instrumentalness • 47% Positiveness
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Scotty
Draw Your Brakes
82 bpm • F Maj • 02:55 • -11db
40% Popularity • 82% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 82% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Carlton & The Shoes
Love Me Forever
76 bpm • A Maj • 03:54 • -10.68db
27% Popularity • 68% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
27% Popularity • 68% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Keith & Tex
Hypnotizing Eyes
82 bpm • D min • 02:54 • -7.77db
18% Popularity • 85% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
18% Popularity • 85% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
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Joe Gibbs & The Professionals
Dub Three
76 bpm • G Maj • 03:01 • -7.96db
19% Popularity • 58% Danceability • 64% Energy • 28% Liveness
78% Instrumentalness • 45% Positiveness
19% Popularity • 58% Danceability • 64% Energy • 28% Liveness
78% Instrumentalness • 45% Positiveness
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Zap Pow
Lottery Spin
76 bpm • G# min • 03:32 • -8.28db
12% Popularity • 80% Danceability • 80% Energy • 8% Liveness
4% Instrumentalness • 90% Positiveness
12% Popularity • 80% Danceability • 80% Energy • 8% Liveness
4% Instrumentalness • 90% Positiveness
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Winston Wright
Moonlight Groover
82 bpm • F Maj • 02:35 • -7.37db
16% Popularity • 71% Danceability • 60% Energy • 7% Liveness
9% Instrumentalness • 84% Positiveness
16% Popularity • 71% Danceability • 60% Energy • 7% Liveness
9% Instrumentalness • 84% Positiveness
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Aston 'Family Man' Barrett
Eastern Memphis
76 bpm • B Maj • 03:32 • -8.69db
13% Popularity • 46% Danceability • 52% Energy • 34% Liveness
88% Instrumentalness • 63% Positiveness
13% Popularity • 46% Danceability • 52% Energy • 34% Liveness
88% Instrumentalness • 63% Positiveness
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Jackie Mittoo
Summer Breeze
75 bpm • A min • 03:44 • -12.55db
27% Popularity • 73% Danceability • 48% Energy • 13% Liveness
4% Instrumentalness • 66% Positiveness
27% Popularity • 73% Danceability • 48% Energy • 13% Liveness
4% Instrumentalness • 66% Positiveness
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Hopeton Lewis
Express Yourself
83 bpm • A# min • 02:34 • -12.85db
40% Popularity • 74% Danceability • 48% Energy • 7% Liveness
28% Instrumentalness • 94% Positiveness
40% Popularity • 74% Danceability • 48% Energy • 7% Liveness
28% Instrumentalness • 94% Positiveness
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The Sound Dimension
Baby Face
83 bpm • C# Maj • 02:55 • -12.79db
22% Popularity • 76% Danceability • 47% Energy • 14% Liveness
78% Instrumentalness • 96% Positiveness
22% Popularity • 76% Danceability • 47% Energy • 14% Liveness
78% Instrumentalness • 96% Positiveness
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King Jammy
Jammy V Mittoo Pt 3
75 bpm • F# min • 03:06 • -7.13db
2% Popularity • 72% Danceability • 72% Energy • 5% Liveness
61% Instrumentalness • 95% Positiveness
2% Popularity • 72% Danceability • 72% Energy • 5% Liveness
61% Instrumentalness • 95% Positiveness
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Hugh Mundell
Africa Must Be Free By 1983
75 bpm • G# Maj • 02:28 • -11.01db
37% Popularity • 76% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 76% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Hortense Ellis
Sitting in the Park
83 bpm • G Maj • 03:06 • -7.9db
18% Popularity • 57% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
18% Popularity • 57% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Jackie Mittoo
Waiting for Love
75 bpm • F# min • 03:06 • -7.14db
18% Popularity • 74% Danceability • 74% Energy • 7% Liveness
63% Instrumentalness • 96% Positiveness
18% Popularity • 74% Danceability • 74% Energy • 7% Liveness
63% Instrumentalness • 96% Positiveness
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The Frightnrs
Gonna Make Time Version
75 bpm • C Maj • 03:57 • -12db
34% Popularity • 77% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 77% Positiveness
34% Popularity • 77% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 77% Positiveness
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Niney The Observer
Blood and Fire
83 bpm • G Maj • 03:08 • -16db
41% Popularity • 85% Danceability • 27% Energy • 4% Liveness
1% Instrumentalness • 82% Positiveness
41% Popularity • 85% Danceability • 27% Energy • 4% Liveness
1% Instrumentalness • 82% Positiveness
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Harry Mudie
Heavy Duty Dub
84 bpm • C# Maj • 02:59 • -13.96db
31% Popularity • 70% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 48% Positiveness
31% Popularity • 70% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 48% Positiveness
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Desmond Dekker & The Aces
Fu Man Chu
84 bpm • A min • 03:17 • -12.43db
50% Popularity • 75% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
50% Popularity • 75% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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The Abyssinians
Satta - Amassa - Gana
75 bpm • C# min • 03:41 • -4db
38% Popularity • 56% Danceability • 76% Energy • 51% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 56% Danceability • 76% Energy • 51% Liveness
0% Instrumentalness • 70% Positiveness
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Jackie Mittoo
Drum Ting
83 bpm • A# min • 04:19 • -9.04db
20% Popularity • 74% Danceability • 64% Energy • 18% Liveness
92% Instrumentalness • 96% Positiveness
20% Popularity • 74% Danceability • 64% Energy • 18% Liveness
92% Instrumentalness • 96% Positiveness
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Poet and The Roots
Five Nights Of Bleeding - 1990 Digital R...
75 bpm • G# Maj • 04:29 • -18db
27% Popularity • 85% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 85% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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The Ethiopians
No Baptism
74 bpm • G# Maj • 02:43 • -7.61db
44% Popularity • 79% Danceability • 47% Energy • 19% Liveness
86% Instrumentalness • 69% Positiveness
44% Popularity • 79% Danceability • 47% Energy • 19% Liveness
86% Instrumentalness • 69% Positiveness
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The Frightnrs
Gonna Make Time
74 bpm • C Maj • 03:34 • -10db
51% Popularity • 72% Danceability • 49% Energy • 6% Liveness
51% Instrumentalness • 93% Positiveness
51% Popularity • 72% Danceability • 49% Energy • 6% Liveness
51% Instrumentalness • 93% Positiveness
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Desmond Dekker & The Aces
Fu Manchu
84 bpm • D min • 03:08 • -15db
33% Popularity • 69% Danceability • 26% Energy • 9% Liveness
2% Instrumentalness • 87% Positiveness
33% Popularity • 69% Danceability • 26% Energy • 9% Liveness
2% Instrumentalness • 87% Positiveness
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Junior Murvin
Cool Out Son
74 bpm • D# Maj • 03:19 • -10.21db
39% Popularity • 86% Danceability • 35% Energy • 6% Liveness
1% Instrumentalness • 72% Positiveness
39% Popularity • 86% Danceability • 35% Energy • 6% Liveness
1% Instrumentalness • 72% Positiveness
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Don Drummond
Heavenless
74 bpm • F Maj • 06:12 • -10db
23% Popularity • 75% Danceability • 50% Energy • 11% Liveness
89% Instrumentalness • 63% Positiveness
23% Popularity • 75% Danceability • 50% Energy • 11% Liveness
89% Instrumentalness • 63% Positiveness
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The Sound Dimension
Rockfort Rock
84 bpm • G Maj • 02:23 • -10.98db
29% Popularity • 72% Danceability • 46% Energy • 24% Liveness
89% Instrumentalness • 56% Positiveness
29% Popularity • 72% Danceability • 46% Energy • 24% Liveness
89% Instrumentalness • 56% Positiveness
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Niney The Observer
Jah Fire
74 bpm • G Maj • 02:37 • -9db
36% Popularity • 85% Danceability • 53% Energy • 5% Liveness
5% Instrumentalness • 69% Positiveness
36% Popularity • 85% Danceability • 53% Energy • 5% Liveness
5% Instrumentalness • 69% Positiveness
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The Tennors
Weather Report
74 bpm • C# Maj • 02:25 • -10db
40% Popularity • 74% Danceability • 49% Energy • 7% Liveness
1% Instrumentalness • 93% Positiveness
40% Popularity • 74% Danceability • 49% Energy • 7% Liveness
1% Instrumentalness • 93% Positiveness
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Johnny Clarke
Declaration Of Rights - Remastered 2000
74 bpm • E min • 03:26 • -10.96db
41% Popularity • 77% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 77% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Junior Murvin
Guitar Dub
74 bpm • A# Maj • 03:07 • -14.61db
29% Popularity • 74% Danceability • 22% Energy • 16% Liveness
90% Instrumentalness • 65% Positiveness
29% Popularity • 74% Danceability • 22% Energy • 16% Liveness
90% Instrumentalness • 65% Positiveness
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Roots Radics
The Alien Aborts
74 bpm • C# Maj • 03:20 • -14.32db
36% Popularity • 77% Danceability • 41% Energy • 15% Liveness
54% Instrumentalness • 50% Positiveness
36% Popularity • 77% Danceability • 41% Energy • 15% Liveness
54% Instrumentalness • 50% Positiveness
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Dub Specialist
Still Dubbing
85 bpm • G Maj • 02:24 • -12.51db
19% Popularity • 73% Danceability • 63% Energy • 18% Liveness
92% Instrumentalness • 72% Positiveness
19% Popularity • 73% Danceability • 63% Energy • 18% Liveness
92% Instrumentalness • 72% Positiveness
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King Jammy
Jammy V Mittoo Pt 11
74 bpm • G min • 04:19 • -3.45db
2% Popularity • 62% Danceability • 69% Energy • 14% Liveness
42% Instrumentalness • 62% Positiveness
2% Popularity • 62% Danceability • 69% Energy • 14% Liveness
42% Instrumentalness • 62% Positiveness
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The Frightnrs
Lookin' for My Love
74 bpm • C# Maj • 03:06 • -9.52db
25% Popularity • 63% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 69% Positiveness
25% Popularity • 63% Danceability • 48% Energy • 9% Liveness
1% Instrumentalness • 69% Positiveness
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Derrick Harriott
Do I Worry?
85 bpm • E min • 02:51 • -14.4db
29% Popularity • 85% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 85% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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The Techniques
I Wish It Would Rain
85 bpm • A# Maj • 02:22 • -9.26db
34% Popularity • 79% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
34% Popularity • 79% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Lloyd Charmers
Mudies Mood
74 bpm • G Maj • 02:41 • -7db
24% Popularity • 53% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 53% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Dillinger
Spike Heel Shoes
85 bpm • D min • 03:54 • -8db
29% Popularity • 81% Danceability • 49% Energy • 10% Liveness
21% Instrumentalness • 86% Positiveness
29% Popularity • 81% Danceability • 49% Energy • 10% Liveness
21% Instrumentalness • 86% Positiveness
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Brother Dan All Stars
Eastern Organ
85 bpm • C min • 02:55 • -7.87db
9% Popularity • 75% Danceability • 51% Energy • 10% Liveness
85% Instrumentalness • 84% Positiveness
9% Popularity • 75% Danceability • 51% Energy • 10% Liveness
85% Instrumentalness • 84% Positiveness
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The Sound Dimension
Summertime
85 bpm • E min • 03:02 • -8.39db
12% Popularity • 72% Danceability • 50% Energy • 21% Liveness
60% Instrumentalness • 65% Positiveness
12% Popularity • 72% Danceability • 50% Energy • 21% Liveness
60% Instrumentalness • 65% Positiveness
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Prince Jammy
Martian Encounter
73 bpm • A# min • 04:29 • -12.9db
29% Popularity • 74% Danceability • 33% Energy • 34% Liveness
80% Instrumentalness • 56% Positiveness
29% Popularity • 74% Danceability • 33% Energy • 34% Liveness
80% Instrumentalness • 56% Positiveness
