Songs like Easy Does It by The Big 18
Based on a tempo of (+/- 10%) and a similar genre
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Firecracker Jazz Band
Sleepy Head
125 bpm • F Maj • 05:29 • -8db
15% Popularity • 68% Danceability • 44% Energy • 14% Liveness
44% Instrumentalness • 64% Positiveness
15% Popularity • 68% Danceability • 44% Energy • 14% Liveness
44% Instrumentalness • 64% Positiveness
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Count Basie Trio
(Un) Easy Does It
125 bpm • F Maj • 04:03 • -25db
14% Popularity • 68% Danceability • 18% Energy • 10% Liveness
85% Instrumentalness • 31% Positiveness
14% Popularity • 68% Danceability • 18% Energy • 10% Liveness
85% Instrumentalness • 31% Positiveness
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Buddy Johnson
Walk 'Em
125 bpm • A# Maj • 02:50 • -10db
18% Popularity • 60% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 60% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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The Big 18
Easy Does It
125 bpm • C# Maj • 05:14 • -20.58db
27% Popularity • 64% Danceability • 13% Energy • 13% Liveness
1% Instrumentalness • 74% Positiveness
27% Popularity • 64% Danceability • 13% Energy • 13% Liveness
1% Instrumentalness • 74% Positiveness
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Lily Wilde and her Jumpin' Jubilee Orchestra
Mister Five By Five
125 bpm • D Maj • 03:07 • -9.66db
29% Popularity • 72% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 72% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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Cootie Williams
Do Nothing Till You Hear from Me
125 bpm • G min • 03:59 • -9.3db
12% Popularity • 74% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 74% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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Mint Julep Jazz Band
Exactly Like You
125 bpm • D min • 03:25 • -10db
16% Popularity • 77% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 77% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Le Dancing Pepa Swing Band
On the Sunny Side of the Street
124 bpm • G Maj • 03:31 • -16.94db
17% Popularity • 80% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 53% Positiveness
17% Popularity • 80% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 53% Positiveness
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Buddy Johnson
No More Love
125 bpm • E min • 03:04 • -9.52db
16% Popularity • 85% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 85% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Southside Aces
New Orleans Bump
126 bpm • F min • 03:28 • -8.45db
9% Popularity • 71% Danceability • 34% Energy • 24% Liveness
92% Instrumentalness • 18% Positiveness
9% Popularity • 71% Danceability • 34% Energy • 24% Liveness
92% Instrumentalness • 18% Positiveness
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The Big 18
Easy Does It - Remastered
125 bpm • C# Maj • 05:15 • -11.94db
1% Popularity • 62% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
1% Popularity • 62% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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Stockholm Swing All Stars
Goosey Gander
126 bpm • F# Maj • 03:33 • -10db
14% Popularity • 56% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 56% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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June Christy
Shoo Fly Pie and Apple Pan Dow
124 bpm • G# Maj • 02:38 • -9db
32% Popularity • 65% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 65% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Benny Goodman Quartet
Dinah
124 bpm • F min • 02:39 • -14db
31% Popularity • 74% Danceability • 36% Energy • 20% Liveness
92% Instrumentalness • 96% Positiveness
31% Popularity • 74% Danceability • 36% Energy • 20% Liveness
92% Instrumentalness • 96% Positiveness
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Kid Ory's Creole Jazz Band
Savoy Blues
126 bpm • G min • 03:03 • -9db
30% Popularity • 70% Danceability • 45% Energy • 6% Liveness
88% Instrumentalness • 78% Positiveness
30% Popularity • 70% Danceability • 45% Energy • 6% Liveness
88% Instrumentalness • 78% Positiveness
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Charlie Barnet
The Last Jump
124 bpm • A# Maj • 02:43 • -6.89db
18% Popularity • 64% Danceability • 71% Energy • 7% Liveness
60% Instrumentalness • 94% Positiveness
18% Popularity • 64% Danceability • 71% Energy • 7% Liveness
60% Instrumentalness • 94% Positiveness
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The Big 18
I'm Prayin' Humble
126 bpm • A# min • 02:59 • -7.17db
1% Popularity • 53% Danceability • 68% Energy • 25% Liveness
60% Instrumentalness • 78% Positiveness
1% Popularity • 53% Danceability • 68% Energy • 25% Liveness
60% Instrumentalness • 78% Positiveness
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Jonathan Stout and his Campus Five
Swingin' on Nothin'
124 bpm • F min • 03:45 • -13.87db
36% Popularity • 73% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 73% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Steve Lucky & The Rhumba Bums
How Come
124 bpm • D# Maj • 03:04 • -5.39db
25% Popularity • 62% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 62% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Reverent Juke
Jammin' the Blues
126 bpm • F Maj • 02:04 • -9.13db
31% Popularity • 66% Danceability • 60% Energy • 8% Liveness
73% Instrumentalness • 89% Positiveness
31% Popularity • 66% Danceability • 60% Energy • 8% Liveness
73% Instrumentalness • 89% Positiveness
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Wilbur De Paris
Shreveport Stomp
127 bpm • A# Maj • 03:00 • -12db
19% Popularity • 67% Danceability • 54% Energy • 10% Liveness
85% Instrumentalness • 92% Positiveness
19% Popularity • 67% Danceability • 54% Energy • 10% Liveness
85% Instrumentalness • 92% Positiveness
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Hot Sugar Band
Sandu
127 bpm • D# Maj • 04:21 • -8.5db
27% Popularity • 66% Danceability • 47% Energy • 10% Liveness
79% Instrumentalness • 64% Positiveness
27% Popularity • 66% Danceability • 47% Energy • 10% Liveness
79% Instrumentalness • 64% Positiveness
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The Big 18
I'm Praying Humble
126 bpm • A# min • 02:58 • -16.46db
1% Popularity • 53% Danceability • 35% Energy • 53% Liveness
93% Instrumentalness • 80% Positiveness
1% Popularity • 53% Danceability • 35% Energy • 53% Liveness
93% Instrumentalness • 80% Positiveness
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Norbert Susemihl
Do Your Duty
127 bpm • C Maj • 03:41 • -13db
26% Popularity • 71% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 71% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Hot Swing Sextet
A Smooth One
123 bpm • A min • 03:21 • -6.83db
24% Popularity • 83% Danceability • 42% Energy • 7% Liveness
28% Instrumentalness • 60% Positiveness
24% Popularity • 83% Danceability • 42% Energy • 7% Liveness
28% Instrumentalness • 60% Positiveness
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King Of Swing Orchestra
All of Me
123 bpm • C Maj • 03:02 • -10.14db
23% Popularity • 56% Danceability • 41% Energy • 72% Liveness
8% Instrumentalness • 46% Positiveness
23% Popularity • 56% Danceability • 41% Energy • 72% Liveness
8% Instrumentalness • 46% Positiveness
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Lily Wilde and her Jumpin' Jubilee Orchestra
No More Love
127 bpm • D Maj • 03:36 • -9.6db
25% Popularity • 74% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 74% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Swing Dance Orchestra
Dinah
127 bpm • D min • 02:43 • -15.72db
14% Popularity • 61% Danceability • 26% Energy • 24% Liveness
47% Instrumentalness • 66% Positiveness
14% Popularity • 61% Danceability • 26% Energy • 24% Liveness
47% Instrumentalness • 66% Positiveness
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The Big 18
Easy Does It
123 bpm • C# Maj • 05:15 • -14.87db
2% Popularity • 63% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
2% Popularity • 63% Danceability • 24% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Mint Julep Jazz Band
You Can’t Live in Harlem
123 bpm • D Maj • 02:50 • -8.93db
16% Popularity • 80% Danceability • 39% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 80% Danceability • 39% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
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Lucky Millinder
Ram-Bunk-Shush
128 bpm • C Maj • 02:35 • -6.28db
16% Popularity • 71% Danceability • 50% Energy • 22% Liveness
13% Instrumentalness • 77% Positiveness
16% Popularity • 71% Danceability • 50% Energy • 22% Liveness
13% Instrumentalness • 77% Positiveness
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Giorgio Cùscito & Swing Valley Band
Silent George
128 bpm • C min • 02:50 • -10.55db
15% Popularity • 63% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 63% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Brooks Prumo Orchestra
Simple Sweet Embrace
122 bpm • C# Maj • 03:34 • -9.44db
13% Popularity • 59% Danceability • 29% Energy • 6% Liveness
83% Instrumentalness • 32% Positiveness
13% Popularity • 59% Danceability • 29% Energy • 6% Liveness
83% Instrumentalness • 32% Positiveness
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Peggy Lee With The Benny Goodman Orchestra
On The Sunny Side Of The Street
122 bpm • G min • 03:12 • -13.59db
27% Popularity • 80% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 80% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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The Big 18
Five O'clock Drag - Remastered
128 bpm • G min • 05:44 • -10.52db
0% Popularity • 68% Danceability • 42% Energy • 14% Liveness
56% Instrumentalness • 72% Positiveness
0% Popularity • 68% Danceability • 42% Energy • 14% Liveness
56% Instrumentalness • 72% Positiveness
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Hot Swing Sextet
Bunny
122 bpm • C Maj • 03:18 • -9.25db
29% Popularity • 87% Danceability • 28% Energy • 8% Liveness
83% Instrumentalness • 46% Positiveness
29% Popularity • 87% Danceability • 28% Energy • 8% Liveness
83% Instrumentalness • 46% Positiveness
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Lucky Millinder
Ow!
122 bpm • C# Maj • 02:23 • -3db
11% Popularity • 63% Danceability • 77% Energy • 31% Liveness
27% Instrumentalness • 46% Positiveness
11% Popularity • 63% Danceability • 77% Energy • 31% Liveness
27% Instrumentalness • 46% Positiveness
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Johnny Dodds
Clarinet Wobble
122 bpm • F Maj • 02:35 • -8.93db
25% Popularity • 68% Danceability • 27% Energy • 15% Liveness
65% Instrumentalness • 75% Positiveness
25% Popularity • 68% Danceability • 27% Energy • 15% Liveness
65% Instrumentalness • 75% Positiveness
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Le Dancing Pepa Swing Band
Sweet Vanilla
128 bpm • D# Maj • 03:16 • -8.83db
25% Popularity • 69% Danceability • 24% Energy • 14% Liveness
7% Instrumentalness • 54% Positiveness
25% Popularity • 69% Danceability • 24% Energy • 14% Liveness
7% Instrumentalness • 54% Positiveness
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Andreas Sobczyk Quartett
Like It Is
129 bpm • G# Maj • 02:52 • -12db
31% Popularity • 78% Danceability • 43% Energy • 9% Liveness
95% Instrumentalness • 88% Positiveness
31% Popularity • 78% Danceability • 43% Energy • 9% Liveness
95% Instrumentalness • 88% Positiveness
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The Big 18
Five O'Clock Drag
128 bpm • A# Maj • 05:43 • -20.04db
9% Popularity • 68% Danceability • 22% Energy • 20% Liveness
91% Instrumentalness • 70% Positiveness
9% Popularity • 68% Danceability • 22% Energy • 20% Liveness
91% Instrumentalness • 70% Positiveness
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Fletcher Henderson
Shanghai Shuffle
129 bpm • F# Maj • 02:58 • -10db
22% Popularity • 72% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 93% Positiveness
22% Popularity • 72% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 93% Positiveness
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Stockholm Swing All Stars
Doodlin'
129 bpm • F# Maj • 04:22 • -12.25db
17% Popularity • 63% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 63% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Les Brown
The Claw
129 bpm • G# Maj • 03:27 • -18db
4% Popularity • 62% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
4% Popularity • 62% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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King Oliver
A Sheridan Square
121 bpm • G Maj • 03:22 • -11.74db
20% Popularity • 83% Danceability • 14% Energy • 8% Liveness
82% Instrumentalness • 74% Positiveness
20% Popularity • 83% Danceability • 14% Energy • 8% Liveness
82% Instrumentalness • 74% Positiveness
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Erroll Garner Trio
Frantonality - Version 2
129 bpm • D# min • 02:53 • -17db
23% Popularity • 70% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 54% Positiveness
23% Popularity • 70% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 54% Positiveness
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Mint Julep Jazz Band
The Dwindling Light By the Sea
121 bpm • D Maj • 03:32 • -12.31db
16% Popularity • 81% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 81% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Lily Wilde and her Jumpin' Jubilee Orchestra
Jumpin' Jack
121 bpm • A# Maj • 03:51 • -9.67db
12% Popularity • 69% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 69% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Buddy Johnson
Be Careful
121 bpm • C Maj • 03:08 • -9.05db
18% Popularity • 84% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 84% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Lucky Millinder
Let It Roll Again
129 bpm • G# Maj • 02:58 • -3.24db
13% Popularity • 62% Danceability • 51% Energy • 44% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 62% Danceability • 51% Energy • 44% Liveness
0% Instrumentalness • 75% Positiveness
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Una Mae Carlisle
Blitzkrieg Baby
129 bpm • C min • 03:21 • -14.39db
18% Popularity • 81% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 81% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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The Jonah Jones Quartet
Night Train
121 bpm • C# Maj • 02:26 • -8.84db
17% Popularity • 68% Danceability • 40% Energy • 7% Liveness
90% Instrumentalness • 82% Positiveness
17% Popularity • 68% Danceability • 40% Energy • 7% Liveness
90% Instrumentalness • 82% Positiveness
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Charlie Barnet & His Orchestra
Southern Fried
129 bpm • A# Maj • 03:24 • -9.23db
29% Popularity • 70% Danceability • 30% Energy • 10% Liveness
77% Instrumentalness • 65% Positiveness
29% Popularity • 70% Danceability • 30% Energy • 10% Liveness
77% Instrumentalness • 65% Positiveness
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Benny Goodman Quartet
Tea for Two - 1996 Remastered
129 bpm • G# Maj • 03:05 • -10db
33% Popularity • 77% Danceability • 49% Energy • 7% Liveness
23% Instrumentalness • 84% Positiveness
33% Popularity • 77% Danceability • 49% Energy • 7% Liveness
23% Instrumentalness • 84% Positiveness
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Heart of Dixie
Like It Is
120 bpm • F min • 04:05 • -12.12db
14% Popularity • 87% Danceability • 30% Energy • 12% Liveness
89% Instrumentalness • 59% Positiveness
14% Popularity • 87% Danceability • 30% Energy • 12% Liveness
89% Instrumentalness • 59% Positiveness
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Glenn Crytzer
Mr. Rhythm
130 bpm • F min • 04:08 • -16db
27% Popularity • 60% Danceability • 28% Energy • 35% Liveness
1% Instrumentalness • 82% Positiveness
27% Popularity • 60% Danceability • 28% Energy • 35% Liveness
1% Instrumentalness • 82% Positiveness
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Jonathan Stout and his Campus Five
Oomph Fa Fa
130 bpm • F Maj • 03:35 • -16.21db
23% Popularity • 76% Danceability • 20% Energy • 10% Liveness
30% Instrumentalness • 62% Positiveness
23% Popularity • 76% Danceability • 20% Energy • 10% Liveness
30% Instrumentalness • 62% Positiveness
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Mint Julep Jazz Band
If I Didn't Care
120 bpm • A min • 03:22 • -9.45db
20% Popularity • 67% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 67% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Charlie Barnet
Shake, Rattle 'N Roll (Afternoon of a Mo...
130 bpm • G# Maj • 03:27 • -12db
20% Popularity • 80% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 91% Positiveness
20% Popularity • 80% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 91% Positiveness
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Stockholm Swing All Stars
Wings and Things
130 bpm • F# Maj • 04:42 • -10db
8% Popularity • 57% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 57% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Henry "Red" Allen
Ain't Misbehavin'
130 bpm • D# Maj • 05:09 • -11.35db
3% Popularity • 54% Danceability • 37% Energy • 62% Liveness
0% Instrumentalness • 68% Positiveness
3% Popularity • 54% Danceability • 37% Energy • 62% Liveness
0% Instrumentalness • 68% Positiveness
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The Solomon Douglas Swingtet
New Orleans Bump
119 bpm • F min • 03:35 • -9.02db
10% Popularity • 69% Danceability • 20% Energy • 8% Liveness
40% Instrumentalness • 57% Positiveness
10% Popularity • 69% Danceability • 20% Energy • 8% Liveness
40% Instrumentalness • 57% Positiveness
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Erskine Hawkins
Downbeat
131 bpm • F min • 03:12 • -5db
8% Popularity • 66% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 71% Positiveness
8% Popularity • 66% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 71% Positiveness
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Mint Julep Jazz Band
Ducky Wucky
130 bpm • D Maj • 03:14 • -11.69db
10% Popularity • 63% Danceability • 29% Energy • 9% Liveness
32% Instrumentalness • 66% Positiveness
10% Popularity • 63% Danceability • 29% Energy • 9% Liveness
32% Instrumentalness • 66% Positiveness
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Michael Gamble & The Rhythm Serenaders
Rigamarole
119 bpm • A# Maj • 02:24 • -15db
9% Popularity • 82% Danceability • 46% Energy • 12% Liveness
75% Instrumentalness • 87% Positiveness
9% Popularity • 82% Danceability • 46% Energy • 12% Liveness
75% Instrumentalness • 87% Positiveness
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Reverent Juke
What Did She Do ?
131 bpm • A# Maj • 03:32 • -6.86db
20% Popularity • 78% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 78% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Eddie Condon
(You're Some) Pretty Doll
119 bpm • G min • 02:50 • -14.09db
28% Popularity • 64% Danceability • 22% Energy • 35% Liveness
94% Instrumentalness • 61% Positiveness
28% Popularity • 64% Danceability • 22% Energy • 35% Liveness
94% Instrumentalness • 61% Positiveness
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Meschiya Lake and The Little Big Horns
Do Right
131 bpm • F min • 02:59 • -7.24db
21% Popularity • 78% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
21% Popularity • 78% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 87% Positiveness
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Le Dancing Pepa Swing Band
Splanky
119 bpm • F# Maj • 04:17 • -5.81db
11% Popularity • 72% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 72% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Duke Heitger & His Swing Band
That's My Home
119 bpm • G# Maj • 04:16 • -9.44db
13% Popularity • 66% Danceability • 30% Energy • 11% Liveness
14% Instrumentalness • 56% Positiveness
13% Popularity • 66% Danceability • 30% Energy • 11% Liveness
14% Instrumentalness • 56% Positiveness
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Mat Najean Jazz Band
Robert Jones
131 bpm • C# Maj • 04:09 • -6.32db
12% Popularity • 77% Danceability • 39% Energy • 14% Liveness
93% Instrumentalness • 61% Positiveness
12% Popularity • 77% Danceability • 39% Energy • 14% Liveness
93% Instrumentalness • 61% Positiveness
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Charlie Barnet & His Orchestra
Scotch and Soda
131 bpm • D# Maj • 02:46 • -10db
22% Popularity • 60% Danceability • 44% Energy • 16% Liveness
89% Instrumentalness • 96% Positiveness
22% Popularity • 60% Danceability • 44% Energy • 16% Liveness
89% Instrumentalness • 96% Positiveness
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Jo Jones Trio
My Blue Heaven
131 bpm • D# min • 02:49 • -8.41db
13% Popularity • 62% Danceability • 55% Energy • 9% Liveness
78% Instrumentalness • 54% Positiveness
13% Popularity • 62% Danceability • 55% Energy • 9% Liveness
78% Instrumentalness • 54% Positiveness
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Glenn Crytzer
Wallingford Wiggles
119 bpm • A min • 04:36 • -15.96db
17% Popularity • 65% Danceability • 36% Energy • 23% Liveness
50% Instrumentalness • 52% Positiveness
17% Popularity • 65% Danceability • 36% Energy • 23% Liveness
50% Instrumentalness • 52% Positiveness
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Eyal Vilner Big Band
Call Me Tomorrow, I Come Next Week
119 bpm • C# Maj • 03:22 • -9.58db
18% Popularity • 56% Danceability • 34% Energy • 6% Liveness
13% Instrumentalness • 66% Positiveness
18% Popularity • 56% Danceability • 34% Energy • 6% Liveness
13% Instrumentalness • 66% Positiveness
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Erskine Hawkins
Dolomite
132 bpm • C min • 03:37 • -15.66db
16% Popularity • 69% Danceability • 13% Energy • 44% Liveness
33% Instrumentalness • 70% Positiveness
16% Popularity • 69% Danceability • 13% Energy • 44% Liveness
33% Instrumentalness • 70% Positiveness
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Brooks Prumo Orchestra
Blue Lester
119 bpm • F min • 03:30 • -8.87db
16% Popularity • 70% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 70% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Gentlemen & Gangsters
I'm Beginning to See the Light
119 bpm • C min • 03:47 • -9.48db
18% Popularity • 71% Danceability • 54% Energy • 11% Liveness
2% Instrumentalness • 43% Positiveness
18% Popularity • 71% Danceability • 54% Energy • 11% Liveness
2% Instrumentalness • 43% Positiveness
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Charlie Barnet
Shake Rattle and Roll
132 bpm • F min • 03:24 • -7.71db
24% Popularity • 70% Danceability • 47% Energy • 8% Liveness
89% Instrumentalness • 87% Positiveness
24% Popularity • 70% Danceability • 47% Energy • 8% Liveness
89% Instrumentalness • 87% Positiveness
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Glenn Crytzer
The Clamjammer
119 bpm • G Maj • 02:29 • -15.92db
9% Popularity • 56% Danceability • 46% Energy • 17% Liveness
91% Instrumentalness • 84% Positiveness
9% Popularity • 56% Danceability • 46% Energy • 17% Liveness
91% Instrumentalness • 84% Positiveness
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The New Orleans Jazz Vipers
All That Meat & No Potatoes
132 bpm • A# Maj • 03:49 • -6.81db
20% Popularity • 77% Danceability • 31% Energy • 11% Liveness
9% Instrumentalness • 80% Positiveness
20% Popularity • 77% Danceability • 31% Energy • 11% Liveness
9% Instrumentalness • 80% Positiveness
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The Veterinary Street Jazz Band
Snag it
118 bpm • D# Maj • 04:32 • -16.49db
22% Popularity • 76% Danceability • 29% Energy • 6% Liveness
89% Instrumentalness • 77% Positiveness
22% Popularity • 76% Danceability • 29% Energy • 6% Liveness
89% Instrumentalness • 77% Positiveness
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Hot Sugar Band
Bouncin Around
118 bpm • F min • 03:52 • -11.31db
27% Popularity • 65% Danceability • 26% Energy • 21% Liveness
70% Instrumentalness • 58% Positiveness
27% Popularity • 65% Danceability • 26% Energy • 21% Liveness
70% Instrumentalness • 58% Positiveness
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Lucky Millinder
Are You Ready?
132 bpm • G min • 03:05 • -12.51db
15% Popularity • 73% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 73% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Michael Gamble & The Rhythm Serenaders
Man About Town
118 bpm • A# Maj • 03:51 • -20.03db
19% Popularity • 69% Danceability • 7% Energy • 15% Liveness
46% Instrumentalness • 64% Positiveness
19% Popularity • 69% Danceability • 7% Energy • 15% Liveness
46% Instrumentalness • 64% Positiveness
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Bix Beiderbecke
Singin' The Blues
132 bpm • C min • 03:00 • -12db
38% Popularity • 71% Danceability • 21% Energy • 8% Liveness
80% Instrumentalness • 82% Positiveness
38% Popularity • 71% Danceability • 21% Energy • 8% Liveness
80% Instrumentalness • 82% Positiveness
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Al Cooper
See What I Mean? (02-28-41)
133 bpm • F Maj • 03:06 • -11.99db
6% Popularity • 61% Danceability • 26% Energy • 31% Liveness
1% Instrumentalness • 48% Positiveness
6% Popularity • 61% Danceability • 26% Energy • 31% Liveness
1% Instrumentalness • 48% Positiveness
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Charlie Barnet & His Orchestra
Wild Mab Of Fish Pond
132 bpm • A# Maj • 03:15 • -6.51db
22% Popularity • 63% Danceability • 38% Energy • 9% Liveness
62% Instrumentalness • 82% Positiveness
22% Popularity • 63% Danceability • 38% Energy • 9% Liveness
62% Instrumentalness • 82% Positiveness
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Francis Panama And His Savoy Sultans
Gettin' In The Groove
133 bpm • C# Maj • 03:06 • -11.89db
27% Popularity • 76% Danceability • 31% Energy • 7% Liveness
83% Instrumentalness • 65% Positiveness
27% Popularity • 76% Danceability • 31% Energy • 7% Liveness
83% Instrumentalness • 65% Positiveness
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Lucky Millinder
Silent George
132 bpm • A# Maj • 02:39 • -5.15db
13% Popularity • 68% Danceability • 50% Energy • 74% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 68% Danceability • 50% Energy • 74% Liveness
0% Instrumentalness • 79% Positiveness
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King Of Swing Orchestra
Jumpin' At the Woodside
133 bpm • D# Maj • 03:01 • -9.14db
18% Popularity • 45% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 45% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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The Bourbon Street Stompers
Big Butter And Eggman
133 bpm • C Maj • 05:00 • -7.58db
15% Popularity • 71% Danceability • 43% Energy • 15% Liveness
38% Instrumentalness • 52% Positiveness
15% Popularity • 71% Danceability • 43% Energy • 15% Liveness
38% Instrumentalness • 52% Positiveness
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Le Dancing Pepa Swing Band
The Cat Walk
118 bpm • A# Maj • 03:46 • -11.43db
10% Popularity • 79% Danceability • 21% Energy • 15% Liveness
11% Instrumentalness • 29% Positiveness
10% Popularity • 79% Danceability • 21% Energy • 15% Liveness
11% Instrumentalness • 29% Positiveness
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Buddy Johnson
Li'l Dog
118 bpm • F min • 03:06 • -7.95db
13% Popularity • 65% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 73% Positiveness
13% Popularity • 65% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 73% Positiveness
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Reverent Juke
East St. Louis Toodle-Oo
118 bpm • C min • 03:41 • -13.81db
23% Popularity • 56% Danceability • 18% Energy • 10% Liveness
75% Instrumentalness • 53% Positiveness
23% Popularity • 56% Danceability • 18% Energy • 10% Liveness
75% Instrumentalness • 53% Positiveness
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Hot Swing Sextet
Effervescent Blues
117 bpm • A# Maj • 02:46 • -7.48db
29% Popularity • 81% Danceability • 41% Energy • 11% Liveness
66% Instrumentalness • 61% Positiveness
29% Popularity • 81% Danceability • 41% Energy • 11% Liveness
66% Instrumentalness • 61% Positiveness
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Benny Goodman Quartet
My Melancholy Baby
133 bpm • C Maj • 03:27 • -18.01db
28% Popularity • 78% Danceability • 18% Energy • 32% Liveness
61% Instrumentalness • 73% Positiveness
28% Popularity • 78% Danceability • 18% Energy • 32% Liveness
61% Instrumentalness • 73% Positiveness
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Cootie Williams
Summit Ridge Drive
133 bpm • F Maj • 03:20 • -9.76db
14% Popularity • 62% Danceability • 34% Energy • 9% Liveness
3% Instrumentalness • 60% Positiveness
14% Popularity • 62% Danceability • 34% Energy • 9% Liveness
3% Instrumentalness • 60% Positiveness
