Songs like Easy Keys by Exam Study Classical Music Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Orquesta de Cámara de Radio Praga
Violin Sonata No. 5 in F Major, Op. 24: ...
69 bpm • A# Maj • 06:40 • -24.81db
14% Popularity • 17% Danceability • 2% Energy • 6% Liveness
24% Instrumentalness • 14% Positiveness
14% Popularity • 17% Danceability • 2% Energy • 6% Liveness
24% Instrumentalness • 14% Positiveness
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Robert Schumann
Album fur die Jugend (Album for the Youn...
69 bpm • D# Maj • 02:56 • -28db
17% Popularity • 27% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 13% Positiveness
17% Popularity • 27% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 13% Positiveness
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Various Artists
Concerto For Claninet And Orchestra In A...
69 bpm • D Maj • 08:56 • -17db
11% Popularity • 10% Danceability • 8% Energy • 8% Liveness
60% Instrumentalness • 8% Positiveness
11% Popularity • 10% Danceability • 8% Energy • 8% Liveness
60% Instrumentalness • 8% Positiveness
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Royal Wedding Orchestra
Hendel - Largo
69 bpm • G Maj • 02:33 • -21db
27% Popularity • 46% Danceability • 9% Energy • 14% Liveness
96% Instrumentalness • 40% Positiveness
27% Popularity • 46% Danceability • 9% Energy • 14% Liveness
96% Instrumentalness • 40% Positiveness
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Simplicity
Honesty
69 bpm • A Maj • 01:44 • -19.76db
41% Popularity • 46% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 34% Positiveness
41% Popularity • 46% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 34% Positiveness
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Chopin Consort
Nocturnes Op 37 No1 in G Minor
69 bpm • F# min • 02:36 • -24.34db
14% Popularity • 53% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
14% Popularity • 53% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
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Studieren
Insurgent
69 bpm • C min • 02:40 • -25db
20% Popularity • 26% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
20% Popularity • 26% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Brian Crain
Kindred Spirits
69 bpm • A min • 03:05 • -19db
31% Popularity • 39% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 20% Positiveness
31% Popularity • 39% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 20% Positiveness
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Albert Sonstag
Greensleaves
70 bpm • D min • 01:57 • -24.79db
43% Popularity • 50% Danceability • 3% Energy • 15% Liveness
92% Instrumentalness • 27% Positiveness
43% Popularity • 50% Danceability • 3% Energy • 15% Liveness
92% Instrumentalness • 27% Positiveness
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Peter Schmalfuss
Children's Corner: I. Doctor Gradus Ad P...
68 bpm • D min • 02:29 • -27db
16% Popularity • 28% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
16% Popularity • 28% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Franz Liszt
6 Consolations, S. 172: No. 3 In D Flat ...
70 bpm • C# Maj • 04:21 • -29db
22% Popularity • 23% Danceability • 1% Energy • 18% Liveness
86% Instrumentalness • 9% Positiveness
22% Popularity • 23% Danceability • 1% Energy • 18% Liveness
86% Instrumentalness • 9% Positiveness
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Nachtmusick
Lullaby Romance
68 bpm • C Maj • 04:10 • -19.32db
16% Popularity • 26% Danceability • 6% Energy • 7% Liveness
21% Instrumentalness • 30% Positiveness
16% Popularity • 26% Danceability • 6% Energy • 7% Liveness
21% Instrumentalness • 30% Positiveness
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Chopin Consort
Nocturnes Op 48 No 1 in C Minor
70 bpm • G# Maj • 03:09 • -20.9db
15% Popularity • 46% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
15% Popularity • 46% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
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Mikhail Voskresensky
Adagio in B minro K. 540
70 bpm • D Maj • 09:35 • -31.63db
3% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
3% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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Albert Sonstag
Consolations, No. 4 - Quasi Adagio
70 bpm • B Maj • 02:23 • -25.42db
39% Popularity • 43% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 30% Positiveness
39% Popularity • 43% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 30% Positiveness
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Benita Calrado
Songs Without Words
70 bpm • E min • 03:11 • -22.28db
35% Popularity • 40% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
35% Popularity • 40% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Le grand orchestre classique
The Prophet Bird
70 bpm • G min • 02:34 • -24.22db
23% Popularity • 41% Danceability • 4% Energy • 20% Liveness
80% Instrumentalness • 12% Positiveness
23% Popularity • 41% Danceability • 4% Energy • 20% Liveness
80% Instrumentalness • 12% Positiveness
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Eric Belamore
Gnossienne No. 2
70 bpm • C min • 02:35 • -29.63db
30% Popularity • 46% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 46% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Bradley Joseph
Air On the G String in a Major, Bwv 1068...
70 bpm • A Maj • 03:42 • -20.3db
22% Popularity • 55% Danceability • 20% Energy • 14% Liveness
93% Instrumentalness • 14% Positiveness
22% Popularity • 55% Danceability • 20% Energy • 14% Liveness
93% Instrumentalness • 14% Positiveness
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Ballet L'école
The Imperial Ballet
70 bpm • F Maj • 02:08 • -21.29db
31% Popularity • 44% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 21% Positiveness
31% Popularity • 44% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 21% Positiveness
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Maria Piano
January Love
68 bpm • D# Maj • 02:57 • -17.12db
10% Popularity • 42% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
10% Popularity • 42% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
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Brian Crain
Solitary Hill
70 bpm • G Maj • 03:00 • -20.15db
20% Popularity • 43% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
20% Popularity • 43% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Franz Liszt
Die Forelle, S. 564 (after Schubert, D. ...
68 bpm • C# Maj • 03:46 • -21.46db
8% Popularity • 44% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
8% Popularity • 44% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
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Peter Schmalfuss
Nocturne No.9 Op.32-1 B Major
71 bpm • B Maj • 05:30 • -40.48db
14% Popularity • 40% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 12% Positiveness
14% Popularity • 40% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 12% Positiveness
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Pascua Duet
Solo Piano (Musicas de Piano para Relaxa...
71 bpm • A# Maj • 04:18 • -29db
25% Popularity • 22% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
25% Popularity • 22% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
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Henrik Måwe
Préludes for Piano, L 117: La fille aux...
71 bpm • F# Maj • 02:19 • -22.51db
31% Popularity • 32% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 11% Positiveness
31% Popularity • 32% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 11% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 2: III. Nocturne...
67 bpm • D# Maj • 04:10 • -24db
23% Popularity • 8% Danceability • 10% Energy • 14% Liveness
73% Instrumentalness • 4% Positiveness
23% Popularity • 8% Danceability • 10% Energy • 14% Liveness
73% Instrumentalness • 4% Positiveness
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Brian Crain
Piano Solo
67 bpm • F Maj • 04:18 • -22.74db
14% Popularity • 43% Danceability • 4% Energy • 10% Liveness
77% Instrumentalness • 12% Positiveness
14% Popularity • 43% Danceability • 4% Energy • 10% Liveness
77% Instrumentalness • 12% Positiveness
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Ilya Ioff; Lidia Kovalenko; Alexei Ludevig; Alexei Massarsky, Alexei Ludevig, Ilya Ioff, Lidia Kovalenko, Alexei Ludevig, Ilya Ioff, Lidia Kovalenko
String Quartet Op. 76 No.3 in C major : ...
71 bpm • G Maj • 06:33 • -25.54db
2% Popularity • 19% Danceability • 8% Energy • 25% Liveness
88% Instrumentalness • 10% Positiveness
2% Popularity • 19% Danceability • 8% Energy • 25% Liveness
88% Instrumentalness • 10% Positiveness
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Bradley Joseph
First Arabesque in E Major, No. 1
67 bpm • A Maj • 06:38 • -22db
26% Popularity • 37% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
26% Popularity • 37% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
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Chopin Consort
Walzes Op64 No 2 in C # Minor
67 bpm • C min • 04:08 • -24db
12% Popularity • 27% Danceability • 5% Energy • 18% Liveness
92% Instrumentalness • 15% Positiveness
12% Popularity • 27% Danceability • 5% Energy • 18% Liveness
92% Instrumentalness • 15% Positiveness
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Aiko Matsuhisa
Soft Time
71 bpm • D Maj • 01:07 • -31.02db
30% Popularity • 25% Danceability • 1% Energy • 8% Liveness
68% Instrumentalness • 35% Positiveness
30% Popularity • 25% Danceability • 1% Energy • 8% Liveness
68% Instrumentalness • 35% Positiveness
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Larry Dalton
Preludio No. 1 en Do Mayor, BWV 846
71 bpm • C Maj • 02:43 • -20.7db
24% Popularity • 33% Danceability • 24% Energy • 11% Liveness
93% Instrumentalness • 46% Positiveness
24% Popularity • 33% Danceability • 24% Energy • 11% Liveness
93% Instrumentalness • 46% Positiveness
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Le grand orchestre classique
Minuet in G Minor, Suite No. 1
71 bpm • G min • 03:09 • -19.08db
31% Popularity • 57% Danceability • 14% Energy • 16% Liveness
92% Instrumentalness • 29% Positiveness
31% Popularity • 57% Danceability • 14% Energy • 16% Liveness
92% Instrumentalness • 29% Positiveness
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Eric Belamore
Gnossienne No. 1
71 bpm • A# min • 04:47 • -28.47db
18% Popularity • 39% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
18% Popularity • 39% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder Ohne Worte No. 6 in A Major, Op. ...
67 bpm • A Maj • 02:54 • -29.86db
8% Popularity • 22% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
8% Popularity • 22% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
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Vitor Mendo
Chi Mai
67 bpm • E min • 03:19 • -25.02db
30% Popularity • 37% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
30% Popularity • 37% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
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Aiko Matsuhisa
Sweet Tranquility
67 bpm • D Maj • 01:14 • -28.4db
27% Popularity • 27% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
27% Popularity • 27% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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Peter Schmalfuss
Prelude - La Cathedrale engloutie
71 bpm • C Maj • 07:09 • -25.25db
8% Popularity • 49% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 8% Positiveness
8% Popularity • 49% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 8% Positiveness
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Denise Schopenhauer
Nocturnes: No. 1 in F Minor, Op. 55
71 bpm • D# min • 02:16 • -25.32db
34% Popularity • 22% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
34% Popularity • 22% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Sylvia Capova
Mazurka No.40 F Minor Op.63-2
72 bpm • F min • 01:41 • -21.1db
14% Popularity • 28% Danceability • 7% Energy • 7% Liveness
94% Instrumentalness • 6% Positiveness
14% Popularity • 28% Danceability • 7% Energy • 7% Liveness
94% Instrumentalness • 6% Positiveness
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Robert Schumann
Kinderscenen, Op. 15: VII. Traumerei (Dr...
72 bpm • F Maj • 03:06 • -39.63db
26% Popularity • 47% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 28% Positiveness
26% Popularity • 47% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 28% Positiveness
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Maria Piano
First Love (Músicas Românticas)
72 bpm • A# Maj • 03:31 • -24.31db
17% Popularity • 36% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 15% Positiveness
17% Popularity • 36% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 15% Positiveness
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Chopin Consort
Nocturnes Op. 9 No. 1 in Bmin
72 bpm • D min • 01:39 • -21db
25% Popularity • 39% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
25% Popularity • 39% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
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Mira Perotti
L'Umanoide
72 bpm • F Maj • 02:30 • -23db
35% Popularity • 41% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
35% Popularity • 41% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
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Ernest Nyman
Jesu’s Joy Of Man’s Desiring
72 bpm • G Maj • 03:16 • -17db
7% Popularity • 30% Danceability • 33% Energy • 16% Liveness
86% Instrumentalness • 51% Positiveness
7% Popularity • 30% Danceability • 33% Energy • 16% Liveness
86% Instrumentalness • 51% Positiveness
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Sylvia Capova
Erotic Op.43-5
72 bpm • D min • 02:27 • -22.46db
9% Popularity • 42% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
9% Popularity • 42% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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London Festival Orchestra
Chopin: Mazurka #15 In C, Op. 24/2
66 bpm • C Maj • 02:28 • -20.25db
15% Popularity • 39% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
15% Popularity • 39% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
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Southwest German Chamber Orchestra
Orfeo ed Euridice: XXVII. Ballo: Andante...
72 bpm • F Maj • 02:28 • -29.75db
20% Popularity • 22% Danceability • 3% Energy • 15% Liveness
90% Instrumentalness • 24% Positiveness
20% Popularity • 22% Danceability • 3% Energy • 15% Liveness
90% Instrumentalness • 24% Positiveness
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V
Clair De Lune
72 bpm • C# Maj • 04:06 • -27db
37% Popularity • 40% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 8% Positiveness
37% Popularity • 40% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 8% Positiveness
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Denise Schopenhauer
Nocturne in E-flat Major, Op. 9, No. 2
66 bpm • C# Maj • 02:18 • -21.7db
39% Popularity • 46% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
39% Popularity • 46% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Ballet L'école
Adagio For Ballet
72 bpm • D# Maj • 01:49 • -22db
29% Popularity • 46% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 41% Positiveness
29% Popularity • 46% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 41% Positiveness
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Epic Symphony
Beethoven's Descent Into Madness
72 bpm • G min • 01:32 • -15.91db
22% Popularity • 34% Danceability • 31% Energy • 35% Liveness
89% Instrumentalness • 4% Positiveness
22% Popularity • 34% Danceability • 31% Energy • 35% Liveness
89% Instrumentalness • 4% Positiveness
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Brian Crain
Sunrise on the River
72 bpm • C Maj • 04:27 • -14.37db
18% Popularity • 27% Danceability • 24% Energy • 10% Liveness
80% Instrumentalness • 6% Positiveness
18% Popularity • 27% Danceability • 24% Energy • 10% Liveness
80% Instrumentalness • 6% Positiveness
► Preview
John Williams
Williams: Main Theme
72 bpm • D min • 04:49 • -27db
20% Popularity • 15% Danceability • 7% Energy • 14% Liveness
89% Instrumentalness • 5% Positiveness
20% Popularity • 15% Danceability • 7% Energy • 14% Liveness
89% Instrumentalness • 5% Positiveness
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Pyotr Ilyich Tchaikovsky
Les saisons (The Seasons), Op. 37b: Les ...
73 bpm • G min • 05:09 • -30.95db
12% Popularity • 28% Danceability • 3% Energy • 6% Liveness
89% Instrumentalness • 12% Positiveness
12% Popularity • 28% Danceability • 3% Energy • 6% Liveness
89% Instrumentalness • 12% Positiveness
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Denise Schopenhauer
Nocturnes, No. 1 in B-Flat Minor, Op. 9 ...
72 bpm • G# min • 01:34 • -20db
42% Popularity • 39% Danceability • 6% Energy • 14% Liveness
91% Instrumentalness • 6% Positiveness
42% Popularity • 39% Danceability • 6% Energy • 14% Liveness
91% Instrumentalness • 6% Positiveness
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睡眠補助クラシック
モーツァルト就寝BGM
66 bpm • F Maj • 04:33 • -24.2db
24% Popularity • 30% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
24% Popularity • 30% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
Bach To The Future
Cello Suite #1, Prelude
73 bpm • G Maj • 02:13 • -17db
13% Popularity • 27% Danceability • 27% Energy • 18% Liveness
85% Instrumentalness • 69% Positiveness
13% Popularity • 27% Danceability • 27% Energy • 18% Liveness
85% Instrumentalness • 69% Positiveness
► Preview
Peter Schmalfuss
Ballade, op. 47, As-Dur: Allegretto
73 bpm • G# Maj • 06:42 • -22.16db
11% Popularity • 32% Danceability • 7% Energy • 16% Liveness
90% Instrumentalness • 10% Positiveness
11% Popularity • 32% Danceability • 7% Energy • 16% Liveness
90% Instrumentalness • 10% Positiveness
► Preview
Steven Snow
Cello Suite (Baby Lullaby Version)
73 bpm • G Maj • 05:08 • -17.32db
27% Popularity • 35% Danceability • 21% Energy • 6% Liveness
93% Instrumentalness • 62% Positiveness
27% Popularity • 35% Danceability • 21% Energy • 6% Liveness
93% Instrumentalness • 62% Positiveness
► Preview
Dmitri Shostakovich
Piano Concerto no. 2 in F Major, Op. 102...
73 bpm • C min • 07:02 • -41db
6% Popularity • 18% Danceability • 0% Energy • 6% Liveness
88% Instrumentalness • 6% Positiveness
6% Popularity • 18% Danceability • 0% Energy • 6% Liveness
88% Instrumentalness • 6% Positiveness
► Preview
Giacomo Puccini
Minuet No. 1
73 bpm • A Maj • 04:06 • -15db
12% Popularity • 13% Danceability • 27% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
12% Popularity • 13% Danceability • 27% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
► Preview
Felix Mendelssohn
Songs Without Words: Frühlingslied, Op....
73 bpm • A Maj • 02:05 • -17db
23% Popularity • 20% Danceability • 12% Energy • 7% Liveness
93% Instrumentalness • 10% Positiveness
23% Popularity • 20% Danceability • 12% Energy • 7% Liveness
93% Instrumentalness • 10% Positiveness
► Preview
Franz Liszt
Consolations, S. 172: No. 3, Lento placi...
65 bpm • C# Maj • 03:52 • -23.82db
26% Popularity • 32% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
26% Popularity • 32% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
► Preview
Le grand orchestre classique
Humoresque No. 7, Op. 101
73 bpm • F# Maj • 02:58 • -16.66db
20% Popularity • 36% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
20% Popularity • 36% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
► Preview
Steven Snow
Dreaming of Beethoven
73 bpm • G Maj • 04:20 • -19.11db
29% Popularity • 44% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 44% Positiveness
29% Popularity • 44% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 44% Positiveness
► Preview
Robert Schumann
Panis Angelicus
73 bpm • A Maj • 03:23 • -16db
20% Popularity • 19% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 19% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: I. Mornin...
73 bpm • E Maj • 03:54 • -25.77db
29% Popularity • 7% Danceability • 2% Energy • 15% Liveness
76% Instrumentalness • 4% Positiveness
29% Popularity • 7% Danceability • 2% Energy • 15% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Mauro Bouvet
Ukrainian children
73 bpm • E min • 02:10 • -18.97db
12% Popularity • 43% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 31% Positiveness
12% Popularity • 43% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 31% Positiveness
► Preview
London Symphony Orchestra
The Marriage of Figaro, K. 492: "Overtur...
73 bpm • D Maj • 04:05 • -15.75db
9% Popularity • 37% Danceability • 17% Energy • 13% Liveness
86% Instrumentalness • 25% Positiveness
9% Popularity • 37% Danceability • 17% Energy • 13% Liveness
86% Instrumentalness • 25% Positiveness
► Preview
Denise Schopenhauer
Nocturne No. 11 in G Minor, Op. 37
65 bpm • F min • 02:55 • -23.08db
36% Popularity • 43% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 14% Positiveness
36% Popularity • 43% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 14% Positiveness
► Preview
Sylvia Capova
Mazurka No.41 C Sharp Minor Op.63-3
73 bpm • C# min • 01:53 • -21.25db
18% Popularity • 38% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 18% Positiveness
18% Popularity • 38% Danceability • 14% Energy • 9% Liveness
84% Instrumentalness • 18% Positiveness
► Preview
Lily Chantelle
Start Right Now
65 bpm • G Maj • 01:57 • -19db
47% Popularity • 54% Danceability • 7% Energy • 16% Liveness
93% Instrumentalness • 19% Positiveness
47% Popularity • 54% Danceability • 7% Energy • 16% Liveness
93% Instrumentalness • 19% Positiveness
► Preview
Henrik Måwe
5 Morceaux de fantasie, Op. 3: No. 2, Pr...
73 bpm • F# min • 03:57 • -17.42db
15% Popularity • 44% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
15% Popularity • 44% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
► Preview
Brian Crain
A Single Rose
65 bpm • F Maj • 04:27 • -23.18db
20% Popularity • 29% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
20% Popularity • 29% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Josef Suk
Spring, Op. 22a
74 bpm • D min • 03:44 • -25.33db
13% Popularity • 11% Danceability • 5% Energy • 25% Liveness
97% Instrumentalness • 5% Positiveness
13% Popularity • 11% Danceability • 5% Energy • 25% Liveness
97% Instrumentalness • 5% Positiveness
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Laura Sanz
Piano Concerto No. 1 in E Minor, Op. 11:...
65 bpm • B Maj • 02:47 • -23db
20% Popularity • 41% Danceability • 7% Energy • 14% Liveness
90% Instrumentalness • 34% Positiveness
20% Popularity • 41% Danceability • 7% Energy • 14% Liveness
90% Instrumentalness • 34% Positiveness
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Edvard Grieg
Lyriske stykker, Op. 65: No. 6, Bryllops...
74 bpm • G Maj • 07:38 • -20.08db
4% Popularity • 36% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
4% Popularity • 36% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Ballet L'école
Spellbound
65 bpm • G Maj • 02:42 • -18.64db
29% Popularity • 43% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 40% Positiveness
29% Popularity • 43% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 40% Positiveness
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Gustav Holst
The Planets, Op. 32: II. Venus, The Brin...
65 bpm • A# min • 08:04 • -35.03db
13% Popularity • 12% Danceability • 1% Energy • 9% Liveness
18% Instrumentalness • 3% Positiveness
13% Popularity • 12% Danceability • 1% Energy • 9% Liveness
18% Instrumentalness • 3% Positiveness
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Filarmónica Y Coro De Praga
Concierto Para Flauta Y Orquesta En Sol ...
65 bpm • F Maj • 02:09 • -19.93db
14% Popularity • 35% Danceability • 14% Energy • 23% Liveness
75% Instrumentalness • 24% Positiveness
14% Popularity • 35% Danceability • 14% Energy • 23% Liveness
75% Instrumentalness • 24% Positiveness
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Musik für das Studium
Sayuris Theme (Memoris of Geisha)
74 bpm • C min • 01:29 • -21.24db
18% Popularity • 35% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 28% Positiveness
18% Popularity • 35% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 28% Positiveness
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Leningrad Soloist
Concerto in F Major for Two Pianos and O...
74 bpm • A# Maj • 08:01 • -29db
6% Popularity • 30% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
6% Popularity • 30% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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Brian Crain
Summer's End
74 bpm • F# Maj • 04:56 • -22.51db
14% Popularity • 45% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 25% Positiveness
14% Popularity • 45% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 25% Positiveness
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Royal Wedding Orchestra
Bach - Air on the G String Wedding Organ...
74 bpm • D Maj • 01:25 • -12.28db
21% Popularity • 22% Danceability • 23% Energy • 13% Liveness
79% Instrumentalness • 31% Positiveness
21% Popularity • 22% Danceability • 23% Energy • 13% Liveness
79% Instrumentalness • 31% Positiveness
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Bach Consort
Arioso Bwv 156
74 bpm • G# Maj • 01:53 • -24.71db
31% Popularity • 64% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 69% Positiveness
31% Popularity • 64% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 69% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: Melodie, O...
74 bpm • D min • 02:37 • -27db
30% Popularity • 31% Danceability • 5% Energy • 8% Liveness
85% Instrumentalness • 3% Positiveness
30% Popularity • 31% Danceability • 5% Energy • 8% Liveness
85% Instrumentalness • 3% Positiveness
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Le grand orchestre classique
Solveig's Song
74 bpm • A min • 05:11 • -20.42db
13% Popularity • 8% Danceability • 11% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
13% Popularity • 8% Danceability • 11% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
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Eric Belamore
Gymnopédie No. 3
74 bpm • G min • 02:36 • -33.68db
30% Popularity • 42% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 17% Positiveness
30% Popularity • 42% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 17% Positiveness
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Wibi Soerjadi
Arabeske
64 bpm • C Maj • 07:54 • -34.57db
9% Popularity • 21% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
9% Popularity • 21% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
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Royal Wedding Orchestra
Chopin - Etude n.3 op 10
74 bpm • E Maj • 02:39 • -19.01db
28% Popularity • 59% Danceability • 4% Energy • 8% Liveness
91% Instrumentalness • 37% Positiveness
28% Popularity • 59% Danceability • 4% Energy • 8% Liveness
91% Instrumentalness • 37% Positiveness
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Pianopassion
Waltz in A-Flat Major
74 bpm • G# Maj • 01:54 • -29.35db
25% Popularity • 34% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
25% Popularity • 34% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Eliso Bolkvadze
Lieder ohne worte (Songs without words),...
74 bpm • F# min • 03:27 • -34db
8% Popularity • 30% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
8% Popularity • 30% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
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クラシックバレエ クラブ
Dance Shoes, ピアノ 4/4
74 bpm • C Maj • 02:14 • -16db
25% Popularity • 41% Danceability • 26% Energy • 14% Liveness
95% Instrumentalness • 21% Positiveness
25% Popularity • 41% Danceability • 26% Energy • 14% Liveness
95% Instrumentalness • 21% Positiveness
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Danielle Dechenne
Lullaby, Op.16, No. 1
64 bpm • G# min • 04:14 • -25.89db
8% Popularity • 38% Danceability • 4% Energy • 10% Liveness
79% Instrumentalness • 10% Positiveness
8% Popularity • 38% Danceability • 4% Energy • 10% Liveness
79% Instrumentalness • 10% Positiveness
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Peter Schmalfuss
Nocturne No.10 Op.32-2 A Flat Major
64 bpm • G# Maj • 04:52 • -36.39db
11% Popularity • 28% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
11% Popularity • 28% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op, 90: III. ...
74 bpm • C min • 06:32 • -30db
5% Popularity • 8% Danceability • 2% Energy • 8% Liveness
76% Instrumentalness • 7% Positiveness
5% Popularity • 8% Danceability • 2% Energy • 8% Liveness
76% Instrumentalness • 7% Positiveness
