Songs like Easy Rider by Erskine Hawkins & His Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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The Solomon Douglas Swingtet
Bizet Has His Day
83 bpm • F min • 03:43 • -9.12db
19% Popularity • 68% Danceability • 33% Energy • 5% Liveness
31% Instrumentalness • 52% Positiveness
19% Popularity • 68% Danceability • 33% Energy • 5% Liveness
31% Instrumentalness • 52% Positiveness
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Erskine Hawkins & His Orchestra
After Hours
83 bpm • C Maj • 03:22 • -19.61db
0% Popularity • 53% Danceability • 16% Energy • 14% Liveness
94% Instrumentalness • 28% Positiveness
0% Popularity • 53% Danceability • 16% Energy • 14% Liveness
94% Instrumentalness • 28% Positiveness
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Ace Harris
So Long Goodbye Blues
83 bpm • G Maj • 02:55 • -9.83db
0% Popularity • 52% Danceability • 31% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 52% Danceability • 31% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Johnny Hodges & His Orchestra
Jeep's Blues
83 bpm • A# Maj • 02:56 • -14.01db
38% Popularity • 56% Danceability • 21% Energy • 18% Liveness
84% Instrumentalness • 62% Positiveness
38% Popularity • 56% Danceability • 21% Energy • 18% Liveness
84% Instrumentalness • 62% Positiveness
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Erskine Hawkins
After Hours
84 bpm • G Maj • 03:23 • -20.64db
16% Popularity • 60% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 41% Positiveness
16% Popularity • 60% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 41% Positiveness
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Lucky Millinder
Savoy
82 bpm • F Maj • 03:06 • -8.95db
5% Popularity • 57% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
5% Popularity • 57% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Charlie Barnet
I Like to Riff
82 bpm • C# Maj • 02:54 • -8.05db
18% Popularity • 72% Danceability • 52% Energy • 27% Liveness
1% Instrumentalness • 65% Positiveness
18% Popularity • 72% Danceability • 52% Energy • 27% Liveness
1% Instrumentalness • 65% Positiveness
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Erskine Hawkins & His Orchestra
After Hours - Digitally Mastered - Septe...
83 bpm • G Maj • 03:23 • -20db
11% Popularity • 67% Danceability • 14% Energy • 16% Liveness
92% Instrumentalness • 43% Positiveness
11% Popularity • 67% Danceability • 14% Energy • 16% Liveness
92% Instrumentalness • 43% Positiveness
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Johnny Dodds
Wild Man Blues (Alternate Take)
85 bpm • F# min • 03:13 • -11db
18% Popularity • 74% Danceability • 30% Energy • 8% Liveness
62% Instrumentalness • 73% Positiveness
18% Popularity • 74% Danceability • 30% Energy • 8% Liveness
62% Instrumentalness • 73% Positiveness
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James P. Johnson
I'm Gonna Sit Right Down (And Write Myse...
81 bpm • C# Maj • 02:49 • -18db
28% Popularity • 72% Danceability • 25% Energy • 9% Liveness
85% Instrumentalness • 91% Positiveness
28% Popularity • 72% Danceability • 25% Energy • 9% Liveness
85% Instrumentalness • 91% Positiveness
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Erskine Hawkins
Soft Winds
84 bpm • C# Maj • 03:35 • -8db
10% Popularity • 59% Danceability • 33% Energy • 14% Liveness
84% Instrumentalness • 88% Positiveness
10% Popularity • 59% Danceability • 33% Energy • 14% Liveness
84% Instrumentalness • 88% Positiveness
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Buddy DeSylva
Cross Your Heart
80 bpm • D Maj • 02:37 • -5.19db
11% Popularity • 65% Danceability • 68% Energy • 17% Liveness
2% Instrumentalness • 87% Positiveness
11% Popularity • 65% Danceability • 68% Energy • 17% Liveness
2% Instrumentalness • 87% Positiveness
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Charlie Barnet & His Orchestra
Pompton Turnpike
86 bpm • F min • 03:02 • -13.67db
19% Popularity • 43% Danceability • 22% Energy • 9% Liveness
28% Instrumentalness • 27% Positiveness
19% Popularity • 43% Danceability • 22% Energy • 9% Liveness
28% Instrumentalness • 27% Positiveness
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Erskine Hawkins & His Orchestra
Junction Blues
82 bpm • G min • 03:13 • -15.61db
0% Popularity • 48% Danceability • 11% Energy • 15% Liveness
49% Instrumentalness • 28% Positiveness
0% Popularity • 48% Danceability • 11% Energy • 15% Liveness
49% Instrumentalness • 28% Positiveness
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Artie Shaw & his Gramercy Five
Cross Your Heart
80 bpm • D min • 02:38 • -14.18db
13% Popularity • 66% Danceability • 40% Energy • 14% Liveness
2% Instrumentalness • 94% Positiveness
13% Popularity • 66% Danceability • 40% Energy • 14% Liveness
2% Instrumentalness • 94% Positiveness
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Muggsy Spanier
Relaxin' At the Touro
86 bpm • C Maj • 03:14 • -11db
21% Popularity • 69% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 43% Positiveness
21% Popularity • 69% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 43% Positiveness
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Cootie Williams
Juice Head Baby
87 bpm • C min • 03:09 • -10db
24% Popularity • 52% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 52% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Brooks Prumo Orchestra
Esquire Bounce
79 bpm • G# Maj • 03:27 • -9.55db
21% Popularity • 58% Danceability • 38% Energy • 13% Liveness
5% Instrumentalness • 63% Positiveness
21% Popularity • 58% Danceability • 38% Energy • 13% Liveness
5% Instrumentalness • 63% Positiveness
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Una Mae Carlisle
Oh, I'm evil
78 bpm • D# Maj • 02:28 • -7.04db
14% Popularity • 80% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 80% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
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Erskine Hawkins & His Orchestra
Easy Rider
81 bpm • F min • 02:44 • -13.03db
5% Popularity • 66% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 93% Positiveness
5% Popularity • 66% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 93% Positiveness
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Cab Calloway & His Orchestra
Are You All Reet?
79 bpm • C# Maj • 03:02 • -9.26db
10% Popularity • 75% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 75% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Duke Ellington Orchestra
Let's Get Together
89 bpm • F Maj • 02:38 • -6.69db
13% Popularity • 62% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 62% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Cootie Williams
Slidin' And Glidin'
78 bpm • A# Maj • 03:35 • -8.71db
26% Popularity • 68% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 68% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Slim Gaillard
The Flat Foot Floogie
89 bpm • F Maj • 02:51 • -17.17db
24% Popularity • 79% Danceability • 30% Energy • 13% Liveness
84% Instrumentalness • 85% Positiveness
24% Popularity • 79% Danceability • 30% Energy • 13% Liveness
84% Instrumentalness • 85% Positiveness
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Johnny Hodges & His Orchestra
Things Ain't What They Used To Be - 1995...
89 bpm • C# Maj • 03:37 • -17.04db
29% Popularity • 65% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
29% Popularity • 65% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
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Erskine Hawkins & His Orchestra
Swingin' on Lenox Avenue
79 bpm • C Maj • 03:15 • -13.51db
1% Popularity • 68% Danceability • 17% Energy • 16% Liveness
44% Instrumentalness • 62% Positiveness
1% Popularity • 68% Danceability • 17% Energy • 16% Liveness
44% Instrumentalness • 62% Positiveness
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Woody Herman & His Orchestra
Blues in the Night
89 bpm • C Maj • 03:11 • -11.68db
23% Popularity • 54% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 54% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 43% Positiveness
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Duke Ellington Orchestra
Don't Get Around Much Any More
89 bpm • F min • 03:23 • -13.64db
12% Popularity • 58% Danceability • 24% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 58% Danceability • 24% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
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Slim & Slam
8, 9 and 10 (Alternate Take)
89 bpm • D Maj • 02:42 • -15.23db
10% Popularity • 70% Danceability • 20% Energy • 11% Liveness
35% Instrumentalness • 82% Positiveness
10% Popularity • 70% Danceability • 20% Energy • 11% Liveness
35% Instrumentalness • 82% Positiveness
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Red McKenzie
Basin St Blues
77 bpm • F Maj • 01:56 • -15db
19% Popularity • 69% Danceability • 15% Energy • 12% Liveness
2% Instrumentalness • 58% Positiveness
19% Popularity • 69% Danceability • 15% Energy • 12% Liveness
2% Instrumentalness • 58% Positiveness
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Cab Calloway
(Hep-Hep!) The Jumpin' Jive
90 bpm • G# Maj • 02:51 • -18.01db
8% Popularity • 71% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 71% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Erskine Hawkins & His Orchestra
Rockin' Rollers' Jubilee
88 bpm • F Maj • 02:42 • -5.16db
0% Popularity • 68% Danceability • 66% Energy • 10% Liveness
89% Instrumentalness • 49% Positiveness
0% Popularity • 68% Danceability • 66% Energy • 10% Liveness
89% Instrumentalness • 49% Positiveness
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The Solomon Douglas Swingtet
Rose Room
76 bpm • G# Maj • 03:09 • -9.41db
13% Popularity • 72% Danceability • 23% Energy • 14% Liveness
91% Instrumentalness • 76% Positiveness
13% Popularity • 72% Danceability • 23% Energy • 14% Liveness
91% Instrumentalness • 76% Positiveness
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Slim Gaillard
Look-A There
90 bpm • C Maj • 02:16 • -18.51db
30% Popularity • 79% Danceability • 22% Energy • 9% Liveness
51% Instrumentalness • 93% Positiveness
30% Popularity • 79% Danceability • 22% Energy • 9% Liveness
51% Instrumentalness • 93% Positiveness
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Cab Calloway & His Orchestra
(Hep-Hep!) The Jumpin' Jive - 78rpm Vers...
91 bpm • G# Maj • 02:52 • -14.51db
15% Popularity • 70% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 70% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
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Wilbur De Paris
Madagascar
76 bpm • G# Maj • 06:21 • -11.46db
23% Popularity • 55% Danceability • 43% Energy • 32% Liveness
73% Instrumentalness • 73% Positiveness
23% Popularity • 55% Danceability • 43% Energy • 32% Liveness
73% Instrumentalness • 73% Positiveness
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Buddy Johnson
Shufflin & Rollin'
75 bpm • D min • 03:11 • -8.19db
26% Popularity • 60% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 60% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Erskine Hawkins & His Orchestra
Bear Mash Blues
77 bpm • G min • 03:09 • -11db
0% Popularity • 48% Danceability • 15% Energy • 29% Liveness
15% Instrumentalness • 33% Positiveness
0% Popularity • 48% Danceability • 15% Energy • 29% Liveness
15% Instrumentalness • 33% Positiveness
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The Solomon Douglas Swingtet
Tuxedo Junction
76 bpm • G# Maj • 03:14 • -8.22db
20% Popularity • 65% Danceability • 37% Energy • 16% Liveness
70% Instrumentalness • 68% Positiveness
20% Popularity • 65% Danceability • 37% Energy • 16% Liveness
70% Instrumentalness • 68% Positiveness
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Slim Gaillard
8, 9 and 10
91 bpm • D Maj • 02:43 • -17.49db
28% Popularity • 81% Danceability • 16% Energy • 12% Liveness
2% Instrumentalness • 79% Positiveness
28% Popularity • 81% Danceability • 16% Energy • 12% Liveness
2% Instrumentalness • 79% Positiveness
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The Cats & The Fiddle
We Cats Will Swing for You
91 bpm • C min • 02:38 • -10.82db
25% Popularity • 78% Danceability • 47% Energy • 9% Liveness
62% Instrumentalness • 90% Positiveness
25% Popularity • 78% Danceability • 47% Energy • 9% Liveness
62% Instrumentalness • 90% Positiveness
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Skeets Tolbert
Skin 'em Back (03-01-39)
75 bpm • E min • 02:43 • -12.89db
12% Popularity • 76% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 76% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Willie Bryant
A Viper's Moan (01-04-35)
75 bpm • C# Maj • 03:25 • -12.97db
10% Popularity • 65% Danceability • 40% Energy • 10% Liveness
80% Instrumentalness • 77% Positiveness
10% Popularity • 65% Danceability • 40% Energy • 10% Liveness
80% Instrumentalness • 77% Positiveness
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Erskine Hawkins & His Orchestra
Bear Mash Blues - Digitally Mastered - S...
76 bpm • G min • 03:13 • -10.61db
1% Popularity • 40% Danceability • 15% Energy • 12% Liveness
19% Instrumentalness • 36% Positiveness
1% Popularity • 40% Danceability • 15% Energy • 12% Liveness
19% Instrumentalness • 36% Positiveness
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Muggsy Spanier
That Da Da Strain
92 bpm • D min • 02:30 • -13.33db
14% Popularity • 58% Danceability • 40% Energy • 31% Liveness
92% Instrumentalness • 91% Positiveness
14% Popularity • 58% Danceability • 40% Energy • 31% Liveness
92% Instrumentalness • 91% Positiveness
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Slim Gaillard
A-Well-A-Take-Um-A-Joe
92 bpm • F Maj • 03:05 • -9.42db
20% Popularity • 73% Danceability • 48% Energy • 10% Liveness
68% Instrumentalness • 90% Positiveness
20% Popularity • 73% Danceability • 48% Energy • 10% Liveness
68% Instrumentalness • 90% Positiveness
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Erskine Hawkins
Hawk's Boogie
92 bpm • G Maj • 02:58 • -5.07db
23% Popularity • 61% Danceability • 56% Energy • 30% Liveness
84% Instrumentalness • 80% Positiveness
23% Popularity • 61% Danceability • 56% Energy • 30% Liveness
84% Instrumentalness • 80% Positiveness
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King Oliver
Mahogany Hall Stomp
93 bpm • C Maj • 02:39 • -10.36db
27% Popularity • 63% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
27% Popularity • 63% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
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Bix Beiderbecke
Blue River
74 bpm • D# Maj • 03:25 • -12db
36% Popularity • 67% Danceability • 24% Energy • 11% Liveness
3% Instrumentalness • 67% Positiveness
36% Popularity • 67% Danceability • 24% Energy • 11% Liveness
3% Instrumentalness • 67% Positiveness
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Erskine Hawkins & His Orchestra
Five O'Clock Whistle
76 bpm • A# Maj • 03:07 • -13.4db
0% Popularity • 67% Danceability • 14% Energy • 22% Liveness
3% Instrumentalness • 61% Positiveness
0% Popularity • 67% Danceability • 14% Energy • 22% Liveness
3% Instrumentalness • 61% Positiveness
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Duke Ellington And The Jungle Band
Rockin' in Rhythm
94 bpm • C Maj • 03:03 • -8.37db
32% Popularity • 75% Danceability • 31% Energy • 17% Liveness
83% Instrumentalness • 80% Positiveness
32% Popularity • 75% Danceability • 31% Energy • 17% Liveness
83% Instrumentalness • 80% Positiveness
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Bill Elliott Swing Orchestra
Hep Hop
93 bpm • A# min • 03:17 • -7.36db
11% Popularity • 68% Danceability • 54% Energy • 14% Liveness
43% Instrumentalness • 80% Positiveness
11% Popularity • 68% Danceability • 54% Energy • 14% Liveness
43% Instrumentalness • 80% Positiveness
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Erskine Hawkins
Tuxedo Junction
75 bpm • F min • 03:15 • -6.46db
24% Popularity • 63% Danceability • 37% Energy • 18% Liveness
45% Instrumentalness • 78% Positiveness
24% Popularity • 63% Danceability • 37% Energy • 18% Liveness
45% Instrumentalness • 78% Positiveness
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Slim & Slam
A-Well-A-Take-'em-A-Joe, Crap Shooter's ...
94 bpm • F Maj • 03:02 • -12.26db
13% Popularity • 71% Danceability • 46% Energy • 16% Liveness
44% Instrumentalness • 82% Positiveness
13% Popularity • 71% Danceability • 46% Energy • 16% Liveness
44% Instrumentalness • 82% Positiveness
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Fletcher Henderson
Sing You Sinners
94 bpm • C# Maj • 02:39 • -8.16db
33% Popularity • 76% Danceability • 50% Energy • 26% Liveness
93% Instrumentalness • 94% Positiveness
33% Popularity • 76% Danceability • 50% Energy • 26% Liveness
93% Instrumentalness • 94% Positiveness
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Erskine Hawkins & His Orchestra
Weddin' Blues
91 bpm • C# Maj • 03:02 • -8.4db
0% Popularity • 61% Danceability • 17% Energy • 10% Liveness
47% Instrumentalness • 53% Positiveness
0% Popularity • 61% Danceability • 17% Energy • 10% Liveness
47% Instrumentalness • 53% Positiveness
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Nat Gonella And His Georgians
Hesitation Blues
95 bpm • G min • 03:15 • -13.63db
27% Popularity • 81% Danceability • 32% Energy • 6% Liveness
4% Instrumentalness • 73% Positiveness
27% Popularity • 81% Danceability • 32% Energy • 6% Liveness
4% Instrumentalness • 73% Positiveness
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Mills Blue Rhythm Band
Mr. Ghost Goes to Town
95 bpm • D# Maj • 03:24 • -14.05db
12% Popularity • 75% Danceability • 31% Energy • 16% Liveness
54% Instrumentalness • 88% Positiveness
12% Popularity • 75% Danceability • 31% Energy • 16% Liveness
54% Instrumentalness • 88% Positiveness
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Rex Stewart
Shake It and Break It
95 bpm • G# Maj • 01:51 • -11.41db
21% Popularity • 73% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 73% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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King Oliver
Dipper Mouth Blues, Pt. 1
95 bpm • C Maj • 02:30 • -12.05db
22% Popularity • 57% Danceability • 38% Energy • 6% Liveness
92% Instrumentalness • 86% Positiveness
22% Popularity • 57% Danceability • 38% Energy • 6% Liveness
92% Instrumentalness • 86% Positiveness
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Wingy Manone
When I Get You Alone Tonight
95 bpm • D# Maj • 03:12 • -7.5db
18% Popularity • 69% Danceability • 52% Energy • 6% Liveness
1% Instrumentalness • 94% Positiveness
18% Popularity • 69% Danceability • 52% Energy • 6% Liveness
1% Instrumentalness • 94% Positiveness
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Erskine Hawkins & His Orchestra
Gin Mill Special
92 bpm • A# min • 03:13 • -18.04db
0% Popularity • 68% Danceability • 16% Energy • 13% Liveness
81% Instrumentalness • 82% Positiveness
0% Popularity • 68% Danceability • 16% Energy • 13% Liveness
81% Instrumentalness • 82% Positiveness
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The Cats & The Fiddle
Gangbusters
96 bpm • D min • 03:06 • -11.03db
20% Popularity • 82% Danceability • 39% Energy • 7% Liveness
44% Instrumentalness • 76% Positiveness
20% Popularity • 82% Danceability • 39% Energy • 7% Liveness
44% Instrumentalness • 76% Positiveness
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Erskine Hawkins
Shipyard Ramble
96 bpm • C min • 03:26 • -8.75db
16% Popularity • 66% Danceability • 54% Energy • 14% Liveness
92% Instrumentalness • 67% Positiveness
16% Popularity • 66% Danceability • 54% Energy • 14% Liveness
92% Instrumentalness • 67% Positiveness
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Les Brown & His Orchestra
Leap Frog - Remastered
96 bpm • G# Maj • 02:35 • -11.01db
23% Popularity • 50% Danceability • 50% Energy • 8% Liveness
24% Instrumentalness • 69% Positiveness
23% Popularity • 50% Danceability • 50% Energy • 8% Liveness
24% Instrumentalness • 69% Positiveness
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Cab Calloway
At the Clambake Carnival
96 bpm • C# Maj • 02:29 • -11.61db
25% Popularity • 79% Danceability • 37% Energy • 6% Liveness
9% Instrumentalness • 92% Positiveness
25% Popularity • 79% Danceability • 37% Energy • 6% Liveness
9% Instrumentalness • 92% Positiveness
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Lucky Millinder
Shorty's Got to Go
72 bpm • F min • 03:15 • -8db
25% Popularity • 75% Danceability • 31% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 75% Danceability • 31% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
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Erskine Hawkins & His Orchestra
Gin Mill Special
92 bpm • A# min • 03:10 • -14.37db
0% Popularity • 72% Danceability • 21% Energy • 12% Liveness
1% Instrumentalness • 77% Positiveness
0% Popularity • 72% Danceability • 21% Energy • 12% Liveness
1% Instrumentalness • 77% Positiveness
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Wingy Carpenter
Team Up
96 bpm • G# Maj • 02:53 • -13.38db
11% Popularity • 81% Danceability • 24% Energy • 7% Liveness
24% Instrumentalness • 96% Positiveness
11% Popularity • 81% Danceability • 24% Energy • 7% Liveness
24% Instrumentalness • 96% Positiveness
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Bix Beiderbecke
Ostrich Walk
97 bpm • D# Maj • 03:09 • -11.79db
25% Popularity • 58% Danceability • 44% Energy • 13% Liveness
92% Instrumentalness • 96% Positiveness
25% Popularity • 58% Danceability • 44% Energy • 13% Liveness
92% Instrumentalness • 96% Positiveness
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Andy Kirk
I'se A Muggin'
97 bpm • F Maj • 02:47 • -14.32db
13% Popularity • 83% Danceability • 21% Energy • 13% Liveness
5% Instrumentalness • 87% Positiveness
13% Popularity • 83% Danceability • 21% Energy • 13% Liveness
5% Instrumentalness • 87% Positiveness
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Charlie Barnet
Rockin' In Rhythm (06-19-40)
97 bpm • G# Maj • 03:11 • -9.94db
14% Popularity • 59% Danceability • 46% Energy • 10% Liveness
37% Instrumentalness • 96% Positiveness
14% Popularity • 59% Danceability • 46% Energy • 10% Liveness
37% Instrumentalness • 96% Positiveness
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Glen Gray & The Casa Loma Orchestra
Meet Me Tonight In Dreamland
97 bpm • G min • 02:47 • -11.93db
12% Popularity • 71% Danceability • 35% Energy • 12% Liveness
35% Instrumentalness • 72% Positiveness
12% Popularity • 71% Danceability • 35% Energy • 12% Liveness
35% Instrumentalness • 72% Positiveness
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Erskine Hawkins & His Orchestra
No Use Squakin - Remastered
94 bpm • D# min • 03:16 • -8.72db
0% Popularity • 61% Danceability • 42% Energy • 13% Liveness
94% Instrumentalness • 72% Positiveness
0% Popularity • 61% Danceability • 42% Energy • 13% Liveness
94% Instrumentalness • 72% Positiveness
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King Of Swing Orchestra
Goody, Goody - The Best of King of Swing...
97 bpm • C Maj • 03:18 • -8.07db
23% Popularity • 59% Danceability • 61% Energy • 74% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 59% Danceability • 61% Energy • 74% Liveness
0% Instrumentalness • 84% Positiveness
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Kid Ory
Sheik of Araby
97 bpm • A# Maj • 04:50 • -10.97db
11% Popularity • 55% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 55% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Woody Herman & His Orchestra
Blowin' up a Storm
97 bpm • A# Maj • 03:22 • -9.35db
14% Popularity • 72% Danceability • 31% Energy • 10% Liveness
11% Instrumentalness • 87% Positiveness
14% Popularity • 72% Danceability • 31% Energy • 10% Liveness
11% Instrumentalness • 87% Positiveness
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Teddy Powell
Jamaica Jam
71 bpm • G# Maj • 02:45 • -12.54db
12% Popularity • 50% Danceability • 59% Energy • 19% Liveness
1% Instrumentalness • 74% Positiveness
12% Popularity • 50% Danceability • 59% Energy • 19% Liveness
1% Instrumentalness • 74% Positiveness
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Casa Loma Orchestra
Whoa Babe
97 bpm • F Maj • 03:00 • -12.81db
13% Popularity • 76% Danceability • 35% Energy • 46% Liveness
10% Instrumentalness • 94% Positiveness
13% Popularity • 76% Danceability • 35% Energy • 46% Liveness
10% Instrumentalness • 94% Positiveness
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Erskine Hawkins & His Orchestra
Blackout - Digitally Mastered - Septembe...
94 bpm • C Maj • 03:30 • -18.51db
1% Popularity • 69% Danceability • 5% Energy • 7% Liveness
73% Instrumentalness • 46% Positiveness
1% Popularity • 69% Danceability • 5% Energy • 7% Liveness
73% Instrumentalness • 46% Positiveness
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Jimmy Dorsey & His Orchestra
In A Sentimental Mood
97 bpm • G min • 03:02 • -12.82db
25% Popularity • 46% Danceability • 20% Energy • 14% Liveness
13% Instrumentalness • 40% Positiveness
25% Popularity • 46% Danceability • 20% Energy • 14% Liveness
13% Instrumentalness • 40% Positiveness
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Stockholm Swing All Stars
All Star Theme
97 bpm • A min • 02:10 • -11.29db
17% Popularity • 69% Danceability • 38% Energy • 18% Liveness
77% Instrumentalness • 85% Positiveness
17% Popularity • 69% Danceability • 38% Energy • 18% Liveness
77% Instrumentalness • 85% Positiveness
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Larry Clinton
Let'er Go
97 bpm • C Maj • 02:18 • -8.33db
20% Popularity • 83% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 83% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Fletcher Henderson
Christopher Columbus
98 bpm • G min • 03:00 • -8.05db
16% Popularity • 67% Danceability • 53% Energy • 8% Liveness
93% Instrumentalness • 84% Positiveness
16% Popularity • 67% Danceability • 53% Energy • 8% Liveness
93% Instrumentalness • 84% Positiveness
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Mills Blue Rhythm Band
Callin' Your Bluff
98 bpm • F Maj • 03:00 • -10.38db
11% Popularity • 72% Danceability • 37% Energy • 12% Liveness
72% Instrumentalness • 82% Positiveness
11% Popularity • 72% Danceability • 37% Energy • 12% Liveness
72% Instrumentalness • 82% Positiveness
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Erskine Hawkins & His Orchestra
Blackout
95 bpm • G min • 03:28 • -18.69db
0% Popularity • 66% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 10% Positiveness
0% Popularity • 66% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 10% Positiveness
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Henry "Red" Allen
You're Gonna Lose Your Gal
98 bpm • F# Maj • 02:53 • -9.8db
22% Popularity • 81% Danceability • 40% Energy • 8% Liveness
12% Instrumentalness • 75% Positiveness
22% Popularity • 81% Danceability • 40% Energy • 8% Liveness
12% Instrumentalness • 75% Positiveness
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Red Norvo
Some Like It Hot
98 bpm • D min • 02:54 • -9.71db
12% Popularity • 79% Danceability • 46% Energy • 16% Liveness
87% Instrumentalness • 89% Positiveness
12% Popularity • 79% Danceability • 46% Energy • 16% Liveness
87% Instrumentalness • 89% Positiveness
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Erskine Hawkins
Gin Mill Special
99 bpm • A# min • 03:19 • -10db
11% Popularity • 63% Danceability • 44% Energy • 64% Liveness
9% Instrumentalness • 85% Positiveness
11% Popularity • 63% Danceability • 44% Energy • 64% Liveness
9% Instrumentalness • 85% Positiveness
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Dean Mora & Rusty's Rhythm Rascals
24 Robbers
99 bpm • C Maj • 02:51 • -17.17db
19% Popularity • 74% Danceability • 28% Energy • 17% Liveness
77% Instrumentalness • 94% Positiveness
19% Popularity • 74% Danceability • 28% Energy • 17% Liveness
77% Instrumentalness • 94% Positiveness
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The Cats & The Fiddle
When I Grow Too Old to Dream
100 bpm • F Maj • 02:47 • -9.78db
22% Popularity • 83% Danceability • 45% Energy • 18% Liveness
4% Instrumentalness • 89% Positiveness
22% Popularity • 83% Danceability • 45% Energy • 18% Liveness
4% Instrumentalness • 89% Positiveness
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Erskine Hawkins & His Orchestra
Shipyard Ramble - Remastered
97 bpm • C min • 03:24 • -9.93db
0% Popularity • 63% Danceability • 53% Energy • 9% Liveness
90% Instrumentalness • 52% Positiveness
0% Popularity • 63% Danceability • 53% Energy • 9% Liveness
90% Instrumentalness • 52% Positiveness
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Andy Kirk
Until The Real Thing Comes Along
99 bpm • G# Maj • 02:57 • -17.36db
11% Popularity • 68% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 68% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Johnny Dodds
Melancholy - 21/01/1938
100 bpm • C Maj • 02:43 • -12.71db
32% Popularity • 82% Danceability • 40% Energy • 6% Liveness
92% Instrumentalness • 87% Positiveness
32% Popularity • 82% Danceability • 40% Energy • 6% Liveness
92% Instrumentalness • 87% Positiveness
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Erskine Hawkins
Knock Me a Kiss
100 bpm • F min • 02:47 • -9.46db
13% Popularity • 46% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 46% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Jimmy Dorsey & His Orchestra
All Of Me
100 bpm • D min • 03:08 • -14db
24% Popularity • 44% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 44% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Fletcher Henderson & His Orchestra
Sugar Foot Stomp
102 bpm • A# Maj • 02:46 • -12.66db
27% Popularity • 78% Danceability • 24% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
27% Popularity • 78% Danceability • 24% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
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Bunk Johnson
Panama
103 bpm • F min • 02:38 • -15db
16% Popularity • 82% Danceability • 32% Energy • 36% Liveness
88% Instrumentalness • 97% Positiveness
16% Popularity • 82% Danceability • 32% Energy • 36% Liveness
88% Instrumentalness • 97% Positiveness
