Songs like Easy Rollin by Jack Phillips
Based on a tempo of (+/- 10%) and a similar genre
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Jack Phillips
Easy Rollin
91 bpm • E Maj • 02:44 • -9.39db
0% Popularity • 49% Danceability • 74% Energy • 19% Liveness
95% Instrumentalness • 52% Positiveness
0% Popularity • 49% Danceability • 74% Energy • 19% Liveness
95% Instrumentalness • 52% Positiveness
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IN-IS
Broken Ones
91 bpm • F min • 03:48 • -14.45db
12% Popularity • 33% Danceability • 38% Energy • 11% Liveness
83% Instrumentalness • 16% Positiveness
12% Popularity • 33% Danceability • 38% Energy • 11% Liveness
83% Instrumentalness • 16% Positiveness
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Tryad
Waltz Into the Moonlight
91 bpm • C# min • 07:43 • -12.14db
9% Popularity • 73% Danceability • 41% Energy • 6% Liveness
81% Instrumentalness • 27% Positiveness
9% Popularity • 73% Danceability • 41% Energy • 6% Liveness
81% Instrumentalness • 27% Positiveness
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Ginger Runner
Wonderland
90 bpm • F Maj • 02:37 • -13.87db
13% Popularity • 38% Danceability • 48% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
13% Popularity • 38% Danceability • 48% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Ash Sculptures
Are You Happy
90 bpm • B Maj • 02:27 • -6.31db
17% Popularity • 52% Danceability • 84% Energy • 11% Liveness
21% Instrumentalness • 25% Positiveness
17% Popularity • 52% Danceability • 84% Energy • 11% Liveness
21% Instrumentalness • 25% Positiveness
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Heather Christian
Mfrkn Reckoning
92 bpm • A# Maj • 01:40 • -10.21db
9% Popularity • 69% Danceability • 56% Energy • 9% Liveness
72% Instrumentalness • 38% Positiveness
9% Popularity • 69% Danceability • 56% Energy • 9% Liveness
72% Instrumentalness • 38% Positiveness
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Jack Phillips
Day Dreamer
90 bpm • F min • 02:54 • -10.44db
0% Popularity • 50% Danceability • 50% Energy • 27% Liveness
91% Instrumentalness • 18% Positiveness
0% Popularity • 50% Danceability • 50% Energy • 27% Liveness
91% Instrumentalness • 18% Positiveness
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Hrutka Róbert
Kincsem Keringő
90 bpm • D# Maj • 02:13 • -12.04db
9% Popularity • 49% Danceability • 43% Energy • 9% Liveness
95% Instrumentalness • 10% Positiveness
9% Popularity • 49% Danceability • 43% Energy • 9% Liveness
95% Instrumentalness • 10% Positiveness
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Kick Lee
Bright Dreams
90 bpm • C# Maj • 04:21 • -3.32db
12% Popularity • 60% Danceability • 93% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
12% Popularity • 60% Danceability • 93% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
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Rupert Pope
Bad Love
90 bpm • G min • 03:34 • -7db
16% Popularity • 60% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 60% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Max H
Pure Elegance
90 bpm • C min • 02:05 • -11.98db
10% Popularity • 44% Danceability • 52% Energy • 7% Liveness
86% Instrumentalness • 8% Positiveness
10% Popularity • 44% Danceability • 52% Energy • 7% Liveness
86% Instrumentalness • 8% Positiveness
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Jonathan Buchanan
We Are Strong
90 bpm • B Maj • 03:57 • -16db
20% Popularity • 54% Danceability • 68% Energy • 11% Liveness
34% Instrumentalness • 6% Positiveness
20% Popularity • 54% Danceability • 68% Energy • 11% Liveness
34% Instrumentalness • 6% Positiveness
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Jack Phillips
Tranquil Horizons
90 bpm • A min • 02:36 • -11.83db
0% Popularity • 64% Danceability • 54% Energy • 7% Liveness
87% Instrumentalness • 92% Positiveness
0% Popularity • 64% Danceability • 54% Energy • 7% Liveness
87% Instrumentalness • 92% Positiveness
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Lizzy Land
Beat Goes On
90 bpm • A min • 03:41 • -7.87db
27% Popularity • 59% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 59% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Future Predictor
Cloudburst
90 bpm • C Maj • 03:11 • -7.11db
18% Popularity • 59% Danceability • 52% Energy • 10% Liveness
14% Instrumentalness • 36% Positiveness
18% Popularity • 59% Danceability • 52% Energy • 10% Liveness
14% Instrumentalness • 36% Positiveness
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Candy Says
Running Up That Hill
90 bpm • G min • 04:40 • -13.8db
37% Popularity • 43% Danceability • 55% Energy • 10% Liveness
18% Instrumentalness • 14% Positiveness
37% Popularity • 43% Danceability • 55% Energy • 10% Liveness
18% Instrumentalness • 14% Positiveness
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JIMEK
Prolog: Sztuka Kochania - Instrumental
93 bpm • C# Maj • 01:03 • -17.27db
18% Popularity • 24% Danceability • 24% Energy • 23% Liveness
86% Instrumentalness • 5% Positiveness
18% Popularity • 24% Danceability • 24% Energy • 23% Liveness
86% Instrumentalness • 5% Positiveness
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Tom Hillock
No Matter What
93 bpm • C Maj • 03:45 • -6.78db
8% Popularity • 45% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 45% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Jamie Salisbury
Epic Emotional Trailer
89 bpm • E min • 02:17 • -10.63db
10% Popularity • 30% Danceability • 47% Energy • 35% Liveness
83% Instrumentalness • 4% Positiveness
10% Popularity • 30% Danceability • 47% Energy • 35% Liveness
83% Instrumentalness • 4% Positiveness
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Cut One
All on Fire
93 bpm • G Maj • 03:19 • -6.36db
22% Popularity • 52% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 52% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
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Phil Buckle
If I Had a Heart
93 bpm • F Maj • 02:58 • -10.59db
8% Popularity • 55% Danceability • 58% Energy • 36% Liveness
56% Instrumentalness • 17% Positiveness
8% Popularity • 55% Danceability • 58% Energy • 36% Liveness
56% Instrumentalness • 17% Positiveness
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Luwaks
Revolt
89 bpm • A# Maj • 03:13 • -9.9db
26% Popularity • 56% Danceability • 53% Energy • 10% Liveness
76% Instrumentalness • 7% Positiveness
26% Popularity • 56% Danceability • 53% Energy • 10% Liveness
76% Instrumentalness • 7% Positiveness
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Baptiste Thiry
When Dreams Come True
94 bpm • E min • 02:08 • -11db
20% Popularity • 47% Danceability • 54% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
20% Popularity • 47% Danceability • 54% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Mattia Turzo
Projection
94 bpm • C Maj • 02:16 • -15.45db
7% Popularity • 34% Danceability • 26% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
7% Popularity • 34% Danceability • 26% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
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evolv
Halation
94 bpm • D min • 02:48 • -13db
22% Popularity • 55% Danceability • 54% Energy • 66% Liveness
96% Instrumentalness • 32% Positiveness
22% Popularity • 55% Danceability • 54% Energy • 66% Liveness
96% Instrumentalness • 32% Positiveness
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Oliver Michael
Portal
94 bpm • G# min • 02:43 • -9.19db
17% Popularity • 52% Danceability • 54% Energy • 14% Liveness
9% Instrumentalness • 11% Positiveness
17% Popularity • 52% Danceability • 54% Energy • 14% Liveness
9% Instrumentalness • 11% Positiveness
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Peter & Jacob
Emotions
94 bpm • A min • 03:46 • -7.7db
13% Popularity • 44% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 44% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Dasmo & Mania
Back to Work
94 bpm • D# min • 01:02 • -13.61db
18% Popularity • 52% Danceability • 47% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
18% Popularity • 52% Danceability • 47% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
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Photek
The Keating 5
88 bpm • E min • 06:39 • -14.33db
15% Popularity • 26% Danceability • 31% Energy • 31% Liveness
88% Instrumentalness • 4% Positiveness
15% Popularity • 26% Danceability • 31% Energy • 31% Liveness
88% Instrumentalness • 4% Positiveness
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The Space Pilots
Particle Beam
94 bpm • E min • 02:06 • -12.8db
9% Popularity • 25% Danceability • 45% Energy • 21% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 25% Danceability • 45% Energy • 21% Liveness
92% Instrumentalness • 4% Positiveness
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The Flight
After The Fall
95 bpm • C min • 02:53 • -13.41db
7% Popularity • 42% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
7% Popularity • 42% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
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The Holy Coast
Hands Down
95 bpm • D Maj • 04:23 • -9.98db
12% Popularity • 19% Danceability • 49% Energy • 10% Liveness
2% Instrumentalness • 6% Positiveness
12% Popularity • 19% Danceability • 49% Energy • 10% Liveness
2% Instrumentalness • 6% Positiveness
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Shanks Mansell
Love Is Contagious
95 bpm • B min • 03:39 • -7.6db
10% Popularity • 52% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 52% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Rupert Pope
Damage
95 bpm • A min • 03:28 • -8.74db
23% Popularity • 48% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 48% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 18% Positiveness
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Jon Dix
Remember Me
95 bpm • D Maj • 03:41 • -8db
18% Popularity • 40% Danceability • 64% Energy • 23% Liveness
7% Instrumentalness • 30% Positiveness
18% Popularity • 40% Danceability • 64% Energy • 23% Liveness
7% Instrumentalness • 30% Positiveness
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Molife
Deep Forest Sessions
87 bpm • B min • 04:11 • -4.91db
14% Popularity • 58% Danceability • 74% Energy • 14% Liveness
79% Instrumentalness • 32% Positiveness
14% Popularity • 58% Danceability • 74% Energy • 14% Liveness
79% Instrumentalness • 32% Positiveness
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The Flight
Like A Ghost
87 bpm • G Maj • 03:36 • -19.85db
10% Popularity • 52% Danceability • 27% Energy • 9% Liveness
80% Instrumentalness • 27% Positiveness
10% Popularity • 52% Danceability • 27% Energy • 9% Liveness
80% Instrumentalness • 27% Positiveness
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Ex Makina
Breath
87 bpm • F Maj • 03:43 • -6.6db
30% Popularity • 44% Danceability • 60% Energy • 19% Liveness
28% Instrumentalness • 4% Positiveness
30% Popularity • 44% Danceability • 60% Energy • 19% Liveness
28% Instrumentalness • 4% Positiveness
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Rob Simonsen
Thunderstorm
96 bpm • A min • 03:11 • -12.29db
8% Popularity • 37% Danceability • 32% Energy • 24% Liveness
88% Instrumentalness • 4% Positiveness
8% Popularity • 37% Danceability • 32% Energy • 24% Liveness
88% Instrumentalness • 4% Positiveness
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Malory
Rapture
96 bpm • D# min • 03:12 • -6.73db
22% Popularity • 56% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 56% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Samuel Sim
For Family
96 bpm • G Maj • 07:15 • -18.42db
7% Popularity • 16% Danceability • 26% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
7% Popularity • 16% Danceability • 26% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
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Randy Edelman
Nicest Thing
86 bpm • F# min • 01:28 • -20.52db
9% Popularity • 22% Danceability • 9% Energy • 11% Liveness
32% Instrumentalness • 3% Positiveness
9% Popularity • 22% Danceability • 9% Energy • 11% Liveness
32% Instrumentalness • 3% Positiveness
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Jack Phillips
Evanescent
86 bpm • G Maj • 02:20 • -8.51db
0% Popularity • 42% Danceability • 70% Energy • 8% Liveness
91% Instrumentalness • 27% Positiveness
0% Popularity • 42% Danceability • 70% Energy • 8% Liveness
91% Instrumentalness • 27% Positiveness
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Visuals
Slowed Down
96 bpm • A Maj • 03:58 • -9.28db
27% Popularity • 63% Danceability • 69% Energy • 12% Liveness
70% Instrumentalness • 10% Positiveness
27% Popularity • 63% Danceability • 69% Energy • 12% Liveness
70% Instrumentalness • 10% Positiveness
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We Were Strangers
One by One
97 bpm • C# min • 04:44 • -6.62db
21% Popularity • 30% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 30% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Ex Makina
Dew
97 bpm • B Maj • 04:41 • -10db
12% Popularity • 18% Danceability • 64% Energy • 24% Liveness
1% Instrumentalness • 10% Positiveness
12% Popularity • 18% Danceability • 64% Energy • 24% Liveness
1% Instrumentalness • 10% Positiveness
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Tom Howe
Landscapes (Light to Dark Version)
85 bpm • D Maj • 02:54 • -15.42db
8% Popularity • 19% Danceability • 16% Energy • 30% Liveness
82% Instrumentalness • 3% Positiveness
8% Popularity • 19% Danceability • 16% Energy • 30% Liveness
82% Instrumentalness • 3% Positiveness
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J2
Can't Get You out of My Head (Epic Strip...
85 bpm • B min • 03:08 • -11.87db
8% Popularity • 26% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 26% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Laro Basterrechea
El fiscal, la presidenta y el espÃa
85 bpm • A min • 01:02 • -12.95db
15% Popularity • 35% Danceability • 59% Energy • 14% Liveness
94% Instrumentalness • 5% Positiveness
15% Popularity • 35% Danceability • 59% Energy • 14% Liveness
94% Instrumentalness • 5% Positiveness
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Emiliano Branda
Rise of the Phoenix
85 bpm • C Maj • 02:22 • -9.46db
11% Popularity • 41% Danceability • 37% Energy • 9% Liveness
68% Instrumentalness • 6% Positiveness
11% Popularity • 41% Danceability • 37% Energy • 9% Liveness
68% Instrumentalness • 6% Positiveness
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Robin Loxley
Only Human
85 bpm • G Maj • 02:46 • -8.07db
34% Popularity • 53% Danceability • 65% Energy • 9% Liveness
7% Instrumentalness • 39% Positiveness
34% Popularity • 53% Danceability • 65% Energy • 9% Liveness
7% Instrumentalness • 39% Positiveness
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Adam Taylor
Before I Fall
85 bpm • F# min • 02:42 • -20.81db
26% Popularity • 16% Danceability • 32% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
26% Popularity • 16% Danceability • 32% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Sean Redmond
Final Hope
98 bpm • F min • 02:23 • -14.47db
9% Popularity • 33% Danceability • 14% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
9% Popularity • 33% Danceability • 14% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Jamie Salisbury
Treason Main Titles (Extended)
98 bpm • C# Maj • 01:02 • -12.86db
20% Popularity • 60% Danceability • 48% Energy • 14% Liveness
76% Instrumentalness • 71% Positiveness
20% Popularity • 60% Danceability • 48% Energy • 14% Liveness
76% Instrumentalness • 71% Positiveness
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Alexandre Desplat
The Candidate
98 bpm • F Maj • 04:09 • -15.26db
13% Popularity • 64% Danceability • 42% Energy • 7% Liveness
93% Instrumentalness • 52% Positiveness
13% Popularity • 64% Danceability • 42% Energy • 7% Liveness
93% Instrumentalness • 52% Positiveness
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Claseria
Flumesa - Original Mix
98 bpm • C Maj • 02:03 • -17.92db
8% Popularity • 80% Danceability • 15% Energy • 5% Liveness
93% Instrumentalness • 35% Positiveness
8% Popularity • 80% Danceability • 15% Energy • 5% Liveness
93% Instrumentalness • 35% Positiveness
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VONAVI
Sunburst
84 bpm • B min • 04:01 • -10.82db
4% Popularity • 38% Danceability • 37% Energy • 10% Liveness
5% Instrumentalness • 13% Positiveness
4% Popularity • 38% Danceability • 37% Energy • 10% Liveness
5% Instrumentalness • 13% Positiveness
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Siddhartha Khosla
Runaways Theme
98 bpm • F Maj • 01:12 • -9.17db
17% Popularity • 44% Danceability • 64% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
17% Popularity • 44% Danceability • 64% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
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Pop Talk
Stories
84 bpm • D Maj • 03:11 • -12.72db
8% Popularity • 60% Danceability • 44% Energy • 34% Liveness
26% Instrumentalness • 20% Positiveness
8% Popularity • 60% Danceability • 44% Energy • 34% Liveness
26% Instrumentalness • 20% Positiveness
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Pastis
Wider Scale
84 bpm • B min • 04:01 • -7.6db
14% Popularity • 55% Danceability • 60% Energy • 7% Liveness
8% Instrumentalness • 52% Positiveness
14% Popularity • 55% Danceability • 60% Energy • 7% Liveness
8% Instrumentalness • 52% Positiveness
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Cody Martin
Taking the North
99 bpm • A min • 03:42 • -15.26db
10% Popularity • 27% Danceability • 46% Energy • 11% Liveness
90% Instrumentalness • 42% Positiveness
10% Popularity • 27% Danceability • 46% Energy • 11% Liveness
90% Instrumentalness • 42% Positiveness
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Jack Phillips
Arcadia
99 bpm • G Maj • 02:50 • -16.89db
1% Popularity • 38% Danceability • 20% Energy • 4% Liveness
87% Instrumentalness • 8% Positiveness
1% Popularity • 38% Danceability • 20% Energy • 4% Liveness
87% Instrumentalness • 8% Positiveness
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LAOUD
Grow
100 bpm • A# min • 03:16 • -10.58db
9% Popularity • 28% Danceability • 45% Energy • 10% Liveness
67% Instrumentalness • 11% Positiveness
9% Popularity • 28% Danceability • 45% Energy • 10% Liveness
67% Instrumentalness • 11% Positiveness
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Zola Jesus
Wiseblood (Johnny Jewel Remix)
84 bpm • A# Maj • 04:35 • -8.16db
38% Popularity • 15% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
38% Popularity • 15% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Adam Barber
You Cover Me
100 bpm • F min • 03:38 • -18.63db
9% Popularity • 47% Danceability • 22% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
9% Popularity • 47% Danceability • 22% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
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Hans Johnson
Winter Wonderland
100 bpm • F Maj • 03:06 • -16.98db
12% Popularity • 49% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 24% Positiveness
12% Popularity • 49% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 24% Positiveness
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Out Linear
Admit Defeat
100 bpm • F min • 01:55 • -10.47db
9% Popularity • 59% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
9% Popularity • 59% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
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Stuart Roslyn
Waterfall Creek
100 bpm • G# Maj • 02:02 • -14.43db
14% Popularity • 54% Danceability • 44% Energy • 10% Liveness
73% Instrumentalness • 8% Positiveness
14% Popularity • 54% Danceability • 44% Energy • 10% Liveness
73% Instrumentalness • 8% Positiveness
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Brice Davoli
Stay With Me
100 bpm • F# Maj • 04:13 • -10.56db
25% Popularity • 45% Danceability • 42% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
25% Popularity • 45% Danceability • 42% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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David O'Dowda
Mountains
100 bpm • G Maj • 02:34 • -16.53db
17% Popularity • 72% Danceability • 42% Energy • 10% Liveness
75% Instrumentalness • 56% Positiveness
17% Popularity • 72% Danceability • 42% Energy • 10% Liveness
75% Instrumentalness • 56% Positiveness
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Jack Phillips
Wall to Wall
100 bpm • G Maj • 02:40 • -10.49db
0% Popularity • 61% Danceability • 59% Energy • 8% Liveness
84% Instrumentalness • 21% Positiveness
0% Popularity • 61% Danceability • 59% Energy • 8% Liveness
84% Instrumentalness • 21% Positiveness
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Emiliano Branda
Echoes from the Abyss
100 bpm • C Maj • 02:08 • -8.85db
11% Popularity • 48% Danceability • 55% Energy • 19% Liveness
95% Instrumentalness • 5% Positiveness
11% Popularity • 48% Danceability • 55% Energy • 19% Liveness
95% Instrumentalness • 5% Positiveness
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The Days
Tell Me
100 bpm • A min • 03:59 • -6.97db
13% Popularity • 48% Danceability • 73% Energy • 17% Liveness
27% Instrumentalness • 37% Positiveness
13% Popularity • 48% Danceability • 73% Energy • 17% Liveness
27% Instrumentalness • 37% Positiveness
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Louise Dowd
Remain
100 bpm • F Maj • 03:06 • -8.63db
12% Popularity • 52% Danceability • 59% Energy • 36% Liveness
1% Instrumentalness • 11% Positiveness
12% Popularity • 52% Danceability • 59% Energy • 36% Liveness
1% Instrumentalness • 11% Positiveness
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Antoinette Halliday
Broken Morning
100 bpm • E min • 03:20 • -9.21db
8% Popularity • 52% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 52% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Pop Talk
I See Colours
100 bpm • C Maj • 03:17 • -8.77db
11% Popularity • 62% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 62% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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Quails
High Hopes
100 bpm • A min • 03:58 • -13.75db
18% Popularity • 29% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 29% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Fink
Warm Shadow - Rastovich Remix
100 bpm • D Maj • 02:41 • -9.91db
18% Popularity • 42% Danceability • 77% Energy • 17% Liveness
33% Instrumentalness • 4% Positiveness
18% Popularity • 42% Danceability • 77% Energy • 17% Liveness
33% Instrumentalness • 4% Positiveness
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Craig Armstrong
Mother’s Run
82 bpm • A min • 02:55 • -12.47db
17% Popularity • 8% Danceability • 44% Energy • 12% Liveness
83% Instrumentalness • 3% Positiveness
17% Popularity • 8% Danceability • 44% Energy • 12% Liveness
83% Instrumentalness • 3% Positiveness
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of Verona
Zero Gravity
82 bpm • D Maj • 04:33 • -8db
22% Popularity • 48% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
22% Popularity • 48% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Arch Leaves
Bloom
101 bpm • D Maj • 05:20 • -13.07db
12% Popularity • 62% Danceability • 31% Energy • 12% Liveness
5% Instrumentalness • 44% Positiveness
12% Popularity • 62% Danceability • 31% Energy • 12% Liveness
5% Instrumentalness • 44% Positiveness
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Epic Geek
Creep - Epic Version
82 bpm • A# Maj • 04:25 • -13.94db
9% Popularity • 49% Danceability • 42% Energy • 11% Liveness
4% Instrumentalness • 21% Positiveness
9% Popularity • 49% Danceability • 42% Energy • 11% Liveness
4% Instrumentalness • 21% Positiveness
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Gyom
Odyssey
82 bpm • A Maj • 04:08 • -13.24db
8% Popularity • 39% Danceability • 28% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
8% Popularity • 39% Danceability • 28% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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SLPSTRM
River Runs Deep
82 bpm • E min • 03:17 • -9.93db
12% Popularity • 63% Danceability • 68% Energy • 17% Liveness
80% Instrumentalness • 75% Positiveness
12% Popularity • 63% Danceability • 68% Energy • 17% Liveness
80% Instrumentalness • 75% Positiveness
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Michael Rothery
There's Something in the Air
101 bpm • G# min • 02:18 • -23.07db
14% Popularity • 77% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 29% Positiveness
14% Popularity • 77% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 29% Positiveness
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Primer
The Firmament
101 bpm • A# Maj • 03:44 • -10.76db
21% Popularity • 62% Danceability • 55% Energy • 12% Liveness
10% Instrumentalness • 13% Positiveness
21% Popularity • 62% Danceability • 55% Energy • 12% Liveness
10% Instrumentalness • 13% Positiveness
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Alexandre Prodhomme
Surf Fragrance
82 bpm • A min • 02:16 • -12.36db
11% Popularity • 58% Danceability • 26% Energy • 11% Liveness
82% Instrumentalness • 36% Positiveness
11% Popularity • 58% Danceability • 26% Energy • 11% Liveness
82% Instrumentalness • 36% Positiveness
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Robin Loxley
White Light
101 bpm • B min • 03:21 • -6.67db
14% Popularity • 52% Danceability • 80% Energy • 8% Liveness
6% Instrumentalness • 37% Positiveness
14% Popularity • 52% Danceability • 80% Energy • 8% Liveness
6% Instrumentalness • 37% Positiveness
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Stuart Earl
Main Theme (Gold Digger)
101 bpm • F min • 01:41 • -18.22db
7% Popularity • 45% Danceability • 31% Energy • 11% Liveness
98% Instrumentalness • 38% Positiveness
7% Popularity • 45% Danceability • 31% Energy • 11% Liveness
98% Instrumentalness • 38% Positiveness
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The Other Zoey
Fight With Elle
102 bpm • G# Maj • 01:10 • -18.64db
17% Popularity • 39% Danceability • 19% Energy • 11% Liveness
70% Instrumentalness • 3% Positiveness
17% Popularity • 39% Danceability • 19% Energy • 11% Liveness
70% Instrumentalness • 3% Positiveness
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Cut One
Fools Regret
81 bpm • E min • 02:57 • -7.93db
11% Popularity • 30% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 30% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Biba Dupont
Sequoia
102 bpm • D# min • 03:38 • -11.83db
9% Popularity • 67% Danceability • 34% Energy • 11% Liveness
58% Instrumentalness • 27% Positiveness
9% Popularity • 67% Danceability • 34% Energy • 11% Liveness
58% Instrumentalness • 27% Positiveness
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Johnny Klimek
Rapid Fun
102 bpm • A min • 01:21 • -14.83db
25% Popularity • 55% Danceability • 55% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 55% Danceability • 55% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Borrtex
Dear America
102 bpm • A min • 04:07 • -13.99db
11% Popularity • 44% Danceability • 42% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
11% Popularity • 44% Danceability • 42% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Indiana
Ninety Six Hours
102 bpm • D Maj • 03:06 • -11.05db
12% Popularity • 68% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 68% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Jonathan Buchanan
Welcome to a New Dawn
103 bpm • C# Maj • 03:14 • -15db
20% Popularity • 48% Danceability • 55% Energy • 10% Liveness
67% Instrumentalness • 4% Positiveness
20% Popularity • 48% Danceability • 55% Energy • 10% Liveness
67% Instrumentalness • 4% Positiveness
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Bartosz Chajdecki
Życie
80 bpm • G min • 03:23 • -11.61db
12% Popularity • 41% Danceability • 32% Energy • 8% Liveness
60% Instrumentalness • 24% Positiveness
12% Popularity • 41% Danceability • 32% Energy • 8% Liveness
60% Instrumentalness • 24% Positiveness
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Lukasz Targosz
Hello Big Mountain
80 bpm • C Maj • 02:22 • -14.45db
8% Popularity • 30% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
8% Popularity • 30% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
