Songs like Easy To Love (with Frank DeVol & His Orchestra) by Doris Day
Based on a tempo of (+/- 10%) and a similar genre
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Perry Como
Magic Moments
104 bpm • C min • 02:39 • -14.45db
57% Popularity • 72% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
57% Popularity • 72% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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Doris Day
Fly Me to the Moon (In Other Words)
104 bpm • F Maj • 02:33 • -15.85db
46% Popularity • 41% Danceability • 17% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
46% Popularity • 41% Danceability • 17% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Tommy Dorsey
I'm Gettin' Sentimental Over You
104 bpm • A Maj • 03:37 • -16.84db
32% Popularity • 51% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
32% Popularity • 51% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Elvis Presley
Love Me Tender - with The Royal Philharm...
104 bpm • A Maj • 03:25 • -13.13db
51% Popularity • 24% Danceability • 15% Energy • 12% Liveness
3% Instrumentalness • 10% Positiveness
51% Popularity • 24% Danceability • 15% Energy • 12% Liveness
3% Instrumentalness • 10% Positiveness
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Lesley Gore
Fools Rush In (Where Angels Fear To Trea...
103 bpm • G Maj • 02:13 • -14.58db
33% Popularity • 57% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 64% Positiveness
33% Popularity • 57% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 64% Positiveness
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Chet Baker
I Get Along Without You Very Well (Excep...
103 bpm • A# Maj • 02:59 • -23.06db
59% Popularity • 44% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
59% Popularity • 44% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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The Cast
Goodnight, Sleep Tight
105 bpm • E Maj • 01:41 • -19.38db
26% Popularity • 43% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 43% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Doris Day
Perhaps, Perhaps, Perhaps
105 bpm • A min • 02:31 • -12.22db
59% Popularity • 62% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
59% Popularity • 62% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Glenn Miller
When You Wish Upon A Star
105 bpm • D# Maj • 02:50 • -12.13db
39% Popularity • 43% Danceability • 21% Energy • 58% Liveness
3% Instrumentalness • 40% Positiveness
39% Popularity • 43% Danceability • 21% Energy • 58% Liveness
3% Instrumentalness • 40% Positiveness
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Billy Eckstine
Kiss Of Fire
105 bpm • D min • 02:32 • -11.48db
31% Popularity • 59% Danceability • 32% Energy • 39% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 59% Danceability • 32% Energy • 39% Liveness
0% Instrumentalness • 90% Positiveness
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Malcolm Vaughan
If You Were the Only Girl in the World a...
103 bpm • F min • 02:25 • -21.55db
17% Popularity • 32% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 32% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Eddie Fisher
Anytime
105 bpm • C# Maj • 02:36 • -4.26db
35% Popularity • 61% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 61% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Buddy Holly
Raining In My Heart
105 bpm • G Maj • 02:47 • -19.92db
45% Popularity • 67% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 67% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Doris Day
I'm Confessin' (That I Love You)
103 bpm • C# Maj • 02:46 • -23.65db
32% Popularity • 31% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
32% Popularity • 31% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Teresa Brewer
Sing Sing Sing
105 bpm • A# Maj • 02:35 • -8.73db
13% Popularity • 71% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 71% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Rosemary Clooney
Get Me To The Church On Time - Remastere...
106 bpm • D Maj • 02:11 • -10.51db
30% Popularity • 65% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 65% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Bobby Vinton
Roses Are Red (My Love)
102 bpm • F Maj • 02:38 • -14.15db
44% Popularity • 50% Danceability • 14% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 50% Danceability • 14% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Brenda Lee
I'm Sorry
102 bpm • A# Maj • 02:41 • -12.36db
57% Popularity • 56% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 56% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Helen O'Connell
Green Eyes
101 bpm • G# Maj • 02:38 • -18db
31% Popularity • 57% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 57% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Doris Day
Tea for Two
103 bpm • C# Maj • 01:49 • -13db
38% Popularity • 65% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 65% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Julie London
Sway
107 bpm • E min • 02:35 • -15db
47% Popularity • 59% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 59% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Pearl Bailey
Bill Bailey, Won't You Please Come Home?
107 bpm • C# Maj • 02:30 • -9.06db
24% Popularity • 67% Danceability • 59% Energy • 61% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 67% Danceability • 59% Energy • 61% Liveness
0% Instrumentalness • 88% Positiveness
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Teresa Brewer
Milord
108 bpm • B Maj • 02:19 • -9.92db
15% Popularity • 67% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 67% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
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Bob Hope
Thanks for the Memory - Remastered
100 bpm • D Maj • 03:07 • -11.79db
18% Popularity • 47% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 47% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Anita Bryant
In My Little Corner of the World
108 bpm • B Maj • 02:40 • -10.56db
38% Popularity • 49% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 49% Danceability • 37% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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Doris Day
Move Over Darling
106 bpm • D Maj • 02:37 • -10.19db
34% Popularity • 43% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 43% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Tommy Dorsey
Getting Sentimental Over You
100 bpm • E Maj • 01:29 • -21.1db
32% Popularity • 36% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
32% Popularity • 36% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
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Patsy Cline
Crazy - Single Version
108 bpm • A# Maj • 02:44 • -24.39db
69% Popularity • 47% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
69% Popularity • 47% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Carroll Gibbons
These Foolish Things
108 bpm • D Maj • 03:08 • -22.85db
44% Popularity • 61% Danceability • 9% Energy • 11% Liveness
80% Instrumentalness • 59% Positiveness
44% Popularity • 61% Danceability • 9% Energy • 11% Liveness
80% Instrumentalness • 59% Positiveness
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Peggy Lee
Till There Was You - Remastered
100 bpm • C Maj • 02:31 • -19.33db
56% Popularity • 67% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
56% Popularity • 67% Danceability • 20% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Dusty Springfield
Wishin' And Hopin' - Stereo Version
108 bpm • B Maj • 02:53 • -11.43db
48% Popularity • 68% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
48% Popularity • 68% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Doris Day
I Love Paris
108 bpm • G Maj • 03:09 • -22.21db
7% Popularity • 44% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 18% Positiveness
7% Popularity • 44% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 18% Positiveness
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Judy Garland
Embraceable You - 1940 Single Version
100 bpm • C# Maj • 02:48 • -11.56db
46% Popularity • 32% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 32% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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The Chordettes
Eddie My Love
108 bpm • A Maj • 02:15 • -11.34db
45% Popularity • 59% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 59% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Ella Fitzgerald and Her Savoy Eight
It's Wonderful
99 bpm • A# Maj • 02:55 • -11.44db
38% Popularity • 65% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 65% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Harry Belafonte
Island In the Sun
99 bpm • D Maj • 03:24 • -14db
40% Popularity • 43% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 43% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Jesse O'Mahoney
She's a Rainbow
99 bpm • A# Maj • 01:52 • -13db
42% Popularity • 64% Danceability • 16% Energy • 20% Liveness
55% Instrumentalness • 42% Positiveness
42% Popularity • 64% Danceability • 16% Energy • 20% Liveness
55% Instrumentalness • 42% Positiveness
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Doris Day
Pillow Talk
100 bpm • C Maj • 02:09 • -12.92db
25% Popularity • 63% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 63% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Engelbert Humperdinck
The Last Waltz
109 bpm • D Maj • 03:04 • -11.32db
58% Popularity • 41% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
58% Popularity • 41% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Teresa Brewer
(Put Another Nickel In) Music! Music! Mu...
99 bpm • D Maj • 02:40 • -14.39db
31% Popularity • 75% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 75% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Brian Hyland
I Don't Want To Set The World On Fire
99 bpm • F Maj • 02:38 • -11db
21% Popularity • 56% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 56% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Buddy Greco
Summertime in Venice
109 bpm • G# Maj • 02:14 • -13.93db
48% Popularity • 28% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
48% Popularity • 28% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Patsy Cline
You Belong To Me
109 bpm • D# Maj • 03:03 • -20.77db
54% Popularity • 58% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
54% Popularity • 58% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Frankie Laine
Jealousy (Jalousie)
109 bpm • D# Maj • 03:13 • -9.3db
19% Popularity • 58% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 58% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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The Fontane Sisters
Chanson D'amour
99 bpm • G min • 02:14 • -12db
20% Popularity • 52% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 52% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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The Fleetwoods
Mr. Blue
99 bpm • E Maj • 02:23 • -17.55db
40% Popularity • 43% Danceability • 8% Energy • 10% Liveness
14% Instrumentalness • 22% Positiveness
40% Popularity • 43% Danceability • 8% Energy • 10% Liveness
14% Instrumentalness • 22% Positiveness
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Maurice Chevalier
Thank Heaven For Little Girls
99 bpm • G Maj • 02:18 • -19db
24% Popularity • 59% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 59% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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The Righteous Brothers
Unchained Melody
99 bpm • C Maj • 03:38 • -16.73db
78% Popularity • 34% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
78% Popularity • 34% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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Les Paul & Mary Ford
Via Con Dios
99 bpm • E Maj • 02:50 • -14.42db
30% Popularity • 58% Danceability • 19% Energy • 10% Liveness
3% Instrumentalness • 22% Positiveness
30% Popularity • 58% Danceability • 19% Energy • 10% Liveness
3% Instrumentalness • 22% Positiveness
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Clarence "Frogman" Henry
But I Do
110 bpm • A# Maj • 02:21 • 1.57db
41% Popularity • 64% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 64% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Nat King Cole
Stardust
110 bpm • G Maj • 03:15 • -13.16db
56% Popularity • 26% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
56% Popularity • 26% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
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Paul Anka
Pennies From Heaven
110 bpm • D Maj • 04:10 • -10.13db
51% Popularity • 74% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
51% Popularity • 74% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Jo Stafford
No Other Love
98 bpm • G# Maj • 03:01 • -13db
43% Popularity • 38% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
43% Popularity • 38% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Fats Waller
Ain't Misbehavin'
98 bpm • C min • 03:57 • -16.92db
49% Popularity • 52% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
49% Popularity • 52% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Blossom Dearie
Someone To Watch Over Me
98 bpm • G Maj • 05:57 • -20.37db
36% Popularity • 48% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
36% Popularity • 48% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Bobby Vinton
Blue On Blue
98 bpm • A# Maj • 02:29 • -15.27db
26% Popularity • 61% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 61% Danceability • 21% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Doris Day
Teacher's Pet
111 bpm • F Maj • 02:34 • -10.49db
15% Popularity • 85% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 85% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Paul Anka
Put Your Head On My Shoulder - Remastere...
110 bpm • G Maj • 02:38 • -10db
70% Popularity • 58% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
70% Popularity • 58% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Eddie Fisher
Oh, My Papa!
98 bpm • A# Maj • 03:06 • -15.07db
29% Popularity • 43% Danceability • 11% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 43% Danceability • 11% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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Peggy Lee
Big Spender
111 bpm • F# Maj • 02:07 • -9.41db
40% Popularity • 80% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 80% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Ricky Nelson
Someday (You'll Want Me To Want You) - R...
97 bpm • E Maj • 02:51 • -12db
39% Popularity • 62% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 62% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Johnnie Ray
Just Walkin' in the Rain
97 bpm • F Maj • 02:37 • -17db
50% Popularity • 64% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
50% Popularity • 64% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Doris Day
That Old Feeling
111 bpm • C# Maj • 03:03 • -16.42db
20% Popularity • 28% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
20% Popularity • 28% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Alice Faye
You'll Never Know / No Love, No Nothin -...
96 bpm • F Maj • 03:33 • -15db
18% Popularity • 29% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 29% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Eddie Fisher
Oh My Papa
97 bpm • A# Maj • 03:04 • -1.33db
22% Popularity • 40% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 40% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Harry Connick, Jr.
A Wink and a Smile
112 bpm • G Maj • 02:46 • -13.66db
54% Popularity • 73% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
54% Popularity • 73% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Pat Boone
Don't Forbid Me
112 bpm • C Maj • 02:17 • -9.74db
38% Popularity • 69% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
38% Popularity • 69% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Sam Cooke
You Send Me - Mono
96 bpm • E min • 02:45 • -7.58db
59% Popularity • 57% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
59% Popularity • 57% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Doris Day
When You're Smiling
111 bpm • G# Maj • 02:37 • -16.8db
25% Popularity • 60% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 60% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Ray Conniff and Don Cherry
Band Of Gold
113 bpm • G Maj • 02:34 • -9.94db
26% Popularity • 43% Danceability • 38% Energy • 13% Liveness
2% Instrumentalness • 59% Positiveness
26% Popularity • 43% Danceability • 38% Energy • 13% Liveness
2% Instrumentalness • 59% Positiveness
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Tommy Dorsey
On the Sunny Side of the Street
113 bpm • D# Maj • 03:14 • -13.02db
34% Popularity • 68% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
34% Popularity • 68% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Buddy Greco
This Could Be the Start of Something
113 bpm • G# Maj • 02:40 • -10.54db
29% Popularity • 68% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 68% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Al Martino
Speak Softly Love (The Godfather Theme)
113 bpm • F# Maj • 03:05 • -11.86db
34% Popularity • 38% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 38% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Joe Loss & His Orchestra
A Nice Cup Of Tea
96 bpm • G# Maj • 02:49 • -19db
16% Popularity • 77% Danceability • 12% Energy • 16% Liveness
7% Instrumentalness • 90% Positiveness
16% Popularity • 77% Danceability • 12% Energy • 16% Liveness
7% Instrumentalness • 90% Positiveness
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Doris Day
The Way You Look Tonight
112 bpm • A Maj • 03:24 • -20db
24% Popularity • 66% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 66% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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The Chordettes
Love Never Changes
95 bpm • G Maj • 02:07 • -14.53db
23% Popularity • 64% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 64% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Paul Anka
Summer's Gone
113 bpm • D# Maj • 02:23 • -10.92db
17% Popularity • 32% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 32% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Buddy Greco
It Had Better Be Tonight (Meglio Sta Ser...
113 bpm • D# Maj • 01:59 • -11.79db
21% Popularity • 56% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
21% Popularity • 56% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Lee Wiley
A Ghost of a Chance - Studio
113 bpm • F Maj • 03:20 • -16.42db
27% Popularity • 45% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
27% Popularity • 45% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
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Tommy Dorsey
You Too Can Be a Dreamer
95 bpm • G Maj • 02:35 • -11db
15% Popularity • 36% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 36% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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Doris Day
I'm Beginning to See the Light
113 bpm • G Maj • 02:05 • -12.18db
25% Popularity • 61% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 61% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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The Cast
The Five Pennies
95 bpm • D Maj • 02:18 • -12.43db
33% Popularity • 27% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
33% Popularity • 27% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Lesley Gore
You Don't Own Me
95 bpm • D Maj • 02:30 • -10.02db
73% Popularity • 47% Danceability • 43% Energy • 63% Liveness
0% Instrumentalness • 71% Positiveness
73% Popularity • 47% Danceability • 43% Energy • 63% Liveness
0% Instrumentalness • 71% Positiveness
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Ella Fitzgerald
It's Only A Paper Moon
114 bpm • A# Maj • 02:40 • -16.96db
57% Popularity • 76% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
57% Popularity • 76% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Glenn Miller Orchestra
Blue Moon
114 bpm • C# Maj • 02:54 • -11.88db
24% Popularity • 48% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 48% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Frankie Avalon
Why
95 bpm • F Maj • 02:37 • -14.81db
31% Popularity • 42% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 42% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Sammy Davis Jr. | Dean Martin
Sam's Song
115 bpm • D min • 02:45 • -11.75db
37% Popularity • 58% Danceability • 46% Energy • 62% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 58% Danceability • 46% Energy • 62% Liveness
0% Instrumentalness • 57% Positiveness
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The Four Lads
Standing On the Corner
115 bpm • G Maj • 02:51 • -9.96db
26% Popularity • 59% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 59% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Dickie Valentine
Mr Sandman (Alternate Take)
115 bpm • F# Maj • 02:16 • -7.97db
28% Popularity • 51% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 51% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Bob Hope
Road To Bali: To See You Is To Love You
94 bpm • G min • 02:25 • -12.97db
16% Popularity • 24% Danceability • 25% Energy • 41% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 24% Danceability • 25% Energy • 41% Liveness
0% Instrumentalness • 16% Positiveness
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Ruby Murray
You Are My First Love
94 bpm • C# Maj • 02:23 • -11.86db
17% Popularity • 32% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 32% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Frankie Avalon
Venus
115 bpm • A# Maj • 02:24 • -18.85db
45% Popularity • 57% Danceability • 36% Energy • 16% Liveness
63% Instrumentalness • 87% Positiveness
45% Popularity • 57% Danceability • 36% Energy • 16% Liveness
63% Instrumentalness • 87% Positiveness
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The Chordettes
Down Among the Sheltering Palms
115 bpm • A# Maj • 01:38 • -18.18db
20% Popularity • 62% Danceability • 5% Energy • 54% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 62% Danceability • 5% Energy • 54% Liveness
0% Instrumentalness • 27% Positiveness
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Teddy Wilson
When You're Smiling (01-06-38)
94 bpm • D# Maj • 02:52 • -12db
34% Popularity • 70% Danceability • 25% Energy • 16% Liveness
25% Instrumentalness • 72% Positiveness
34% Popularity • 70% Danceability • 25% Energy • 16% Liveness
25% Instrumentalness • 72% Positiveness
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Robert Goulet
On a Clear Day
115 bpm • F# Maj • 03:09 • -11.94db
20% Popularity • 27% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 27% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Guy Lombardo
Third Man Theme
116 bpm • C Maj • 02:57 • -11db
27% Popularity • 81% Danceability • 20% Energy • 8% Liveness
64% Instrumentalness • 54% Positiveness
27% Popularity • 81% Danceability • 20% Energy • 8% Liveness
64% Instrumentalness • 54% Positiveness
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Marion Ryan
Love Me Forever
116 bpm • G Maj • 02:55 • -9.03db
38% Popularity • 48% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 48% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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The Ames Brothers
You, You, You
93 bpm • E Maj • 02:55 • -11db
27% Popularity • 30% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 30% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
