Songs like Easy Way Out by penelope Q
Based on a tempo of (+/- 10%) and a similar genre
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onte
you were my yellow
170 bpm • A Maj • 02:18 • -7.31db
25% Popularity • 36% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
25% Popularity • 36% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Kleo
Beautiful Life
170 bpm • A Maj • 02:30 • -5.88db
22% Popularity • 39% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 39% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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Will Heggadon
Desolate Pages
172 bpm • F# Maj • 03:56 • -9.5db
11% Popularity • 34% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 34% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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penelope Q
Easy Way Out
170 bpm • D min • 02:41 • -5.23db
12% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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James Beau Barclay
You Make Life Easy
172 bpm • D min • 03:14 • -8.57db
28% Popularity • 51% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 51% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Collin Selman
dayDREAM
172 bpm • C# Maj • 02:59 • -11.56db
34% Popularity • 39% Danceability • 41% Energy • 13% Liveness
15% Instrumentalness • 8% Positiveness
34% Popularity • 39% Danceability • 41% Energy • 13% Liveness
15% Instrumentalness • 8% Positiveness
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Secret Nation
Everything
168 bpm • C Maj • 03:34 • -11.04db
24% Popularity • 29% Danceability • 48% Energy • 7% Liveness
13% Instrumentalness • 7% Positiveness
24% Popularity • 29% Danceability • 48% Energy • 7% Liveness
13% Instrumentalness • 7% Positiveness
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WATTS
Feels
168 bpm • G Maj • 04:00 • -12.33db
27% Popularity • 54% Danceability • 40% Energy • 29% Liveness
4% Instrumentalness • 10% Positiveness
27% Popularity • 54% Danceability • 40% Energy • 29% Liveness
4% Instrumentalness • 10% Positiveness
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Summerdrive
Cheer Up Hollywood
173 bpm • D Maj • 03:20 • -5.72db
18% Popularity • 27% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 27% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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Lukae
Fake It
174 bpm • C# Maj • 03:10 • -10.15db
12% Popularity • 68% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 68% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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LonelyTwin
If I Know Myself
173 bpm • G Maj • 03:09 • -10.04db
14% Popularity • 41% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 41% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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TRACE
Divided
174 bpm • E Maj • 03:51 • -10.18db
9% Popularity • 54% Danceability • 52% Energy • 10% Liveness
4% Instrumentalness • 56% Positiveness
9% Popularity • 54% Danceability • 52% Energy • 10% Liveness
4% Instrumentalness • 56% Positiveness
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Reed Gaines
Don't Stay Quiet
174 bpm • A# Maj • 03:05 • -12.04db
15% Popularity • 58% Danceability • 46% Energy • 12% Liveness
64% Instrumentalness • 19% Positiveness
15% Popularity • 58% Danceability • 46% Energy • 12% Liveness
64% Instrumentalness • 19% Positiveness
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Cape Francis
Even in the Dark
166 bpm • G Maj • 02:45 • -12.5db
21% Popularity • 62% Danceability • 50% Energy • 8% Liveness
67% Instrumentalness • 33% Positiveness
21% Popularity • 62% Danceability • 50% Energy • 8% Liveness
67% Instrumentalness • 33% Positiveness
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The Night Game
Coffee And Cigarettes
166 bpm • D Maj • 05:25 • -12.43db
34% Popularity • 68% Danceability • 52% Energy • 34% Liveness
6% Instrumentalness • 50% Positiveness
34% Popularity • 68% Danceability • 52% Energy • 34% Liveness
6% Instrumentalness • 50% Positiveness
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Andrew Belle
Surprise Surprise
174 bpm • B min • 02:30 • -8.41db
29% Popularity • 58% Danceability • 60% Energy • 22% Liveness
39% Instrumentalness • 63% Positiveness
29% Popularity • 58% Danceability • 60% Energy • 22% Liveness
39% Instrumentalness • 63% Positiveness
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Twiceyoung
Easier
166 bpm • C# Maj • 03:19 • -11.63db
16% Popularity • 63% Danceability • 47% Energy • 12% Liveness
15% Instrumentalness • 32% Positiveness
16% Popularity • 63% Danceability • 47% Energy • 12% Liveness
15% Instrumentalness • 32% Positiveness
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Vraell
Fall
165 bpm • D# min • 04:34 • -21.37db
27% Popularity • 21% Danceability • 16% Energy • 9% Liveness
80% Instrumentalness • 7% Positiveness
27% Popularity • 21% Danceability • 16% Energy • 9% Liveness
80% Instrumentalness • 7% Positiveness
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Heylu
I'll Do It For U
165 bpm • E Maj • 02:42 • -9.87db
15% Popularity • 46% Danceability • 62% Energy • 14% Liveness
66% Instrumentalness • 47% Positiveness
15% Popularity • 46% Danceability • 62% Energy • 14% Liveness
66% Instrumentalness • 47% Positiveness
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Dean Lewis
Falling Up - slowed n reverbed
175 bpm • B Maj • 04:04 • -5.32db
32% Popularity • 32% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 32% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Evergreen
Juan de Fuca
176 bpm • D Maj • 04:33 • -15.51db
19% Popularity • 34% Danceability • 30% Energy • 11% Liveness
16% Instrumentalness • 26% Positiveness
19% Popularity • 34% Danceability • 30% Energy • 11% Liveness
16% Instrumentalness • 26% Positiveness
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Houses
Pink Honey
164 bpm • A Maj • 04:15 • -7.68db
29% Popularity • 47% Danceability • 73% Energy • 10% Liveness
70% Instrumentalness • 20% Positiveness
29% Popularity • 47% Danceability • 73% Energy • 10% Liveness
70% Instrumentalness • 20% Positiveness
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LAVE
Dissonance
164 bpm • A# Maj • 02:35 • -11.14db
29% Popularity • 72% Danceability • 55% Energy • 11% Liveness
5% Instrumentalness • 54% Positiveness
29% Popularity • 72% Danceability • 55% Energy • 11% Liveness
5% Instrumentalness • 54% Positiveness
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penelope Q
u don't know me
177 bpm • D Maj • 04:29 • -5.96db
6% Popularity • 62% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
6% Popularity • 62% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Andrew Belle
You're the Sea
161 bpm • C# min • 02:54 • -9.08db
46% Popularity • 57% Danceability • 62% Energy • 11% Liveness
12% Instrumentalness • 53% Positiveness
46% Popularity • 57% Danceability • 62% Energy • 11% Liveness
12% Instrumentalness • 53% Positiveness
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Daniel Blake
Freeway
161 bpm • F# min • 05:10 • -10.43db
15% Popularity • 56% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 56% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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NIGHT TRAVELER
Late Night Radio
180 bpm • D Maj • 04:00 • -7.21db
15% Popularity • 41% Danceability • 62% Energy • 12% Liveness
3% Instrumentalness • 58% Positiveness
15% Popularity • 41% Danceability • 62% Energy • 12% Liveness
3% Instrumentalness • 58% Positiveness
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The Big Let Down
I Got a Little Lost
180 bpm • E min • 02:50 • -7.53db
24% Popularity • 39% Danceability • 79% Energy • 9% Liveness
1% Instrumentalness • 50% Positiveness
24% Popularity • 39% Danceability • 79% Energy • 9% Liveness
1% Instrumentalness • 50% Positiveness
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flor
warm blood
160 bpm • G# Maj • 03:45 • -12.12db
29% Popularity • 62% Danceability • 19% Energy • 10% Liveness
12% Instrumentalness • 39% Positiveness
29% Popularity • 62% Danceability • 19% Energy • 10% Liveness
12% Instrumentalness • 39% Positiveness
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penelope Q
coming home
180 bpm • C Maj • 03:40 • -9.31db
4% Popularity • 52% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
4% Popularity • 52% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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VICTORS
Craving
160 bpm • G min • 03:41 • -6.46db
23% Popularity • 27% Danceability • 55% Energy • 44% Liveness
4% Instrumentalness • 18% Positiveness
23% Popularity • 27% Danceability • 55% Energy • 44% Liveness
4% Instrumentalness • 18% Positiveness
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Forester
Lost
160 bpm • A# Maj • 03:48 • -8.36db
46% Popularity • 58% Danceability • 56% Energy • 10% Liveness
57% Instrumentalness • 33% Positiveness
46% Popularity • 58% Danceability • 56% Energy • 10% Liveness
57% Instrumentalness • 33% Positiveness
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Rynn
When You Lock Eyes
160 bpm • A# Maj • 02:22 • -10.61db
26% Popularity • 63% Danceability • 49% Energy • 10% Liveness
41% Instrumentalness • 46% Positiveness
26% Popularity • 63% Danceability • 49% Energy • 10% Liveness
41% Instrumentalness • 46% Positiveness
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Chris Lanzon
New York, Falling Apart
160 bpm • C# Maj • 03:19 • -10.9db
26% Popularity • 44% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
26% Popularity • 44% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Sarah Proctor
Feels Like Magic
160 bpm • C Maj • 03:07 • -9.23db
27% Popularity • 36% Danceability • 46% Energy • 13% Liveness
14% Instrumentalness • 22% Positiveness
27% Popularity • 36% Danceability • 46% Energy • 13% Liveness
14% Instrumentalness • 22% Positiveness
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penelope Q
Three Strikes
180 bpm • D Maj • 03:10 • -5.43db
8% Popularity • 44% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 44% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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UTAH
Obvious (Remix)
160 bpm • D Maj • 04:11 • -10.61db
28% Popularity • 48% Danceability • 54% Energy • 7% Liveness
16% Instrumentalness • 9% Positiveness
28% Popularity • 48% Danceability • 54% Energy • 7% Liveness
16% Instrumentalness • 9% Positiveness
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Bertie Newman
Tired Of Love
160 bpm • G# Maj • 02:53 • -14.1db
24% Popularity • 52% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
24% Popularity • 52% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
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Preslea Elliott
Subconscious
160 bpm • B Maj • 02:28 • -14.57db
29% Popularity • 50% Danceability • 33% Energy • 12% Liveness
5% Instrumentalness • 6% Positiveness
29% Popularity • 50% Danceability • 33% Energy • 12% Liveness
5% Instrumentalness • 6% Positiveness
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LAVE
Seafoam
160 bpm • F# Maj • 03:08 • -10.13db
29% Popularity • 46% Danceability • 39% Energy • 21% Liveness
16% Instrumentalness • 27% Positiveness
29% Popularity • 46% Danceability • 39% Energy • 21% Liveness
16% Instrumentalness • 27% Positiveness
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Nightly
i got so much to tell you
183 bpm • C Maj • 04:13 • -6.44db
24% Popularity • 20% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 20% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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penelope Q
service road to boston
160 bpm • G Maj • 02:48 • -4.61db
6% Popularity • 52% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
6% Popularity • 52% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Alejandro Aranda
Return2Sender
158 bpm • C# Maj • 04:48 • -10.25db
22% Popularity • 49% Danceability • 53% Energy • 7% Liveness
27% Instrumentalness • 34% Positiveness
22% Popularity • 49% Danceability • 53% Energy • 7% Liveness
27% Instrumentalness • 34% Positiveness
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Montgomery
Lavender Haze
158 bpm • D Maj • 04:26 • -8.55db
19% Popularity • 50% Danceability • 74% Energy • 71% Liveness
5% Instrumentalness • 9% Positiveness
19% Popularity • 50% Danceability • 74% Energy • 71% Liveness
5% Instrumentalness • 9% Positiveness
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Chrmng,
Are You Lying To Your Therapist About Be...
156 bpm • G# Maj • 03:24 • -9.84db
30% Popularity • 48% Danceability • 65% Energy • 11% Liveness
35% Instrumentalness • 44% Positiveness
30% Popularity • 48% Danceability • 65% Energy • 11% Liveness
35% Instrumentalness • 44% Positiveness
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Jenny Kern
Run
157 bpm • D Maj • 03:55 • -9.13db
15% Popularity • 64% Danceability • 67% Energy • 10% Liveness
4% Instrumentalness • 67% Positiveness
15% Popularity • 64% Danceability • 67% Energy • 10% Liveness
4% Instrumentalness • 67% Positiveness
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Vraell
Collateral
155 bpm • G# min • 04:15 • -9db
27% Popularity • 63% Danceability • 60% Energy • 15% Liveness
1% Instrumentalness • 42% Positiveness
27% Popularity • 63% Danceability • 60% Energy • 15% Liveness
1% Instrumentalness • 42% Positiveness
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Philip Brooks
didn't you believe in me?
155 bpm • B min • 02:15 • -11.14db
36% Popularity • 51% Danceability • 52% Energy • 7% Liveness
46% Instrumentalness • 77% Positiveness
36% Popularity • 51% Danceability • 52% Energy • 7% Liveness
46% Instrumentalness • 77% Positiveness
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Emmit Fenn
Closer to You
155 bpm • G Maj • 03:25 • -15.26db
37% Popularity • 27% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
37% Popularity • 27% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
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Jackson Wooten
Lovely Day
153 bpm • G Maj • 03:46 • -10.06db
4% Popularity • 50% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
4% Popularity • 50% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Beauvois
to be better
152 bpm • E Maj • 03:58 • -14.6db
20% Popularity • 54% Danceability • 24% Energy • 11% Liveness
10% Instrumentalness • 12% Positiveness
20% Popularity • 54% Danceability • 24% Energy • 11% Liveness
10% Instrumentalness • 12% Positiveness
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The Lagoons
Long Road To Nowhere
152 bpm • D Maj • 03:30 • -6.71db
23% Popularity • 46% Danceability • 69% Energy • 12% Liveness
16% Instrumentalness • 21% Positiveness
23% Popularity • 46% Danceability • 69% Energy • 12% Liveness
16% Instrumentalness • 21% Positiveness
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CHPTRS
When You Came Along (Acoustic)
150 bpm • F Maj • 03:34 • -13.76db
11% Popularity • 55% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 55% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Tarn PK
Sky Is Falling
150 bpm • A# min • 04:31 • -12.02db
9% Popularity • 52% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 52% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Max Reichert
Shaking
150 bpm • F Maj • 03:56 • -9.91db
27% Popularity • 56% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 56% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Forester
Big Sur
150 bpm • D# Maj • 03:40 • -7.8db
30% Popularity • 54% Danceability • 62% Energy • 11% Liveness
63% Instrumentalness • 16% Positiveness
30% Popularity • 54% Danceability • 62% Energy • 11% Liveness
63% Instrumentalness • 16% Positiveness
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Patternist
Get a Grip
150 bpm • D# Maj • 01:11 • -9.73db
29% Popularity • 22% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 22% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Emilee
Hilda's House
150 bpm • C# Maj • 02:44 • -16.96db
17% Popularity • 32% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
17% Popularity • 32% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
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CHPTRS
When You Came Along
150 bpm • C Maj • 03:38 • -9.87db
16% Popularity • 55% Danceability • 50% Energy • 34% Liveness
5% Instrumentalness • 38% Positiveness
16% Popularity • 55% Danceability • 50% Energy • 34% Liveness
5% Instrumentalness • 38% Positiveness
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Jordan Doww
Landslide
150 bpm • G Maj • 02:56 • -13db
23% Popularity • 42% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 39% Positiveness
23% Popularity • 42% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 39% Positiveness
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Dylan Dunlap
Stupid Me
148 bpm • D Maj • 03:47 • -8db
31% Popularity • 60% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 60% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Tyler Brown Williams
Secret Place
148 bpm • E Maj • 03:52 • -8.27db
12% Popularity • 53% Danceability • 65% Energy • 15% Liveness
55% Instrumentalness • 54% Positiveness
12% Popularity • 53% Danceability • 65% Energy • 15% Liveness
55% Instrumentalness • 54% Positiveness
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Moody Joody
Talk It Out
148 bpm • E Maj • 03:39 • -10.17db
30% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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George Walter
Fall In Love Again
147 bpm • B Maj • 04:34 • -11.76db
28% Popularity • 62% Danceability • 52% Energy • 13% Liveness
58% Instrumentalness • 59% Positiveness
28% Popularity • 62% Danceability • 52% Energy • 13% Liveness
58% Instrumentalness • 59% Positiveness
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CHPTRS
Photograph
150 bpm • C Maj • 04:27 • -8.44db
17% Popularity • 52% Danceability • 68% Energy • 7% Liveness
7% Instrumentalness • 48% Positiveness
17% Popularity • 52% Danceability • 68% Energy • 7% Liveness
7% Instrumentalness • 48% Positiveness
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Carter Vail
Tigers on Trains
148 bpm • E Maj • 04:33 • -12.17db
23% Popularity • 53% Danceability • 46% Energy • 10% Liveness
5% Instrumentalness • 25% Positiveness
23% Popularity • 53% Danceability • 46% Energy • 10% Liveness
5% Instrumentalness • 25% Positiveness
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Comfort Club
i tell my therapist about u
146 bpm • C# min • 02:55 • -9.09db
16% Popularity • 67% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
16% Popularity • 67% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
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REUNIØN
Way Out West
146 bpm • F Maj • 03:54 • -12.27db
22% Popularity • 31% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 31% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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ellis
hospital
146 bpm • B Maj • 02:35 • -11.13db
22% Popularity • 62% Danceability • 50% Energy • 22% Liveness
2% Instrumentalness • 38% Positiveness
22% Popularity • 62% Danceability • 50% Energy • 22% Liveness
2% Instrumentalness • 38% Positiveness
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Far West
It Feels New
145 bpm • C Maj • 03:32 • -8.1db
17% Popularity • 40% Danceability • 90% Energy • 22% Liveness
91% Instrumentalness • 58% Positiveness
17% Popularity • 40% Danceability • 90% Energy • 22% Liveness
91% Instrumentalness • 58% Positiveness
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Verdiblume
Holographic
146 bpm • A Maj • 03:07 • -13.66db
8% Popularity • 54% Danceability • 24% Energy • 24% Liveness
1% Instrumentalness • 12% Positiveness
8% Popularity • 54% Danceability • 24% Energy • 24% Liveness
1% Instrumentalness • 12% Positiveness
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Dylan Fraser
Losing Sleep
145 bpm • A Maj • 03:42 • -6db
27% Popularity • 64% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 64% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Phil Good
Everything's Good - slowed + reverb
200 bpm • C# min • 03:47 • -9.28db
34% Popularity • 68% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 68% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Nick Ward
Aubrey Plaza
145 bpm • A Maj • 03:40 • -12.82db
33% Popularity • 57% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
33% Popularity • 57% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
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Hunter Plake
Like Lovers Do
144 bpm • A Maj • 03:10 • -8.27db
29% Popularity • 63% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 63% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Vacation Club
Fire Goes Out
144 bpm • A# Maj • 05:11 • -8.46db
22% Popularity • 55% Danceability • 49% Energy • 8% Liveness
6% Instrumentalness • 22% Positiveness
22% Popularity • 55% Danceability • 49% Energy • 8% Liveness
6% Instrumentalness • 22% Positiveness
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NIGHT TRAVELER
Bad Enough
202 bpm • B Maj • 04:05 • -9.13db
21% Popularity • 40% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 40% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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sorryethan
Cadillac Dreams
144 bpm • D Maj • 02:30 • -7.73db
20% Popularity • 68% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 68% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
