Songs like Echo Affinity by Taylor Deupree
Based on a tempo of (+/- 10%) and a similar genre
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David Cordero
Lento
78 bpm • C# min • 01:59 • -17.15db
39% Popularity • 14% Danceability • 33% Energy • 25% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 33% Energy • 25% Liveness
92% Instrumentalness • 4% Positiveness
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Shuta Yasukochi
Particle
78 bpm • E Maj • 04:18 • -14.59db
11% Popularity • 27% Danceability • 34% Energy • 8% Liveness
30% Instrumentalness • 9% Positiveness
11% Popularity • 27% Danceability • 34% Energy • 8% Liveness
30% Instrumentalness • 9% Positiveness
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The Golden Islands
Rainforest Revival Shampoo Bar
78 bpm • E min • 02:12 • -16.06db
30% Popularity • 16% Danceability • 27% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
30% Popularity • 16% Danceability • 27% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Tomasz Bednarczyk
Short Story
78 bpm • F# min • 01:46 • -28.45db
37% Popularity • 12% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 16% Positiveness
37% Popularity • 12% Danceability • 6% Energy • 11% Liveness
82% Instrumentalness • 16% Positiveness
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Stephen Vitiello
Second Variation
78 bpm • A# min • 06:04 • -22.2db
3% Popularity • 14% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
3% Popularity • 14% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Taylor Deupree
Echo Affinity
78 bpm • F# Maj • 05:37 • -17db
24% Popularity • 33% Danceability • 10% Energy • 5% Liveness
77% Instrumentalness • 5% Positiveness
24% Popularity • 33% Danceability • 10% Energy • 5% Liveness
77% Instrumentalness • 5% Positiveness
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Field Works
Station 3 Review - Olga Wojciechowska Re...
78 bpm • G# min • 04:16 • -13.99db
3% Popularity • 33% Danceability • 41% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
3% Popularity • 33% Danceability • 41% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Arovane
Stenn_Dispel
77 bpm • D Maj • 03:13 • -20.18db
7% Popularity • 8% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 18% Positiveness
7% Popularity • 8% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 18% Positiveness
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Shida Shahabi
Pretty In Plums
77 bpm • G# min • 04:40 • -25.33db
34% Popularity • 56% Danceability • 26% Energy • 12% Liveness
86% Instrumentalness • 50% Positiveness
34% Popularity • 56% Danceability • 26% Energy • 12% Liveness
86% Instrumentalness • 50% Positiveness
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Imaginary Softwoods
North of Roswell
79 bpm • A# Maj • 02:34 • -23db
21% Popularity • 13% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
21% Popularity • 13% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
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Black Brunswicker
Woodsmoke
79 bpm • C Maj • 04:00 • -25.03db
30% Popularity • 8% Danceability • 11% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
30% Popularity • 8% Danceability • 11% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Federico Durand
Lluvia de estrellas
79 bpm • A Maj • 07:32 • -22db
26% Popularity • 22% Danceability • 20% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
26% Popularity • 22% Danceability • 20% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
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Field Works
Free About Me - Hidden Cities
79 bpm • D Maj • 03:21 • -16db
2% Popularity • 47% Danceability • 51% Energy • 29% Liveness
92% Instrumentalness • 56% Positiveness
2% Popularity • 47% Danceability • 51% Energy • 29% Liveness
92% Instrumentalness • 56% Positiveness
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Stephen Vitiello
First Variation
79 bpm • D Maj • 10:44 • -17.81db
6% Popularity • 14% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
6% Popularity • 14% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Terekke
Wav1
77 bpm • C# min • 04:22 • -25.74db
35% Popularity • 12% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
35% Popularity • 12% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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Haruhisa Tanaka
Ake
79 bpm • G Maj • 02:07 • -18.54db
33% Popularity • 20% Danceability • 25% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
33% Popularity • 20% Danceability • 25% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Imaginary Softwoods
Bronze Lamp
77 bpm • G min • 01:46 • -11db
35% Popularity • 17% Danceability • 32% Energy • 11% Liveness
70% Instrumentalness • 11% Positiveness
35% Popularity • 17% Danceability • 32% Energy • 11% Liveness
70% Instrumentalness • 11% Positiveness
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Arovane
Sill_Lili
77 bpm • C# Maj • 04:27 • -26.02db
8% Popularity • 15% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Patricia Wolf
Recalibration
79 bpm • C# Maj • 02:54 • -12.75db
26% Popularity • 16% Danceability • 1% Energy • 12% Liveness
97% Instrumentalness • 2% Positiveness
26% Popularity • 16% Danceability • 1% Energy • 12% Liveness
97% Instrumentalness • 2% Positiveness
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Field Works
To Meet the Canopy
79 bpm • D Maj • 02:54 • -18.8db
11% Popularity • 28% Danceability • 33% Energy • 16% Liveness
88% Instrumentalness • 3% Positiveness
11% Popularity • 28% Danceability • 33% Energy • 16% Liveness
88% Instrumentalness • 3% Positiveness
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Elori Saxl
Wave III
77 bpm • G Maj • 03:41 • -20.69db
16% Popularity • 19% Danceability • 6% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 6% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Emily A. Sprague
Mesa
77 bpm • C Maj • 04:48 • -19.79db
26% Popularity • 25% Danceability • 15% Energy • 8% Liveness
89% Instrumentalness • 13% Positiveness
26% Popularity • 25% Danceability • 15% Energy • 8% Liveness
89% Instrumentalness • 13% Positiveness
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Imaginary Softwoods
Yellow Calcite II
77 bpm • A min • 02:30 • -16.99db
38% Popularity • 46% Danceability • 33% Energy • 13% Liveness
92% Instrumentalness • 32% Positiveness
38% Popularity • 46% Danceability • 33% Energy • 13% Liveness
92% Instrumentalness • 32% Positiveness
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Taylor Deupree
Negative Snow
76 bpm • F min • 09:36 • -19.93db
12% Popularity • 7% Danceability • 23% Energy • 30% Liveness
97% Instrumentalness • 7% Positiveness
12% Popularity • 7% Danceability • 23% Energy • 30% Liveness
97% Instrumentalness • 7% Positiveness
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KMRU
Life at Ouri
76 bpm • D# min • 07:20 • -18.26db
18% Popularity • 16% Danceability • 11% Energy • 9% Liveness
99% Instrumentalness • 3% Positiveness
18% Popularity • 16% Danceability • 11% Energy • 9% Liveness
99% Instrumentalness • 3% Positiveness
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Rhucle
Normal
76 bpm • C min • 02:52 • -24.81db
29% Popularity • 24% Danceability • 4% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
29% Popularity • 24% Danceability • 4% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Felicia Atkinson
ME
76 bpm • C Maj • 04:21 • -27.35db
29% Popularity • 34% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
29% Popularity • 34% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Field Works
Station 5
80 bpm • C# Maj • 03:02 • -15db
11% Popularity • 47% Danceability • 53% Energy • 16% Liveness
97% Instrumentalness • 34% Positiveness
11% Popularity • 47% Danceability • 53% Energy • 16% Liveness
97% Instrumentalness • 34% Positiveness
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Jason Kolà r
Holding No Hands
80 bpm • G Maj • 03:20 • -19.22db
31% Popularity • 44% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
31% Popularity • 44% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
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Steve Hauschildt
The Nature Remaining
76 bpm • G# min • 02:34 • -23.96db
33% Popularity • 17% Danceability • 11% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
33% Popularity • 17% Danceability • 11% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
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Bing & Ruth
Reflector
76 bpm • A# Maj • 07:20 • -26.22db
30% Popularity • 7% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
30% Popularity • 7% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Matthewdavid’s Mindflight
O’cean Dream
76 bpm • C Maj • 08:32 • -16db
20% Popularity • 7% Danceability • 17% Energy • 17% Liveness
89% Instrumentalness • 3% Positiveness
20% Popularity • 7% Danceability • 17% Energy • 17% Liveness
89% Instrumentalness • 3% Positiveness
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Felicia Atkinson
Night vision, it touched my neck
80 bpm • A min • 03:20 • -24db
3% Popularity • 50% Danceability • 21% Energy • 10% Liveness
6% Instrumentalness • 12% Positiveness
3% Popularity • 50% Danceability • 21% Energy • 10% Liveness
6% Instrumentalness • 12% Positiveness
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Halftribe
The Simple Thing
80 bpm • F# Maj • 05:02 • -24.12db
29% Popularity • 13% Danceability • 5% Energy • 13% Liveness
97% Instrumentalness • 3% Positiveness
29% Popularity • 13% Danceability • 5% Energy • 13% Liveness
97% Instrumentalness • 3% Positiveness
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Taylor Deupree
Telegraph
80 bpm • F Maj • 06:34 • -22.72db
9% Popularity • 28% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
9% Popularity • 28% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
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Biosphere
Sphere Of No-Form - Alternative Version
80 bpm • A# min • 08:23 • -24.88db
32% Popularity • 17% Danceability • 31% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
32% Popularity • 17% Danceability • 31% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
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Christina Vantzou
Dwelling
80 bpm • A min • 03:52 • -32.51db
32% Popularity • 21% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
32% Popularity • 21% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
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Marcus Fischer
Thorns
76 bpm • D Maj • 09:20 • -18.82db
8% Popularity • 11% Danceability • 25% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
8% Popularity • 11% Danceability • 25% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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Green-House
Peperomia Seedling
76 bpm • A# Maj • 03:43 • -23.69db
41% Popularity • 19% Danceability • 14% Energy • 61% Liveness
96% Instrumentalness • 14% Positiveness
41% Popularity • 19% Danceability • 14% Energy • 61% Liveness
96% Instrumentalness • 14% Positiveness
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Michiru Aoyama
Jigyou
81 bpm • B min • 03:02 • -25.46db
27% Popularity • 32% Danceability • 17% Energy • 11% Liveness
80% Instrumentalness • 13% Positiveness
27% Popularity • 32% Danceability • 17% Energy • 11% Liveness
80% Instrumentalness • 13% Positiveness
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Shuta Yasukochi
Reflection
75 bpm • D Maj • 03:16 • -19.17db
17% Popularity • 18% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Nobuto Suda
One
75 bpm • F# Maj • 04:48 • -25db
30% Popularity • 18% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 3% Positiveness
30% Popularity • 18% Danceability • 5% Energy • 8% Liveness
87% Instrumentalness • 3% Positiveness
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Taylor Deupree
Unearth
75 bpm • A# Maj • 05:57 • -27db
30% Popularity • 20% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
30% Popularity • 20% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Suzanne Ciani
Morning Spring
81 bpm • C Maj • 05:00 • -14db
24% Popularity • 28% Danceability • 33% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
24% Popularity • 28% Danceability • 33% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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M. Sage
A Belle Undressing
81 bpm • D Maj • 02:29 • -24.74db
37% Popularity • 28% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 33% Positiveness
37% Popularity • 28% Danceability • 15% Energy • 10% Liveness
96% Instrumentalness • 33% Positiveness
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Terekke
ambien
75 bpm • D# min • 01:50 • -29.93db
46% Popularity • 27% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
46% Popularity • 27% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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Shuta Yasukochi
Hikari
75 bpm • D Maj • 04:09 • -22.46db
28% Popularity • 15% Danceability • 17% Energy • 7% Liveness
93% Instrumentalness • 10% Positiveness
28% Popularity • 15% Danceability • 17% Energy • 7% Liveness
93% Instrumentalness • 10% Positiveness
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Yosi Horikawa
Thalfang
81 bpm • A min • 05:23 • -24.32db
24% Popularity • 19% Danceability • 19% Energy • 16% Liveness
20% Instrumentalness • 9% Positiveness
24% Popularity • 19% Danceability • 19% Energy • 16% Liveness
20% Instrumentalness • 9% Positiveness
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Taylor Deupree
Minism
81 bpm • C# Maj • 03:47 • -26.75db
39% Popularity • 21% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
39% Popularity • 21% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
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Bing & Ruth
TWTGA
81 bpm • A# Maj • 05:55 • -30.65db
33% Popularity • 11% Danceability • 9% Energy • 12% Liveness
97% Instrumentalness • 10% Positiveness
33% Popularity • 11% Danceability • 9% Energy • 12% Liveness
97% Instrumentalness • 10% Positiveness
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Ryuichi Sakamoto
Ghost Road
81 bpm • C# min • 07:00 • -24.27db
7% Popularity • 20% Danceability • 23% Energy • 8% Liveness
72% Instrumentalness • 10% Positiveness
7% Popularity • 20% Danceability • 23% Energy • 8% Liveness
72% Instrumentalness • 10% Positiveness
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Federico Durand
El JardÃn De Rosas Antiguas
75 bpm • C Maj • 02:46 • -18.73db
23% Popularity • 9% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 2% Positiveness
23% Popularity • 9% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 2% Positiveness
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Field Works
Station 6
75 bpm • C# min • 02:42 • -15db
2% Popularity • 49% Danceability • 40% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
2% Popularity • 49% Danceability • 40% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
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Tomasz Bednarczyk
About The Universe
75 bpm • C min • 01:47 • -30.11db
33% Popularity • 26% Danceability • 10% Energy • 13% Liveness
88% Instrumentalness • 31% Positiveness
33% Popularity • 26% Danceability • 10% Energy • 13% Liveness
88% Instrumentalness • 31% Positiveness
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Michel Banabila
Cassette Loops
75 bpm • F# Maj • 02:51 • -18.43db
32% Popularity • 14% Danceability • 29% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 29% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Patricia Wolf
Psychic Sweeping
81 bpm • G min • 01:14 • -19.29db
49% Popularity • 55% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
49% Popularity • 55% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Taylor Deupree
Slown
81 bpm • G# Maj • 08:54 • -20.76db
11% Popularity • 10% Danceability • 29% Energy • 7% Liveness
96% Instrumentalness • 8% Positiveness
11% Popularity • 10% Danceability • 29% Energy • 7% Liveness
96% Instrumentalness • 8% Positiveness
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Chihei Hatakeyama
Twilight Sea
75 bpm • E Maj • 06:05 • -26.23db
35% Popularity • 12% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
35% Popularity • 12% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
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Biosphere
Dissolving Clouds
75 bpm • D# Maj • 04:28 • -30db
39% Popularity • 6% Danceability • 5% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
39% Popularity • 6% Danceability • 5% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
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Tomasz Bednarczyk
Sloth River
75 bpm • D# min • 01:54 • -30.35db
43% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
43% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Rachika Nayar
whateverness
82 bpm • G# Maj • 02:07 • -10.97db
32% Popularity • 34% Danceability • 39% Energy • 20% Liveness
88% Instrumentalness • 20% Positiveness
32% Popularity • 34% Danceability • 39% Energy • 20% Liveness
88% Instrumentalness • 20% Positiveness
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Suso Saiz
Tortoise And Hare
74 bpm • G min • 03:41 • -31db
35% Popularity • 24% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
35% Popularity • 24% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Taylor Deupree
Fenne
81 bpm • C Maj • 10:27 • -22.59db
9% Popularity • 11% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
9% Popularity • 11% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Chihei Hatakeyama
The Circle
75 bpm • E Maj • 06:37 • -15.37db
12% Popularity • 13% Danceability • 34% Energy • 29% Liveness
93% Instrumentalness • 7% Positiveness
12% Popularity • 13% Danceability • 34% Energy • 29% Liveness
93% Instrumentalness • 7% Positiveness
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Christina Vantzou
Your Changes Have Been Submitted
82 bpm • C Maj • 01:43 • -17.51db
36% Popularity • 22% Danceability • 24% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
36% Popularity • 22% Danceability • 24% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
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Tomasz Bednarczyk
On Your Way
75 bpm • D# min • 01:36 • -30.91db
42% Popularity • 8% Danceability • 3% Energy • 11% Liveness
82% Instrumentalness • 14% Positiveness
42% Popularity • 8% Danceability • 3% Energy • 11% Liveness
82% Instrumentalness • 14% Positiveness
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Stephen Vitiello
Last Piano (For RR)
74 bpm • C Maj • 07:33 • -30.98db
1% Popularity • 12% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
1% Popularity • 12% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Haruhisa Tanaka
Small Hours
74 bpm • G# Maj • 03:27 • -26.16db
31% Popularity • 8% Danceability • 20% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
31% Popularity • 8% Danceability • 20% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
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Deaf Center
Undone
82 bpm • A# min • 02:36 • -28.25db
26% Popularity • 27% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 6% Positiveness
26% Popularity • 27% Danceability • 3% Energy • 6% Liveness
95% Instrumentalness • 6% Positiveness
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Celer
Indistinguishable from Magic
74 bpm • C min • 05:48 • -38.44db
30% Popularity • 7% Danceability • 4% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
30% Popularity • 7% Danceability • 4% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
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William Basinski
92982.3
74 bpm • D# min • 07:03 • -20.8db
35% Popularity • 17% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
35% Popularity • 17% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Emily A. Sprague
Piano 1
74 bpm • D min • 07:23 • -22db
17% Popularity • 41% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
17% Popularity • 41% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Christina Vantzou
At Dawn (Mixed)
74 bpm • C# Maj • 01:45 • -20.56db
26% Popularity • 7% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
26% Popularity • 7% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Slow Attack Ensemble
Mizue
82 bpm • A min • 02:36 • -13.96db
39% Popularity • 57% Danceability • 15% Energy • 7% Liveness
99% Instrumentalness • 23% Positiveness
39% Popularity • 57% Danceability • 15% Energy • 7% Liveness
99% Instrumentalness • 23% Positiveness
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Suso Saiz
On Plateau
74 bpm • D Maj • 03:55 • -26.34db
32% Popularity • 10% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
32% Popularity • 10% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
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Weatherson
Look At My Snowman
74 bpm • D Maj • 04:24 • -35.09db
31% Popularity • 16% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Sarah Davachi
Marion
74 bpm • F Maj • 04:15 • -14.24db
2% Popularity • 11% Danceability • 58% Energy • 16% Liveness
67% Instrumentalness • 4% Positiveness
2% Popularity • 11% Danceability • 58% Energy • 16% Liveness
67% Instrumentalness • 4% Positiveness
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Billow Observatory
Wash Away The Dust
73 bpm • C Maj • 04:34 • -19.66db
20% Popularity • 6% Danceability • 15% Energy • 9% Liveness
78% Instrumentalness • 3% Positiveness
20% Popularity • 6% Danceability • 15% Energy • 9% Liveness
78% Instrumentalness • 3% Positiveness
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Christina Vantzou
11: 11
73 bpm • C Maj • 04:05 • -22.15db
20% Popularity • 16% Danceability • 10% Energy • 22% Liveness
90% Instrumentalness • 3% Positiveness
20% Popularity • 16% Danceability • 10% Energy • 22% Liveness
90% Instrumentalness • 3% Positiveness
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Field Works
What was That? Leaves Rustle
83 bpm • E Maj • 02:13 • -19.55db
7% Popularity • 27% Danceability • 40% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
7% Popularity • 27% Danceability • 40% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
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Ulla Straus
House
83 bpm • C# Maj • 05:14 • -22db
22% Popularity • 24% Danceability • 11% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
22% Popularity • 24% Danceability • 11% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Christopher Willits
Ama
73 bpm • C Maj • 03:52 • -29.09db
27% Popularity • 8% Danceability • 6% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
27% Popularity • 8% Danceability • 6% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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Marc Barreca
City Of Red Sand
83 bpm • G min • 06:43 • -21db
13% Popularity • 16% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
13% Popularity • 16% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Patricia Wolf
Wistfulness
73 bpm • A Maj • 01:52 • -12.17db
25% Popularity • 22% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
25% Popularity • 22% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Grand River
This Was Us
83 bpm • F# Maj • 02:51 • -26db
30% Popularity • 36% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
30% Popularity • 36% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
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Jogging House
Revenge
83 bpm • D# min • 07:14 • -19.33db
16% Popularity • 8% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
16% Popularity • 8% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
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KMRU
Well
73 bpm • C Maj • 05:30 • -25db
27% Popularity • 13% Danceability • 17% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
27% Popularity • 13% Danceability • 17% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
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36
Black Shore
83 bpm • C# Maj • 02:20 • -18.81db
40% Popularity • 19% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
40% Popularity • 19% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Haruhisa Tanaka
In The Forest
73 bpm • C Maj • 02:11 • -26db
41% Popularity • 21% Danceability • 6% Energy • 9% Liveness
81% Instrumentalness • 6% Positiveness
41% Popularity • 21% Danceability • 6% Energy • 9% Liveness
81% Instrumentalness • 6% Positiveness
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Taylor Deupree
Buoy
83 bpm • D min • 06:03 • -22.67db
7% Popularity • 23% Danceability • 29% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
7% Popularity • 23% Danceability • 29% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Field Works
Through the City
83 bpm • D Maj • 04:12 • -15.32db
1% Popularity • 20% Danceability • 28% Energy • 88% Liveness
84% Instrumentalness • 4% Positiveness
1% Popularity • 20% Danceability • 28% Energy • 88% Liveness
84% Instrumentalness • 4% Positiveness
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Kara-Lis Coverdale
Moments In Love
73 bpm • C min • 09:23 • -28.43db
38% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
38% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
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Deaf Center
Movements / The Ascent
73 bpm • C Maj • 06:19 • -20db
30% Popularity • 8% Danceability • 41% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
30% Popularity • 8% Danceability • 41% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Wilson Tanner
My Gull
84 bpm • G min • 02:10 • -24db
31% Popularity • 24% Danceability • 9% Energy • 9% Liveness
45% Instrumentalness • 4% Positiveness
31% Popularity • 24% Danceability • 9% Energy • 9% Liveness
45% Instrumentalness • 4% Positiveness
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Chihei Hatakeyama
Images Of Broken Light
73 bpm • C Maj • 08:29 • -20.86db
34% Popularity • 16% Danceability • 9% Energy • 6% Liveness
91% Instrumentalness • 3% Positiveness
34% Popularity • 16% Danceability • 9% Energy • 6% Liveness
91% Instrumentalness • 3% Positiveness
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Federico Durand
Rondel
73 bpm • D Maj • 03:45 • -28.68db
17% Popularity • 30% Danceability • 8% Energy • 5% Liveness
95% Instrumentalness • 3% Positiveness
17% Popularity • 30% Danceability • 8% Energy • 5% Liveness
95% Instrumentalness • 3% Positiveness
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Olan Mill
Cotton Access
84 bpm • D Maj • 03:05 • -28.71db
29% Popularity • 17% Danceability • 4% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
29% Popularity • 17% Danceability • 4% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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Kara-Lis Coverdale
Moments In Love
73 bpm • G# Maj • 10:17 • -27db
30% Popularity • 39% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
30% Popularity • 39% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
