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Echo
Songs like
Echo
by
Mario Rusca’s Quintet
Based on a tempo of (+/- 10%) and a similar genre
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Cecilia Smith
Sketch 1- Truth Be Told for MLW
140 bpm • G min • 05:40 • -14.54db
10% Popularity • 37% Danceability • 34% Energy • 6% Liveness
14% Instrumentalness • 22% Positiveness
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Eugen Cicero Trio
Christiana's Song
140 bpm • A# Maj • 05:22 • -17.84db
13% Popularity • 55% Danceability • 23% Energy • 8% Liveness
90% Instrumentalness • 25% Positiveness
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Mario Rusca’s Quintet
Echo
140 bpm • G# Maj • 07:07 • -14.53db
0% Popularity • 41% Danceability • 35% Energy • 9% Liveness
51% Instrumentalness • 45% Positiveness
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Ramsey Lewis Trio
Spring Fever
140 bpm • D min • 02:37 • -16.57db
24% Popularity • 60% Danceability • 44% Energy • 15% Liveness
94% Instrumentalness • 96% Positiveness
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Maria Kannegaard Trio
Don't Get Lost In The Woods
140 bpm • C Maj • 04:29 • -16.11db
7% Popularity • 57% Danceability • 18% Energy • 9% Liveness
87% Instrumentalness • 17% Positiveness
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Francesca Tandoi
Right On
140 bpm • F Maj • 04:08 • -14.04db
8% Popularity • 36% Danceability • 52% Energy • 20% Liveness
81% Instrumentalness • 44% Positiveness
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Lennart Ginman
Beneath the Moonlit Sky of Copenhagen
140 bpm • D min • 02:39 • -20.19db
13% Popularity • 46% Danceability • 16% Energy • 11% Liveness
40% Instrumentalness • 14% Positiveness
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ボサノバ
ギターとトランペットの軽快�...
140 bpm • C Maj • 02:01 • -14.9db
18% Popularity • 49% Danceability • 37% Energy • 9% Liveness
22% Instrumentalness • 74% Positiveness
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Jazz Recliner
Mint Chocolate Chip
140 bpm • A# min • 02:39 • -20db
19% Popularity • 68% Danceability • 13% Energy • 62% Liveness
2% Instrumentalness • 55% Positiveness
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Jessica Williams
Gratitude (take 2)
141 bpm • D# min • 04:08 • -15.09db
11% Popularity • 56% Danceability • 24% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
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チルアウト ジャズ喫茶
ゆったりジャズ
139 bpm • A min • 03:48 • -13.35db
9% Popularity • 62% Danceability • 11% Energy • 9% Liveness
28% Instrumentalness • 86% Positiveness
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Eleonora Strino
I Got Rhythm
139 bpm • F min • 04:07 • -20.21db
7% Popularity • 40% Danceability • 36% Energy • 14% Liveness
68% Instrumentalness • 67% Positiveness
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Arne Torvik Trio
Longing For The Woods
141 bpm • A# min • 06:00 • -17.47db
14% Popularity • 37% Danceability • 16% Energy • 10% Liveness
87% Instrumentalness • 16% Positiveness
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Alba Pujals
KAI
139 bpm • C# Maj • 03:12 • -13.58db
18% Popularity • 55% Danceability • 40% Energy • 9% Liveness
94% Instrumentalness • 58% Positiveness
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Chihiro Yamanaka
One By One
141 bpm • D Maj • 03:59 • -13.44db
9% Popularity • 70% Danceability • 48% Energy • 15% Liveness
91% Instrumentalness • 50% Positiveness
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John Surman
We'll Make It, Pt. 1
139 bpm • B min • 03:19 • -17.65db
25% Popularity • 32% Danceability • 36% Energy • 25% Liveness
5% Instrumentalness • 57% Positiveness
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Martin Sasse
With You
141 bpm • D min • 04:20 • -13.63db
18% Popularity • 38% Danceability • 53% Energy • 11% Liveness
83% Instrumentalness • 60% Positiveness
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Logan Perez Trio
There's A Small Hotel
142 bpm • B min • 02:49 • -15.9db
14% Popularity • 67% Danceability • 27% Energy • 11% Liveness
31% Instrumentalness • 41% Positiveness
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Anthony D'Alessandro
Outbreak
139 bpm • G Maj • 05:07 • -9.57db
13% Popularity • 56% Danceability • 50% Energy • 17% Liveness
89% Instrumentalness • 52% Positiveness
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The Howard Roberts Quartet
Three O'Clock In The Morning
138 bpm • A# Maj • 02:31 • -13.29db
9% Popularity • 44% Danceability • 43% Energy • 8% Liveness
33% Instrumentalness • 65% Positiveness
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Kai Gluska
Blues Cliché
142 bpm • C min • 04:54 • -11.29db
13% Popularity • 42% Danceability • 46% Energy • 15% Liveness
9% Instrumentalness • 36% Positiveness
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Bernie Baum
Music! Music! Music!
138 bpm • C Maj • 02:47 • -13.2db
15% Popularity • 54% Danceability • 32% Energy • 40% Liveness
0% Instrumentalness • 73% Positiveness
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Storytelling Sounds
Som Plommen i Egget
142 bpm • D Maj • 01:48 • -28.95db
8% Popularity • 67% Danceability • 44% Energy • 13% Liveness
82% Instrumentalness • 31% Positiveness
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Samyr Guarrera
Blues for Family
138 bpm • G# Maj • 05:14 • -14.57db
14% Popularity • 61% Danceability • 28% Energy • 11% Liveness
40% Instrumentalness • 46% Positiveness
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Klas Lindquist Nonet
The Narrator
138 bpm • C Maj • 05:30 • -8.13db
8% Popularity • 56% Danceability • 43% Energy • 16% Liveness
53% Instrumentalness • 53% Positiveness
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Bruce Forman
Rope-a-Dope
142 bpm • E min • 04:00 • -12db
10% Popularity • 69% Danceability • 33% Energy • 16% Liveness
72% Instrumentalness • 20% Positiveness
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Doug Webb
Steak Sauce
143 bpm • F min • 05:26 • -11.46db
16% Popularity • 60% Danceability • 47% Energy • 11% Liveness
85% Instrumentalness • 66% Positiveness
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Tom van der Zaal
Dilemma (Radio Edit) - Bonus Track
137 bpm • A# min • 05:33 • -12.77db
11% Popularity • 35% Danceability • 37% Energy • 12% Liveness
19% Instrumentalness • 33% Positiveness
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Jaazy Jazz
Tranquility
137 bpm • C# Maj • 01:18 • -14.26db
28% Popularity • 51% Danceability • 23% Energy • 17% Liveness
14% Instrumentalness • 63% Positiveness
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Coffee Shop Jazz
Creamy Coffee Tunes
143 bpm • C Maj • 01:55 • -15.94db
13% Popularity • 66% Danceability • 16% Energy • 11% Liveness
11% Instrumentalness • 50% Positiveness
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Marco Vezzoso
Cullato da Un Mare Di Sonno
137 bpm • D Maj • 06:53 • -16.95db
19% Popularity • 47% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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New York Trio
I Let A Song Go Out Of My Heart
137 bpm • F min • 07:16 • -9.53db
8% Popularity • 48% Danceability • 47% Energy • 10% Liveness
54% Instrumentalness • 40% Positiveness
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Emily Remler
Waltz For My Grandfather
137 bpm • G Maj • 06:39 • -25.29db
10% Popularity • 44% Danceability • 9% Energy • 10% Liveness
77% Instrumentalness • 18% Positiveness
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Victor Goines
The Suffragists
137 bpm • D# Maj • 06:41 • -7.31db
9% Popularity • 47% Danceability • 66% Energy • 6% Liveness
17% Instrumentalness • 64% Positiveness
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Fabien Mary
Perception
143 bpm • F min • 03:49 • -13.41db
10% Popularity • 61% Danceability • 32% Energy • 12% Liveness
95% Instrumentalness • 63% Positiveness
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Ova Wunsch
All Me
144 bpm • A# min • 03:19 • -12.7db
27% Popularity • 65% Danceability • 33% Energy • 14% Liveness
82% Instrumentalness • 73% Positiveness
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Easy Camel Trio
埴生の宿
143 bpm • A# Maj • 03:54 • -15.49db
17% Popularity • 71% Danceability • 27% Energy • 12% Liveness
91% Instrumentalness • 70% Positiveness
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Joe Locascio
Tell Me, What Do You See?
136 bpm • C min • 06:04 • -10.67db
16% Popularity • 42% Danceability • 28% Energy • 10% Liveness
11% Instrumentalness • 22% Positiveness
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Malo Mazurié
Candlelights
136 bpm • A min • 04:25 • -17.14db
9% Popularity • 46% Danceability • 9% Energy • 15% Liveness
36% Instrumentalness • 19% Positiveness
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Thilo Wolf Jazz Quartett
Fascinating Rhythm
136 bpm • F min • 02:12 • -16.78db
21% Popularity • 64% Danceability • 34% Energy • 16% Liveness
91% Instrumentalness • 59% Positiveness
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Butch Warren
A Little Chippie
144 bpm • F min • 04:06 • -11.03db
8% Popularity • 63% Danceability • 32% Energy • 38% Liveness
79% Instrumentalness • 56% Positiveness
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Nicole Glover
The Fox
144 bpm • F# Maj • 04:47 • -7.45db
30% Popularity • 38% Danceability • 74% Energy • 11% Liveness
2% Instrumentalness • 60% Positiveness
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Jazzy Boy
Jazzy Boy
144 bpm • C Maj • 02:20 • -12.65db
16% Popularity • 60% Danceability • 66% Energy • 30% Liveness
85% Instrumentalness • 92% Positiveness
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Jim Snidero
You Go to My Head
136 bpm • C# Maj • 07:32 • -10.21db
9% Popularity • 57% Danceability • 28% Energy • 11% Liveness
56% Instrumentalness • 45% Positiveness
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Pat Senatore
You've Be So Nice To Come Home
145 bpm • D min • 07:10 • -16.63db
11% Popularity • 46% Danceability • 39% Energy • 17% Liveness
76% Instrumentalness • 49% Positiveness
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Elena Jazz
Between the Staff Lines
145 bpm • D# Maj • 01:30 • -10.22db
23% Popularity • 53% Danceability • 35% Energy • 8% Liveness
90% Instrumentalness • 51% Positiveness
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Chihiro Yamanaka
Ojos De Rojo
145 bpm • G# Maj • 04:03 • -14.45db
14% Popularity • 55% Danceability • 39% Energy • 16% Liveness
95% Instrumentalness • 62% Positiveness
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Isaiah J. Thompson
1,000 Rainbows
135 bpm • C# Maj • 06:49 • -12.07db
11% Popularity • 45% Danceability • 39% Energy • 10% Liveness
73% Instrumentalness • 51% Positiveness
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Jazzy Boy
Jazz Is Life
135 bpm • A# min • 02:18 • -13.55db
16% Popularity • 57% Danceability • 72% Energy • 35% Liveness
83% Instrumentalness • 85% Positiveness
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Don Vickery Trio
Never Enough
135 bpm • D min • 05:13 • -14.86db
10% Popularity • 69% Danceability • 32% Energy • 14% Liveness
3% Instrumentalness • 42% Positiveness
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Gregg Kallor
There's a Rhythm
134 bpm • E Maj • 04:46 • -17.97db
9% Popularity • 43% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
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Tim Lin
Namely You
134 bpm • G min • 03:03 • -9.73db
9% Popularity • 47% Danceability • 39% Energy • 8% Liveness
80% Instrumentalness • 36% Positiveness
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Jill McCarron
The Jody Grind
146 bpm • F min • 04:59 • -8.96db
9% Popularity • 58% Danceability • 52% Energy • 13% Liveness
22% Instrumentalness • 77% Positiveness
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Howard Roberts
My Shining Hour
146 bpm • C# Maj • 02:16 • -15.36db
26% Popularity • 45% Danceability • 39% Energy • 16% Liveness
92% Instrumentalness • 90% Positiveness
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Lluis Capdevila
Changing
134 bpm • C# Maj • 04:24 • -15db
18% Popularity • 43% Danceability • 42% Energy • 15% Liveness
82% Instrumentalness • 54% Positiveness
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Eric Alexander
Blues for Diane
134 bpm • C min • 04:41 • -9.32db
8% Popularity • 52% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Nicole Glover
Blues for Mel
134 bpm • F min • 05:50 • -7db
16% Popularity • 47% Danceability • 65% Energy • 13% Liveness
16% Instrumentalness • 46% Positiveness
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Johannes Faber Quartett
Blue Micol
134 bpm • F min • 04:06 • -11.24db
9% Popularity • 62% Danceability • 53% Energy • 14% Liveness
88% Instrumentalness • 64% Positiveness
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Piero Piccioni
A Place to Hide - Take 2
134 bpm • F Maj • 02:58 • -13.78db
9% Popularity • 47% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
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Piero Umiliani
Omicron - Swing poliziesco #3
146 bpm • A# Maj • 01:07 • -11.12db
21% Popularity • 66% Danceability • 40% Energy • 4% Liveness
2% Instrumentalness • 71% Positiveness
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海野 雅威
C. T. B.
134 bpm • A Maj • 04:52 • -17.31db
10% Popularity • 58% Danceability • 32% Energy • 12% Liveness
80% Instrumentalness • 42% Positiveness
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Mario Rusca’s Quintet
Sob Idea
134 bpm • A# Maj • 04:47 • -13.36db
0% Popularity • 48% Danceability • 45% Energy • 15% Liveness
34% Instrumentalness • 44% Positiveness
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Marco Vezzoso
Zio Funky
134 bpm • A# Maj • 04:57 • -11db
19% Popularity • 72% Danceability • 35% Energy • 8% Liveness
90% Instrumentalness • 81% Positiveness
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Chihiro Yamanaka
Old Days
133 bpm • E min • 03:34 • -14.71db
11% Popularity • 52% Danceability • 46% Energy • 9% Liveness
46% Instrumentalness • 36% Positiveness
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David Carpenter
Mujaka
147 bpm • A# min • 09:43 • -19.86db
8% Popularity • 42% Danceability • 26% Energy • 12% Liveness
76% Instrumentalness • 39% Positiveness
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Douglas Brown
Slonimsky Made Me Do It
133 bpm • F min • 06:03 • -9.36db
11% Popularity • 38% Danceability • 52% Energy • 14% Liveness
70% Instrumentalness • 69% Positiveness
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Victor Goines
Down the Alley
148 bpm • D# Maj • 05:44 • -8.62db
10% Popularity • 51% Danceability • 55% Energy • 31% Liveness
34% Instrumentalness • 77% Positiveness
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Matthew Rotker-Lynn
Talking In Circles
132 bpm • D Maj • 06:40 • -14.61db
12% Popularity • 43% Danceability • 33% Energy • 11% Liveness
92% Instrumentalness • 51% Positiveness
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Marco Vezzoso
Jap Jam
133 bpm • A# min • 04:24 • -10db
23% Popularity • 67% Danceability • 38% Energy • 8% Liveness
62% Instrumentalness • 45% Positiveness
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Theo Erskine
IT
132 bpm • C Maj • 07:56 • -11.32db
7% Popularity • 50% Danceability • 34% Energy • 9% Liveness
37% Instrumentalness • 31% Positiveness
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Martin Landström
Night Howl
132 bpm • F min • 04:17 • -8.86db
10% Popularity • 65% Danceability • 44% Energy • 17% Liveness
72% Instrumentalness • 59% Positiveness
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Gianmarco Ferri
Mirage
132 bpm • G Maj • 04:52 • -15.55db
15% Popularity • 52% Danceability • 33% Energy • 20% Liveness
66% Instrumentalness • 33% Positiveness
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Mario Rusca’s Quintet
Mixed
149 bpm • C min • 04:42 • -13.14db
0% Popularity • 43% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Marcio Rocha
Blue Hope
149 bpm • G min • 02:25 • -8.11db
4% Popularity • 70% Danceability • 47% Energy • 13% Liveness
52% Instrumentalness • 76% Positiveness
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Harry Allen
There Is No Escape 'cause I'm in Love
131 bpm • A min • 04:20 • -9.59db
12% Popularity • 40% Danceability • 22% Energy • 13% Liveness
42% Instrumentalness • 25% Positiveness
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Peter Nordahl Trio
The Days Of Wine and Roses
131 bpm • G min • 04:18 • -18.22db
9% Popularity • 48% Danceability • 18% Energy • 12% Liveness
79% Instrumentalness • 10% Positiveness
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Dan Nimmer Trio
Blues For Venus
149 bpm • C Maj • 03:32 • -7.95db
8% Popularity • 36% Danceability • 69% Energy • 17% Liveness
64% Instrumentalness • 61% Positiveness
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Adam Forkelid
The Old House
131 bpm • F min • 03:44 • -19.38db
23% Popularity • 57% Danceability • 10% Energy • 11% Liveness
87% Instrumentalness • 22% Positiveness
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Justin Chart
Feel to Heal
131 bpm • F# min • 07:23 • -11.19db
11% Popularity • 38% Danceability • 46% Energy • 13% Liveness
7% Instrumentalness • 37% Positiveness
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Jerry Lu
In Walked Bill
131 bpm • G# Maj • 04:31 • -14.52db
30% Popularity • 44% Danceability • 41% Energy • 13% Liveness
93% Instrumentalness • 66% Positiveness
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Hara Noda
Roundtrip
131 bpm • C min • 03:02 • -9.67db
8% Popularity • 60% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Jasper Van't Hof
Marsch for Oelze
131 bpm • B Maj • 05:24 • -18.94db
11% Popularity • 35% Danceability • 19% Energy • 11% Liveness
83% Instrumentalness • 12% Positiveness
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Peter Zak
A Weaver Of Dreams
130 bpm • C Maj • 06:10 • -19.21db
8% Popularity • 38% Danceability • 27% Energy • 12% Liveness
70% Instrumentalness • 66% Positiveness
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Jocelyn Gould
Spring Regardless
130 bpm • A min • 05:10 • -14.53db
10% Popularity • 54% Danceability • 33% Energy • 16% Liveness
79% Instrumentalness • 36% Positiveness
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John Surman
Picture Tree, Pt. 1
150 bpm • F min • 02:07 • -16.83db
25% Popularity • 24% Danceability • 38% Energy • 64% Liveness
8% Instrumentalness • 42% Positiveness
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Francesca Tandoi
Ninaom
130 bpm • F min • 04:57 • -14db
10% Popularity • 44% Danceability • 42% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
► Preview
Gerard Chumilla
Apricity - Take 2
151 bpm • E min • 06:52 • -11.68db
8% Popularity • 52% Danceability • 33% Energy • 34% Liveness
27% Instrumentalness • 46% Positiveness
► Preview
Wolfgang Lackerschmid
Summer Changes
151 bpm • G min • 05:11 • -15.78db
13% Popularity • 41% Danceability • 27% Energy • 18% Liveness
74% Instrumentalness • 16% Positiveness
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Stuart Hawkins
Makin' Whoopee
130 bpm • A# Maj • 04:25 • -12.15db
9% Popularity • 70% Danceability • 22% Energy • 10% Liveness
89% Instrumentalness • 33% Positiveness
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Piero Umiliani
Omicron - Swing poliziesco #4
151 bpm • A# Maj • 01:24 • -10.77db
13% Popularity • 57% Danceability • 40% Energy • 9% Liveness
44% Instrumentalness • 68% Positiveness
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Danilo Rea
Ancora ancora ancora
129 bpm • F min • 04:05 • -16.15db
14% Popularity • 47% Danceability • 42% Energy • 14% Liveness
91% Instrumentalness • 55% Positiveness
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LEX STONE
It's so easy to love you.
129 bpm • C# Maj • 02:14 • -15.5db
12% Popularity • 72% Danceability • 34% Energy • 12% Liveness
90% Instrumentalness • 38% Positiveness
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Bruno D'Ambra
Top Geezer
152 bpm • A# Maj • 02:33 • -12.29db
20% Popularity • 45% Danceability • 58% Energy • 10% Liveness
37% Instrumentalness • 58% Positiveness
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Kari Antila
Wild Rooster
129 bpm • G min • 06:20 • -12.21db
11% Popularity • 52% Danceability • 42% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
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William Carter Band
Sandu
129 bpm • D# min • 02:44 • -13.96db
16% Popularity • 60% Danceability • 35% Energy • 11% Liveness
91% Instrumentalness • 47% Positiveness
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Piero Bassini Quartet
In the Shadows
152 bpm • G# Maj • 03:09 • -11.81db
7% Popularity • 51% Danceability • 55% Energy • 8% Liveness
1% Instrumentalness • 74% Positiveness
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Easy Camel Trio
ユーモレスク
152 bpm • C Maj • 04:41 • -13.7db
13% Popularity • 50% Danceability • 45% Energy • 16% Liveness
58% Instrumentalness • 85% Positiveness
► Preview
Dayna Stephens
ESP
129 bpm • G min • 05:51 • -9.74db
13% Popularity • 46% Danceability • 46% Energy • 10% Liveness
23% Instrumentalness • 44% Positiveness
► Preview
Jocelyn Gould
Tender Is the Night
129 bpm • F Maj • 06:35 • -14.59db
10% Popularity • 60% Danceability • 28% Energy • 12% Liveness
31% Instrumentalness • 53% Positiveness
► Preview
Mario Rusca’s Quintet
One for Flavio
129 bpm • G# Maj • 06:25 • -14.09db
0% Popularity • 50% Danceability • 33% Energy • 7% Liveness
28% Instrumentalness • 46% Positiveness
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Echo