Songs like Ede Naa Palletooru by Vandemataram Srinivas, Usha
Based on a tempo of (+/- 10%) and a similar genre
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Rajesh
Nee Kosam
89 bpm • E min • 06:14 • -11db
11% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Vandemataram Srinivas, Usha
Ede Naa Palletooru
89 bpm • F# min • 04:58 • -5.3db
18% Popularity • 57% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 57% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
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Tippu
Jabilamma Uguthunnadi
89 bpm • G min • 05:01 • -9.74db
12% Popularity • 56% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 56% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Sharreth
Nyaayam Thaana
89 bpm • C Maj • 04:15 • -8.25db
11% Popularity • 52% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 52% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Mohammed Rafi
Naa Madhi Ninnu Pilichindi
89 bpm • C min • 03:32 • -12.53db
3% Popularity • 39% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
3% Popularity • 39% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Mani Sharma
Mogindhi Jai Ganta
90 bpm • G Maj • 04:57 • -6.09db
19% Popularity • 55% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 55% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 46% Positiveness
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Sandeep, Sunitha
Nemmadi Nemmadi
90 bpm • G Maj • 04:29 • -9.33db
15% Popularity • 63% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
15% Popularity • 63% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Mano
Srikara Kara Karunda
88 bpm • F# Maj • 01:28 • -6.89db
26% Popularity • 70% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 70% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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S.P.Balasubrahmanyam, Sunitha
Punnami Jabili
90 bpm • F Maj • 05:30 • -7.1db
13% Popularity • 69% Danceability • 55% Energy • 52% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 69% Danceability • 55% Energy • 52% Liveness
0% Instrumentalness • 48% Positiveness
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Veddepally Srinivas
Manduloda Ori Mayaloda
88 bpm • G Maj • 05:49 • -1.88db
24% Popularity • 63% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
24% Popularity • 63% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
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Chakri
Go Go Rye Rye
90 bpm • D min • 04:36 • -7.97db
13% Popularity • 79% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 79% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Udit Narayan
Chanaknanchal
90 bpm • D Maj • 05:09 • -6.62db
18% Popularity • 72% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
18% Popularity • 72% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Sunitha
Naa Peru Cheppukondi
90 bpm • B min • 04:13 • -8.24db
35% Popularity • 66% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
35% Popularity • 66% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Siddharth
Baava Baava
90 bpm • C Maj • 05:40 • -7db
18% Popularity • 75% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 75% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Nihal
Kanulu Chudani Kalale Prema..
90 bpm • F Maj • 05:25 • -7.99db
7% Popularity • 71% Danceability • 66% Energy • 44% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 71% Danceability • 66% Energy • 44% Liveness
0% Instrumentalness • 66% Positiveness
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S.P. Charan
Okariki Okaru
90 bpm • A min • 05:27 • -5.11db
13% Popularity • 69% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 69% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Shreya Ghoshal
Nuvve Na Shwasa
88 bpm • D min • 05:04 • -11.37db
45% Popularity • 63% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
45% Popularity • 63% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Dhanunjay Seepana
Hailesso Hailessa
90 bpm • D Maj • 03:02 • -8.92db
11% Popularity • 69% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 69% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Chinmayi
Kanaave
90 bpm • B min • 05:25 • -13db
17% Popularity • 56% Danceability • 20% Energy • 13% Liveness
2% Instrumentalness • 12% Positiveness
17% Popularity • 56% Danceability • 20% Energy • 13% Liveness
2% Instrumentalness • 12% Positiveness
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Malavika
Nuvante Istamani
90 bpm • F Maj • 04:41 • -6.49db
22% Popularity • 78% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 78% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Udit Narayan
Chamaku Chamaku Manu
90 bpm • G# Maj • 05:27 • -12.54db
20% Popularity • 79% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 79% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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Katike Ramu
Bagundu Bagundu
90 bpm • A# min • 04:23 • -5.27db
39% Popularity • 64% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 64% Danceability • 81% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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Akhilesh Gogu
Ayyappa Ani Pilichina Palakavu
90 bpm • G# Maj • 06:01 • -1.61db
33% Popularity • 71% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 71% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Sujatha
Alalavale
88 bpm • B Maj • 00:59 • -9.53db
26% Popularity • 53% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 53% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Santesh
Batu Malai Andaveney 3.0 (Kulanthai Vadi...
88 bpm • F# min • 04:04 • 0.2db
21% Popularity • 65% Danceability • 100% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 65% Danceability • 100% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Deva
Evarevaru Sonthamu Raa
87 bpm • G Maj • 02:18 • -13.21db
33% Popularity • 45% Danceability • 14% Energy • 32% Liveness
8% Instrumentalness • 31% Positiveness
33% Popularity • 45% Danceability • 14% Energy • 32% Liveness
8% Instrumentalness • 31% Positiveness
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Shankar Mahadevan
Raaye Naa Range Leela
91 bpm • F# Maj • 04:36 • -9.18db
8% Popularity • 87% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 87% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Udit Narayan, Srivardhini
Meesalaa Gopalaa
87 bpm • D Maj • 04:13 • -5.26db
15% Popularity • 62% Danceability • 82% Energy • 46% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 62% Danceability • 82% Energy • 46% Liveness
0% Instrumentalness • 85% Positiveness
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Shreya Ghoshal
Kuy Lalo
91 bpm • F min • 04:31 • -5.02db
10% Popularity • 70% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 70% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Ilaiyaraaja
Kommallo Koyila
87 bpm • C# min • 04:34 • -9.41db
8% Popularity • 74% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
8% Popularity • 74% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Sirpy
Prema Devinchuma
87 bpm • C Maj • 04:45 • -7db
10% Popularity • 66% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 66% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
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Ranjith, Bindu
Acharey Acharey
91 bpm • D Maj • 04:00 • -10db
13% Popularity • 51% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 51% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Priya Hemesh
Nenunenugaa
92 bpm • F min • 05:11 • -11db
10% Popularity • 61% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 61% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Geetha Madhuri
Andham Arabosina
92 bpm • F min • 03:21 • -24.92db
8% Popularity • 68% Danceability • 22% Energy • 44% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 68% Danceability • 22% Energy • 44% Liveness
0% Instrumentalness • 61% Positiveness
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Chakri
Mastu Hudugiye
92 bpm • G Maj • 05:26 • -13.11db
24% Popularity • 83% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
24% Popularity • 83% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
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Vandemataram Srinivas, Usha
Andaru Chese Vrathamayya
92 bpm • E min • 06:29 • -3.1db
9% Popularity • 65% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 65% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Smitha
Navamallika
92 bpm • G# Maj • 04:57 • -5.84db
18% Popularity • 79% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 79% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Mano
Chandana Chachirtaa
92 bpm • D Maj • 05:30 • -8.75db
12% Popularity • 81% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 81% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Kalyani Malik, Sunitha
Nuvvu Nijam
92 bpm • F Maj • 04:54 • -10.81db
12% Popularity • 81% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 81% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Charan
Nuvvu
92 bpm • G Maj • 04:14 • -7.34db
26% Popularity • 82% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 82% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Chakri
Nuvantene Pichchi
92 bpm • A Maj • 05:19 • -8.76db
21% Popularity • 69% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
21% Popularity • 69% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Hemachandra Vedala
Aidhurojula Pelli-2
92 bpm • G Maj • 04:50 • -9.95db
27% Popularity • 32% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 32% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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A.R. Rahman
Raagaala Silakaa
92 bpm • C Maj • 04:46 • -11.32db
11% Popularity • 61% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 61% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
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Vijay Prakash
Ekkada Unna Nee
86 bpm • A min • 03:24 • -11.85db
2% Popularity • 74% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
2% Popularity • 74% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Ravi Varma
Goruvanka Godarivanka
92 bpm • G Maj • 04:48 • -6.99db
10% Popularity • 77% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 77% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
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Shankar Mahadevan
Suriyan
86 bpm • C# Maj • 04:23 • -6.55db
28% Popularity • 77% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 77% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Srinivas
Ishtapadi Ishtapadi
86 bpm • G Maj • 05:32 • -6db
14% Popularity • 55% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 55% Danceability • 81% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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Udit Narayan
Noppi Noppi Noppi
92 bpm • G min • 04:01 • -7.99db
9% Popularity • 70% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 70% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Murali
Manasae Brindhavanam
93 bpm • F Maj • 05:14 • -11.24db
1% Popularity • 74% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
1% Popularity • 74% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Ram Chakravarthy
O Vendi Vennela Male Version
93 bpm • A min • 01:11 • -13.94db
20% Popularity • 58% Danceability • 22% Energy • 33% Liveness
1% Instrumentalness • 29% Positiveness
20% Popularity • 58% Danceability • 22% Energy • 33% Liveness
1% Instrumentalness • 29% Positiveness
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Vasu
Naa Rama Chilaka
93 bpm • G Maj • 04:55 • -9.06db
15% Popularity • 83% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
15% Popularity • 83% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Shankar Mahadevan
Prapanchame Kadanna
93 bpm • A Maj • 05:47 • -6.88db
21% Popularity • 70% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 70% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Rajesh, Sunitha
Twinkle Twinkle
93 bpm • A# min • 05:18 • -8.9db
18% Popularity • 79% Danceability • 67% Energy • 4% Liveness
1% Instrumentalness • 82% Positiveness
18% Popularity • 79% Danceability • 67% Energy • 4% Liveness
1% Instrumentalness • 82% Positiveness
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Mano
O Pardesi
93 bpm • G# Maj • 04:44 • -9.45db
12% Popularity • 77% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 77% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Karthik, Nishma
Andhala Gummaro
93 bpm • D Maj • 03:53 • -5.74db
12% Popularity • 79% Danceability • 88% Energy • 46% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 79% Danceability • 88% Energy • 46% Liveness
0% Instrumentalness • 71% Positiveness
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Unnikrishnan
Premenantava
93 bpm • F min • 04:59 • -7.18db
11% Popularity • 64% Danceability • 73% Energy • 41% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 64% Danceability • 73% Energy • 41% Liveness
0% Instrumentalness • 85% Positiveness
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S.P.Balasubrahmanyam, Sunitha
O Prema
85 bpm • B min • 04:58 • -10.37db
20% Popularity • 46% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 46% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Hariharan
Allade Allade
93 bpm • D Maj • 06:35 • -10.39db
11% Popularity • 41% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 41% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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Katike Ramu
Nuvvu Yadikosthe
94 bpm • C# min • 05:38 • -12.22db
49% Popularity • 40% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 40% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Sandeep Bhaumik
Nuvveppudochavo
94 bpm • G min • 04:07 • -7db
17% Popularity • 56% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 56% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Vasundhara Das
Ayyo Paadu Chichu (Fire)
84 bpm • F# min • 05:17 • -12.04db
2% Popularity • 78% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
2% Popularity • 78% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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R. P. Patnaik
Kodandaramudu
84 bpm • G# min • 03:46 • -5.55db
23% Popularity • 67% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
23% Popularity • 67% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Subhash Anand
Vachadamma Vachadu
95 bpm • D Maj • 04:39 • -6.78db
15% Popularity • 49% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 49% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Madhavapeddi Sathyam
Yedu Malleu Ettu Sukumari Ki
95 bpm • C Maj • 05:19 • -8.32db
16% Popularity • 60% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 60% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Rahul Sipligunj
Masakkali Matthu Bilave
95 bpm • G# Maj • 04:19 • -6.98db
15% Popularity • 72% Danceability • 76% Energy • 17% Liveness
1% Instrumentalness • 68% Positiveness
15% Popularity • 72% Danceability • 76% Energy • 17% Liveness
1% Instrumentalness • 68% Positiveness
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Shankar Mahadevan
Nadumunu Chuste
95 bpm • B Maj • 04:57 • -7.33db
19% Popularity • 86% Danceability • 79% Energy • 49% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 86% Danceability • 79% Energy • 49% Liveness
0% Instrumentalness • 52% Positiveness
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Anoop Rubens, Ranjith, Kousalya
Nuvvu Naaku
95 bpm • B min • 04:03 • -6db
19% Popularity • 77% Danceability • 76% Energy • 35% Liveness
1% Instrumentalness • 88% Positiveness
19% Popularity • 77% Danceability • 76% Energy • 35% Liveness
1% Instrumentalness • 88% Positiveness
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Haripriya Maranganti
Cheli
95 bpm • D Maj • 03:42 • -11.53db
7% Popularity • 59% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 59% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Anup Rubens
Dorasani BGM
95 bpm • A Maj • 04:00 • -13.65db
8% Popularity • 76% Danceability • 67% Energy • 14% Liveness
92% Instrumentalness • 44% Positiveness
8% Popularity • 76% Danceability • 67% Energy • 14% Liveness
92% Instrumentalness • 44% Positiveness
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Jaspreet Jasz, Sahithi, Sweekar
Pink Lips
95 bpm • B min • 04:04 • -9.08db
12% Popularity • 78% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 78% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Krishna Chithanya
Mella Mellaga Neethone
95 bpm • B min • 04:27 • -9.53db
22% Popularity • 78% Danceability • 65% Energy • 13% Liveness
1% Instrumentalness • 73% Positiveness
22% Popularity • 78% Danceability • 65% Energy • 13% Liveness
1% Instrumentalness • 73% Positiveness
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Uthara Unnikrishnan
Bantureethi Koluvu
95 bpm • E Maj • 04:40 • -6.99db
15% Popularity • 34% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 34% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Sunitha
Premante Ataoyi Kadoyi
95 bpm • C Maj • 00:57 • -7.93db
8% Popularity • 63% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
8% Popularity • 63% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
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S.P. Charan
Arere Arere
83 bpm • A min • 03:26 • -7.31db
13% Popularity • 62% Danceability • 48% Energy • 57% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 62% Danceability • 48% Energy • 57% Liveness
0% Instrumentalness • 61% Positiveness
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R. P. Patnaik
I Too Love You
83 bpm • G min • 04:54 • -7.86db
16% Popularity • 60% Danceability • 73% Energy • 12% Liveness
1% Instrumentalness • 41% Positiveness
16% Popularity • 60% Danceability • 73% Energy • 12% Liveness
1% Instrumentalness • 41% Positiveness
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Rahul Sipligunj
Amma Bailelluthunado Yellama Bailleluthu...
96 bpm • F Maj • 06:45 • -0.88db
17% Popularity • 44% Danceability • 97% Energy • 56% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 44% Danceability • 97% Energy • 56% Liveness
0% Instrumentalness • 68% Positiveness
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Sujatha
Samayama
96 bpm • D min • 05:06 • -11db
11% Popularity • 64% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 64% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Udit Narayan
Kalalalo Nuvve
83 bpm • F Maj • 05:01 • -4.49db
25% Popularity • 65% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 65% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Kishore Polimera
Kalakatta Kali
83 bpm • A# Maj • 01:14 • -10.95db
15% Popularity • 89% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 89% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Malgudi Subha
Neeku Naaku
96 bpm • D Maj • 06:13 • -5.05db
15% Popularity • 49% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 49% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Bheems Ceciroleo
Ringu Ringu Billa
96 bpm • C# Maj • 02:44 • -3.08db
39% Popularity • 78% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
39% Popularity • 78% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
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Ranjith, Sunitha
Meghamala
96 bpm • G Maj • 05:09 • -8.35db
22% Popularity • 76% Danceability • 55% Energy • 8% Liveness
3% Instrumentalness • 46% Positiveness
22% Popularity • 76% Danceability • 55% Energy • 8% Liveness
3% Instrumentalness • 46% Positiveness
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Ravi Varma
Malle Mogga
96 bpm • B min • 05:14 • -4.28db
12% Popularity • 88% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 88% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Haricharan
Deivam Raasina Kavitha
96 bpm • G Maj • 04:17 • -8.51db
18% Popularity • 74% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 74% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Kumar Sanu
Devudu Varamandisthe
96 bpm • G# min • 05:30 • -7.4db
22% Popularity • 77% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 77% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
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Tippu, Chaitra
Oola Ulala
96 bpm • A# min • 04:24 • -7db
18% Popularity • 78% Danceability • 80% Energy • 25% Liveness
1% Instrumentalness • 85% Positiveness
18% Popularity • 78% Danceability • 80% Energy • 25% Liveness
1% Instrumentalness • 85% Positiveness
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Bindaas
Girija Girija
96 bpm • A min • 04:59 • -10.66db
17% Popularity • 74% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 74% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Shirisha
Nacchinavuro
96 bpm • D Maj • 04:10 • -5.47db
40% Popularity • 79% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
40% Popularity • 79% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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Mano
Maaya Machanni
97 bpm • C# min • 05:15 • -5.93db
11% Popularity • 53% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 53% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
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Shreya Ghoshal
Needalle Tharumuthuvundi
82 bpm • F min • 04:04 • -12.03db
12% Popularity • 66% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 66% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Chtitra
Nee Manasulo Maata
97 bpm • C Maj • 04:06 • -6.01db
22% Popularity • 82% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 82% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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S.P. Charan
Adhishankarula
97 bpm • C# min • 05:20 • -6db
25% Popularity • 68% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
25% Popularity • 68% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Udit Narayan, Shreya Ghoshal
Aakasha Desana
97 bpm • A min • 05:18 • -6.46db
23% Popularity • 75% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 75% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Mallikarjun
Adugu Lona Adugu
97 bpm • D Maj • 04:45 • -9.67db
17% Popularity • 55% Danceability • 66% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
17% Popularity • 55% Danceability • 66% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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Vandemataram Srinivas
Ye Asurudu
97 bpm • C min • 04:59 • -3.68db
31% Popularity • 54% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 54% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 45% Positiveness
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Chakri
Kokila Kokila (Solo)
98 bpm • C min • 03:56 • -7.01db
12% Popularity • 73% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 73% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Sunitha Upadrasta
Onamalu Poovulai BGM
81 bpm • C Maj • 03:35 • -15.06db
12% Popularity • 70% Danceability • 34% Energy • 10% Liveness
89% Instrumentalness • 68% Positiveness
12% Popularity • 70% Danceability • 34% Energy • 10% Liveness
89% Instrumentalness • 68% Positiveness
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Pranavi
Methani Chelli
81 bpm • D min • 04:00 • -4.04db
8% Popularity • 65% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 65% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
