Songs like Edgar Froese's Ray Gun by Pantomime Horse
Based on a tempo of (+/- 10%) and a similar genre
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Hayden Pedigo
Channel
148 bpm • E Maj • 01:58 • -20.19db
10% Popularity • 38% Danceability • 53% Energy • 96% Liveness
96% Instrumentalness • 30% Positiveness
10% Popularity • 38% Danceability • 53% Energy • 96% Liveness
96% Instrumentalness • 30% Positiveness
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Sigur Rós
Veröld ny og óð
148 bpm • C# min • 03:29 • -20.6db
12% Popularity • 60% Danceability • 47% Energy • 70% Liveness
84% Instrumentalness • 23% Positiveness
12% Popularity • 60% Danceability • 47% Energy • 70% Liveness
84% Instrumentalness • 23% Positiveness
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Position Normal
Bucket Wipe
148 bpm • B Maj • 01:56 • -11.93db
18% Popularity • 37% Danceability • 35% Energy • 13% Liveness
36% Instrumentalness • 14% Positiveness
18% Popularity • 37% Danceability • 35% Energy • 13% Liveness
36% Instrumentalness • 14% Positiveness
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Harmonia & Eno '76
Trace
148 bpm • B min • 01:32 • -16.28db
16% Popularity • 47% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
16% Popularity • 47% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Pantomime Horse
Lucy in the Sky With Cubic Zirconium
149 bpm • D# min • 03:05 • -12.71db
0% Popularity • 48% Danceability • 96% Energy • 24% Liveness
86% Instrumentalness • 76% Positiveness
0% Popularity • 48% Danceability • 96% Energy • 24% Liveness
86% Instrumentalness • 76% Positiveness
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Coil
North
147 bpm • D Maj • 03:45 • -20.39db
15% Popularity • 14% Danceability • 52% Energy • 37% Liveness
98% Instrumentalness • 3% Positiveness
15% Popularity • 14% Danceability • 52% Energy • 37% Liveness
98% Instrumentalness • 3% Positiveness
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Les Rallizes Dénudés
La Mal Rouge - 2022 Remastered
149 bpm • D Maj • 02:54 • -12.96db
7% Popularity • 21% Danceability • 78% Energy • 30% Liveness
92% Instrumentalness • 18% Positiveness
7% Popularity • 21% Danceability • 78% Energy • 30% Liveness
92% Instrumentalness • 18% Positiveness
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Tortoise
Whitewater
147 bpm • D# min • 05:06 • -12.2db
9% Popularity • 57% Danceability • 41% Energy • 33% Liveness
27% Instrumentalness • 36% Positiveness
9% Popularity • 57% Danceability • 41% Energy • 33% Liveness
27% Instrumentalness • 36% Positiveness
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Lovesliescrushing
tinkerwench
149 bpm • G# min • 01:13 • -23.27db
20% Popularity • 63% Danceability • 42% Energy • 56% Liveness
22% Instrumentalness • 39% Positiveness
20% Popularity • 63% Danceability • 42% Energy • 56% Liveness
22% Instrumentalness • 39% Positiveness
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Wretched Pinhead Puppets
Virgo
150 bpm • F# min • 02:25 • -11db
11% Popularity • 65% Danceability • 68% Energy • 14% Liveness
91% Instrumentalness • 74% Positiveness
11% Popularity • 65% Danceability • 68% Energy • 14% Liveness
91% Instrumentalness • 74% Positiveness
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Pantomime Horse
Edgar Froese's Ray Gun
148 bpm • A# min • 01:29 • -15.83db
0% Popularity • 14% Danceability • 7% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
0% Popularity • 14% Danceability • 7% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Nocturnal Emissions
Sugar Can't Satisfy
150 bpm • D min • 02:29 • -13.2db
16% Popularity • 52% Danceability • 68% Energy • 14% Liveness
93% Instrumentalness • 65% Positiveness
16% Popularity • 52% Danceability • 68% Energy • 14% Liveness
93% Instrumentalness • 65% Positiveness
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nerry elleopwer
unique
150 bpm • A Maj • 03:02 • -24.9db
15% Popularity • 54% Danceability • 43% Energy • 10% Liveness
77% Instrumentalness • 80% Positiveness
15% Popularity • 54% Danceability • 43% Energy • 10% Liveness
77% Instrumentalness • 80% Positiveness
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Hook
Bully
150 bpm • G# Maj • 05:07 • -10.66db
12% Popularity • 60% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
12% Popularity • 60% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
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Peyton Ferrell
Burdens
150 bpm • A# Maj • 03:22 • -16.77db
24% Popularity • 35% Danceability • 47% Energy • 11% Liveness
85% Instrumentalness • 42% Positiveness
24% Popularity • 35% Danceability • 47% Energy • 11% Liveness
85% Instrumentalness • 42% Positiveness
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The Goin' Nowheres
Hot Moonlight Song
150 bpm • F# min • 01:20 • -10.52db
15% Popularity • 71% Danceability • 44% Energy • 53% Liveness
97% Instrumentalness • 54% Positiveness
15% Popularity • 71% Danceability • 44% Energy • 53% Liveness
97% Instrumentalness • 54% Positiveness
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Hannah Miette
Souvenirs d'une Possibilité
151 bpm • G Maj • 02:17 • -9.21db
10% Popularity • 35% Danceability • 73% Energy • 89% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 35% Danceability • 73% Energy • 89% Liveness
0% Instrumentalness • 30% Positiveness
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Pantomime Horse
Lucy In the Sky (Reprise)
151 bpm • F# Maj • 00:53 • -14.79db
0% Popularity • 43% Danceability • 91% Energy • 54% Liveness
91% Instrumentalness • 40% Positiveness
0% Popularity • 43% Danceability • 91% Energy • 54% Liveness
91% Instrumentalness • 40% Positiveness
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Young Marble Giants
Hayman - Taken From The Salad Days Album
150 bpm • G min • 01:26 • -28.8db
15% Popularity • 61% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 26% Positiveness
15% Popularity • 61% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 26% Positiveness
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Jason Bingham Noble
Reflective Surfaces
152 bpm • B min • 02:00 • -10.28db
8% Popularity • 62% Danceability • 94% Energy • 12% Liveness
95% Instrumentalness • 48% Positiveness
8% Popularity • 62% Danceability • 94% Energy • 12% Liveness
95% Instrumentalness • 48% Positiveness
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Meta Meditate
Tisk Today
152 bpm • C# Maj • 01:01 • -14.06db
13% Popularity • 54% Danceability • 87% Energy • 15% Liveness
9% Instrumentalness • 21% Positiveness
13% Popularity • 54% Danceability • 87% Energy • 15% Liveness
9% Instrumentalness • 21% Positiveness
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Grateful Dead
Caution (Do Not Stop on Tracks) - 2013 R...
144 bpm • A Maj • 08:57 • -18.83db
13% Popularity • 35% Danceability • 39% Energy • 11% Liveness
30% Instrumentalness • 8% Positiveness
13% Popularity • 35% Danceability • 39% Energy • 11% Liveness
30% Instrumentalness • 8% Positiveness
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Kilgore Trout
Orvas
144 bpm • F Maj • 01:23 • -28.84db
11% Popularity • 41% Danceability • 22% Energy • 9% Liveness
93% Instrumentalness • 46% Positiveness
11% Popularity • 41% Danceability • 22% Energy • 9% Liveness
93% Instrumentalness • 46% Positiveness
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Pantomime Horse
Pink Floyd Blues
152 bpm • G# min • 03:51 • -10.27db
0% Popularity • 49% Danceability • 63% Energy • 9% Liveness
91% Instrumentalness • 64% Positiveness
0% Popularity • 49% Danceability • 63% Energy • 9% Liveness
91% Instrumentalness • 64% Positiveness
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Charlie Megira
The Strange and Bizarre Tale of the Boy ...
153 bpm • D Maj • 01:27 • -9.38db
10% Popularity • 16% Danceability • 76% Energy • 37% Liveness
79% Instrumentalness • 29% Positiveness
10% Popularity • 16% Danceability • 76% Energy • 37% Liveness
79% Instrumentalness • 29% Positiveness
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Jon McKiel
What Kind of Light
153 bpm • E min • 04:14 • -11.3db
11% Popularity • 34% Danceability • 48% Energy • 12% Liveness
87% Instrumentalness • 47% Positiveness
11% Popularity • 34% Danceability • 48% Energy • 12% Liveness
87% Instrumentalness • 47% Positiveness
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Scattered Purgatory
Limbo Litter
143 bpm • F Maj • 03:26 • -12.36db
8% Popularity • 30% Danceability • 83% Energy • 14% Liveness
7% Instrumentalness • 4% Positiveness
8% Popularity • 30% Danceability • 83% Energy • 14% Liveness
7% Instrumentalness • 4% Positiveness
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K. Leimer
Reassurances
143 bpm • E min • 01:00 • -6.46db
12% Popularity • 51% Danceability • 92% Energy • 47% Liveness
100% Instrumentalness • 75% Positiveness
12% Popularity • 51% Danceability • 92% Energy • 47% Liveness
100% Instrumentalness • 75% Positiveness
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Radiohead
Hunting Bears
143 bpm • G Maj • 02:01 • -12.2db
46% Popularity • 30% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
46% Popularity • 30% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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00110100 01010100
0000 871 0004
153 bpm • D Maj • 01:35 • -9.17db
9% Popularity • 72% Danceability • 81% Energy • 26% Liveness
85% Instrumentalness • 48% Positiveness
9% Popularity • 72% Danceability • 81% Energy • 26% Liveness
85% Instrumentalness • 48% Positiveness
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Woo
Robot X
154 bpm • E min • 02:53 • -11.29db
8% Popularity • 69% Danceability • 80% Energy • 8% Liveness
85% Instrumentalness • 33% Positiveness
8% Popularity • 69% Danceability • 80% Energy • 8% Liveness
85% Instrumentalness • 33% Positiveness
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Moondog
Viking
142 bpm • C# Maj • 03:01 • -20.65db
19% Popularity • 62% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 62% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Henry Cow
The Decay of Cities
142 bpm • D Maj • 06:55 • -15.45db
7% Popularity • 43% Danceability • 18% Energy • 21% Liveness
25% Instrumentalness • 15% Positiveness
7% Popularity • 43% Danceability • 18% Energy • 21% Liveness
25% Instrumentalness • 15% Positiveness
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Brian Eno
M386 - Remastered 2005
154 bpm • G# min • 02:50 • -18.37db
17% Popularity • 40% Danceability • 64% Energy • 12% Liveness
97% Instrumentalness • 55% Positiveness
17% Popularity • 40% Danceability • 64% Energy • 12% Liveness
97% Instrumentalness • 55% Positiveness
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Ashinoa
Space Cow
154 bpm • C Maj • 01:13 • -14.53db
7% Popularity • 53% Danceability • 59% Energy • 10% Liveness
92% Instrumentalness • 47% Positiveness
7% Popularity • 53% Danceability • 59% Energy • 10% Liveness
92% Instrumentalness • 47% Positiveness
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Merlin Symons
Your Mother
142 bpm • A# min • 01:50 • -16db
17% Popularity • 75% Danceability • 47% Energy • 10% Liveness
78% Instrumentalness • 47% Positiveness
17% Popularity • 75% Danceability • 47% Energy • 10% Liveness
78% Instrumentalness • 47% Positiveness
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Animal Collective
Everyone Whistling
154 bpm • D# Maj • 01:00 • -13.13db
27% Popularity • 11% Danceability • 97% Energy • 34% Liveness
70% Instrumentalness • 2% Positiveness
27% Popularity • 11% Danceability • 97% Energy • 34% Liveness
70% Instrumentalness • 2% Positiveness
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James Holden
Rannoch Dawn
142 bpm • F# Maj • 04:25 • -9db
14% Popularity • 61% Danceability • 95% Energy • 7% Liveness
88% Instrumentalness • 19% Positiveness
14% Popularity • 61% Danceability • 95% Energy • 7% Liveness
88% Instrumentalness • 19% Positiveness
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Ataraxia
Sorcerer
142 bpm • F# Maj • 03:54 • -19db
18% Popularity • 20% Danceability • 22% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
18% Popularity • 20% Danceability • 22% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
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Hans Schleckner
bad friends it's boccafiga
155 bpm • C# Maj • 01:02 • -23.38db
18% Popularity • 23% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
18% Popularity • 23% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Masaru Sato
King Caesar Vs. Mechagodzilla
141 bpm • F# Maj • 01:37 • -17.15db
11% Popularity • 53% Danceability • 78% Energy • 14% Liveness
99% Instrumentalness • 65% Positiveness
11% Popularity • 53% Danceability • 78% Energy • 14% Liveness
99% Instrumentalness • 65% Positiveness
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Delia Derbyshire
Doctor Who Closing Title Theme - 53" Ver...
141 bpm • E Maj • 00:55 • -15.77db
16% Popularity • 15% Danceability • 25% Energy • 36% Liveness
64% Instrumentalness • 41% Positiveness
16% Popularity • 15% Danceability • 25% Energy • 36% Liveness
64% Instrumentalness • 41% Positiveness
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Xiu Xiu
Dr. Troll
141 bpm • D Maj • 03:54 • -10.21db
20% Popularity • 23% Danceability • 45% Energy • 33% Liveness
1% Instrumentalness • 21% Positiveness
20% Popularity • 23% Danceability • 45% Energy • 33% Liveness
1% Instrumentalness • 21% Positiveness
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Broadcast
The Song Before
140 bpm • F min • 02:39 • -8.35db
17% Popularity • 18% Danceability • 76% Energy • 33% Liveness
76% Instrumentalness • 20% Positiveness
17% Popularity • 18% Danceability • 76% Energy • 33% Liveness
76% Instrumentalness • 20% Positiveness
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Adrian Von Ziegler
Guardians of the Lost Tribe
140 bpm • B Maj • 03:26 • -15.8db
9% Popularity • 60% Danceability • 30% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
9% Popularity • 60% Danceability • 30% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Stina Nordenstam
Under Your Command
140 bpm • G# Maj • 05:19 • -15.01db
33% Popularity • 61% Danceability • 24% Energy • 16% Liveness
42% Instrumentalness • 20% Positiveness
33% Popularity • 61% Danceability • 24% Energy • 16% Liveness
42% Instrumentalness • 20% Positiveness
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Rob Zombie
Perversion 99
140 bpm • B min • 01:43 • -15.43db
41% Popularity • 50% Danceability • 82% Energy • 68% Liveness
98% Instrumentalness • 19% Positiveness
41% Popularity • 50% Danceability • 82% Energy • 68% Liveness
98% Instrumentalness • 19% Positiveness
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Alazko
Rainfall
140 bpm • G Maj • 04:20 • -18.82db
9% Popularity • 34% Danceability • 30% Energy • 16% Liveness
47% Instrumentalness • 28% Positiveness
9% Popularity • 34% Danceability • 30% Energy • 16% Liveness
47% Instrumentalness • 28% Positiveness
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Brian Eno
Marseilles
139 bpm • D min • 01:28 • -16.99db
11% Popularity • 24% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
11% Popularity • 24% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
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Coma
Sen o pierwszej szklance
158 bpm • A min • 01:52 • -27.9db
16% Popularity • 22% Danceability • 8% Energy • 7% Liveness
84% Instrumentalness • 16% Positiveness
16% Popularity • 22% Danceability • 8% Energy • 7% Liveness
84% Instrumentalness • 16% Positiveness
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Valium Aggelein
The Valium Machine
139 bpm • G Maj • 01:33 • -10.89db
21% Popularity • 49% Danceability • 24% Energy • 14% Liveness
84% Instrumentalness • 13% Positiveness
21% Popularity • 49% Danceability • 24% Energy • 14% Liveness
84% Instrumentalness • 13% Positiveness
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A Country Western
Good
138 bpm • F# Maj • 03:39 • -11.66db
16% Popularity • 47% Danceability • 44% Energy • 11% Liveness
53% Instrumentalness • 20% Positiveness
16% Popularity • 47% Danceability • 44% Energy • 11% Liveness
53% Instrumentalness • 20% Positiveness
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Sonic Youth
Lee Is Free
138 bpm • A Maj • 03:37 • -20.32db
18% Popularity • 48% Danceability • 39% Energy • 16% Liveness
87% Instrumentalness • 10% Positiveness
18% Popularity • 48% Danceability • 39% Energy • 16% Liveness
87% Instrumentalness • 10% Positiveness
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Burzum
Lady in the Lake
138 bpm • D min • 04:39 • -14.14db
22% Popularity • 21% Danceability • 18% Energy • 7% Liveness
10% Instrumentalness • 14% Positiveness
22% Popularity • 21% Danceability • 18% Energy • 7% Liveness
10% Instrumentalness • 14% Positiveness
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The Dolly Rocker Movement
Enter the Mod Machine
137 bpm • E Maj • 01:57 • -20.01db
28% Popularity • 43% Danceability • 17% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
28% Popularity • 43% Danceability • 17% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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Valentina Magaletti
Per Strada
138 bpm • D min • 02:10 • -18.85db
7% Popularity • 44% Danceability • 58% Energy • 16% Liveness
84% Instrumentalness • 18% Positiveness
7% Popularity • 44% Danceability • 58% Energy • 16% Liveness
84% Instrumentalness • 18% Positiveness
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Coil
The First Five Minutes After Violent Dea...
137 bpm • C Maj • 04:59 • -8.72db
12% Popularity • 20% Danceability • 62% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
12% Popularity • 20% Danceability • 62% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
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Woo
Awareness Signals
160 bpm • C Maj • 02:15 • -11.31db
14% Popularity • 61% Danceability • 65% Energy • 6% Liveness
90% Instrumentalness • 84% Positiveness
14% Popularity • 61% Danceability • 65% Energy • 6% Liveness
90% Instrumentalness • 84% Positiveness
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Simon Jano Sessions
Rondin Prayer - Sound Journey #1
137 bpm • D Maj • 03:59 • -13.01db
18% Popularity • 43% Danceability • 20% Energy • 17% Liveness
92% Instrumentalness • 5% Positiveness
18% Popularity • 43% Danceability • 20% Energy • 17% Liveness
92% Instrumentalness • 5% Positiveness
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Los Jaivas
Del Aire al Aire
137 bpm • B min • 02:16 • -15.02db
34% Popularity • 36% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
34% Popularity • 36% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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Beth Gibbons
Rustin Man
137 bpm • C min • 04:20 • -22.46db
30% Popularity • 29% Danceability • 17% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
30% Popularity • 29% Danceability • 17% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
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David Whatson
Skipped off the Atmosphere
160 bpm • C Maj • 04:18 • -19.98db
11% Popularity • 42% Danceability • 53% Energy • 33% Liveness
24% Instrumentalness • 22% Positiveness
11% Popularity • 42% Danceability • 53% Energy • 33% Liveness
24% Instrumentalness • 22% Positiveness
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Helena Matro
True Direct
160 bpm • A# Maj • 01:53 • -10.46db
30% Popularity • 73% Danceability • 71% Energy • 9% Liveness
87% Instrumentalness • 90% Positiveness
30% Popularity • 73% Danceability • 71% Energy • 9% Liveness
87% Instrumentalness • 90% Positiveness
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LEFTO EARLY BIRD
Live In Darkness and Wait for Brighter D...
160 bpm • E min • 04:30 • -16.58db
20% Popularity • 30% Danceability • 57% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
20% Popularity • 30% Danceability • 57% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Wilco
Candy Floss (Intro)
137 bpm • A Maj • 01:19 • -13db
8% Popularity • 44% Danceability • 70% Energy • 15% Liveness
87% Instrumentalness • 14% Positiveness
8% Popularity • 44% Danceability • 70% Energy • 15% Liveness
87% Instrumentalness • 14% Positiveness
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Animal Collective
Too Soon
137 bpm • G# Maj • 06:27 • -9.56db
9% Popularity • 27% Danceability • 70% Energy • 3% Liveness
4% Instrumentalness • 5% Positiveness
9% Popularity • 27% Danceability • 70% Energy • 3% Liveness
4% Instrumentalness • 5% Positiveness
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Will Epstein
Trust I
137 bpm • A# min • 02:13 • -10.76db
12% Popularity • 18% Danceability • 44% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 44% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Karl Hector & The Malcouns
Leealeh
137 bpm • A min • 02:55 • -7.82db
26% Popularity • 68% Danceability • 91% Energy • 53% Liveness
70% Instrumentalness • 80% Positiveness
26% Popularity • 68% Danceability • 91% Energy • 53% Liveness
70% Instrumentalness • 80% Positiveness
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Darkthrone
Kolbotn, West of the Vast Forests
137 bpm • D# Maj • 01:54 • -17.03db
25% Popularity • 27% Danceability • 20% Energy • 5% Liveness
66% Instrumentalness • 7% Positiveness
25% Popularity • 27% Danceability • 20% Energy • 5% Liveness
66% Instrumentalness • 7% Positiveness
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Cluster
Nabitte
160 bpm • C# Maj • 02:40 • -17.81db
11% Popularity • 29% Danceability • 68% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
11% Popularity • 29% Danceability • 68% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
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Rosie Tucker
How Was It?
160 bpm • A# Maj • 01:14 • -14.32db
12% Popularity • 35% Danceability • 59% Energy • 11% Liveness
3% Instrumentalness • 10% Positiveness
12% Popularity • 35% Danceability • 59% Energy • 11% Liveness
3% Instrumentalness • 10% Positiveness
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Orca Eroticae
Madame
137 bpm • G# min • 02:41 • -12.33db
13% Popularity • 66% Danceability • 92% Energy • 12% Liveness
52% Instrumentalness • 39% Positiveness
13% Popularity • 66% Danceability • 92% Energy • 12% Liveness
52% Instrumentalness • 39% Positiveness
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Inca Ore
Churpa Champurrado
136 bpm • F# min • 02:04 • -18.76db
29% Popularity • 54% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
29% Popularity • 54% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
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Spk
Alocasia Metallica
136 bpm • C min • 06:03 • -8.67db
8% Popularity • 38% Danceability • 64% Energy • 12% Liveness
23% Instrumentalness • 12% Positiveness
8% Popularity • 38% Danceability • 64% Energy • 12% Liveness
23% Instrumentalness • 12% Positiveness
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Aesop Rock
Hello From The Spirit World - Instrument...
136 bpm • C Maj • 02:05 • -18.94db
11% Popularity • 77% Danceability • 37% Energy • 10% Liveness
87% Instrumentalness • 64% Positiveness
11% Popularity • 77% Danceability • 37% Energy • 10% Liveness
87% Instrumentalness • 64% Positiveness
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Stevie Dinner
Yawn
136 bpm • E Maj • 01:06 • -17.53db
8% Popularity • 19% Danceability • 16% Energy • 12% Liveness
95% Instrumentalness • 41% Positiveness
8% Popularity • 19% Danceability • 16% Energy • 12% Liveness
95% Instrumentalness • 41% Positiveness
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Brian Eno
Sombre Reptiles - 2004 Remaster
161 bpm • D min • 02:21 • -17db
37% Popularity • 46% Danceability • 37% Energy • 11% Liveness
96% Instrumentalness • 92% Positiveness
37% Popularity • 46% Danceability • 37% Energy • 11% Liveness
96% Instrumentalness • 92% Positiveness
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Young Marble Giants
Have Your Toupee Ready - Taken From The ...
135 bpm • B min • 01:09 • -12.65db
20% Popularity • 73% Danceability • 37% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
20% Popularity • 73% Danceability • 37% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Turbowolf
K-J
161 bpm • A# min • 01:21 • -17.31db
6% Popularity • 60% Danceability • 91% Energy • 22% Liveness
86% Instrumentalness • 32% Positiveness
6% Popularity • 60% Danceability • 91% Energy • 22% Liveness
86% Instrumentalness • 32% Positiveness
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Thee Oh Sees
Captain Loosley
162 bpm • A min • 04:24 • -20.72db
15% Popularity • 40% Danceability • 42% Energy • 21% Liveness
90% Instrumentalness • 22% Positiveness
15% Popularity • 40% Danceability • 42% Energy • 21% Liveness
90% Instrumentalness • 22% Positiveness
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The Antlers
Last Folk Song
135 bpm • G Maj • 01:18 • -12.16db
12% Popularity • 25% Danceability • 68% Energy • 13% Liveness
95% Instrumentalness • 9% Positiveness
12% Popularity • 25% Danceability • 68% Energy • 13% Liveness
95% Instrumentalness • 9% Positiveness
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Chatterton
1
135 bpm • C Maj • 00:48 • -16.1db
14% Popularity • 55% Danceability • 32% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
14% Popularity • 55% Danceability • 32% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
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carmine.wav
bl00d
135 bpm • C# Maj • 01:13 • -6.13db
11% Popularity • 36% Danceability • 97% Energy • 65% Liveness
73% Instrumentalness • 38% Positiveness
11% Popularity • 36% Danceability • 97% Energy • 65% Liveness
73% Instrumentalness • 38% Positiveness
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Penn Bryce
BELLS
135 bpm • D Maj • 02:22 • -23db
19% Popularity • 33% Danceability • 39% Energy • 14% Liveness
90% Instrumentalness • 12% Positiveness
19% Popularity • 33% Danceability • 39% Energy • 14% Liveness
90% Instrumentalness • 12% Positiveness
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Joann Porter
Time For Acoustic
163 bpm • A# min • 01:02 • -17.11db
9% Popularity • 86% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 73% Positiveness
9% Popularity • 86% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 73% Positiveness
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![[Untitled] cover art](https://i.scdn.co/image/ab67616d00001e02e9495a570628f8a4a3e866c0)
Nuno Canavarro
[Untitled]
135 bpm • D Maj • 04:20 • -20.17db
15% Popularity • 27% Danceability • 31% Energy • 7% Liveness
33% Instrumentalness • 10% Positiveness
15% Popularity • 27% Danceability • 31% Energy • 7% Liveness
33% Instrumentalness • 10% Positiveness
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Satyricon
Down South, Up North - Remastered Versio...
134 bpm • E Maj • 01:13 • -18.82db
12% Popularity • 61% Danceability • 59% Energy • 12% Liveness
70% Instrumentalness • 10% Positiveness
12% Popularity • 61% Danceability • 59% Energy • 12% Liveness
70% Instrumentalness • 10% Positiveness
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Ultravox
Keep Talking - Cassette Recording During...
134 bpm • B min • 06:22 • -9.14db
11% Popularity • 64% Danceability • 97% Energy • 16% Liveness
89% Instrumentalness • 44% Positiveness
11% Popularity • 64% Danceability • 97% Energy • 16% Liveness
89% Instrumentalness • 44% Positiveness
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Seaweed
Peppy's Bingo
134 bpm • G Maj • 01:09 • -23.01db
8% Popularity • 68% Danceability • 18% Energy • 13% Liveness
14% Instrumentalness • 4% Positiveness
8% Popularity • 68% Danceability • 18% Energy • 13% Liveness
14% Instrumentalness • 4% Positiveness
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Infinity Frequencies
Replica encounter
164 bpm • C min • 01:29 • -21.04db
27% Popularity • 45% Danceability • 34% Energy • 17% Liveness
72% Instrumentalness • 25% Positiveness
27% Popularity • 45% Danceability • 34% Energy • 17% Liveness
72% Instrumentalness • 25% Positiveness
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Mount Eerie
Stop Singing
134 bpm • B min • 05:33 • -17.67db
8% Popularity • 27% Danceability • 34% Energy • 10% Liveness
72% Instrumentalness • 19% Positiveness
8% Popularity • 27% Danceability • 34% Energy • 10% Liveness
72% Instrumentalness • 19% Positiveness
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1900
Fotostat
133 bpm • C Maj • 02:03 • -15.09db
13% Popularity • 24% Danceability • 85% Energy • 14% Liveness
13% Instrumentalness • 9% Positiveness
13% Popularity • 24% Danceability • 85% Energy • 14% Liveness
13% Instrumentalness • 9% Positiveness
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Sufjan Stevens
Revelation VIII
133 bpm • B Maj • 02:51 • -14.32db
11% Popularity • 17% Danceability • 43% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 43% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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Burzum
A Forgotten Realm
133 bpm • A min • 07:25 • -11.61db
22% Popularity • 18% Danceability • 40% Energy • 35% Liveness
72% Instrumentalness • 29% Positiveness
22% Popularity • 18% Danceability • 40% Energy • 35% Liveness
72% Instrumentalness • 29% Positiveness
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The Moody Blues
Melancholy Man
133 bpm • C# min • 05:05 • -13db
19% Popularity • 42% Danceability • 43% Energy • 67% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 42% Danceability • 43% Energy • 67% Liveness
0% Instrumentalness • 38% Positiveness
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Dali Muru & The Polyphonic Swarm
Rolling Credits On-screen
132 bpm • D min • 03:40 • -18.48db
8% Popularity • 31% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 23% Positiveness
8% Popularity • 31% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 23% Positiveness
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Siouxsie and the Banshees
Obsession II
165 bpm • C# min • 03:51 • -15.24db
12% Popularity • 34% Danceability • 88% Energy • 39% Liveness
48% Instrumentalness • 3% Positiveness
12% Popularity • 34% Danceability • 88% Energy • 39% Liveness
48% Instrumentalness • 3% Positiveness
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Goo Lam
New Kind
132 bpm • F min • 01:00 • -24.82db
17% Popularity • 45% Danceability • 40% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
17% Popularity • 45% Danceability • 40% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
