Songs like "Ég heyrði allt án þess að hlusta" - Remastered by Jóhann Jóhannsson
Based on a tempo of (+/- 10%) and a similar genre
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Valgeir Sigurðsson
Dreamland
83 bpm • G Maj • 03:46 • -11.57db
17% Popularity • 22% Danceability • 27% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
17% Popularity • 22% Danceability • 27% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Suzanne Ciani
432 - Suzanne Ciani Rework
83 bpm • C min • 04:29 • -19.32db
12% Popularity • 8% Danceability • 20% Energy • 60% Liveness
92% Instrumentalness • 4% Positiveness
12% Popularity • 8% Danceability • 20% Energy • 60% Liveness
92% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
Þetta gerist á bestu bæjum - Remaster...
83 bpm • C min • 00:59 • -18.12db
15% Popularity • 16% Danceability • 18% Energy • 22% Liveness
37% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 18% Energy • 22% Liveness
37% Instrumentalness • 4% Positiveness
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Sylvain Chauveau
Mineral
83 bpm • A min • 03:28 • -33.15db
27% Popularity • 48% Danceability • 0% Energy • 29% Liveness
87% Instrumentalness • 74% Positiveness
27% Popularity • 48% Danceability • 0% Energy • 29% Liveness
87% Instrumentalness • 74% Positiveness
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Kjartan Sveinsson
The Last Farm 5
83 bpm • C# min • 02:46 • -11.76db
23% Popularity • 21% Danceability • 24% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
23% Popularity • 21% Danceability • 24% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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A Winged Victory for the Sullen
Ti Prego, Memory Man
83 bpm • F# Maj • 04:24 • -16.73db
18% Popularity • 14% Danceability • 31% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
18% Popularity • 14% Danceability • 31% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Esmerine
Lullaby for Nola
83 bpm • C Maj • 02:34 • -22.45db
32% Popularity • 24% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
32% Popularity • 24% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
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Slow Meadow
Blue Rose on a Windowsill
83 bpm • A min • 05:30 • -18db
21% Popularity • 21% Danceability • 11% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
21% Popularity • 21% Danceability • 11% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
"Ég heyrði allt án þess að hlusta" ...
83 bpm • A# Maj • 02:05 • -17.32db
28% Popularity • 10% Danceability • 13% Energy • 10% Liveness
26% Instrumentalness • 7% Positiveness
28% Popularity • 10% Danceability • 13% Energy • 10% Liveness
26% Instrumentalness • 7% Positiveness
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Sylvain Chauveau
Des Plumes Dans La Tête (Variation 2)
83 bpm • A min • 01:15 • -11.59db
35% Popularity • 14% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
35% Popularity • 14% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Jim Perkins
A Ritual for Saying Goodbye
82 bpm • E Maj • 01:47 • -23.61db
43% Popularity • 8% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
43% Popularity • 8% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Danny Norbury
Fragment 2
82 bpm • A# Maj • 06:04 • -13.85db
11% Popularity • 8% Danceability • 12% Energy • 31% Liveness
93% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 12% Energy • 31% Liveness
93% Instrumentalness • 3% Positiveness
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Hildur Guðnadóttir
Ravine
82 bpm • B min • 02:01 • -25.79db
24% Popularity • 12% Danceability • 7% Energy • 10% Liveness
53% Instrumentalness • 3% Positiveness
24% Popularity • 12% Danceability • 7% Energy • 10% Liveness
53% Instrumentalness • 3% Positiveness
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Mark Isham
Time Passing II
82 bpm • A Maj • 01:17 • -24db
43% Popularity • 29% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
43% Popularity • 29% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
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Jóhann Jóhannsson
They Imagine The City Growing Out Into T...
82 bpm • C min • 04:30 • -20.79db
14% Popularity • 8% Danceability • 13% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 13% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Ólafur Arnalds
Written In Stone
82 bpm • E min • 03:27 • -16db
33% Popularity • 20% Danceability • 23% Energy • 34% Liveness
82% Instrumentalness • 3% Positiveness
33% Popularity • 20% Danceability • 23% Energy • 34% Liveness
82% Instrumentalness • 3% Positiveness
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Ludovico Einaudi
Corale
84 bpm • C# Maj • 02:05 • -29db
51% Popularity • 20% Danceability • 3% Energy • 11% Liveness
99% Instrumentalness • 3% Positiveness
51% Popularity • 20% Danceability • 3% Energy • 11% Liveness
99% Instrumentalness • 3% Positiveness
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Christina Vantzou
Your Changes Have Been Submitted
82 bpm • C Maj • 01:43 • -17.51db
37% Popularity • 22% Danceability • 24% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
37% Popularity • 22% Danceability • 24% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
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Jim Perkins
Thaw
84 bpm • C Maj • 02:20 • -14.25db
45% Popularity • 19% Danceability • 25% Energy • 9% Liveness
82% Instrumentalness • 11% Positiveness
45% Popularity • 19% Danceability • 25% Energy • 9% Liveness
82% Instrumentalness • 11% Positiveness
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The Cinematic Orchestra
Prelude
82 bpm • F# min • 02:43 • -19.67db
36% Popularity • 12% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 15% Positiveness
36% Popularity • 12% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 15% Positiveness
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Jóhann Jóhannsson
The Burning Mountain
84 bpm • F Maj • 02:45 • -22.03db
29% Popularity • 18% Danceability • 7% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
29% Popularity • 18% Danceability • 7% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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Hildur Guðnadóttir
Overcast
84 bpm • E min • 03:18 • -17.43db
25% Popularity • 9% Danceability • 14% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 14% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Clint Mansell
Ghosts of Things to Come
84 bpm • D Maj • 01:33 • -27db
37% Popularity • 18% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
37% Popularity • 18% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
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Michael A. Muller
Glyph II - Julia Kent Rework
84 bpm • A# min • 04:08 • -18.01db
17% Popularity • 19% Danceability • 19% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
17% Popularity • 19% Danceability • 19% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
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Erland Cooper
St. Magnus of Hamnavoe - Daniel Pioro Re...
84 bpm • C Maj • 03:02 • -17.23db
37% Popularity • 36% Danceability • 10% Energy • 9% Liveness
85% Instrumentalness • 8% Positiveness
37% Popularity • 36% Danceability • 10% Energy • 9% Liveness
85% Instrumentalness • 8% Positiveness
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Jim Perkins
A Spring Morning
82 bpm • G Maj • 02:18 • -16.09db
39% Popularity • 20% Danceability • 8% Energy • 12% Liveness
51% Instrumentalness • 15% Positiveness
39% Popularity • 20% Danceability • 8% Energy • 12% Liveness
51% Instrumentalness • 15% Positiveness
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Jóhann Jóhannsson
"Ég sleppi þér aldrei" - Remastered
82 bpm • A# Maj • 02:57 • -18.1db
13% Popularity • 20% Danceability • 14% Energy • 12% Liveness
10% Instrumentalness • 9% Positiveness
13% Popularity • 20% Danceability • 14% Energy • 12% Liveness
10% Instrumentalness • 9% Positiveness
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Greg Haines
Sehnsucht
81 bpm • C Maj • 02:55 • -28.29db
19% Popularity • 37% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 17% Positiveness
19% Popularity • 37% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 17% Positiveness
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Mike Lazarev
Forgetting, Almost
85 bpm • C# Maj • 01:54 • -25.84db
38% Popularity • 24% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
38% Popularity • 24% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Fabrizio Paterlini
Everyone Wants To Be Found
85 bpm • D# Maj • 02:22 • -31.19db
24% Popularity • 30% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 6% Positiveness
24% Popularity • 30% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 6% Positiveness
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Gary De Cart
The Witching Hour
81 bpm • F min • 05:30 • -18.19db
17% Popularity • 8% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
17% Popularity • 8% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Rafael Anton Irisarri
Moments Descend On My Windowpane
81 bpm • D Maj • 05:14 • -19.4db
35% Popularity • 24% Danceability • 17% Energy • 8% Liveness
82% Instrumentalness • 7% Positiveness
35% Popularity • 24% Danceability • 17% Energy • 8% Liveness
82% Instrumentalness • 7% Positiveness
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Jóhann Jóhannsson
Heptapod B (Arr. Knoth)
84 bpm • D# min • 03:31 • -17.61db
17% Popularity • 29% Danceability • 30% Energy • 11% Liveness
77% Instrumentalness • 29% Positiveness
17% Popularity • 29% Danceability • 30% Energy • 11% Liveness
77% Instrumentalness • 29% Positiveness
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Yair Elazar Glotman
Physical Description of the Last Human B...
81 bpm • C Maj • 04:36 • -27.25db
20% Popularity • 8% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Nicholas Britell
Searching (Foundation Track)
85 bpm • A Maj • 03:25 • -14.56db
45% Popularity • 9% Danceability • 18% Energy • 16% Liveness
81% Instrumentalness • 4% Positiveness
45% Popularity • 9% Danceability • 18% Energy • 16% Liveness
81% Instrumentalness • 4% Positiveness
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Luca D'Alberto
Endless (26th May 2016)
81 bpm • G# Maj • 04:28 • -13.91db
21% Popularity • 10% Danceability • 21% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
21% Popularity • 10% Danceability • 21% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Christina Vantzou
Homemade Mountains
85 bpm • C Maj • 03:43 • -19.36db
26% Popularity • 9% Danceability • 14% Energy • 23% Liveness
89% Instrumentalness • 4% Positiveness
26% Popularity • 9% Danceability • 14% Energy • 23% Liveness
89% Instrumentalness • 4% Positiveness
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Patrick Jonsson
Suddenly We Looked Like Giants
85 bpm • D Maj • 06:11 • -18db
26% Popularity • 9% Danceability • 20% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
26% Popularity • 9% Danceability • 20% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
Englabörn - Remastered
84 bpm • G min • 01:34 • -17.23db
18% Popularity • 22% Danceability • 19% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
18% Popularity • 22% Danceability • 19% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Michael Price
Easter
85 bpm • C Maj • 05:24 • -30.72db
17% Popularity • 28% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
17% Popularity • 28% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
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Stefano Guzzetti
Tales From The Sea
81 bpm • A# Maj • 01:06 • -25.16db
37% Popularity • 49% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 38% Positiveness
37% Popularity • 49% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 38% Positiveness
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Bing & Ruth
And Then It Rained
86 bpm • F Maj • 04:51 • -23.71db
14% Popularity • 9% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
14% Popularity • 9% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Julia Kent
Salute
81 bpm • A min • 04:28 • -19.65db
9% Popularity • 9% Danceability • 9% Energy • 17% Liveness
76% Instrumentalness • 4% Positiveness
9% Popularity • 9% Danceability • 9% Energy • 17% Liveness
76% Instrumentalness • 4% Positiveness
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A Winged Victory for the Sullen
Requiem for the Static King, Pt. 1
86 bpm • B Maj • 02:45 • -22.13db
35% Popularity • 14% Danceability • 13% Energy • 10% Liveness
78% Instrumentalness • 3% Positiveness
35% Popularity • 14% Danceability • 13% Energy • 10% Liveness
78% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
A Pile of Dust
81 bpm • G# Maj • 04:51 • -18.03db
33% Popularity • 10% Danceability • 8% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
33% Popularity • 10% Danceability • 8% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
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Nico Muhly
Opening Cards
80 bpm • G Maj • 01:53 • -18.66db
33% Popularity • 29% Danceability • 29% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
33% Popularity • 29% Danceability • 29% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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Emilie Levienaise-Farrouch
Scale of Volatility
80 bpm • E min • 03:50 • -14db
16% Popularity • 48% Danceability • 15% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
16% Popularity • 48% Danceability • 15% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
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Bing & Ruth
Scrapes
80 bpm • C# Maj • 05:18 • -21db
23% Popularity • 9% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
23% Popularity • 9% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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David Darling
Darkwood 3
80 bpm • C min • 03:25 • -32.72db
25% Popularity • 12% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 12% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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amiina
Leather and Lace
86 bpm • D min • 04:04 • -14.58db
32% Popularity • 27% Danceability • 14% Energy • 6% Liveness
93% Instrumentalness • 19% Positiveness
32% Popularity • 27% Danceability • 14% Energy • 6% Liveness
93% Instrumentalness • 19% Positiveness
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Jóhann Jóhannsson
The Drowned World
81 bpm • C min • 02:20 • -20.24db
31% Popularity • 39% Danceability • 9% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
31% Popularity • 39% Danceability • 9% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
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Maarten Vos
Epiloog
80 bpm • C min • 06:29 • -14.7db
10% Popularity • 14% Danceability • 20% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
10% Popularity • 14% Danceability • 20% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Erland Cooper
Hoxa Sound
86 bpm • C Maj • 02:03 • -18.72db
55% Popularity • 25% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
55% Popularity • 25% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Danny Norbury
Aspen Trees
79 bpm • D min • 04:02 • -15.23db
21% Popularity • 9% Danceability • 12% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
21% Popularity • 9% Danceability • 12% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Caleb Burhans
The Things Left Unsaid
80 bpm • A min • 08:30 • -18db
11% Popularity • 15% Danceability • 4% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 4% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
Cana
79 bpm • C Maj • 01:39 • -32.29db
29% Popularity • 16% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Slow Meadow
Every Mournful Breath
87 bpm • C Maj • 07:02 • -17.81db
21% Popularity • 18% Danceability • 27% Energy • 6% Liveness
93% Instrumentalness • 6% Positiveness
21% Popularity • 18% Danceability • 27% Energy • 6% Liveness
93% Instrumentalness • 6% Positiveness
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Balanescu Quartet
Seduction
87 bpm • A min • 01:46 • -25.72db
38% Popularity • 10% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
38% Popularity • 10% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Ólafur Arnalds
Kinesthesia I
79 bpm • G min • 01:46 • -23.96db
23% Popularity • 19% Danceability • 7% Energy • 7% Liveness
63% Instrumentalness • 3% Positiveness
23% Popularity • 19% Danceability • 7% Energy • 7% Liveness
63% Instrumentalness • 3% Positiveness
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Bing & Ruth
Police Police Police Police Police
79 bpm • C# min • 06:04 • -23db
21% Popularity • 15% Danceability • 15% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
21% Popularity • 15% Danceability • 15% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
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Stars Of The Lid
Requiem String Melody
79 bpm • A# Maj • 02:46 • -28.28db
24% Popularity • 7% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
24% Popularity • 7% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Michael Vincent Waller
Lines
87 bpm • C Maj • 09:38 • -29db
16% Popularity • 21% Danceability • 2% Energy • 10% Liveness
79% Instrumentalness • 14% Positiveness
16% Popularity • 21% Danceability • 2% Energy • 10% Liveness
79% Instrumentalness • 14% Positiveness
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Julia Kent
Malpensa
79 bpm • F Maj • 04:28 • -16.11db
12% Popularity • 20% Danceability • 14% Energy • 11% Liveness
63% Instrumentalness • 9% Positiveness
12% Popularity • 20% Danceability • 14% Energy • 11% Liveness
63% Instrumentalness • 9% Positiveness
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Ludovico Einaudi
Seven Days Walking / Day 1: The Path Of ...
88 bpm • D min • 08:15 • -15db
29% Popularity • 22% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
29% Popularity • 22% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
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Ólafur Arnalds
saman - string quartet version
88 bpm • C min • 02:48 • -15.42db
37% Popularity • 19% Danceability • 16% Energy • 12% Liveness
72% Instrumentalness • 6% Positiveness
37% Popularity • 19% Danceability • 16% Energy • 12% Liveness
72% Instrumentalness • 6% Positiveness
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Mike Lazarev
Dislodged
79 bpm • E min • 04:03 • -26.24db
32% Popularity • 23% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
32% Popularity • 23% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
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Arnold Kasar
Moon Square
88 bpm • C min • 03:29 • -23.15db
19% Popularity • 36% Danceability • 11% Energy • 16% Liveness
89% Instrumentalness • 47% Positiveness
19% Popularity • 36% Danceability • 11% Energy • 16% Liveness
89% Instrumentalness • 47% Positiveness
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Ben Frost
Reyja
88 bpm • C# min • 05:05 • -25.08db
23% Popularity • 9% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
23% Popularity • 9% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
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Abel Korzeniowski
Exhibition
88 bpm • G Maj • 01:12 • -14.14db
41% Popularity • 24% Danceability • 40% Energy • 40% Liveness
83% Instrumentalness • 4% Positiveness
41% Popularity • 24% Danceability • 40% Energy • 40% Liveness
83% Instrumentalness • 4% Positiveness
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Bruno Sanfilippo
Claroscuro
88 bpm • A# Maj • 05:57 • -12.76db
16% Popularity • 10% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
16% Popularity • 10% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Warren Ellis
Lale's Theme
88 bpm • D# Maj • 05:09 • -19.2db
21% Popularity • 12% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
21% Popularity • 12% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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Slow Meadow
Rara Pluma
78 bpm • C Maj • 03:33 • -19.67db
25% Popularity • 19% Danceability • 9% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
25% Popularity • 19% Danceability • 9% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Kronos Quartet
Another Long Evening
88 bpm • C min • 01:56 • -14db
22% Popularity • 23% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
22% Popularity • 23% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Julia Kent
Fontanarossa
78 bpm • A# min • 04:03 • -15.03db
13% Popularity • 31% Danceability • 17% Energy • 33% Liveness
39% Instrumentalness • 4% Positiveness
13% Popularity • 31% Danceability • 17% Energy • 33% Liveness
39% Instrumentalness • 4% Positiveness
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Joep Beving
Shepherd
78 bpm • G# min • 07:21 • -14.9db
19% Popularity • 10% Danceability • 16% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
19% Popularity • 10% Danceability • 16% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
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James Heather
Pathos
88 bpm • F min • 03:49 • -23db
40% Popularity • 20% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
40% Popularity • 20% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
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Clem Leek
Walter
78 bpm • D# min • 03:42 • -20.27db
11% Popularity • 27% Danceability • 5% Energy • 34% Liveness
66% Instrumentalness • 21% Positiveness
11% Popularity • 27% Danceability • 5% Energy • 34% Liveness
66% Instrumentalness • 21% Positiveness
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Akira Kosemura
Letter From A Distance
89 bpm • A min • 01:52 • -21.72db
21% Popularity • 47% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 54% Positiveness
21% Popularity • 47% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 54% Positiveness
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Aaron Martin
Slow Wake
77 bpm • E min • 05:14 • -15.2db
11% Popularity • 19% Danceability • 38% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
11% Popularity • 19% Danceability • 38% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
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Clint Mansell
"We're Not Programs, GERTY, We're People...
89 bpm • C Maj • 05:10 • -22.73db
38% Popularity • 17% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
38% Popularity • 17% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Joep Beving
Autumn
78 bpm • F Maj • 03:26 • -30.27db
34% Popularity • 25% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
34% Popularity • 25% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Iskra String Quartet
Mother's Theme
89 bpm • C# min • 05:04 • -14.13db
14% Popularity • 13% Danceability • 19% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 19% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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James Heather
Meant To Be
78 bpm • D# min • 03:55 • -27.08db
35% Popularity • 12% Danceability • 11% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
35% Popularity • 12% Danceability • 11% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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Sylvain Chauveau
Nuage II
77 bpm • F Maj • 01:18 • -14.07db
47% Popularity • 16% Danceability • 10% Energy • 25% Liveness
30% Instrumentalness • 4% Positiveness
47% Popularity • 16% Danceability • 10% Energy • 25% Liveness
30% Instrumentalness • 4% Positiveness
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Gabríel Ólafs
The Croak
77 bpm • A min • 02:33 • -23.45db
27% Popularity • 18% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
27% Popularity • 18% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Nico Muhly
Funeral
89 bpm • C Maj • 03:12 • -17.23db
26% Popularity • 11% Danceability • 15% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
26% Popularity • 11% Danceability • 15% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
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Fabrizio Paterlini
Week No. 1
77 bpm • D# Maj • 02:20 • -27.65db
14% Popularity • 11% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
14% Popularity • 11% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
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Clem Leek
Ask Me A Question
89 bpm • C# Maj • 02:11 • -22.18db
38% Popularity • 31% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
38% Popularity • 31% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
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James Heather
Immortal Beloved
77 bpm • G min • 03:54 • -32.12db
39% Popularity • 21% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
39% Popularity • 21% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Sylvain Chauveau
Noir
77 bpm • C Maj • 01:17 • -34.31db
26% Popularity • 19% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
26% Popularity • 19% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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Gabríel Ólafs
Lullaby
77 bpm • G Maj • 02:28 • -28.87db
25% Popularity • 22% Danceability • 3% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
25% Popularity • 22% Danceability • 3% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
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Jordan Seigel
Flavio's Goodbye
77 bpm • C Maj • 01:30 • -27.27db
44% Popularity • 18% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
44% Popularity • 18% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Bill Ryder-Jones
The Reader (Malbork)
77 bpm • F Maj • 03:44 • -15db
29% Popularity • 11% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
29% Popularity • 11% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
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Slow Meadow
The Ides of Autumn - Bonus Track
77 bpm • F Maj • 03:46 • -18.57db
30% Popularity • 18% Danceability • 10% Energy • 6% Liveness
86% Instrumentalness • 3% Positiveness
30% Popularity • 18% Danceability • 10% Energy • 6% Liveness
86% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
The Radiant City
77 bpm • F min • 03:31 • -21db
31% Popularity • 36% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
31% Popularity • 36% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Yair Elazar Glotman
Childhood / Land of the Young
90 bpm • F Maj • 05:35 • -23.45db
24% Popularity • 10% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
24% Popularity • 10% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Greg Haines
With Everything That Breathes
77 bpm • C min • 05:21 • -29.97db
26% Popularity • 44% Danceability • 0% Energy • 5% Liveness
92% Instrumentalness • 16% Positiveness
26% Popularity • 44% Danceability • 0% Energy • 5% Liveness
92% Instrumentalness • 16% Positiveness
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Amelia Warner
Frances
90 bpm • F Maj • 03:09 • -27.38db
14% Popularity • 25% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
14% Popularity • 25% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
