Songs like Ein Heldenleben, Op. 40: VI. The Hero's Retreat From The World - Life's Fulfilment by Richard Strauss
Based on a tempo of (+/- 10%) and a similar genre
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Sergei Prokofiev
Peter and the Wolf, Op. 67 (Without Narr...
99 bpm • C Maj • 01:12 • -37.4db
51% Popularity • 35% Danceability • 1% Energy • 26% Liveness
53% Instrumentalness • 13% Positiveness
51% Popularity • 35% Danceability • 1% Energy • 26% Liveness
53% Instrumentalness • 13% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: 3. Mél...
99 bpm • D# Maj • 03:52 • -25.25db
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Gnomus
99 bpm • B Maj • 02:39 • -20.94db
27% Popularity • 31% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 9% Positiveness
27% Popularity • 31% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 9% Positiveness
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Bedřich Smetana
Má Vlast, JB1:112: 3. Sarka
100 bpm • A Maj • 10:11 • -19db
27% Popularity • 26% Danceability • 14% Energy • 10% Liveness
72% Instrumentalness • 10% Positiveness
27% Popularity • 26% Danceability • 14% Energy • 10% Liveness
72% Instrumentalness • 10% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
99 bpm • D# Maj • 08:21 • -16.9db
32% Popularity • 21% Danceability • 16% Energy • 13% Liveness
20% Instrumentalness • 8% Positiveness
32% Popularity • 21% Danceability • 16% Energy • 13% Liveness
20% Instrumentalness • 8% Positiveness
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Felix Mendelssohn
Symphony No. 4 in A Major, Op. 90, MWV N...
100 bpm • A min • 05:20 • -19db
22% Popularity • 29% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 39% Positiveness
22% Popularity • 29% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 39% Positiveness
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Georges Bizet
Carmen Suite No. 2 (Arr. E. Guiraud): II...
100 bpm • D# Maj • 04:48 • -30.66db
29% Popularity • 14% Danceability • 4% Energy • 9% Liveness
57% Instrumentalness • 6% Positiveness
29% Popularity • 14% Danceability • 4% Energy • 9% Liveness
57% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
98 bpm • E Maj • 06:59 • -15.16db
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 3 i...
98 bpm • G# Maj • 04:39 • -17.18db
21% Popularity • 23% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
21% Popularity • 23% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
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Hugo von Hofmannsthal
Strauss, R: Der Rosenkavalier, Op. 59, A...
97 bpm • D min • 07:25 • -14.22db
1% Popularity • 21% Danceability • 20% Energy • 26% Liveness
89% Instrumentalness • 22% Positiveness
1% Popularity • 21% Danceability • 20% Energy • 26% Liveness
89% Instrumentalness • 22% Positiveness
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Hector Berlioz
Béatrice et Bénédict, Op. 27, H 138: ...
101 bpm • G Maj • 08:13 • -23.12db
13% Popularity • 26% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 11% Positiveness
13% Popularity • 26% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 11% Positiveness
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Richard Wagner
Die Meistersinger von Nürnberg: Overtur...
97 bpm • C Maj • 10:26 • -14.73db
16% Popularity • 20% Danceability • 25% Energy • 8% Liveness
88% Instrumentalness • 14% Positiveness
16% Popularity • 20% Danceability • 25% Energy • 8% Liveness
88% Instrumentalness • 14% Positiveness
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Sergei Prokofiev
Symphony No. 1 in D, Op. 25 "Classical S...
97 bpm • E min • 04:24 • -22.82db
20% Popularity • 48% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 49% Positiveness
20% Popularity • 48% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 49% Positiveness
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Richard Strauss
Piano Sonata, Op. 5, TrV 103: I. Allegro...
97 bpm • B min • 08:02 • -20.42db
7% Popularity • 30% Danceability • 17% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
7% Popularity • 30% Danceability • 17% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
97 bpm • G Maj • 07:06 • -13.04db
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
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Giuseppe Verdi
Requiem: III. Tuba Mirum
97 bpm • C# min • 03:26 • -20.62db
33% Popularity • 25% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 3% Positiveness
33% Popularity • 25% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 3% Positiveness
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Samuel Coleridge-Taylor
Ballade in A Minor, Op. 33: I. Allegro e...
101 bpm • A min • 05:48 • -19.62db
31% Popularity • 25% Danceability • 13% Energy • 32% Liveness
91% Instrumentalness • 7% Positiveness
31% Popularity • 25% Danceability • 13% Energy • 32% Liveness
91% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Dolly Suite, Op. 56: IV. Kitty-Valse
101 bpm • D# Maj • 02:42 • -31db
27% Popularity • 44% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
27% Popularity • 44% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Sergei Prokofiev
Prokofiev: Romeo and Juliet, Op. 64, Act...
97 bpm • E Maj • 02:45 • -26.22db
25% Popularity • 12% Danceability • 4% Energy • 41% Liveness
88% Instrumentalness • 12% Positiveness
25% Popularity • 12% Danceability • 4% Energy • 41% Liveness
88% Instrumentalness • 12% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
97 bpm • F Maj • 02:11 • -19.15db
15% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
15% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
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Giacomo Puccini
Puccini: Crisantemi
101 bpm • F# min • 07:01 • -31.75db
39% Popularity • 14% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Franz Schubert
6 Moments musicaux, D. 780: No. 3, Alleg...
101 bpm • F min • 01:40 • -26.82db
48% Popularity • 43% Danceability • 3% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
48% Popularity • 43% Danceability • 3% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
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Alexander Scriabin
4 Pieces, Op. 51: III. Poème ailé
97 bpm • B Maj • 01:06 • -32.42db
42% Popularity • 44% Danceability • 1% Energy • 11% Liveness
76% Instrumentalness • 11% Positiveness
42% Popularity • 44% Danceability • 1% Energy • 11% Liveness
76% Instrumentalness • 11% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: VI. Finale: Danc...
101 bpm • C min • 01:46 • -16.19db
38% Popularity • 32% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 12% Positiveness
38% Popularity • 32% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 12% Positiveness
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Richard Wagner
Wagner: Die Meistersinger von Nürnberg,...
97 bpm • C Maj • 09:53 • -14db
3% Popularity • 21% Danceability • 28% Energy • 14% Liveness
94% Instrumentalness • 20% Positiveness
3% Popularity • 21% Danceability • 28% Energy • 14% Liveness
94% Instrumentalness • 20% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 2. Du...
97 bpm • C Maj • 05:41 • -15db
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
96 bpm • E min • 08:01 • -22.85db
41% Popularity • 12% Danceability • 10% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
41% Popularity • 12% Danceability • 10% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Mendelssohn: Violin Concerto in E Minor,...
96 bpm • C Maj • 08:05 • -24db
35% Popularity • 16% Danceability • 11% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 11% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Cum mortuis i...
102 bpm • B Maj • 02:08 • -43.23db
33% Popularity • 14% Danceability • 0% Energy • 79% Liveness
89% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 0% Energy • 79% Liveness
89% Instrumentalness • 4% Positiveness
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Hector Berlioz
La damnation de Faust, Op. 24, H. 111 / ...
102 bpm • A min • 04:24 • -11db
22% Popularity • 48% Danceability • 43% Energy • 17% Liveness
92% Instrumentalness • 56% Positiveness
22% Popularity • 48% Danceability • 43% Energy • 17% Liveness
92% Instrumentalness • 56% Positiveness
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Gustav Mahler
Symphony No. 1 in D Major: II. Kräftig ...
96 bpm • A Maj • 07:23 • -24db
32% Popularity • 26% Danceability • 10% Energy • 9% Liveness
61% Instrumentalness • 26% Positiveness
32% Popularity • 26% Danceability • 10% Energy • 9% Liveness
61% Instrumentalness • 26% Positiveness
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Georges Bizet
Carmen Suite No. 1: 1. Prélude
96 bpm • A min • 01:23 • -23db
37% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
37% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
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Edward Elgar
5 Military Marches, Op. 39, "Pomp and Ci...
102 bpm • C Maj • 06:15 • -18db
19% Popularity • 28% Danceability • 19% Energy • 25% Liveness
89% Instrumentalness • 26% Positiveness
19% Popularity • 28% Danceability • 19% Energy • 25% Liveness
89% Instrumentalness • 26% Positiveness
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Richard Strauss
Feuersnot, Op. 50, TrV 203: Love Scene
102 bpm • F# Maj • 05:48 • -20db
7% Popularity • 14% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 6% Positiveness
7% Popularity • 14% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 6% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: III. The Young Pr...
103 bpm • G Maj • 09:54 • -31.17db
23% Popularity • 16% Danceability • 3% Energy • 7% Liveness
61% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 3% Energy • 7% Liveness
61% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Violin Concerto In D, Op. 35, TH. 59: 2....
103 bpm • D# Maj • 06:24 • -26.64db
29% Popularity • 20% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
29% Popularity • 20% Danceability • 4% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Dance ...
95 bpm • F Maj • 02:20 • -16.48db
34% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
34% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
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Igor Stravinsky
Stravinsky: The Rite of Spring, Pt. 1 "A...
103 bpm • A Maj • 05:02 • -22db
23% Popularity • 31% Danceability • 10% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
23% Popularity • 31% Danceability • 10% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
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César Franck
Symphony In D Minor: 2. Allegretto
95 bpm • F# Maj • 09:44 • -26db
3% Popularity • 12% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
3% Popularity • 12% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Richard Strauss
Der Rosenkavalier, Op. 59 / Act 2: "Rofr...
96 bpm • F# Maj • 08:19 • -16.15db
0% Popularity • 20% Danceability • 17% Energy • 25% Liveness
4% Instrumentalness • 4% Positiveness
0% Popularity • 20% Danceability • 17% Energy • 25% Liveness
4% Instrumentalness • 4% Positiveness
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Frédéric Chopin
24 Préludes, Op. 28: No. 15 in D-Flat M...
95 bpm • C# Maj • 04:51 • -26.15db
31% Popularity • 33% Danceability • 1% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
31% Popularity • 33% Danceability • 1% Energy • 7% Liveness
84% Instrumentalness • 8% Positiveness
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Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
94 bpm • G# Maj • 02:44 • -29.68db
38% Popularity • 40% Danceability • 3% Energy • 12% Liveness
19% Instrumentalness • 46% Positiveness
38% Popularity • 40% Danceability • 3% Energy • 12% Liveness
19% Instrumentalness • 46% Positiveness
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Gustav Holst
Symphony in F Major, Op. 8, "The Cotswol...
104 bpm • F Maj • 03:34 • -21db
23% Popularity • 38% Danceability • 12% Energy • 6% Liveness
86% Instrumentalness • 30% Positiveness
23% Popularity • 38% Danceability • 12% Energy • 6% Liveness
86% Instrumentalness • 30% Positiveness
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Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
45% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
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Richard Wagner
Lohengrin, Act III: Prelude
94 bpm • G Maj • 02:31 • -17db
41% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
41% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
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Richard Strauss
Ariadne auf Naxos / Prologue: "Ein Augen...
95 bpm • E Maj • 03:48 • -19.1db
8% Popularity • 23% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 23% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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Sergei Prokofiev
Prokofiev: Symphony No. 1 in D Major, Op...
104 bpm • A Maj • 04:09 • -29.1db
15% Popularity • 35% Danceability • 4% Energy • 10% Liveness
61% Instrumentalness • 10% Positiveness
15% Popularity • 35% Danceability • 4% Energy • 10% Liveness
61% Instrumentalness • 10% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78, R. 17...
94 bpm • G# Maj • 07:26 • -18db
8% Popularity • 30% Danceability • 24% Energy • 7% Liveness
86% Instrumentalness • 29% Positiveness
8% Popularity • 30% Danceability • 24% Energy • 7% Liveness
86% Instrumentalness • 29% Positiveness
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Léo Delibes
Le roi s'amuse: Final
94 bpm • A min • 01:04 • -19.13db
54% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
54% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: II. Longa...
94 bpm • D min • 01:40 • -30db
38% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
38% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Richard Strauss
Strauss, R: 6 Lieder, Op. 17: No. 2, St�...
94 bpm • F# Maj • 02:34 • -21.09db
17% Popularity • 36% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 36% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
93 bpm • A# Maj • 05:18 • -26.07db
31% Popularity • 16% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
31% Popularity • 16% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Franz Schubert
Auf dem Wasser zu singen, D. 774 - Trans...
105 bpm • G# min • 03:52 • -20.8db
47% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
47% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
► Preview
Ludwig van Beethoven
Symphony No. 5 in C Minor, Op. 67: I. Al...
105 bpm • C min • 06:38 • -12.95db
33% Popularity • 42% Danceability • 29% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
33% Popularity • 42% Danceability • 29% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
► Preview
Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part Two:...
93 bpm • B min • 07:01 • -25.18db
21% Popularity • 17% Danceability • 7% Energy • 15% Liveness
2% Instrumentalness • 8% Positiveness
21% Popularity • 17% Danceability • 7% Energy • 15% Liveness
2% Instrumentalness • 8% Positiveness
► Preview
Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
106 bpm • C Maj • 08:00 • -17db
34% Popularity • 24% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
34% Popularity • 24% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
► Preview
Richard Strauss
Elektra: Vi. Was heulst du?
94 bpm • C# Maj • 02:15 • -20.25db
1% Popularity • 29% Danceability • 22% Energy • 83% Liveness
0% Instrumentalness • 15% Positiveness
1% Popularity • 29% Danceability • 22% Energy • 83% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Igor Stravinsky
Choral-Vatiationen: Var. I. In canone al...
93 bpm • C Maj • 01:13 • -29.05db
39% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
39% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
► Preview
Modest Mussorgsky
Pictures At An Exhibition: The Market-pl...
106 bpm • D# Maj • 01:29 • -18.76db
34% Popularity • 55% Danceability • 29% Energy • 61% Liveness
95% Instrumentalness • 47% Positiveness
34% Popularity • 55% Danceability • 29% Energy • 61% Liveness
95% Instrumentalness • 47% Positiveness
► Preview
Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: III. ...
105 bpm • D Maj • 08:27 • -19.29db
41% Popularity • 33% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
41% Popularity • 33% Danceability • 21% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
► Preview
Jacques Offenbach
Les contes d'Hoffmann (The Tales of Hoff...
93 bpm • G Maj • 02:12 • -18db
46% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
46% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
► Preview
Claude Debussy
Petite suite: I. En bateau (arr. H. Buss...
93 bpm • G Maj • 03:47 • -30.82db
54% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
54% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
► Preview
Richard Strauss
4 Letzte Lieder, TrV 296: No. 4, Im Aben...
105 bpm • A# Maj • 07:41 • -25db
20% Popularity • 15% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
20% Popularity • 15% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: II. Variatio...
92 bpm • F Maj • 05:23 • -22db
26% Popularity • 14% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
26% Popularity • 14% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Hector Berlioz
La Damnation de Faust, Op. 24, H. 111, P...
92 bpm • A Maj • 04:53 • -20db
16% Popularity • 36% Danceability • 14% Energy • 6% Liveness
76% Instrumentalness • 39% Positiveness
16% Popularity • 36% Danceability • 14% Energy • 6% Liveness
76% Instrumentalness • 39% Positiveness
► Preview
Sergei Rachmaninoff
The Flight of the Bumblebee
92 bpm • D min • 01:13 • -28db
44% Popularity • 40% Danceability • 17% Energy • 26% Liveness
90% Instrumentalness • 18% Positiveness
44% Popularity • 40% Danceability • 17% Energy • 26% Liveness
90% Instrumentalness • 18% Positiveness
► Preview
Gabriel Fauré
Pelléas et Mélisande, Op. 80: 4. Sicil...
92 bpm • G min • 04:04 • -30.09db
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
► Preview
Claude Debussy
Nocturnes, CD 98: III. Sirènes
93 bpm • F# Maj • 09:47 • -24.89db
20% Popularity • 11% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
20% Popularity • 11% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Hugo von Hofmannsthal
Elektra: Xx. Orest!
106 bpm • G# Maj • 06:29 • -18.99db
1% Popularity • 15% Danceability • 16% Energy • 37% Liveness
55% Instrumentalness • 3% Positiveness
1% Popularity • 15% Danceability • 16% Energy • 37% Liveness
55% Instrumentalness • 3% Positiveness
► Preview
Richard Strauss
Stimmungsbilder Op. 9, TrV 128: III. Int...
93 bpm • A Maj • 03:48 • -24.91db
5% Popularity • 23% Danceability • 12% Energy • 8% Liveness
87% Instrumentalness • 15% Positiveness
5% Popularity • 23% Danceability • 12% Energy • 8% Liveness
87% Instrumentalness • 15% Positiveness
► Preview
Joseph Haydn
String Quartet No. 62 in C Major, Op. 76...
106 bpm • G Maj • 07:42 • -28db
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
49% Popularity • 16% Danceability • 4% Energy • 16% Liveness
76% Instrumentalness • 11% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Lohengrin: Prelude to Act 3
92 bpm • G Maj • 02:58 • -16db
5% Popularity • 20% Danceability • 27% Energy • 35% Liveness
97% Instrumentalness • 12% Positiveness
5% Popularity • 20% Danceability • 27% Energy • 35% Liveness
97% Instrumentalness • 12% Positiveness
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Maurice Ravel
Daphnis et Chloé, M. 57 / Première par...
92 bpm • B min • 03:21 • -23.3db
28% Popularity • 11% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
28% Popularity • 11% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 1 i...
106 bpm • G Maj • 04:25 • -12.98db
31% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
31% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
92 bpm • E Maj • 07:05 • -20.75db
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
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Alexander Glazunov
Raymonda, Act III: Variation 3
106 bpm • E Maj • 01:26 • -33.12db
44% Popularity • 28% Danceability • 2% Energy • 6% Liveness
59% Instrumentalness • 22% Positiveness
44% Popularity • 28% Danceability • 2% Energy • 6% Liveness
59% Instrumentalness • 22% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: I. Boisterous Bo...
106 bpm • A min • 03:29 • -16.75db
22% Popularity • 40% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 33% Positiveness
22% Popularity • 40% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 33% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Piano Concerto No. 2 in G ...
106 bpm • G min • 06:37 • -15db
23% Popularity • 36% Danceability • 31% Energy • 6% Liveness
89% Instrumentalness • 25% Positiveness
23% Popularity • 36% Danceability • 31% Energy • 6% Liveness
89% Instrumentalness • 25% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH. 5 / Act I: In...
107 bpm • G min • 02:31 • -21.34db
27% Popularity • 20% Danceability • 9% Energy • 8% Liveness
72% Instrumentalness • 5% Positiveness
27% Popularity • 20% Danceability • 9% Energy • 8% Liveness
72% Instrumentalness • 5% Positiveness
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Richard Strauss
Strauss, R: 8 Gedichte aus "Letzte Blät...
92 bpm • G Maj • 02:52 • -22db
19% Popularity • 31% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 31% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Hugo von Hofmannsthal
Elektra: Xix. Elektra! Elektra!
107 bpm • F min • 01:44 • -18.46db
1% Popularity • 25% Danceability • 28% Energy • 55% Liveness
8% Instrumentalness • 31% Positiveness
1% Popularity • 25% Danceability • 28% Energy • 55% Liveness
8% Instrumentalness • 31% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: II. Sch...
107 bpm • F Maj • 04:47 • -22db
26% Popularity • 28% Danceability • 13% Energy • 6% Liveness
93% Instrumentalness • 23% Positiveness
26% Popularity • 28% Danceability • 13% Energy • 6% Liveness
93% Instrumentalness • 23% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: The Fi...
108 bpm • C Maj • 02:32 • -14.51db
28% Popularity • 41% Danceability • 42% Energy • 7% Liveness
88% Instrumentalness • 27% Positiveness
28% Popularity • 41% Danceability • 42% Energy • 7% Liveness
88% Instrumentalness • 27% Positiveness
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Maurice Ravel
Ravel: La Valse, M. 72
108 bpm • E min • 12:27 • -20db
22% Popularity • 25% Danceability • 17% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
22% Popularity • 25% Danceability • 17% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: II. Ceremonial D...
108 bpm • C# Maj • 01:33 • -21db
32% Popularity • 45% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
32% Popularity • 45% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Richard Strauss
Strauss, R: 5 Lieder, Op. 48: No. 4, Win...
91 bpm • A# Maj • 03:23 • -24.69db
12% Popularity • 28% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 28% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Divertimento: V: Turkey Trot: Allegretto...
91 bpm • C Maj • 01:44 • -28.51db
32% Popularity • 46% Danceability • 3% Energy • 5% Liveness
2% Instrumentalness • 59% Positiveness
32% Popularity • 46% Danceability • 3% Energy • 5% Liveness
2% Instrumentalness • 59% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Mod...
108 bpm • A Maj • 01:15 • -19db
38% Popularity • 20% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
38% Popularity • 20% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. M. Rave...
108 bpm • D# Maj • 03:51 • -32.69db
15% Popularity • 16% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
91 bpm • G Maj • 07:43 • -21.41db
46% Popularity • 36% Danceability • 7% Energy • 5% Liveness
35% Instrumentalness • 26% Positiveness
46% Popularity • 36% Danceability • 7% Energy • 5% Liveness
35% Instrumentalness • 26% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
91 bpm • G min • 01:25 • -35db
41% Popularity • 14% Danceability • 1% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
41% Popularity • 14% Danceability • 1% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
Strauss, R: Don Quixote, Op. 35: Variati...
91 bpm • D# Maj • 02:26 • -19.96db
3% Popularity • 24% Danceability • 24% Energy • 32% Liveness
86% Instrumentalness • 7% Positiveness
3% Popularity • 24% Danceability • 24% Energy • 32% Liveness
86% Instrumentalness • 7% Positiveness
► Preview
Frederick Delius
3 Small Tone Poems: No. 1. Summer Evenin...
90 bpm • D Maj • 06:17 • -24db
33% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
33% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
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Ernest Chausson
Poème de l'amour et de la mer, Op. 19: ...
108 bpm • G# Maj • 02:17 • -29.6db
23% Popularity • 16% Danceability • 1% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 1% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Khovanshchina: Overture (Prelude)
90 bpm • C# Maj • 06:03 • -36db
17% Popularity • 10% Danceability • 0% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 0% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
