Songs like Eine nach der anderen by Johannes Heesters
Based on a tempo of (+/- 10%) and a similar genre
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Johannes Heesters
Es kommt auf die Sekunde an
77 bpm • F# Maj • 02:26 • -14.33db
0% Popularity • 51% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 51% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Willy Schneider
Vor meinem Vaterhaus steht eine Linde
77 bpm • G# Maj • 03:09 • -10db
13% Popularity • 34% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 34% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Trude Herr
Französisch sprechen kann ich fast gar ...
77 bpm • A# Maj • 02:19 • -11db
12% Popularity • 42% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 42% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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Mona Baptiste
Es liegt was in der Luft
77 bpm • G# Maj • 03:24 • -12.09db
2% Popularity • 77% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
2% Popularity • 77% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Rita Paul
Spiel mir eine alte Melodie (Play A Simp...
77 bpm • F Maj • 02:35 • -11db
18% Popularity • 64% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 64% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Willi Forst
Sag' beim Abschied leise Servus
78 bpm • G Maj • 03:10 • -16db
10% Popularity • 30% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 30% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Michael Jary
J'attendrai (Komm zurück nach Berlin)
76 bpm • G# Maj • 02:44 • -14.07db
16% Popularity • 42% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 45% Positiveness
16% Popularity • 42% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 45% Positiveness
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Gerhard Winkler
Die ideale Geliebte, Act I: Dialog 5
78 bpm • G Maj • 01:04 • -18.93db
1% Popularity • 65% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
1% Popularity • 65% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Wilhelm Strienz
Heimat, Deine Sterne
78 bpm • F Maj • 03:16 • -16db
12% Popularity • 28% Danceability • 21% Energy • 14% Liveness
12% Instrumentalness • 36% Positiveness
12% Popularity • 28% Danceability • 21% Energy • 14% Liveness
12% Instrumentalness • 36% Positiveness
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Fred Raymond
Ja, das Temp'rament
76 bpm • A# Maj • 02:36 • -18db
10% Popularity • 59% Danceability • 32% Energy • 66% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 59% Danceability • 32% Energy • 66% Liveness
0% Instrumentalness • 71% Positiveness
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Franz Grothe
Hab mich lieb: Komm, und gib' mir deine ...
78 bpm • G Maj • 02:55 • -14.54db
8% Popularity • 43% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 43% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Willi Forst
Du hast Glück bei den Frau'n Bel Ami
78 bpm • D# Maj • 02:45 • -14db
20% Popularity • 59% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 59% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Lizzi Waldmüller
Das macht die Berliner Luft
76 bpm • D# Maj • 02:29 • -9db
14% Popularity • 44% Danceability • 50% Energy • 16% Liveness
2% Instrumentalness • 86% Positiveness
14% Popularity • 44% Danceability • 50% Energy • 16% Liveness
2% Instrumentalness • 86% Positiveness
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Gerhard Winkler
Die ideale Geliebte, Act II: "Eine Nacht...
76 bpm • G# Maj • 00:58 • -18.36db
0% Popularity • 70% Danceability • 33% Energy • 13% Liveness
2% Instrumentalness • 48% Positiveness
0% Popularity • 70% Danceability • 33% Energy • 13% Liveness
2% Instrumentalness • 48% Positiveness
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Lys Assia
Mamatschi (Schenk mir ein Pferdchen)
79 bpm • F Maj • 03:29 • -8.76db
12% Popularity • 39% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 39% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Johannes Heesters
Eine nach der andern
76 bpm • C Maj • 03:51 • -15.9db
0% Popularity • 59% Danceability • 13% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 59% Danceability • 13% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Hans Moser
Die Reblaus
79 bpm • D# Maj • 03:06 • -18.2db
13% Popularity • 52% Danceability • 19% Energy • 27% Liveness
3% Instrumentalness • 47% Positiveness
13% Popularity • 52% Danceability • 19% Energy • 27% Liveness
3% Instrumentalness • 47% Positiveness
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Paul Hörbiger
Stell Dir Vor, Es Geht Das Licht Aus
75 bpm • A# Maj • 02:42 • -10db
16% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Ralph Benatzky
Im weißen Rössl am Wolfgangsee
79 bpm • G Maj • 02:43 • -10db
13% Popularity • 36% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 36% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Günter Kallmann Chor
Toselli-Serenade
75 bpm • C Maj • 02:13 • -13.26db
11% Popularity • 40% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 40% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Jacqueline Boyer
Mitsou
79 bpm • D min • 03:15 • -12.95db
20% Popularity • 36% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 36% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Conny Froboess
Midi-Midinette
75 bpm • F# Maj • 03:01 • -14.9db
27% Popularity • 54% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 54% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
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Willy Schneider
Man müsste nochmal zwanzig sein
79 bpm • C# Maj • 04:21 • -11db
13% Popularity • 35% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 35% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Franz Lehár
Der Graf von Luxemburg (The Count of Lux...
74 bpm • C Maj • 03:48 • -20.56db
0% Popularity • 51% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 51% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Camillo Felgen
Ich hab' Ehrfurcht vor schneeweißen Haa...
79 bpm • C Maj • 03:27 • -13db
14% Popularity • 32% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 32% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
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Johannes Heesters
Liebling, was wird nun aus uns beiden
80 bpm • G# Maj • 02:08 • -11db
10% Popularity • 43% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 43% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Robert Stolz
Zwei Herzen im Dreivierteltakt: Zwei Her...
80 bpm • C Maj • 02:14 • -15db
13% Popularity • 35% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 35% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Gerhard Winkler
Chianti-Lied (Ja, ja, der Chiantiwein)
74 bpm • G Maj • 03:10 • -15.94db
9% Popularity • 38% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 38% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Joseph Schmidt
Zigeunerlied
80 bpm • D Maj • 04:06 • -12db
7% Popularity • 30% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
7% Popularity • 30% Danceability • 27% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Gerd Böttcher
Oh, Billy Billy Black
73 bpm • G Maj • 02:10 • -14db
8% Popularity • 62% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 62% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Lizzi Waldmoeller
Du hast Gluck bei den Frau'n Bel Ami
74 bpm • D# Maj • 03:09 • -8.62db
11% Popularity • 54% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 54% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Gerhard Wendland
Bei uns in Laramie
81 bpm • C Maj • 02:25 • -8.17db
12% Popularity • 52% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 52% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Ralph Benatzky
Im weißen Rössl · Operette in 3 Akten...
81 bpm • F Maj • 04:52 • -16.55db
8% Popularity • 46% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 46% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Marlene Dietrich
Die Kleptomanen
81 bpm • C min • 01:21 • -12.42db
10% Popularity • 62% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 62% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
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Lale Andersen
Spiel mir eine alte Melodie
81 bpm • G Maj • 02:44 • -6.6db
16% Popularity • 60% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 60% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Ralf Bendix
Sie hiess Mary Ann
73 bpm • A Maj • 02:38 • -9db
17% Popularity • 65% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 65% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Hans Moser
I marschier mit mein Duli-Dulieh
82 bpm • G Maj • 02:34 • -10db
10% Popularity • 44% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 44% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Gerhard Wendland
Zwei Matrosen aus Shanghai
73 bpm • C Maj • 03:02 • -8db
11% Popularity • 61% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 61% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Lys Assia
O mein Papa
82 bpm • E Maj • 03:08 • -10.31db
13% Popularity • 37% Danceability • 23% Energy • 44% Liveness
6% Instrumentalness • 36% Positiveness
13% Popularity • 37% Danceability • 23% Energy • 44% Liveness
6% Instrumentalness • 36% Positiveness
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Végh Quartet
String Quartet In D Major, Op. 18 No. 3 ...
83 bpm • C min • 02:46 • -12db
12% Popularity • 64% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 89% Positiveness
12% Popularity • 64% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 89% Positiveness
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Lale Andersen
Blaue Nacht am Hafen
82 bpm • D# Maj • 02:23 • -12db
28% Popularity • 39% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 39% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Heidi Brühl
Chico-Chico-Charly
83 bpm • C# min • 02:38 • -2db
9% Popularity • 70% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 70% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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Fred Bertelmann
Arrivederci Roma
83 bpm • A# Maj • 02:40 • -5db
17% Popularity • 59% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 59% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Zarah Leander
Kann Denn Liebe Sünde Sein - Original
83 bpm • E min • 03:04 • -17.82db
1% Popularity • 56% Danceability • 17% Energy • 34% Liveness
32% Instrumentalness • 50% Positiveness
1% Popularity • 56% Danceability • 17% Energy • 34% Liveness
32% Instrumentalness • 50% Positiveness
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Willy Schneider
Alle Tage Ist Kein Sonntag
83 bpm • G# Maj • 03:03 • -13db
10% Popularity • 20% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
10% Popularity • 20% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
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Otto Reutter
Der Ãœberzieher - Original 1925 Remaster...
84 bpm • D# Maj • 03:20 • -11.24db
10% Popularity • 63% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 63% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Lale Andersen
Wenn du heimkommst
72 bpm • C# Maj • 02:36 • -11.59db
15% Popularity • 33% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 33% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Heidi Brühl
Chico Chico Charlie
83 bpm • B Maj • 02:41 • -6db
9% Popularity • 75% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 75% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Greta Keller
In einem kleinen Nachtlokal
84 bpm • G min • 03:31 • -14db
10% Popularity • 38% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 38% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Zarah Leander
Kann denn Liebe Sünde sein
84 bpm • G Maj • 03:00 • -16db
29% Popularity • 56% Danceability • 18% Energy • 41% Liveness
43% Instrumentalness • 57% Positiveness
29% Popularity • 56% Danceability • 18% Energy • 41% Liveness
43% Instrumentalness • 57% Positiveness
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Willy Schneider
Schütt' die Sorgen in ein Gläschen Wei...
84 bpm • A# Maj • 03:08 • -10.4db
14% Popularity • 34% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 34% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
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Johannes Heesters
Ein Glück, dass man sich so verlieben k...
85 bpm • A# Maj • 03:09 • -11.17db
0% Popularity • 28% Danceability • 31% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 28% Danceability • 31% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
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Lale Andersen
Unter einem Regenschirm am Abend
84 bpm • G# Maj • 03:15 • -11.34db
10% Popularity • 41% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 41% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Sacha Distel
Adios amigo - Remastered
85 bpm • A# Maj • 02:21 • -11.52db
23% Popularity • 41% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 41% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Südfunk Tanzorchester
Meine Schwester und ich: Act I - " Warum...
85 bpm • F Maj • 01:09 • -16.78db
2% Popularity • 48% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 63% Positiveness
2% Popularity • 48% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 63% Positiveness
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Zarah Leander
Ich Weiß, Es Wird Einmal Ein Wunder Ges...
85 bpm • C# min • 03:29 • -9db
8% Popularity • 27% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 27% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
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Paul Kuhn
Cara-Caramel Chocolat
85 bpm • F min • 02:42 • -8db
10% Popularity • 61% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 61% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Willy Schneider
Mutterl Unterm Dach ist Ein Nesterl Geba...
71 bpm • F Maj • 03:26 • -11db
8% Popularity • 35% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 35% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Lale Andersen
Lili Marleen
84 bpm • A Maj • 02:53 • -7db
37% Popularity • 48% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
37% Popularity • 48% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Johannes Heesters
Über die Prärie (Indian Love Call)
85 bpm • F# Maj • 03:15 • -8.71db
0% Popularity • 19% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 19% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Claire Waldoff
Wegen Emil seine unanstaendg e Lust
69 bpm • D Maj • 02:50 • -11.95db
19% Popularity • 67% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 67% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Zarah Leander
Kann denn Liebe Sünde sein?
85 bpm • G Maj • 03:02 • -16.71db
17% Popularity • 62% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 62% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Bärbel Wachholz
Sole, Sole
86 bpm • D# Maj • 02:54 • -7db
8% Popularity • 61% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 61% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Gerhard Winkler
Die ideale Geliebte, Vorspiel: Einleitun...
69 bpm • D Maj • 01:05 • -14.8db
1% Popularity • 50% Danceability • 60% Energy • 42% Liveness
2% Instrumentalness • 17% Positiveness
1% Popularity • 50% Danceability • 60% Energy • 42% Liveness
2% Instrumentalness • 17% Positiveness
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Heidi Brühl
Wir wollen niemals auseinandergehn
86 bpm • A# Maj • 03:00 • -8db
26% Popularity • 36% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 36% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Johannes Heesters
Jede Frau hat ein süßes Geheimnis
86 bpm • C# Maj • 03:11 • -11.35db
0% Popularity • 25% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 25% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Lolita
Der weiße Mond von Maratonga
86 bpm • G Maj • 02:34 • -15db
23% Popularity • 50% Danceability • 17% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 50% Danceability • 17% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
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Zarah Leander
Von der Puszta will ich träumen
70 bpm • E min • 03:08 • -13.8db
14% Popularity • 28% Danceability • 18% Energy • 9% Liveness
5% Instrumentalness • 18% Positiveness
14% Popularity • 28% Danceability • 18% Energy • 9% Liveness
5% Instrumentalness • 18% Positiveness
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Végh Quartet
String Quartet In C Minor, Op. 18 No. 4 ...
86 bpm • G# Maj • 02:08 • -11.15db
0% Popularity • 50% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
0% Popularity • 50% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Gerhard Wendland
Du fehlst mir so sehr
86 bpm • G# Maj • 02:36 • -12db
14% Popularity • 32% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 32% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Hans Moser
Mei Naserl ist so rot, weil ich so blau ...
87 bpm • D# Maj • 02:56 • -11.56db
12% Popularity • 44% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 44% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Johannes Heesters
Es kommt auf die Sekunde an
86 bpm • F# Maj • 02:29 • -12.21db
0% Popularity • 50% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 50% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Claire Waldoff
Wer schmeisst denn da mit Lehm
87 bpm • F Maj • 03:14 • -10db
19% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Zarah Leander
Eine Frau wird erst schön durch die Lie...
86 bpm • A# Maj • 02:47 • -10.3db
17% Popularity • 43% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 43% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Rudolf Schock
Du bist die Welt für mich
87 bpm • E Maj • 03:53 • -11.22db
12% Popularity • 20% Danceability • 30% Energy • 37% Liveness
1% Instrumentalness • 14% Positiveness
12% Popularity • 20% Danceability • 30% Energy • 37% Liveness
1% Instrumentalness • 14% Positiveness
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Lys Assia
Wenn die Glocken hell erklingen
87 bpm • F Maj • 03:28 • -6.48db
12% Popularity • 34% Danceability • 40% Energy • 42% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 34% Danceability • 40% Energy • 42% Liveness
0% Instrumentalness • 39% Positiveness
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Richard Tauber
Dein ist mein ganzes Herz
68 bpm • C# Maj • 03:16 • -11db
16% Popularity • 21% Danceability • 40% Energy • 13% Liveness
8% Instrumentalness • 29% Positiveness
16% Popularity • 21% Danceability • 40% Energy • 13% Liveness
8% Instrumentalness • 29% Positiveness
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Johannes Heesters
Du hast mich noch nie so geküsst
87 bpm • E Maj • 02:56 • -9.53db
3% Popularity • 42% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
3% Popularity • 42% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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René Carol
Bella, Bella, Donna
87 bpm • D Maj • 03:33 • -6db
13% Popularity • 59% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 59% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Heinz Conrads
Ich trag‘ im Herzen drin
88 bpm • C# Maj • 03:22 • -10db
10% Popularity • 36% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 36% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
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Zarah Leander
Der Wind Hat Mir Ein Lied Erzählt
67 bpm • A# Maj • 03:39 • -21db
2% Popularity • 37% Danceability • 13% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
2% Popularity • 37% Danceability • 13% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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Lys Assia
Deine Liebe (True Love)
89 bpm • D Maj • 03:04 • -10.56db
9% Popularity • 27% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 27% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
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Martin Frank
Arie 'Dunkelrote Rosen' aus 'Gasparone' ...
89 bpm • C Maj • 02:30 • -10.23db
15% Popularity • 33% Danceability • 51% Energy • 85% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 33% Danceability • 51% Energy • 85% Liveness
0% Instrumentalness • 46% Positiveness
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Johannes Heesters
Liebling, was wird nun aus uns beiden
87 bpm • G# Maj • 02:07 • -14.93db
0% Popularity • 51% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 51% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Paul Kuhn
Der Mann am Klavier
90 bpm • G Maj • 02:06 • -10db
28% Popularity • 70% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 70% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Willi Forst
Ja, wenn das Wörtchen "wenn" nicht wär
90 bpm • E Maj • 03:04 • -14.79db
9% Popularity • 52% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 52% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Gerhard Winkler
Die ideale Geliebte, Act II: Dialog 10
90 bpm • F# Maj • 01:28 • -12.55db
1% Popularity • 66% Danceability • 56% Energy • 50% Liveness
18% Instrumentalness • 90% Positiveness
1% Popularity • 66% Danceability • 56% Energy • 50% Liveness
18% Instrumentalness • 90% Positiveness
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Jimmy Makulis
Sieben Berge - sieben Täler
90 bpm • A# Maj • 02:35 • -8.07db
9% Popularity • 52% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 52% Danceability • 25% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
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Anneliese Rothenberger
La Le Lu
90 bpm • F Maj • 03:34 • -9db
14% Popularity • 26% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 26% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Johannes Heesters
Bist du's, lachendes Glück?
88 bpm • G Maj • 04:26 • -11.61db
0% Popularity • 22% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 22% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Harald Juhnke
Straßen von Berlin (Strangers In The Ni...
90 bpm • C Maj • 02:55 • -9.78db
15% Popularity • 48% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 48% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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Peter Göller
Anatevka (Anatevka)
90 bpm • C Maj • 03:01 • -23.06db
9% Popularity • 47% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 47% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Illo Schieder
Sieben einsame Tage
90 bpm • C# Maj • 02:07 • -10.3db
16% Popularity • 69% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 69% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Willy Schneider
Keiner nimmt was mit
90 bpm • A# Maj • 03:20 • -9.57db
9% Popularity • 46% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 46% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
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Lilian Harvey
Irgendwo auf der Welt
91 bpm • D Maj • 03:10 • -11db
16% Popularity • 45% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 45% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Lale Andersen
Im roten Licht der Hafenbar
91 bpm • G min • 01:57 • -11db
21% Popularity • 50% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 50% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Johannes Heesters
Wenn ich nochmal so alles überdenke
91 bpm • G Maj • 03:15 • -11.99db
1% Popularity • 45% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
1% Popularity • 45% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Joseph Schmidt
Ein Lied Geht Um die Welt
91 bpm • D# Maj • 02:40 • -8db
20% Popularity • 46% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 46% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
