Songs like Either Way, I'll Break Your Heart Someday by Augustana
Based on a tempo of (+/- 10%) and a similar genre
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Between The Trees
Spain
130 bpm • G Maj • 03:53 • -2.56db
20% Popularity • 50% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 50% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Matchbox Twenty
Parade
130 bpm • C Maj • 04:11 • -4.43db
45% Popularity • 54% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 54% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
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The Spill Canvas
As Long as It Takes
130 bpm • C Maj • 03:23 • -3.64db
20% Popularity • 50% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
20% Popularity • 50% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Schuyler Fisk
Hello
130 bpm • A Maj • 04:18 • -6.79db
21% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Jason Reeves
Photographs & Memories.
130 bpm • G Maj • 05:27 • -9.47db
25% Popularity • 60% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 60% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Camera Can't Lie
Days & Days - EP Version
130 bpm • C Maj • 03:58 • -10.2db
9% Popularity • 51% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 51% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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Augustana
Either Way, I'll Break Your Heart Someda...
130 bpm • D Maj • 04:10 • -4.91db
21% Popularity • 44% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 44% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Wakey!Wakey!
Dance So Good (Full Band Version)
130 bpm • G Maj • 02:32 • -7.22db
13% Popularity • 43% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 43% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Something Corporate
Globes & Maps
131 bpm • C Maj • 04:48 • -8.22db
25% Popularity • 46% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 46% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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My Favorite Highway
Steel City
130 bpm • G Maj • 05:04 • -9db
12% Popularity • 37% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 37% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Tom Freund
Can't Cry Hard Enough
128 bpm • C Maj • 03:28 • -12db
7% Popularity • 49% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
7% Popularity • 49% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Schuyler Fisk
From Where I'm Standing
132 bpm • D Maj • 03:32 • -5.59db
29% Popularity • 60% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 60% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Third Eye Blind
Sharp Knife
128 bpm • A Maj • 04:28 • -5.56db
30% Popularity • 34% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 34% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
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Scars On 45
Heart on Fire
132 bpm • C# Maj • 03:39 • -7.51db
24% Popularity • 57% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 57% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Stephen Kellogg and The Sixers
Roots And Wings
128 bpm • G Maj • 04:05 • -5.95db
13% Popularity • 55% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
13% Popularity • 55% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Thriving Ivory
Twilight
128 bpm • C# Maj • 03:22 • -3.27db
31% Popularity • 48% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 48% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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The Format
The First Single (You Know Me)
128 bpm • A Maj • 04:24 • -5db
42% Popularity • 57% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
42% Popularity • 57% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Joshua Radin
These Photographs
128 bpm • F Maj • 03:25 • -12db
29% Popularity • 69% Danceability • 42% Energy • 32% Liveness
49% Instrumentalness • 89% Positiveness
29% Popularity • 69% Danceability • 42% Energy • 32% Liveness
49% Instrumentalness • 89% Positiveness
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Augustana
Twenty Years
133 bpm • D# Maj • 04:26 • -6db
34% Popularity • 39% Danceability • 41% Energy • 11% Liveness
2% Instrumentalness • 28% Positiveness
34% Popularity • 39% Danceability • 41% Energy • 11% Liveness
2% Instrumentalness • 28% Positiveness
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Nine Days
Revolve
133 bpm • G Maj • 03:54 • -3.15db
19% Popularity • 45% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 45% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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The New Amsterdams
Hanging On for Hope
133 bpm • E Maj • 03:20 • -6.26db
20% Popularity • 58% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 58% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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The Honorary Title
Radiate
133 bpm • F Maj • 03:00 • -5.27db
13% Popularity • 46% Danceability • 81% Energy • 18% Liveness
1% Instrumentalness • 29% Positiveness
13% Popularity • 46% Danceability • 81% Energy • 18% Liveness
1% Instrumentalness • 29% Positiveness
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The Format
The First Single
127 bpm • E Maj • 04:26 • -4db
27% Popularity • 58% Danceability • 95% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
27% Popularity • 58% Danceability • 95% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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Butch Walker and The Black Widows
Be Good Until Then
133 bpm • F# Maj • 04:06 • -12.09db
12% Popularity • 53% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 53% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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The Canvas Waiting
An Island Now
127 bpm • E Maj • 04:10 • -7.42db
15% Popularity • 43% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 43% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Ross Copperman
Found You
133 bpm • E Maj • 03:55 • -4.96db
20% Popularity • 43% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 43% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Josiah Leming
To Run - EP Version
134 bpm • A# Maj • 03:39 • -9.87db
12% Popularity • 33% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 33% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Augustana
The Distance
134 bpm • G Maj • 04:00 • -7.15db
28% Popularity • 60% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 60% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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The Format
Tune Out
127 bpm • A# Maj • 03:31 • -6db
32% Popularity • 66% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 66% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Emerson Hart
Run To
134 bpm • C Maj • 03:17 • -4.25db
13% Popularity • 55% Danceability • 91% Energy • 43% Liveness
55% Instrumentalness • 63% Positiveness
13% Popularity • 55% Danceability • 91% Energy • 43% Liveness
55% Instrumentalness • 63% Positiveness
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Evan And Jaron
Through The Blue
134 bpm • B Maj • 04:33 • -4.1db
11% Popularity • 52% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 52% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Patrick Park
You Were Always the One
134 bpm • E Maj • 03:23 • -8.32db
10% Popularity • 47% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 47% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Lovedrug
Girl
126 bpm • G Maj • 03:49 • -9.71db
17% Popularity • 50% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 50% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Augustana
Feel Fine
134 bpm • D Maj • 03:45 • -4.13db
19% Popularity • 49% Danceability • 91% Energy • 33% Liveness
16% Instrumentalness • 44% Positiveness
19% Popularity • 49% Danceability • 91% Energy • 33% Liveness
16% Instrumentalness • 44% Positiveness
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Thriving Ivory
Long Hallway With A Broken Light
135 bpm • D Maj • 04:51 • -4.06db
20% Popularity • 51% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 51% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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The Format
Tie the Rope
133 bpm • C Maj • 03:19 • -5.05db
30% Popularity • 56% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 56% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
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Black Gold
Plans & Reveries
135 bpm • A min • 04:44 • -5.82db
10% Popularity • 56% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 56% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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The Spill Canvas
All over You - Acoustic
135 bpm • A# min • 03:06 • -5.68db
23% Popularity • 63% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 63% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Graham Colton
You Find a Way
135 bpm • B min • 04:09 • -3.33db
27% Popularity • 53% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 53% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Between The Trees
Story of a Boy
135 bpm • B Maj • 04:19 • -3.42db
12% Popularity • 46% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 46% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Wakey!Wakey!
Great Lake Love
135 bpm • C Maj • 02:51 • -8db
8% Popularity • 60% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 60% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Matchbox Twenty
Can't Let You Go
125 bpm • G Maj • 03:28 • -5.07db
24% Popularity • 53% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 53% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Emerson Hart
Flyin'
125 bpm • D Maj • 04:03 • -6.46db
15% Popularity • 62% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 62% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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The Airborne Toxic Event
Half Of Something Else
135 bpm • A Maj • 04:38 • -5.42db
31% Popularity • 37% Danceability • 64% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
31% Popularity • 37% Danceability • 64% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
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We Shot The Moon
Woke Her Up
125 bpm • D# Maj • 03:07 • -5.72db
14% Popularity • 60% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 60% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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The Format
Tune Out - Acoustic
125 bpm • B Maj • 03:17 • -13.93db
9% Popularity • 66% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 66% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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The Icarus Account
Yellow Shirt
124 bpm • D Maj • 03:28 • -7.35db
21% Popularity • 68% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 68% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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The Honorary Title
Far More
136 bpm • C Maj • 04:34 • -7db
32% Popularity • 48% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
32% Popularity • 48% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Rob Thomas
Someday
136 bpm • A# Maj • 04:07 • -6db
51% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Augustana
Bullets
136 bpm • A# Maj • 03:11 • -4db
26% Popularity • 49% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 49% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Graham Colton
If Love Was Enough
136 bpm • G Maj • 03:51 • -5.89db
27% Popularity • 53% Danceability • 62% Energy • 54% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 53% Danceability • 62% Energy • 54% Liveness
0% Instrumentalness • 31% Positiveness
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Scars On 45
Two Way Radio
136 bpm • E min • 04:03 • -6.29db
8% Popularity • 57% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 57% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Matt Hires
The Sound of Falling in Love
136 bpm • C Maj • 03:59 • -2.74db
10% Popularity • 56% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 56% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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The Scene Aesthetic
Never Gonna Let This Go
136 bpm • A Maj • 04:09 • -4.19db
7% Popularity • 70% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
7% Popularity • 70% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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The Last Goodnight
When It All Comes Down
124 bpm • B Maj • 02:59 • -4.15db
10% Popularity • 63% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 63% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Augustana
Meet You There
136 bpm • F min • 03:14 • -4db
23% Popularity • 50% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 50% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Cartel
The Minstrel's Prayer
136 bpm • C# Maj • 04:38 • -8db
30% Popularity • 51% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 51% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Graham Colton
Always in Love
136 bpm • B min • 04:03 • -3.87db
23% Popularity • 47% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 47% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Jason Reeves
Truth
124 bpm • A# Maj • 05:42 • -7.38db
10% Popularity • 49% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 49% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Brendan James
Windblown
124 bpm • A Maj • 03:14 • -7db
15% Popularity • 63% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 63% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Matt Duke
Sex and Reruns
124 bpm • G# Maj • 03:39 • -6.41db
11% Popularity • 91% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 91% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Augustana
Climb
124 bpm • G min • 03:56 • -9.25db
19% Popularity • 57% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 57% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Guster
Careful
136 bpm • B Maj • 03:42 • -7.73db
42% Popularity • 59% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
42% Popularity • 59% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Wakey!Wakey!
Take It Like A Man
124 bpm • D Maj • 03:28 • -6.11db
12% Popularity • 40% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 40% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Jason Reeves
Just Friends.
124 bpm • F Maj • 03:43 • -6.28db
14% Popularity • 62% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 62% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Gabe Dixon
Disappear
124 bpm • A Maj • 04:56 • -7.47db
21% Popularity • 52% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 52% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Thriving Ivory
Alien
137 bpm • C# Maj • 03:59 • -3.48db
29% Popularity • 43% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 43% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Augustana
Coffee and Cigarettes
137 bpm • G Maj • 04:02 • -11.64db
30% Popularity • 39% Danceability • 29% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
30% Popularity • 39% Danceability • 29% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
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Deas Vail
White Lights
137 bpm • C Maj • 03:35 • -3.69db
13% Popularity • 47% Danceability • 94% Energy • 42% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 47% Danceability • 94% Energy • 42% Liveness
0% Instrumentalness • 33% Positiveness
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Straylight Run
The Words We Say
137 bpm • A Maj • 03:24 • -7.02db
15% Popularity • 67% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 67% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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The Damnwells
Kiss Catastrophe
123 bpm • G# min • 03:26 • -4.32db
13% Popularity • 36% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 36% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Scars On 45
The Way That We Are
138 bpm • A# Maj • 04:36 • -4.23db
8% Popularity • 41% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 41% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Graham Colton
Forget About You
138 bpm • E Maj • 03:59 • -3.81db
22% Popularity • 43% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 43% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Augustana
Lonely People
137 bpm • G min • 03:48 • -4.73db
20% Popularity • 48% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 48% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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The Classic Crime
When The Time Comes
138 bpm • B Maj • 03:49 • -6.93db
12% Popularity • 51% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 51% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Straylight Run
Your Name Here (Sunrise Highway)
138 bpm • G Maj • 05:06 • -7.24db
23% Popularity • 53% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 53% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Thriving Ivory
Run
122 bpm • B Maj • 04:22 • -3.16db
20% Popularity • 45% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 45% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Scars On 45
Warning Sign
138 bpm • F# min • 04:02 • -5.08db
10% Popularity • 53% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 53% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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The Morning Of
Tell Me I'm Wrong
122 bpm • D Maj • 03:36 • -5.93db
12% Popularity • 55% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 55% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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The Format
On Your Porch
122 bpm • C Maj • 05:11 • -10.79db
37% Popularity • 61% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 61% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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The Alternate Routes
Endless Conversation
122 bpm • C Maj • 03:30 • -4.01db
9% Popularity • 59% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 59% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Straylight Run
The Perfect Ending
138 bpm • D Maj • 04:53 • -10db
22% Popularity • 42% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
22% Popularity • 42% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Evan And Jaron
Another Mistake
122 bpm • C Maj • 03:24 • -3.13db
15% Popularity • 61% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 61% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Augustana
If I Fail Now
122 bpm • E Maj • 04:47 • -9.88db
29% Popularity • 51% Danceability • 46% Energy • 8% Liveness
22% Instrumentalness • 10% Positiveness
29% Popularity • 51% Danceability • 46% Energy • 8% Liveness
22% Instrumentalness • 10% Positiveness
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Andrew McMahon in the Wilderness
After the Fire
122 bpm • F# min • 03:26 • -7.04db
24% Popularity • 65% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 65% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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A Fine Frenzy
Come On, Come Out
122 bpm • C Maj • 03:35 • -5db
25% Popularity • 49% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 49% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Vanessa Carlton
Carousel
122 bpm • C Maj • 03:17 • -6.73db
25% Popularity • 52% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 52% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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Lovedrug
Pink Champagne
139 bpm • D Maj • 03:56 • -4.3db
21% Popularity • 44% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
21% Popularity • 44% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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We Shot The Moon
Sway Your Head
139 bpm • C Maj • 03:15 • -15db
14% Popularity • 56% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 56% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Stephen Kellogg and The Sixers
Keep Me In Your Thoughts
140 bpm • C# Maj • 03:29 • -9.14db
8% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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The Format
Dead End
121 bpm • C Maj • 04:08 • -4.89db
26% Popularity • 64% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 64% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
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Edwin McCain
Broke Down Hearted Wonderland
121 bpm • E Maj • 03:02 • -5db
16% Popularity • 64% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 64% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Andrew Belle
I'll Be Your Breeze
121 bpm • G Maj • 03:58 • -4.89db
26% Popularity • 58% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 58% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Jason Reeves
Pretty Eyes.
140 bpm • E Maj • 04:37 • -6.77db
9% Popularity • 38% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 38% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 20% Positiveness
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Augustana
Hear Your Name
140 bpm • C Maj • 03:23 • -4.92db
29% Popularity • 52% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 52% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Matt Hires
Restless Heart
140 bpm • D Maj • 03:20 • -4.64db
26% Popularity • 56% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 56% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Scars On 45
Give Me Something
140 bpm • F# min • 03:21 • -6.13db
17% Popularity • 53% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 53% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Thriving Ivory
Some Kind Of Home
121 bpm • A# Maj • 03:57 • -4db
29% Popularity • 43% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 43% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
