Songs like El Año Pasado por Agua: "Introducción y Coro" by Ricardo De La Vega
Based on a tempo of (+/- 10%) and a similar genre
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Ángeles Ottein
Yo no sé por qué estoy triste
92 bpm • D# Maj • 04:35 • -9db
7% Popularity • 42% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 42% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Rafael Sanchez Cestero
Altiva
92 bpm • G min • 04:11 • -12.76db
11% Popularity • 25% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 25% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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Ana Maria Iriarte
El Año Pasado por Agua: "Introducción ...
92 bpm • C Maj • 01:02 • -11.13db
11% Popularity • 62% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 62% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Genaro Dominguez
Jota de Alcañiz
92 bpm • A Maj • 03:23 • -8.05db
15% Popularity • 48% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 48% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Coros Cantores De Madrid
Una Morena y una Rubia: "Seguidillas"
92 bpm • A# Maj • 03:30 • -7.55db
17% Popularity • 46% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 46% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Felipe Campusanos Lopez
Las Golondrinas
92 bpm • C Maj • 04:11 • -24.97db
10% Popularity • 16% Danceability • 7% Energy • 12% Liveness
68% Instrumentalness • 16% Positiveness
10% Popularity • 16% Danceability • 7% Energy • 12% Liveness
68% Instrumentalness • 16% Positiveness
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Ricardo De La Vega
El Año Pasado por Agua: "Introducción ...
92 bpm • C Maj • 01:05 • -13.42db
1% Popularity • 57% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
1% Popularity • 57% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Johann Sebastian Strauss
Artists' Life Waltz / Kiss Waltz
91 bpm • C Maj • 00:49 • -17.22db
8% Popularity • 35% Danceability • 13% Energy • 51% Liveness
87% Instrumentalness • 53% Positiveness
8% Popularity • 35% Danceability • 13% Energy • 51% Liveness
87% Instrumentalness • 53% Positiveness
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Serge Baudo
Tableau 4
91 bpm • E min • 01:08 • -12db
12% Popularity • 38% Danceability • 38% Energy • 49% Liveness
81% Instrumentalness • 42% Positiveness
12% Popularity • 38% Danceability • 38% Energy • 49% Liveness
81% Instrumentalness • 42% Positiveness
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Ángeles Ottein
Alma mía
91 bpm • C Maj • 04:20 • -9.84db
7% Popularity • 34% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
7% Popularity • 34% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Vienna Walzer Orchestra
Mit Extrapost Polka schnell, Op. 259
93 bpm • D Maj • 01:58 • -14.13db
10% Popularity • 49% Danceability • 53% Energy • 70% Liveness
90% Instrumentalness • 87% Positiveness
10% Popularity • 49% Danceability • 53% Energy • 70% Liveness
90% Instrumentalness • 87% Positiveness
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Nikolai Rimsky-Korsakov
Rimsky-Korsakov: Scheherazade, Op. 35: I...
92 bpm • G Maj • 10:22 • -18.59db
15% Popularity • 18% Danceability • 12% Energy • 30% Liveness
86% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 12% Energy • 30% Liveness
86% Instrumentalness • 4% Positiveness
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Various Artists
Je Vous En Prie
93 bpm • F Maj • 04:00 • -10.82db
10% Popularity • 54% Danceability • 33% Energy • 10% Liveness
78% Instrumentalness • 60% Positiveness
10% Popularity • 54% Danceability • 33% Energy • 10% Liveness
78% Instrumentalness • 60% Positiveness
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Antonio Roca
La del Pasico
93 bpm • C min • 03:23 • -18.11db
11% Popularity • 31% Danceability • 10% Energy • 59% Liveness
43% Instrumentalness • 39% Positiveness
11% Popularity • 31% Danceability • 10% Energy • 59% Liveness
43% Instrumentalness • 39% Positiveness
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Coro Cantores de Madrid
Los Gavilanes: "No hay por que gemir"
93 bpm • E Maj • 02:52 • -13.89db
10% Popularity • 30% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 30% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 27% Positiveness
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Ricardo De La Vega
El Año Pasado por Agua: “¡Ay! Niña ...
94 bpm • G Maj • 07:07 • -11.28db
0% Popularity • 47% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 47% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Miguel Ramos Carrión
El Rey Que Rabió: "Raconto por Jeremía...
90 bpm • E min • 00:54 • -12.76db
10% Popularity • 50% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 50% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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La Orquesta Y Coros Del Festival De Praga
En Un Mercado Persa
94 bpm • D min • 06:52 • -23db
20% Popularity • 26% Danceability • 6% Energy • 10% Liveness
73% Instrumentalness • 8% Positiveness
20% Popularity • 26% Danceability • 6% Energy • 10% Liveness
73% Instrumentalness • 8% Positiveness
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Salud Ruiz
Ku-Klux-Klan
90 bpm • B Maj • 02:43 • -11db
8% Popularity • 49% Danceability • 18% Energy • 45% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 49% Danceability • 18% Energy • 45% Liveness
0% Instrumentalness • 39% Positiveness
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Antonio Roca
Balsicas, Semana Santa
90 bpm • C# min • 04:02 • -20.16db
9% Popularity • 18% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
9% Popularity • 18% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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Orquesta Típica de Granada
Motivos Andaluces: Fantasía
90 bpm • E Maj • 04:06 • -6.6db
14% Popularity • 43% Danceability • 49% Energy • 10% Liveness
8% Instrumentalness • 55% Positiveness
14% Popularity • 43% Danceability • 49% Energy • 10% Liveness
8% Instrumentalness • 55% Positiveness
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Felisa Herrero
Molinos de Viento: Dúo: Qué me dirá.....
94 bpm • A Maj • 04:06 • -14db
11% Popularity • 36% Danceability • 22% Energy • 12% Liveness
6% Instrumentalness • 16% Positiveness
11% Popularity • 36% Danceability • 22% Energy • 12% Liveness
6% Instrumentalness • 16% Positiveness
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Banda Municipal de Música de Soria
¡Salta Isidoro!
94 bpm • D# Maj • 03:02 • -8.24db
7% Popularity • 64% Danceability • 33% Energy • 30% Liveness
1% Instrumentalness • 67% Positiveness
7% Popularity • 64% Danceability • 33% Energy • 30% Liveness
1% Instrumentalness • 67% Positiveness
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Angel Mahler
El Pueblo Aclama a Esmeralda / Plaza de ...
90 bpm • F Maj • 05:25 • -13.05db
11% Popularity • 42% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 42% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
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Johann Strauss II
Tritsch-Tratsch Polka, Polka schnell, Op...
90 bpm • A Maj • 02:38 • -16.03db
19% Popularity • 54% Danceability • 63% Energy • 74% Liveness
58% Instrumentalness • 51% Positiveness
19% Popularity • 54% Danceability • 63% Energy • 74% Liveness
58% Instrumentalness • 51% Positiveness
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Antonio Roca
PABLITO PIMENTONERO
90 bpm • C Maj • 03:03 • -11.42db
9% Popularity • 41% Danceability • 25% Energy • 9% Liveness
91% Instrumentalness • 46% Positiveness
9% Popularity • 41% Danceability • 25% Energy • 9% Liveness
91% Instrumentalness • 46% Positiveness
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Cercle Musical Primitiva d'Albaida
El desgavellat
95 bpm • F Maj • 03:45 • -12.93db
8% Popularity • 43% Danceability • 29% Energy • 34% Liveness
93% Instrumentalness • 49% Positiveness
8% Popularity • 43% Danceability • 29% Energy • 34% Liveness
93% Instrumentalness • 49% Positiveness
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Banda de Música de Maó
Volem vi
95 bpm • A# Maj • 01:06 • -11.03db
16% Popularity • 72% Danceability • 43% Energy • 38% Liveness
2% Instrumentalness • 96% Positiveness
16% Popularity • 72% Danceability • 43% Energy • 38% Liveness
2% Instrumentalness • 96% Positiveness
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Banda Municipal de Música de Soria
El Catapán
95 bpm • C# Maj • 02:16 • -8.54db
15% Popularity • 62% Danceability • 45% Energy • 16% Liveness
89% Instrumentalness • 76% Positiveness
15% Popularity • 62% Danceability • 45% Energy • 16% Liveness
89% Instrumentalness • 76% Positiveness
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BM Las Cigarreras
Centenario de Pasan los Campanilleros
95 bpm • G Maj • 05:34 • -16.77db
5% Popularity • 30% Danceability • 23% Energy • 11% Liveness
52% Instrumentalness • 15% Positiveness
5% Popularity • 30% Danceability • 23% Energy • 11% Liveness
52% Instrumentalness • 15% Positiveness
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Ricardo De La Vega
El Año Pasado por Agua: “De los Mares...
95 bpm • A# Maj • 03:18 • -9.96db
1% Popularity • 60% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
1% Popularity • 60% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Antonio Roca
PEDRO GUILLEN
94 bpm • C min • 02:46 • -11.38db
8% Popularity • 35% Danceability • 42% Energy • 23% Liveness
86% Instrumentalness • 54% Positiveness
8% Popularity • 35% Danceability • 42% Energy • 23% Liveness
86% Instrumentalness • 54% Positiveness
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Jacinto Guerrero
La Rosa del Azafrán: Introducción: "Ac...
89 bpm • D Maj • 01:01 • -10.1db
13% Popularity • 22% Danceability • 36% Energy • 48% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 22% Danceability • 36% Energy • 48% Liveness
0% Instrumentalness • 28% Positiveness
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Orquesta Típica de Granada
Angelita: Tango
89 bpm • E Maj • 02:54 • -8db
10% Popularity • 44% Danceability • 51% Energy • 12% Liveness
40% Instrumentalness • 58% Positiveness
10% Popularity • 44% Danceability • 51% Energy • 12% Liveness
40% Instrumentalness • 58% Positiveness
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Miguel Ramos Carrión
El Rey Que Rabió: "Quinteto: Buenas noc...
95 bpm • F Maj • 02:06 • -14.03db
8% Popularity • 65% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 65% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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![Let Us Tread the Paths of Our Great Happiness (Equatorial Guinea) [Arr. P. Breiner] [Olympic Version] cover art](https://i.scdn.co/image/ab67616d00001e02530ed221aff21300c501ce34)
Ramiro Sanchez Lopez
Let Us Tread the Paths of Our Great Happ...
95 bpm • A Maj • 01:02 • -14.09db
12% Popularity • 67% Danceability • 25% Energy • 7% Liveness
70% Instrumentalness • 79% Positiveness
12% Popularity • 67% Danceability • 25% Energy • 7% Liveness
70% Instrumentalness • 79% Positiveness
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Florencio Calpe
Entre Sevilla y Triana: "Sevillanas y zo...
96 bpm • G min • 03:12 • -13db
11% Popularity • 44% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 44% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Manuel Penella
Don Gil de Alcalá: "Acto II": Todas las...
89 bpm • A# Maj • 02:20 • -14db
20% Popularity • 21% Danceability • 23% Energy • 38% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 21% Danceability • 23% Energy • 38% Liveness
0% Instrumentalness • 20% Positiveness
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Gerónimo Jiménez
La boda de Luis Alonso: "Preludio" - Rem...
88 bpm • C Maj • 03:10 • -5db
9% Popularity • 38% Danceability • 51% Energy • 11% Liveness
82% Instrumentalness • 50% Positiveness
9% Popularity • 38% Danceability • 51% Energy • 11% Liveness
82% Instrumentalness • 50% Positiveness
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Cristan the Reliable
Shegdind Leadgrog
96 bpm • C Maj • 00:53 • -25.22db
8% Popularity • 52% Danceability • 9% Energy • 41% Liveness
61% Instrumentalness • 52% Positiveness
8% Popularity • 52% Danceability • 9% Energy • 41% Liveness
61% Instrumentalness • 52% Positiveness
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Antonio Roca
Rodríguez Álvarez
96 bpm • C Maj • 04:14 • -19.91db
9% Popularity • 23% Danceability • 8% Energy • 8% Liveness
85% Instrumentalness • 10% Positiveness
9% Popularity • 23% Danceability • 8% Energy • 8% Liveness
85% Instrumentalness • 10% Positiveness
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Brittanni Kia
Spring of Best Friend
88 bpm • C# min • 02:28 • -14.8db
12% Popularity • 13% Danceability • 24% Energy • 8% Liveness
7% Instrumentalness • 27% Positiveness
12% Popularity • 13% Danceability • 24% Energy • 8% Liveness
7% Instrumentalness • 27% Positiveness
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Jesús Mª Arozamena
La Condesa de la Aguja y el Dedal: "Una ...
88 bpm • D# Maj • 03:46 • -11.78db
1% Popularity • 34% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
1% Popularity • 34% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Camilo Pérez Laporta
El capitán
88 bpm • D# Maj • 04:48 • -19.46db
9% Popularity • 27% Danceability • 10% Energy • 13% Liveness
66% Instrumentalness • 16% Positiveness
9% Popularity • 27% Danceability • 10% Energy • 13% Liveness
66% Instrumentalness • 16% Positiveness
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Federico Romero
El Caserío: "Preludio (acto I)"
88 bpm • F Maj • 01:41 • -10.91db
10% Popularity • 24% Danceability • 22% Energy • 18% Liveness
93% Instrumentalness • 20% Positiveness
10% Popularity • 24% Danceability • 22% Energy • 18% Liveness
93% Instrumentalness • 20% Positiveness
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Miguel Ramos Carrión
El Rey Que Rabió: "Al monarca esperamos...
88 bpm • C Maj • 04:02 • -11.92db
7% Popularity • 47% Danceability • 28% Energy • 54% Liveness
0% Instrumentalness • 46% Positiveness
7% Popularity • 47% Danceability • 28% Energy • 54% Liveness
0% Instrumentalness • 46% Positiveness
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Agrupacion Folklorica Aragonesa
Jota de la Dolores
88 bpm • A Maj • 05:25 • -8db
16% Popularity • 45% Danceability • 66% Energy • 11% Liveness
45% Instrumentalness • 96% Positiveness
16% Popularity • 45% Danceability • 66% Energy • 11% Liveness
45% Instrumentalness • 96% Positiveness
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Orquesta Sinfónica Nacional de Colombia
Acuarela
88 bpm • C Maj • 03:34 • -13.05db
9% Popularity • 50% Danceability • 18% Energy • 9% Liveness
44% Instrumentalness • 32% Positiveness
9% Popularity • 50% Danceability • 18% Energy • 9% Liveness
44% Instrumentalness • 32% Positiveness
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Banda Unió Musical d'Ibi
Ramon Petit
96 bpm • C Maj • 03:13 • -12.15db
10% Popularity • 51% Danceability • 40% Energy • 10% Liveness
79% Instrumentalness • 54% Positiveness
10% Popularity • 51% Danceability • 40% Energy • 10% Liveness
79% Instrumentalness • 54% Positiveness
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BM La Puebla del Río
Santísimo Cristo de las Siete Palabras
96 bpm • G# Maj • 05:31 • -15.06db
1% Popularity • 18% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
1% Popularity • 18% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Gran Orquesta Sinfonica
Madrid (Chotís)
96 bpm • F Maj • 02:55 • -12db
16% Popularity • 53% Danceability • 14% Energy • 7% Liveness
86% Instrumentalness • 58% Positiveness
16% Popularity • 53% Danceability • 14% Energy • 7% Liveness
86% Instrumentalness • 58% Positiveness
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Lucero Tena
Lagarteranas (de "El huésped del sevill...
96 bpm • E Maj • 01:43 • -15.94db
13% Popularity • 59% Danceability • 44% Energy • 13% Liveness
83% Instrumentalness • 83% Positiveness
13% Popularity • 59% Danceability • 44% Energy • 13% Liveness
83% Instrumentalness • 83% Positiveness
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Ana Maria Iriarte
El Año Pasado por Agua: "Vals: De los M...
96 bpm • A# Maj • 03:15 • -9.66db
10% Popularity • 52% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
10% Popularity • 52% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
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Banda Municipal de Música de Soria
El torito enmaromao
96 bpm • D# Maj • 04:43 • -8.59db
10% Popularity • 65% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 65% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Banda do Samouco - SFPLS
Corazon Hispano
97 bpm • D# min • 03:56 • -16.65db
9% Popularity • 48% Danceability • 29% Energy • 10% Liveness
49% Instrumentalness • 34% Positiveness
9% Popularity • 48% Danceability • 29% Energy • 10% Liveness
49% Instrumentalness • 34% Positiveness
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Banda Primitiva de Llíria
Lo Cant del Valenciá
87 bpm • F# Maj • 03:47 • -18.59db
10% Popularity • 22% Danceability • 11% Energy • 9% Liveness
72% Instrumentalness • 18% Positiveness
10% Popularity • 22% Danceability • 11% Energy • 9% Liveness
72% Instrumentalness • 18% Positiveness
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Carlos Gardel
Por Tus Ojos Negros
96 bpm • C Maj • 02:48 • -5.63db
18% Popularity • 26% Danceability • 49% Energy • 47% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 26% Danceability • 49% Energy • 47% Liveness
0% Instrumentalness • 19% Positiveness
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Ángeles Ottein
Escena final - Primer acto, Pt. 2
87 bpm • C Maj • 03:51 • -10.04db
7% Popularity • 35% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 35% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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Teresa Berganza
"Habanera: Canta Y No Llores" (Don Gil D...
97 bpm • A# Maj • 02:23 • -7db
20% Popularity • 21% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 21% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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Banda de Música del Círculo Católico de Torrent
L'entrà de la murta
87 bpm • G min • 02:56 • -23.86db
9% Popularity • 45% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 40% Positiveness
9% Popularity • 45% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 40% Positiveness
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Γιάννη Yang
Io Morro, Ma Lieto in Core
87 bpm • C# Maj • 03:01 • -5db
12% Popularity • 28% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 28% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 8% Positiveness
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BM Las Cigarreras
Tu soleá, Rosario
97 bpm • C min • 03:50 • -14.25db
17% Popularity • 26% Danceability • 37% Energy • 7% Liveness
20% Instrumentalness • 16% Positiveness
17% Popularity • 26% Danceability • 37% Energy • 7% Liveness
20% Instrumentalness • 16% Positiveness
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Antonín Dvořák
Slavonic Dances, Series 2, Op. 72, B. 14...
97 bpm • C Maj • 05:26 • -22.22db
8% Popularity • 17% Danceability • 6% Energy • 19% Liveness
76% Instrumentalness • 8% Positiveness
8% Popularity • 17% Danceability • 6% Energy • 19% Liveness
76% Instrumentalness • 8% Positiveness
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Banda Municipal de Música de Soria
Amores Sanjuaneros
98 bpm • A# Maj • 02:23 • -9.81db
7% Popularity • 63% Danceability • 32% Energy • 10% Liveness
2% Instrumentalness • 63% Positiveness
7% Popularity • 63% Danceability • 32% Energy • 10% Liveness
2% Instrumentalness • 63% Positiveness
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Pedigree® Tail Orchestra
Tail Orchestra - Symphony No. 1: I. "Too...
87 bpm • F min • 01:09 • -19.08db
26% Popularity • 27% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
26% Popularity • 27% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
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Antonio Roca
ALFONSO X, CORAZON DE MURCIA
98 bpm • B Maj • 04:11 • -12.76db
8% Popularity • 44% Danceability • 60% Energy • 69% Liveness
96% Instrumentalness • 55% Positiveness
8% Popularity • 44% Danceability • 60% Energy • 69% Liveness
96% Instrumentalness • 55% Positiveness
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Nicklas Schmidt
Morfinvals
87 bpm • F min • 01:16 • -13.29db
21% Popularity • 18% Danceability • 36% Energy • 25% Liveness
77% Instrumentalness • 35% Positiveness
21% Popularity • 18% Danceability • 36% Energy • 25% Liveness
77% Instrumentalness • 35% Positiveness
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Banda Musicale Francesco Bajardi di Isnello
La Mater dolorosa
86 bpm • D Maj • 09:30 • -21.46db
8% Popularity • 14% Danceability • 6% Energy • 27% Liveness
90% Instrumentalness • 5% Positiveness
8% Popularity • 14% Danceability • 6% Energy • 27% Liveness
90% Instrumentalness • 5% Positiveness
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Banda de la Escuela Naval del Perú
Himno a Grau
98 bpm • G# Maj • 02:11 • -6.21db
9% Popularity • 60% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 60% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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G. Tarragó
Miña Nai por Me Casare (En Gallego)
86 bpm • G Maj • 01:06 • -13.12db
8% Popularity • 49% Danceability • 18% Energy • 39% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 49% Danceability • 18% Energy • 39% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Ataúlfo Argenta
Donde Vas Con Mantón de Manila
99 bpm • D# Maj • 04:07 • -10.56db
14% Popularity • 37% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 37% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Antonio Roca
Pachequero
98 bpm • G Maj • 04:27 • -17.71db
8% Popularity • 35% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
8% Popularity • 35% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
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Orquesta Típica de Granada
Danza Gitana
99 bpm • E min • 03:11 • -11.31db
13% Popularity • 42% Danceability • 23% Energy • 27% Liveness
48% Instrumentalness • 28% Positiveness
13% Popularity • 42% Danceability • 23% Energy • 27% Liveness
48% Instrumentalness • 28% Positiveness
► Preview
Banda Primitiva de Llíria
L’Entrá de la Murta
86 bpm • D# Maj • 03:02 • -17.78db
19% Popularity • 44% Danceability • 7% Energy • 8% Liveness
80% Instrumentalness • 27% Positiveness
19% Popularity • 44% Danceability • 7% Energy • 8% Liveness
80% Instrumentalness • 27% Positiveness
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Banda de Musica de Artajona
Agarrate Saxo
99 bpm • A# Maj • 04:25 • -10.26db
17% Popularity • 55% Danceability • 31% Energy • 6% Liveness
60% Instrumentalness • 56% Positiveness
17% Popularity • 55% Danceability • 31% Energy • 6% Liveness
60% Instrumentalness • 56% Positiveness
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Kerry Muzzey
The Auditions
86 bpm • C Maj • 02:00 • -16.11db
12% Popularity • 48% Danceability • 9% Energy • 17% Liveness
81% Instrumentalness • 38% Positiveness
12% Popularity • 48% Danceability • 9% Energy • 17% Liveness
81% Instrumentalness • 38% Positiveness
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Jove Banda Simfònica de la FSMCV
Talens: Dunia Piris - En Directo
99 bpm • C Maj • 04:12 • -15.82db
12% Popularity • 30% Danceability • 39% Energy • 70% Liveness
88% Instrumentalness • 21% Positiveness
12% Popularity • 30% Danceability • 39% Energy • 70% Liveness
88% Instrumentalness • 21% Positiveness
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Antonio Roca
Huestes de Fernando III
99 bpm • F Maj • 03:08 • -16.56db
9% Popularity • 48% Danceability • 19% Energy • 62% Liveness
64% Instrumentalness • 37% Positiveness
9% Popularity • 48% Danceability • 19% Energy • 62% Liveness
64% Instrumentalness • 37% Positiveness
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Luis Cobos
Capricho Español
99 bpm • F Maj • 03:26 • -17.2db
18% Popularity • 20% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
18% Popularity • 20% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Orquesta Típica de Granada
Zacateque
99 bpm • E Maj • 01:54 • -11db
10% Popularity • 46% Danceability • 36% Energy • 16% Liveness
7% Instrumentalness • 37% Positiveness
10% Popularity • 46% Danceability • 36% Energy • 16% Liveness
7% Instrumentalness • 37% Positiveness
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Banda do Samouco - SFPLS
Vítor Ribeiro
99 bpm • G min • 03:19 • -15.17db
10% Popularity • 44% Danceability • 32% Energy • 18% Liveness
96% Instrumentalness • 37% Positiveness
10% Popularity • 44% Danceability • 32% Energy • 18% Liveness
96% Instrumentalness • 37% Positiveness
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Hermanos Anoz
Y Si No Canto Cobarde
99 bpm • D Maj • 01:27 • -12.96db
18% Popularity • 64% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 64% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Orfeon Donostiarra
Gigantes y Cabezudos: "Coro de repatriad...
99 bpm • G Maj • 03:20 • -11.37db
11% Popularity • 31% Danceability • 34% Energy • 24% Liveness
5% Instrumentalness • 47% Positiveness
11% Popularity • 31% Danceability • 34% Energy • 24% Liveness
5% Instrumentalness • 47% Positiveness
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Antonio Roca
Mateo 27, 37
85 bpm • C Maj • 04:04 • -17.1db
8% Popularity • 26% Danceability • 13% Energy • 29% Liveness
80% Instrumentalness • 8% Positiveness
8% Popularity • 26% Danceability • 13% Energy • 29% Liveness
80% Instrumentalness • 8% Positiveness
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Pablo Sorozábal
Katiuska - Noche hermosa
85 bpm • G Maj • 02:38 • -11db
12% Popularity • 29% Danceability • 31% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 29% Danceability • 31% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
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Carlos Galeffi
Dúo de Rosa y Pablo, Pt. 2
85 bpm • G Maj • 04:35 • -10db
8% Popularity • 31% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 31% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Christophe Belliveau
Siempre En Mi Corazon
100 bpm • C# Maj • 02:54 • -10.91db
8% Popularity • 45% Danceability • 23% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 45% Danceability • 23% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
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Tangolicious Ya
A Thing for a Moment
100 bpm • F min • 01:10 • -14.67db
22% Popularity • 48% Danceability • 21% Energy • 31% Liveness
42% Instrumentalness • 16% Positiveness
22% Popularity • 48% Danceability • 21% Energy • 31% Liveness
42% Instrumentalness • 16% Positiveness
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Banda Municipal de Música de Soria
Domingo de Calderas
100 bpm • F Maj • 04:28 • -8.76db
13% Popularity • 65% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 65% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 90% Positiveness
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Antonio Roca
Hermanos Festeros
100 bpm • C Maj • 02:54 • -15.53db
8% Popularity • 49% Danceability • 19% Energy • 5% Liveness
93% Instrumentalness • 23% Positiveness
8% Popularity • 49% Danceability • 19% Energy • 5% Liveness
93% Instrumentalness • 23% Positiveness
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Slovak Philharmonic
Moment Musical No. 3 in F Minor, Op. 94:...
101 bpm • F# min • 01:39 • -19db
16% Popularity • 62% Danceability • 6% Energy • 11% Liveness
51% Instrumentalness • 40% Positiveness
16% Popularity • 62% Danceability • 6% Energy • 11% Liveness
51% Instrumentalness • 40% Positiveness
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Amadeo Vives
Doña Francisquita, Act III: Fandango
101 bpm • F Maj • 02:24 • -16db
19% Popularity • 49% Danceability • 32% Energy • 16% Liveness
93% Instrumentalness • 63% Positiveness
19% Popularity • 49% Danceability • 32% Energy • 16% Liveness
93% Instrumentalness • 63% Positiveness
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Christophe Belliveau
El Dia Que Me Quieras
100 bpm • C Maj • 04:19 • -10.65db
8% Popularity • 34% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 34% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Gasteiz'ko Tanborrada
Retreta de San Prudencio
101 bpm • G Maj • 01:10 • -7.03db
14% Popularity • 84% Danceability • 91% Energy • 5% Liveness
96% Instrumentalness • 82% Positiveness
14% Popularity • 84% Danceability • 91% Energy • 5% Liveness
96% Instrumentalness • 82% Positiveness
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Maruja Vallojera
Maravilla: "Romanza de Elvira"
84 bpm • D Maj • 03:05 • -6.82db
7% Popularity • 38% Danceability • 12% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 38% Danceability • 12% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
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Miguel Ramos Carrión
El Rey Que Rabió: "Terceto: Mi amor" - ...
84 bpm • D# Maj • 03:21 • -10.82db
8% Popularity • 32% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 32% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
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Robin Lemke
Oh, María, Mi Madre
83 bpm • D Maj • 04:19 • -9.9db
25% Popularity • 50% Danceability • 58% Energy • 49% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 50% Danceability • 58% Energy • 49% Liveness
0% Instrumentalness • 63% Positiveness
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Professor van Dusen
Teil 8 - Folge 16: Duell der Giganten
101 bpm • C# Maj • 03:00 • -14.96db
15% Popularity • 55% Danceability • 31% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 55% Danceability • 31% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
