Songs like El Bateo: "Preludio" - El Bateo by Rafael Frühbeck de Burgos
Based on a tempo of (+/- 10%) and a similar genre
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Gioachino Rossini
Il Barbiere di Siviglia: Ehi, Fiorello?
132 bpm • G Maj • 02:57 • -18.57db
5% Popularity • 49% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
5% Popularity • 49% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Francesco Paolo Tosti
Marechiare
132 bpm • C Maj • 03:51 • -17.68db
16% Popularity • 35% Danceability • 17% Energy • 44% Liveness
3% Instrumentalness • 40% Positiveness
16% Popularity • 35% Danceability • 17% Energy • 44% Liveness
3% Instrumentalness • 40% Positiveness
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Tomás Bretón
La Verbena de la Paloma: Coplas de Don H...
132 bpm • A# Maj • 03:13 • -16.99db
16% Popularity • 55% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 55% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Rafael Frühbeck de Burgos
El Bateo: "Preludio" - El Bateo
132 bpm • D Maj • 03:19 • -9.9db
16% Popularity • 36% Danceability • 42% Energy • 10% Liveness
91% Instrumentalness • 53% Positiveness
16% Popularity • 36% Danceability • 42% Energy • 10% Liveness
91% Instrumentalness • 53% Positiveness
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Chor der Deutschen Oper Berlin
Bajazzo: Andiam: din, don suona vespero
132 bpm • C Maj • 02:57 • -16db
10% Popularity • 29% Danceability • 17% Energy • 10% Liveness
78% Instrumentalness • 11% Positiveness
10% Popularity • 29% Danceability • 17% Energy • 10% Liveness
78% Instrumentalness • 11% Positiveness
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Enrique Granados
Granados: 7 Canciones amatorias: No. 1, ...
131 bpm • G min • 02:29 • -20.12db
0% Popularity • 26% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 26% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Francisco Asenjo Barbieri
El Barberillo de Lavapies: Entrada de Pa...
131 bpm • A Maj • 03:06 • -13.42db
15% Popularity • 53% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 53% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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Felix Mendelssohn
Mendelssohn: Elijah, Op. 70, MWV A25, Pt...
133 bpm • G Maj • 03:48 • -21db
3% Popularity • 16% Danceability • 9% Energy • 12% Liveness
94% Instrumentalness • 9% Positiveness
3% Popularity • 16% Danceability • 9% Energy • 12% Liveness
94% Instrumentalness • 9% Positiveness
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Georges Bizet
Bizet: Carmen: Prélude
131 bpm • D min • 03:27 • -14.21db
7% Popularity • 24% Danceability • 39% Energy • 26% Liveness
26% Instrumentalness • 33% Positiveness
7% Popularity • 24% Danceability • 39% Energy • 26% Liveness
26% Instrumentalness • 33% Positiveness
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Gaetano Donizetti
La fille du régiment / Act 1: Le camara...
131 bpm • F Maj • 05:06 • -14.45db
15% Popularity • 41% Danceability • 28% Energy • 15% Liveness
3% Instrumentalness • 34% Positiveness
15% Popularity • 41% Danceability • 28% Energy • 15% Liveness
3% Instrumentalness • 34% Positiveness
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Orquesta Sinfonica
Pasacalle de los nardos (remastered)
131 bpm • E Maj • 01:02 • -4.6db
27% Popularity • 52% Danceability • 41% Energy • 11% Liveness
87% Instrumentalness • 84% Positiveness
27% Popularity • 52% Danceability • 41% Energy • 11% Liveness
87% Instrumentalness • 84% Positiveness
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Xavier Montsalvatge
Cinco Canciones negras (2004 Digital Rem...
133 bpm • G min • 01:55 • -18.85db
1% Popularity • 46% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
1% Popularity • 46% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Francisco Asenjo Barbieri
Barbieri: El barberillo de Lavapiés: Ca...
131 bpm • A Maj • 02:44 • -18.96db
2% Popularity • 45% Danceability • 13% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
2% Popularity • 45% Danceability • 13% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
134 bpm • E Maj • 06:36 • -27.38db
1% Popularity • 16% Danceability • 2% Energy • 8% Liveness
73% Instrumentalness • 4% Positiveness
1% Popularity • 16% Danceability • 2% Energy • 8% Liveness
73% Instrumentalness • 4% Positiveness
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Slovak Philharmonic
Symphony No. 9, Op. 95 in E minor : Alle...
134 bpm • E min • 12:12 • -16db
8% Popularity • 28% Danceability • 13% Energy • 14% Liveness
83% Instrumentalness • 13% Positiveness
8% Popularity • 28% Danceability • 13% Energy • 14% Liveness
83% Instrumentalness • 13% Positiveness
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Chor der Deutschen Oper Berlin
Norma: Norma viene: Le cinge la chioma
134 bpm • D# Maj • 04:09 • -14.85db
7% Popularity • 30% Danceability • 25% Energy • 32% Liveness
48% Instrumentalness • 25% Positiveness
7% Popularity • 30% Danceability • 25% Energy • 32% Liveness
48% Instrumentalness • 25% Positiveness
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Gaetano Donizetti
La fille du régiment: Overture
130 bpm • A# Maj • 06:40 • -16.7db
14% Popularity • 38% Danceability • 28% Energy • 10% Liveness
65% Instrumentalness • 23% Positiveness
14% Popularity • 38% Danceability • 28% Energy • 10% Liveness
65% Instrumentalness • 23% Positiveness
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Gioachino Rossini
Una voce poco fa from The Barber of Sevi...
130 bpm • E Maj • 05:25 • -21.5db
3% Popularity • 40% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
3% Popularity • 40% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Rundfunkorchester des Südwestfunks Baden-Baden
The Magic Flute, K. 620: Act II, No. 18....
134 bpm • D Maj • 02:55 • -23db
17% Popularity • 16% Danceability • 4% Energy • 14% Liveness
78% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 4% Energy • 14% Liveness
78% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Mendelssohn: Elijah, Op. 70, MWV A25, Pt...
134 bpm • D# Maj • 02:22 • -43.53db
2% Popularity • 16% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 5% Positiveness
2% Popularity • 16% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 5% Positiveness
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Coro Cantores de Madrid
Los Gavilanes: "Amigos, siempre amigos"
129 bpm • A Maj • 01:54 • -11.86db
13% Popularity • 51% Danceability • 24% Energy • 34% Liveness
17% Instrumentalness • 36% Positiveness
13% Popularity • 51% Danceability • 24% Energy • 34% Liveness
17% Instrumentalness • 36% Positiveness
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Chor der Deutschen Oper Berlin
Der Troubadour: Vedi, le foshe notturne
130 bpm • G Maj • 02:53 • -14.84db
7% Popularity • 44% Danceability • 27% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
7% Popularity • 44% Danceability • 27% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
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Igor Stravinsky
Le Sacre du Printemps, Part 2 "The Sacri...
129 bpm • D min • 04:39 • -15.1db
0% Popularity • 45% Danceability • 39% Energy • 19% Liveness
91% Instrumentalness • 10% Positiveness
0% Popularity • 45% Danceability • 39% Energy • 19% Liveness
91% Instrumentalness • 10% Positiveness
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Louis Spohr
Clarinet Concerto No. 2 in E-Flat Major,...
129 bpm • G# Maj • 06:04 • -27.64db
0% Popularity • 17% Danceability • 1% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
0% Popularity • 17% Danceability • 1% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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The Oscar's Orchestra
Coro de los Gitanos de Il Trovatore (De ...
135 bpm • G Maj • 02:59 • -14.95db
24% Popularity • 47% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 47% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
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Jose Serrano
Serrano: La alegrÃa del batallón: Canc...
128 bpm • G Maj • 01:41 • -18.75db
1% Popularity • 45% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
1% Popularity • 45% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Orquesta Y Coros Montilla
Coro de los Doctores
128 bpm • C# Maj • 02:55 • -16db
9% Popularity • 62% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 62% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Banda Española de Conciertos
En 'Er' Mundo
128 bpm • A# Maj • 03:34 • -13.96db
16% Popularity • 63% Danceability • 40% Energy • 12% Liveness
72% Instrumentalness • 73% Positiveness
16% Popularity • 63% Danceability • 40% Energy • 12% Liveness
72% Instrumentalness • 73% Positiveness
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Felix Mendelssohn
Mendelssohn: Paulus, Op. 36, MWV A14, Pt...
128 bpm • C min • 01:48 • -15.46db
2% Popularity • 52% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
2% Popularity • 52% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Louis Spohr
Clarinet Concerto No. 4 in E Minor, WoO ...
129 bpm • E min • 11:08 • -22.81db
7% Popularity • 23% Danceability • 6% Energy • 6% Liveness
61% Instrumentalness • 8% Positiveness
7% Popularity • 23% Danceability • 6% Energy • 6% Liveness
61% Instrumentalness • 8% Positiveness
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Orquesta Sinfónica Y Coro De La RAI De Roma
SinfonÃa
136 bpm • D Maj • 04:22 • -14db
19% Popularity • 35% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 32% Positiveness
19% Popularity • 35% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 32% Positiveness
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Vicente Lleó
Lleó: La corte de Faraón: Cuplés babi...
136 bpm • G Maj • 02:48 • -21.8db
2% Popularity • 42% Danceability • 4% Energy • 37% Liveness
0% Instrumentalness • 17% Positiveness
2% Popularity • 42% Danceability • 4% Energy • 37% Liveness
0% Instrumentalness • 17% Positiveness
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Xavier Montsalvatge
Cinco Canciones negras (2004 Digital Rem...
137 bpm • G# Maj • 04:06 • -16.94db
1% Popularity • 33% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
1% Popularity • 33% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Tomás Bretón
La Verbena de la Paloma: Nocturno
137 bpm • C Maj • 04:41 • -16db
11% Popularity • 45% Danceability • 14% Energy • 43% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 45% Danceability • 14% Energy • 43% Liveness
0% Instrumentalness • 25% Positiveness
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Choir and Orchestra of the Budapest State Opera
Servants' Chorus (Don Pasquale)
137 bpm • A Maj • 04:04 • -21db
8% Popularity • 40% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 40% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Carl Orff
Orff: Carmina Burana, Pt. 1, Uf dem Ange...
137 bpm • C Maj • 01:47 • -21db
25% Popularity • 49% Danceability • 12% Energy • 18% Liveness
52% Instrumentalness • 32% Positiveness
25% Popularity • 49% Danceability • 12% Energy • 18% Liveness
52% Instrumentalness • 32% Positiveness
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Gaetano Donizetti
La Favorita / Act 3: "O mio Fernando, de...
127 bpm • C Maj • 03:44 • -18db
8% Popularity • 28% Danceability • 8% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 28% Danceability • 8% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Rossini : La Cenerentola : Act 2 "Non pi...
127 bpm • E Maj • 03:11 • -18db
18% Popularity • 43% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 43% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Felix Mendelssohn
Mendelssohn: Elijah, Op. 70, MWV A25, Pt...
126 bpm • D min • 04:03 • -19.56db
2% Popularity • 40% Danceability • 10% Energy • 57% Liveness
0% Instrumentalness • 18% Positiveness
2% Popularity • 40% Danceability • 10% Energy • 57% Liveness
0% Instrumentalness • 18% Positiveness
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Manuel de Falla
Falla: The Three-Cornered Hat, Pt. 1: Th...
126 bpm • C Maj • 02:14 • -17.48db
0% Popularity • 42% Danceability • 27% Energy • 33% Liveness
12% Instrumentalness • 21% Positiveness
0% Popularity • 42% Danceability • 27% Energy • 33% Liveness
12% Instrumentalness • 21% Positiveness
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Orquesta Y Coros Montilla
Soldado de Napoles
126 bpm • A min • 02:00 • -15.93db
15% Popularity • 48% Danceability • 25% Energy • 11% Liveness
7% Instrumentalness • 6% Positiveness
15% Popularity • 48% Danceability • 25% Energy • 11% Liveness
7% Instrumentalness • 6% Positiveness
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Orquesta Filarmónica De Conciertos De Budapest
El Amor Brujo. Danza Ritual Del Fuego
126 bpm • E min • 04:22 • -19.95db
11% Popularity • 28% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 10% Positiveness
11% Popularity • 28% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 10% Positiveness
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Gaetano Donizetti
Don Pasquale, Act I Seconda Scena: Bella...
126 bpm • C# Maj • 03:15 • -23db
15% Popularity • 33% Danceability • 15% Energy • 61% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 33% Danceability • 15% Energy • 61% Liveness
0% Instrumentalness • 23% Positiveness
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Gioachino Rossini
La Gazza Ladra - La Urraca Ladrona Obert...
138 bpm • E Maj • 03:04 • -15.42db
36% Popularity • 37% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
36% Popularity • 37% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
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Coros Cantores De Madrid
La Rosa del Azafrán: "Moniquito, Carmel...
126 bpm • F Maj • 02:40 • -9.16db
12% Popularity • 53% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 53% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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JoaquÃn Rodrigo
Rodrigo: 4 Madrigales amatorios: No. 2, ...
125 bpm • F# min • 02:32 • -21.49db
2% Popularity • 27% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
2% Popularity • 27% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Choir and Orchestra of the Budapest State Opera
Triumphal March & Chorus Act.2 (Aida)
140 bpm • D# Maj • 11:44 • -20.87db
11% Popularity • 32% Danceability • 8% Energy • 15% Liveness
48% Instrumentalness • 19% Positiveness
11% Popularity • 32% Danceability • 8% Energy • 15% Liveness
48% Instrumentalness • 19% Positiveness
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Rafael Frühbeck de Burgos
El Tambor de Granaderos: "Preludio"
140 bpm • D Maj • 05:17 • -13.83db
15% Popularity • 49% Danceability • 40% Energy • 43% Liveness
68% Instrumentalness • 55% Positiveness
15% Popularity • 49% Danceability • 40% Energy • 43% Liveness
68% Instrumentalness • 55% Positiveness
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Gaetano Donizetti
L'elisir d'amore: Overture (Preludio)
139 bpm • D Maj • 02:41 • -24.99db
17% Popularity • 25% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 12% Positiveness
17% Popularity • 25% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 12% Positiveness
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Chor der Deutschen Oper Berlin
Carmen: Habt ihr gehört? / Leichter Rau...
125 bpm • E Maj • 05:36 • -22db
8% Popularity • 27% Danceability • 7% Energy • 7% Liveness
53% Instrumentalness • 6% Positiveness
8% Popularity • 27% Danceability • 7% Energy • 7% Liveness
53% Instrumentalness • 6% Positiveness
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Franz Lehár
Nechledil March
124 bpm • F Maj • 02:42 • -12.01db
19% Popularity • 49% Danceability • 53% Energy • 85% Liveness
94% Instrumentalness • 61% Positiveness
19% Popularity • 49% Danceability • 53% Energy • 85% Liveness
94% Instrumentalness • 61% Positiveness
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Luciano Berio
Ritirata notturna di Madrid (arr. L. Ber...
124 bpm • C Maj • 07:14 • -27db
1% Popularity • 31% Danceability • 6% Energy • 66% Liveness
59% Instrumentalness • 20% Positiveness
1% Popularity • 31% Danceability • 6% Energy • 66% Liveness
59% Instrumentalness • 20% Positiveness
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Vincenzo Bellini
Norma: Sinfonia
140 bpm • G Maj • 06:08 • -17.53db
14% Popularity • 24% Danceability • 8% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
14% Popularity • 24% Danceability • 8% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
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Narciso Yepes
Concierto de Aranjuez: I. Allegro Con Sp...
124 bpm • D Maj • 05:55 • -13db
9% Popularity • 55% Danceability • 32% Energy • 16% Liveness
88% Instrumentalness • 50% Positiveness
9% Popularity • 55% Danceability • 32% Energy • 16% Liveness
88% Instrumentalness • 50% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 1:...
124 bpm • G Maj • 05:06 • -17db
8% Popularity • 46% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 46% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Orquesta Nacional De BerlÃn
CaballerÃa Ligera
124 bpm • A Maj • 06:45 • -16db
15% Popularity • 34% Danceability • 32% Energy • 10% Liveness
84% Instrumentalness • 17% Positiveness
15% Popularity • 34% Danceability • 32% Energy • 10% Liveness
84% Instrumentalness • 17% Positiveness
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Amadeo Vives
Bohemios: Coro de Bohemios
124 bpm • G# Maj • 02:46 • -13.4db
22% Popularity • 51% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 51% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 1: IV. Aragonais...
123 bpm • D min • 02:14 • -20db
35% Popularity • 42% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
35% Popularity • 42% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Vincenzo Bellini
Bellini: Norma: Sinfonia
141 bpm • G Maj • 05:39 • -17db
21% Popularity • 24% Danceability • 10% Energy • 8% Liveness
92% Instrumentalness • 15% Positiveness
21% Popularity • 24% Danceability • 10% Energy • 8% Liveness
92% Instrumentalness • 15% Positiveness
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Chor der Staatsoper Wien
Giuseppe Verdi: Rigoletto - Scorrendo un...
123 bpm • A Maj • 01:45 • -21db
15% Popularity • 44% Danceability • 28% Energy • 14% Liveness
1% Instrumentalness • 80% Positiveness
15% Popularity • 44% Danceability • 28% Energy • 14% Liveness
1% Instrumentalness • 80% Positiveness
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La Orquesta Y Coros Del Festival De Praga
Obertura Caballeria Ligeria
123 bpm • A Maj • 06:51 • -19.95db
9% Popularity • 34% Danceability • 24% Energy • 9% Liveness
81% Instrumentalness • 13% Positiveness
9% Popularity • 34% Danceability • 24% Energy • 9% Liveness
81% Instrumentalness • 13% Positiveness
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Choir and Orchestra of the Budapest State Opera
Chorus Of The Hebrew Slaves (Nabucco)
142 bpm • C# Maj • 04:22 • -22db
32% Popularity • 20% Danceability • 3% Energy • 33% Liveness
24% Instrumentalness • 8% Positiveness
32% Popularity • 20% Danceability • 3% Energy • 33% Liveness
24% Instrumentalness • 8% Positiveness
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Ruggero Leoncavallo
Pagliacci / Prologue: Prelude
142 bpm • G Maj • 02:39 • -24db
10% Popularity • 37% Danceability • 4% Energy • 17% Liveness
71% Instrumentalness • 6% Positiveness
10% Popularity • 37% Danceability • 4% Energy • 17% Liveness
71% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Mendelssohn: Elijah, Op. 70, MWV A25, Pt...
123 bpm • F Maj • 02:50 • -23.35db
2% Popularity • 17% Danceability • 7% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
2% Popularity • 17% Danceability • 7% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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La Orquestra Festival Praga
España - Alternate Mix
122 bpm • F Maj • 06:32 • -20db
9% Popularity • 33% Danceability • 16% Energy • 4% Liveness
92% Instrumentalness • 30% Positiveness
9% Popularity • 33% Danceability • 16% Energy • 4% Liveness
92% Instrumentalness • 30% Positiveness
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Chor der Staatsoper Wien
Wolfgang Amadeus Mozart: Die Zauberflöt...
123 bpm • D# Maj • 01:20 • -11.97db
9% Popularity • 55% Danceability • 40% Energy • 7% Liveness
1% Instrumentalness • 54% Positiveness
9% Popularity • 55% Danceability • 40% Energy • 7% Liveness
1% Instrumentalness • 54% Positiveness
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Igor Stravinsky
Le Sacre du Printemps, Part 2 "The Sacri...
122 bpm • A# Maj • 01:39 • -16.79db
0% Popularity • 45% Danceability • 39% Energy • 33% Liveness
95% Instrumentalness • 7% Positiveness
0% Popularity • 45% Danceability • 39% Energy • 33% Liveness
95% Instrumentalness • 7% Positiveness
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Ataúlfo Argenta
Bohemios
122 bpm • A# Maj • 01:55 • -11db
14% Popularity • 33% Danceability • 24% Energy • 30% Liveness
96% Instrumentalness • 31% Positiveness
14% Popularity • 33% Danceability • 24% Energy • 30% Liveness
96% Instrumentalness • 31% Positiveness
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Orquesta Sinfónica Y Coro De La RAI De Roma
Aria ¨Non Piu Andrai, Farfallone Amoros...
122 bpm • C Maj • 03:55 • -16.69db
3% Popularity • 63% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
3% Popularity • 63% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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JoaquÃn Rodrigo
Fantasia para un Gentil Hombre: Danza de...
122 bpm • C Maj • 02:06 • -15.01db
0% Popularity • 71% Danceability • 18% Energy • 9% Liveness
94% Instrumentalness • 66% Positiveness
0% Popularity • 71% Danceability • 18% Energy • 9% Liveness
94% Instrumentalness • 66% Positiveness
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Nati Mistral
Tango de Menegilda
143 bpm • A min • 03:27 • -7.08db
19% Popularity • 48% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
19% Popularity • 48% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
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Gioacchino Rossini
Rossini: La Cenerentola, Act 2: "Nacqui ...
122 bpm • E Maj • 06:22 • -15.82db
10% Popularity • 39% Danceability • 8% Energy • 56% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 39% Danceability • 8% Energy • 56% Liveness
0% Instrumentalness • 8% Positiveness
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Gran Orquesta Vienesa
La Marcha Radetzky
122 bpm • G min • 02:37 • -7.42db
20% Popularity • 73% Danceability • 73% Energy • 16% Liveness
91% Instrumentalness • 83% Positiveness
20% Popularity • 73% Danceability • 73% Energy • 16% Liveness
91% Instrumentalness • 83% Positiveness
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Carl Orff
Orff: Carmina Burana, Introduction, Fort...
122 bpm • D min • 02:49 • -15.31db
2% Popularity • 37% Danceability • 9% Energy • 64% Liveness
8% Instrumentalness • 46% Positiveness
2% Popularity • 37% Danceability • 9% Energy • 64% Liveness
8% Instrumentalness • 46% Positiveness
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English Brass Ensemble
Serenade in G, Eine Kleine Nachtmusik, K...
143 bpm • A# Maj • 08:00 • -21db
8% Popularity • 49% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 58% Positiveness
8% Popularity • 49% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 58% Positiveness
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Teresa Berganza
El Barberillo de Lavapies (Canción de P...
143 bpm • A Maj • 02:54 • -11db
15% Popularity • 60% Danceability • 33% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 60% Danceability • 33% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
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Felix Mendelssohn
Mendelssohn: Elijah, Op. 70, MWV A25, Pt...
122 bpm • A min • 01:32 • -14.08db
2% Popularity • 45% Danceability • 49% Energy • 14% Liveness
86% Instrumentalness • 34% Positiveness
2% Popularity • 45% Danceability • 49% Energy • 14% Liveness
86% Instrumentalness • 34% Positiveness
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Tomás Bretón
La Verbena de la Paloma: Escena
143 bpm • E Maj • 04:25 • -17db
14% Popularity • 47% Danceability • 22% Energy • 60% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 47% Danceability • 22% Energy • 60% Liveness
0% Instrumentalness • 34% Positiveness
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Gaetano Donizetti
Linda di Chamounix, A. 62, Act I Scene 3...
144 bpm • D Maj • 01:23 • -22.33db
44% Popularity • 29% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
44% Popularity • 29% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Coros Cantores De Madrid
Mazurca de las Sombrillas
144 bpm • A# Maj • 04:53 • -13.16db
11% Popularity • 36% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 36% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Orquesta Filarmonica de Rumania
El Murcielago
144 bpm • G Maj • 01:52 • -10db
29% Popularity • 28% Danceability • 23% Energy • 15% Liveness
65% Instrumentalness • 24% Positiveness
29% Popularity • 28% Danceability • 23% Energy • 15% Liveness
65% Instrumentalness • 24% Positiveness
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Teresa Berganza
La Chulapona: "Como Soy Chulapona"
121 bpm • G Maj • 02:58 • -14.56db
12% Popularity • 55% Danceability • 32% Energy • 47% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 55% Danceability • 32% Energy • 47% Liveness
0% Instrumentalness • 35% Positiveness
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JoaquÃn Rodrigo
Fantasia para un Gentil Hombre: Canario
144 bpm • D Maj • 05:09 • -18.73db
0% Popularity • 59% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
0% Popularity • 59% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
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Felix Mendelssohn
Mendelssohn: Elijah, Op. 70, MWV A25, Pt...
121 bpm • D Maj • 02:10 • -13.65db
2% Popularity • 34% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
2% Popularity • 34% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Manuel de Falla
Falla: El sombrero de tres picos: Introd...
144 bpm • C# Maj • 01:31 • -14.63db
1% Popularity • 44% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
1% Popularity • 44% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Charles Gounod
Marcha Funebre para una Marioneta / Goun...
121 bpm • D min • 03:30 • -25db
10% Popularity • 45% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 28% Positiveness
10% Popularity • 45% Danceability • 7% Energy • 10% Liveness
84% Instrumentalness • 28% Positiveness
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Federico Moreno Torroba
La Marchenera: "Preludio"
120 bpm • A# Maj • 04:55 • -12.86db
11% Popularity • 33% Danceability • 36% Energy • 24% Liveness
81% Instrumentalness • 36% Positiveness
11% Popularity • 33% Danceability • 36% Energy • 24% Liveness
81% Instrumentalness • 36% Positiveness
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Edvard Grieg
Melodies of the Heart, Op. 5: II. Jeg el...
120 bpm • D Maj • 02:36 • -16.86db
0% Popularity • 27% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 27% Danceability • 12% Energy • 35% Liveness
0% Instrumentalness • 8% Positiveness
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JoaquÃn Rodrigo
Cuatro Madrigales amatorios (Traditional...
120 bpm • A Maj • 02:00 • -19.31db
0% Popularity • 50% Danceability • 19% Energy • 36% Liveness
1% Instrumentalness • 66% Positiveness
0% Popularity • 50% Danceability • 19% Energy • 36% Liveness
1% Instrumentalness • 66% Positiveness
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Felix Mendelssohn
Mendelssohn: Elijah, Op. 70, MWV A25, Pt...
120 bpm • G Maj • 04:12 • -14.94db
2% Popularity • 26% Danceability • 26% Energy • 21% Liveness
89% Instrumentalness • 15% Positiveness
2% Popularity • 26% Danceability • 26% Energy • 21% Liveness
89% Instrumentalness • 15% Positiveness
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Manuel de Falla
Falla: The Three-Cornered Hat, Pt. 1: Fa...
120 bpm • G Maj • 01:57 • -15.03db
0% Popularity • 46% Danceability • 18% Energy • 20% Liveness
63% Instrumentalness • 42% Positiveness
0% Popularity • 46% Danceability • 18% Energy • 20% Liveness
63% Instrumentalness • 42% Positiveness
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Louis Spohr
Clarinet Concerto No. 2 in E-Flat Major,...
120 bpm • A# Maj • 11:41 • -23.94db
0% Popularity • 29% Danceability • 7% Energy • 40% Liveness
86% Instrumentalness • 20% Positiveness
0% Popularity • 29% Danceability • 7% Energy • 40% Liveness
86% Instrumentalness • 20% Positiveness
► Preview
Teresa Berganza
El Barberillo de Lavapiés: "Canción de...
144 bpm • A Maj • 02:52 • -6db
23% Popularity • 57% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 57% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
► Preview
Federico Moreno Torroba
Luisa Fernanda: Mazurca de las Sombrilla...
145 bpm • A# Maj • 04:45 • -21db
8% Popularity • 35% Danceability • 9% Energy • 58% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 35% Danceability • 9% Energy • 58% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Orquesta Sinfónica Española
Fiel Espada Triunfadora
120 bpm • B Maj • 02:45 • -14.12db
13% Popularity • 42% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 38% Positiveness
13% Popularity • 42% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 38% Positiveness
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Vincenzo Bellini
La Norma: Ouverture
146 bpm • G Maj • 05:17 • -16db
16% Popularity • 26% Danceability • 19% Energy • 9% Liveness
85% Instrumentalness • 17% Positiveness
16% Popularity • 26% Danceability • 19% Energy • 9% Liveness
85% Instrumentalness • 17% Positiveness
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Manuel de Falla
Falla: The Three-Cornered Hat: Introduct...
145 bpm • C# Maj • 01:30 • -15.63db
1% Popularity • 44% Danceability • 81% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
1% Popularity • 44% Danceability • 81% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
► Preview
Gioachino Rossini
Sonata for Strings No. 6 in D Major, "La...
146 bpm • D Maj • 05:35 • -21db
17% Popularity • 29% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness
17% Popularity • 29% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness
