Songs like El Colegio De Alvarito - Original Mix by Javier Bergia
Based on a tempo of (+/- 10%) and a similar genre
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The Zenmenn
Salad Bar
115 bpm • E Maj • 04:21 • -10.73db
28% Popularity • 70% Danceability • 51% Energy • 10% Liveness
21% Instrumentalness • 71% Positiveness
28% Popularity • 70% Danceability • 51% Energy • 10% Liveness
21% Instrumentalness • 71% Positiveness
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Peter Gordon & Love of Life Orchestra
Still You
115 bpm • B min • 07:43 • -5db
32% Popularity • 68% Danceability • 83% Energy • 7% Liveness
77% Instrumentalness • 93% Positiveness
32% Popularity • 68% Danceability • 83% Energy • 7% Liveness
77% Instrumentalness • 93% Positiveness
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Linda Di Franco
My Boss - Extended Remix
115 bpm • A min • 05:46 • -15.55db
23% Popularity • 80% Danceability • 52% Energy • 36% Liveness
5% Instrumentalness • 91% Positiveness
23% Popularity • 80% Danceability • 52% Energy • 36% Liveness
5% Instrumentalness • 91% Positiveness
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Javier Bergia
Punto y aparte
115 bpm • F# min • 04:09 • -17.03db
0% Popularity • 42% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
0% Popularity • 42% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Bullion
Heaven Is Over
115 bpm • C Maj • 03:44 • -9.98db
27% Popularity • 83% Danceability • 38% Energy • 13% Liveness
94% Instrumentalness • 90% Positiveness
27% Popularity • 83% Danceability • 38% Energy • 13% Liveness
94% Instrumentalness • 90% Positiveness
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Arthur Russell
In The Light Of The Miracle
115 bpm • G# Maj • 06:05 • -17.83db
19% Popularity • 75% Danceability • 60% Energy • 18% Liveness
53% Instrumentalness • 41% Positiveness
19% Popularity • 75% Danceability • 60% Energy • 18% Liveness
53% Instrumentalness • 41% Positiveness
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Jake Hottell
Horizon
115 bpm • D Maj • 03:20 • -12db
31% Popularity • 70% Danceability • 35% Energy • 13% Liveness
65% Instrumentalness • 27% Positiveness
31% Popularity • 70% Danceability • 35% Energy • 13% Liveness
65% Instrumentalness • 27% Positiveness
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Todd Rundgren
Healing, Pt. 1 - 2015 Remaster
115 bpm • C Maj • 07:28 • -12.01db
35% Popularity • 57% Danceability • 46% Energy • 16% Liveness
11% Instrumentalness • 74% Positiveness
35% Popularity • 57% Danceability • 46% Energy • 16% Liveness
11% Instrumentalness • 74% Positiveness
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Admas
Bahta's Highlife
114 bpm • C Maj • 06:00 • -10.92db
18% Popularity • 74% Danceability • 70% Energy • 9% Liveness
91% Instrumentalness • 94% Positiveness
18% Popularity • 74% Danceability • 70% Energy • 9% Liveness
91% Instrumentalness • 94% Positiveness
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Salty Miller
One More Time
116 bpm • A min • 03:09 • -5.59db
19% Popularity • 44% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 44% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Free Fantasy
Caroline
114 bpm • F Maj • 03:27 • -10.92db
9% Popularity • 58% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
9% Popularity • 58% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
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Saskia
You Left Your Soul Behind
116 bpm • A# min • 05:07 • -16.63db
31% Popularity • 73% Danceability • 35% Energy • 27% Liveness
85% Instrumentalness • 52% Positiveness
31% Popularity • 73% Danceability • 35% Energy • 27% Liveness
85% Instrumentalness • 52% Positiveness
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Carrie Cleveland
Love Will Set You Free
114 bpm • F min • 05:48 • -8.35db
33% Popularity • 81% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 81% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Frank Harris
Loveroom
116 bpm • B min • 03:59 • -7.77db
31% Popularity • 78% Danceability • 51% Energy • 57% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 78% Danceability • 51% Energy • 57% Liveness
0% Instrumentalness • 73% Positiveness
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Ronald Langestraat
Lowdown
116 bpm • B min • 04:15 • -11db
34% Popularity • 81% Danceability • 62% Energy • 8% Liveness
16% Instrumentalness • 83% Positiveness
34% Popularity • 81% Danceability • 62% Energy • 8% Liveness
16% Instrumentalness • 83% Positiveness
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Rob Mehl
House On The Rock
114 bpm • F# Maj • 03:25 • -10db
30% Popularity • 95% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 95% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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John Martyn
Save Some (For Me)
116 bpm • F min • 03:31 • -19.8db
13% Popularity • 66% Danceability • 36% Energy • 9% Liveness
4% Instrumentalness • 66% Positiveness
13% Popularity • 66% Danceability • 36% Energy • 9% Liveness
4% Instrumentalness • 66% Positiveness
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The Durutti Column
Neon
114 bpm • A# Maj • 06:30 • -12.23db
13% Popularity • 54% Danceability • 53% Energy • 9% Liveness
71% Instrumentalness • 48% Positiveness
13% Popularity • 54% Danceability • 53% Energy • 9% Liveness
71% Instrumentalness • 48% Positiveness
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Omar S
Sky Train - Chattanooga, Tn Mix
114 bpm • A Maj • 05:44 • -16.53db
19% Popularity • 83% Danceability • 27% Energy • 10% Liveness
80% Instrumentalness • 83% Positiveness
19% Popularity • 83% Danceability • 27% Energy • 10% Liveness
80% Instrumentalness • 83% Positiveness
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Javier Bergia
Por Tu Puerta
116 bpm • C min • 05:07 • -14.95db
0% Popularity • 84% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 84% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Elite Beat
Postcards from Gortupal
116 bpm • A Maj • 07:26 • -11.89db
12% Popularity • 70% Danceability • 53% Energy • 10% Liveness
93% Instrumentalness • 61% Positiveness
12% Popularity • 70% Danceability • 53% Energy • 10% Liveness
93% Instrumentalness • 61% Positiveness
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Richenel
Autumn
114 bpm • G# min • 06:29 • -9db
30% Popularity • 78% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 78% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Joe Tossini
Tomorrow May Never Come
114 bpm • C min • 04:58 • -11.86db
11% Popularity • 82% Danceability • 12% Energy • 14% Liveness
5% Instrumentalness • 55% Positiveness
11% Popularity • 82% Danceability • 12% Energy • 14% Liveness
5% Instrumentalness • 55% Positiveness
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Sugar Cane
What You Do To Me
116 bpm • E min • 03:12 • -9.86db
12% Popularity • 55% Danceability • 39% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 55% Danceability • 39% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
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Robert Wyatt
At Last I Am Free
114 bpm • F min • 04:17 • -11db
33% Popularity • 45% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 45% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Alle
Og synthesizer
113 bpm • D min • 03:22 • -15.25db
25% Popularity • 90% Danceability • 39% Energy • 8% Liveness
87% Instrumentalness • 79% Positiveness
25% Popularity • 90% Danceability • 39% Energy • 8% Liveness
87% Instrumentalness • 79% Positiveness
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Javier Bergia
La Pobreza y el Dinero
113 bpm • F Maj • 03:54 • -9.05db
4% Popularity • 53% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
4% Popularity • 53% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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RVDS
Minuet de Vampire
117 bpm • C min • 05:43 • -14.77db
11% Popularity • 77% Danceability • 32% Energy • 12% Liveness
94% Instrumentalness • 80% Positiveness
11% Popularity • 77% Danceability • 32% Energy • 12% Liveness
94% Instrumentalness • 80% Positiveness
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White Light
I Want You To Know Me
113 bpm • A Maj • 05:48 • -12.8db
31% Popularity • 82% Danceability • 42% Energy • 11% Liveness
49% Instrumentalness • 46% Positiveness
31% Popularity • 82% Danceability • 42% Energy • 11% Liveness
49% Instrumentalness • 46% Positiveness
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Guy Cuevas
Obsession - The Nassau Mix
117 bpm • F# Maj • 05:57 • -13.58db
31% Popularity • 80% Danceability • 59% Energy • 15% Liveness
5% Instrumentalness • 79% Positiveness
31% Popularity • 80% Danceability • 59% Energy • 15% Liveness
5% Instrumentalness • 79% Positiveness
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Laura Michele
You Always Hurt the One You Love
113 bpm • E Maj • 05:35 • -9.62db
32% Popularity • 82% Danceability • 53% Energy • 4% Liveness
16% Instrumentalness • 96% Positiveness
32% Popularity • 82% Danceability • 53% Energy • 4% Liveness
16% Instrumentalness • 96% Positiveness
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Maxwell Udoh
I Like It (Don't Stop)
117 bpm • F# min • 06:26 • -7.04db
26% Popularity • 79% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
26% Popularity • 79% Danceability • 81% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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La Guinda
Jamás Me CasarÃa Con un Pirata
117 bpm • A min • 04:01 • -8.24db
10% Popularity • 71% Danceability • 58% Energy • 22% Liveness
6% Instrumentalness • 62% Positiveness
10% Popularity • 71% Danceability • 58% Energy • 22% Liveness
6% Instrumentalness • 62% Positiveness
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Tony Esposito
Danza dell'acqua
113 bpm • A Maj • 05:08 • -19.99db
28% Popularity • 70% Danceability • 51% Energy • 10% Liveness
93% Instrumentalness • 84% Positiveness
28% Popularity • 70% Danceability • 51% Energy • 10% Liveness
93% Instrumentalness • 84% Positiveness
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Astrud Gilberto
All I’ve Got
112 bpm • G Maj • 06:11 • -15db
19% Popularity • 77% Danceability • 58% Energy • 13% Liveness
65% Instrumentalness • 96% Positiveness
19% Popularity • 77% Danceability • 58% Energy • 13% Liveness
65% Instrumentalness • 96% Positiveness
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Javier Bergia
Un Tren
112 bpm • E Maj • 03:16 • -8.61db
0% Popularity • 79% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 79% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Ed Longo
Love On the Line
112 bpm • D min • 06:21 • -12.31db
29% Popularity • 78% Danceability • 61% Energy • 11% Liveness
22% Instrumentalness • 79% Positiveness
29% Popularity • 78% Danceability • 61% Energy • 11% Liveness
22% Instrumentalness • 79% Positiveness
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Lost Gringos
Tambo Machay
118 bpm • A# min • 04:48 • -5.16db
15% Popularity • 66% Danceability • 78% Energy • 33% Liveness
12% Instrumentalness • 74% Positiveness
15% Popularity • 66% Danceability • 78% Energy • 33% Liveness
12% Instrumentalness • 74% Positiveness
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MJ Lallo
Galaxy Latina
112 bpm • C# Maj • 04:56 • -16db
9% Popularity • 67% Danceability • 66% Energy • 12% Liveness
59% Instrumentalness • 85% Positiveness
9% Popularity • 67% Danceability • 66% Energy • 12% Liveness
59% Instrumentalness • 85% Positiveness
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Arthur Russell
You And Me Both
112 bpm • D Maj • 03:45 • -9.7db
27% Popularity • 86% Danceability • 43% Energy • 19% Liveness
12% Instrumentalness • 59% Positiveness
27% Popularity • 86% Danceability • 43% Energy • 19% Liveness
12% Instrumentalness • 59% Positiveness
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Voyage De Charme
Hôtel Des Savanes - Instrumental
112 bpm • C Maj • 04:46 • -5.46db
11% Popularity • 71% Danceability • 86% Energy • 12% Liveness
47% Instrumentalness • 96% Positiveness
11% Popularity • 71% Danceability • 86% Energy • 12% Liveness
47% Instrumentalness • 96% Positiveness
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Jaume Escala
Ciutat
112 bpm • F min • 04:42 • -9.67db
11% Popularity • 89% Danceability • 50% Energy • 13% Liveness
3% Instrumentalness • 82% Positiveness
11% Popularity • 89% Danceability • 50% Energy • 13% Liveness
3% Instrumentalness • 82% Positiveness
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Nick Carr
Swahili
112 bpm • B Maj • 05:06 • -9.07db
21% Popularity • 70% Danceability • 64% Energy • 7% Liveness
9% Instrumentalness • 72% Positiveness
21% Popularity • 70% Danceability • 64% Energy • 7% Liveness
9% Instrumentalness • 72% Positiveness
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Swamp Children
You've Got Me Beat
111 bpm • E min • 04:54 • -17db
18% Popularity • 61% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 61% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Admas
Anchi Bale Game
119 bpm • A# min • 05:14 • -9.78db
36% Popularity • 55% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 55% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Stephen Bell-Booth
Come On Kate
111 bpm • G# Maj • 03:51 • -13db
12% Popularity • 80% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 80% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Nathalie David
Coup De Foudre - Instrumental
112 bpm • D min • 04:05 • -7.15db
10% Popularity • 73% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 67% Positiveness
10% Popularity • 73% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 67% Positiveness
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Double
Woman of the World - Long Instrumental V...
111 bpm • C Maj • 04:39 • -17.54db
22% Popularity • 78% Danceability • 34% Energy • 8% Liveness
88% Instrumentalness • 77% Positiveness
22% Popularity • 78% Danceability • 34% Energy • 8% Liveness
88% Instrumentalness • 77% Positiveness
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Tornado Wallace
Today
119 bpm • D Maj • 04:57 • -10.17db
31% Popularity • 86% Danceability • 37% Energy • 8% Liveness
79% Instrumentalness • 46% Positiveness
31% Popularity • 86% Danceability • 37% Energy • 8% Liveness
79% Instrumentalness • 46% Positiveness
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Miko & Mubare
Komoma YaÂ-Ya-ÂYa
119 bpm • G# Maj • 04:19 • -9.96db
18% Popularity • 78% Danceability • 55% Energy • 13% Liveness
77% Instrumentalness • 65% Positiveness
18% Popularity • 78% Danceability • 55% Energy • 13% Liveness
77% Instrumentalness • 65% Positiveness
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Javier Bergia
La Oracion Y El Te
119 bpm • C# min • 03:17 • -8.59db
1% Popularity • 70% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
1% Popularity • 70% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Carrie Cleveland
Make Love to Me - 7" Promotional Version
119 bpm • C Maj • 03:09 • -7.82db
27% Popularity • 72% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 72% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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SunPalace
Love Train II
111 bpm • C Maj • 04:50 • -8.65db
12% Popularity • 75% Danceability • 82% Energy • 10% Liveness
82% Instrumentalness • 77% Positiveness
12% Popularity • 75% Danceability • 82% Energy • 10% Liveness
82% Instrumentalness • 77% Positiveness
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The Zenmenn
Stairway To Heaven
111 bpm • C# Maj • 05:15 • -13.77db
18% Popularity • 44% Danceability • 31% Energy • 11% Liveness
3% Instrumentalness • 13% Positiveness
18% Popularity • 44% Danceability • 31% Energy • 11% Liveness
3% Instrumentalness • 13% Positiveness
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Baba Stiltz
Taix
119 bpm • E min • 02:44 • -5.93db
24% Popularity • 66% Danceability • 68% Energy • 20% Liveness
94% Instrumentalness • 73% Positiveness
24% Popularity • 66% Danceability • 68% Energy • 20% Liveness
94% Instrumentalness • 73% Positiveness
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Mamman Sani
Dangay Kotyo
111 bpm • D min • 04:16 • -12.33db
16% Popularity • 58% Danceability • 56% Energy • 17% Liveness
94% Instrumentalness • 20% Positiveness
16% Popularity • 58% Danceability • 56% Energy • 17% Liveness
94% Instrumentalness • 20% Positiveness
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Double
Woman of the World - Long Version
111 bpm • G Maj • 05:17 • -16.25db
14% Popularity • 78% Danceability • 34% Energy • 10% Liveness
77% Instrumentalness • 58% Positiveness
14% Popularity • 78% Danceability • 34% Energy • 10% Liveness
77% Instrumentalness • 58% Positiveness
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Tommy Mandel
Friend
120 bpm • F Maj • 04:26 • -8.41db
12% Popularity • 64% Danceability • 73% Energy • 14% Liveness
2% Instrumentalness • 65% Positiveness
12% Popularity • 64% Danceability • 73% Energy • 14% Liveness
2% Instrumentalness • 65% Positiveness
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Judie Tzuke
Shoot from the Heart
111 bpm • F min • 04:26 • -17.08db
36% Popularity • 70% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
36% Popularity • 70% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Aged In Harmony
Theme For Someone Special
120 bpm • A Maj • 04:19 • -11.45db
22% Popularity • 75% Danceability • 64% Energy • 17% Liveness
77% Instrumentalness • 72% Positiveness
22% Popularity • 75% Danceability • 64% Energy • 17% Liveness
77% Instrumentalness • 72% Positiveness
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The Zenmenn
Bamboo Garden
110 bpm • G Maj • 04:51 • -11.14db
21% Popularity • 59% Danceability • 25% Energy • 12% Liveness
53% Instrumentalness • 52% Positiveness
21% Popularity • 59% Danceability • 25% Energy • 12% Liveness
53% Instrumentalness • 52% Positiveness
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Mudd
Summer in the Wood
120 bpm • G Maj • 06:42 • -11.76db
12% Popularity • 72% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 72% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Tornado Wallace
Healing Feeling
120 bpm • F min • 03:47 • -12.3db
20% Popularity • 75% Danceability • 28% Energy • 7% Liveness
86% Instrumentalness • 44% Positiveness
20% Popularity • 75% Danceability • 28% Energy • 7% Liveness
86% Instrumentalness • 44% Positiveness
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Pablo Color
Parasol (7 Pm)
120 bpm • E min • 04:24 • -10.64db
12% Popularity • 75% Danceability • 55% Energy • 8% Liveness
86% Instrumentalness • 92% Positiveness
12% Popularity • 75% Danceability • 55% Energy • 8% Liveness
86% Instrumentalness • 92% Positiveness
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Sean Nicholas Savage
Moonlight Lady
120 bpm • F# min • 03:15 • -9.15db
30% Popularity • 64% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 64% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Prins Emanuel
Seaside View
120 bpm • E min • 03:43 • -10.92db
22% Popularity • 84% Danceability • 69% Energy • 12% Liveness
84% Instrumentalness • 72% Positiveness
22% Popularity • 84% Danceability • 69% Energy • 12% Liveness
84% Instrumentalness • 72% Positiveness
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Luis Delgado
Prabujee
120 bpm • A Maj • 04:23 • -11.25db
0% Popularity • 43% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 43% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Germán Bringas
Caminatas
120 bpm • G min • 04:47 • -6.21db
13% Popularity • 47% Danceability • 42% Energy • 11% Liveness
61% Instrumentalness • 24% Positiveness
13% Popularity • 47% Danceability • 42% Energy • 11% Liveness
61% Instrumentalness • 24% Positiveness
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Sally Oldfield
Blue Water
120 bpm • G min • 08:09 • -8.72db
37% Popularity • 56% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 56% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Mark Barrott
The Mysterious Island Of Dr Nimm - Nu Gu...
110 bpm • C Maj • 05:15 • -9.08db
17% Popularity • 82% Danceability • 51% Energy • 33% Liveness
1% Instrumentalness • 67% Positiveness
17% Popularity • 82% Danceability • 51% Energy • 33% Liveness
1% Instrumentalness • 67% Positiveness
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Nu Genea
Howls
110 bpm • D Maj • 04:01 • -13.96db
39% Popularity • 84% Danceability • 66% Energy • 4% Liveness
80% Instrumentalness • 97% Positiveness
39% Popularity • 84% Danceability • 66% Energy • 4% Liveness
80% Instrumentalness • 97% Positiveness
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Javier Bergia
Con Su Pan Se Lo Coma
121 bpm • A Maj • 03:32 • -12.16db
2% Popularity • 39% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
2% Popularity • 39% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
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Lotte Kærså & Græsrødderne
Prøv og Gør Ligesom Jeg
121 bpm • G Maj • 02:52 • -16.08db
15% Popularity • 92% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 92% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Stirling March
Under Cover Lover
121 bpm • D min • 04:57 • -10.02db
33% Popularity • 80% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 79% Positiveness
33% Popularity • 80% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 79% Positiveness
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Antena
To Climb the Cliff
109 bpm • G# Maj • 03:43 • -12.93db
30% Popularity • 62% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 62% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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Krisma
U (I Dig You), Pt. 1
121 bpm • G min • 06:17 • -7.24db
13% Popularity • 41% Danceability • 81% Energy • 18% Liveness
5% Instrumentalness • 85% Positiveness
13% Popularity • 41% Danceability • 81% Energy • 18% Liveness
5% Instrumentalness • 85% Positiveness
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Mark & Suzann Farmer
Dreams
121 bpm • C Maj • 05:08 • -7.01db
20% Popularity • 59% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 59% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Dunkelziffer
This Is How You Came
121 bpm • G Maj • 08:01 • -12db
13% Popularity • 62% Danceability • 69% Energy • 13% Liveness
8% Instrumentalness • 74% Positiveness
13% Popularity • 62% Danceability • 69% Energy • 13% Liveness
8% Instrumentalness • 74% Positiveness
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Karin Krog
Meaning of Love
109 bpm • F Maj • 05:06 • -15db
29% Popularity • 48% Danceability • 58% Energy • 10% Liveness
6% Instrumentalness • 81% Positiveness
29% Popularity • 48% Danceability • 58% Energy • 10% Liveness
6% Instrumentalness • 81% Positiveness
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Ken Dang
Born in Borneo - Jura Soundsystem Edit
109 bpm • E min • 06:05 • -10.19db
15% Popularity • 77% Danceability • 86% Energy • 4% Liveness
46% Instrumentalness • 72% Positiveness
15% Popularity • 77% Danceability • 86% Energy • 4% Liveness
46% Instrumentalness • 72% Positiveness
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Chagrin D'amour
Ciao Katmandou
109 bpm • B Maj • 03:05 • -10.36db
11% Popularity • 75% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 75% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Slippery When Wet
Get Me Hot
109 bpm • F# Maj • 06:52 • -10.99db
13% Popularity • 83% Danceability • 51% Energy • 11% Liveness
4% Instrumentalness • 63% Positiveness
13% Popularity • 83% Danceability • 51% Energy • 11% Liveness
4% Instrumentalness • 63% Positiveness
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The System
Almost Grown
122 bpm • A min • 06:09 • -7.84db
31% Popularity • 58% Danceability • 78% Energy • 6% Liveness
2% Instrumentalness • 51% Positiveness
31% Popularity • 58% Danceability • 78% Energy • 6% Liveness
2% Instrumentalness • 51% Positiveness
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Ashra
Oasis
109 bpm • D Maj • 03:46 • -20.74db
36% Popularity • 70% Danceability • 15% Energy • 11% Liveness
77% Instrumentalness • 60% Positiveness
36% Popularity • 70% Danceability • 15% Energy • 11% Liveness
77% Instrumentalness • 60% Positiveness
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White Feather
Summer Days
121 bpm • C Maj • 04:00 • -13.74db
9% Popularity • 45% Danceability • 50% Energy • 10% Liveness
2% Instrumentalness • 51% Positiveness
9% Popularity • 45% Danceability • 50% Energy • 10% Liveness
2% Instrumentalness • 51% Positiveness
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International Music System
Mojave
109 bpm • C Maj • 05:33 • -10.55db
31% Popularity • 80% Danceability • 72% Energy • 7% Liveness
83% Instrumentalness • 75% Positiveness
31% Popularity • 80% Danceability • 72% Energy • 7% Liveness
83% Instrumentalness • 75% Positiveness
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Special Occasion
Flyin' to Santa Barbara
108 bpm • G# min • 06:34 • -11.31db
20% Popularity • 85% Danceability • 46% Energy • 7% Liveness
85% Instrumentalness • 97% Positiveness
20% Popularity • 85% Danceability • 46% Energy • 7% Liveness
85% Instrumentalness • 97% Positiveness
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Warfield Spillers
Daddy's Little Girl
108 bpm • F min • 04:53 • -13.39db
18% Popularity • 72% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 72% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Laid Back
Fly Away / Walking in the Sunshine - 200...
108 bpm • A min • 08:32 • -10db
42% Popularity • 95% Danceability • 39% Energy • 15% Liveness
50% Instrumentalness • 74% Positiveness
42% Popularity • 95% Danceability • 39% Energy • 15% Liveness
50% Instrumentalness • 74% Positiveness
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Geoffrey Landers
Say You'll Say So
108 bpm • D Maj • 05:09 • -10.57db
34% Popularity • 71% Danceability • 64% Energy • 16% Liveness
3% Instrumentalness • 32% Positiveness
34% Popularity • 71% Danceability • 64% Energy • 16% Liveness
3% Instrumentalness • 32% Positiveness
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CFCF
Chasing
108 bpm • B min • 02:18 • -10.94db
15% Popularity • 51% Danceability • 36% Energy • 13% Liveness
80% Instrumentalness • 36% Positiveness
15% Popularity • 51% Danceability • 36% Energy • 13% Liveness
80% Instrumentalness • 36% Positiveness
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Joseba Gotzon
Soneto Amoroso - En Directo
108 bpm • E min • 05:12 • -7.8db
0% Popularity • 73% Danceability • 49% Energy • 68% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 73% Danceability • 49% Energy • 68% Liveness
0% Instrumentalness • 42% Positiveness
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Eleventeen Eston
It's All Again
108 bpm • C# Maj • 02:48 • -15.4db
13% Popularity • 81% Danceability • 39% Energy • 16% Liveness
83% Instrumentalness • 69% Positiveness
13% Popularity • 81% Danceability • 39% Energy • 16% Liveness
83% Instrumentalness • 69% Positiveness
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Reuben Vaun Smith
Open Chakras
108 bpm • G# min • 07:23 • -4.47db
22% Popularity • 77% Danceability • 79% Energy • 5% Liveness
88% Instrumentalness • 94% Positiveness
22% Popularity • 77% Danceability • 79% Energy • 5% Liveness
88% Instrumentalness • 94% Positiveness
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SunPalace
Rude Movements
108 bpm • G# Maj • 07:51 • -10.21db
26% Popularity • 64% Danceability • 77% Energy • 6% Liveness
81% Instrumentalness • 66% Positiveness
26% Popularity • 64% Danceability • 77% Energy • 6% Liveness
81% Instrumentalness • 66% Positiveness
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Geoffrey Landers
Say You'll Say So
108 bpm • D Maj • 05:06 • -14.71db
29% Popularity • 74% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
29% Popularity • 74% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
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The Durutti Column
Otis
122 bpm • A# Maj • 04:16 • -9.13db
43% Popularity • 47% Danceability • 39% Energy • 48% Liveness
76% Instrumentalness • 8% Positiveness
43% Popularity • 47% Danceability • 39% Energy • 48% Liveness
76% Instrumentalness • 8% Positiveness
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Luis Delgado
El Atardecer 2 "Los Entremeses"
108 bpm • F# Maj • 02:53 • -17.53db
0% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
