Songs like El Cortijo -Granaína- by Juan Carlos Gómez
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Juan Carlos Gómez
El Cortijo -Granaína-
94 bpm • G Maj • 05:00 • -20.04db
0% Popularity • 30% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 54% Positiveness
0% Popularity • 30% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 54% Positiveness
► Preview
Jean Sibelius
4 Pieces for Cello & Piano, Op. 78: No. ...
94 bpm • F Maj • 02:44 • -22.32db
13% Popularity • 17% Danceability • 3% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 3% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
José Pierri Sapere
Gato
94 bpm • E min • 01:47 • -20.91db
15% Popularity • 29% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
15% Popularity • 29% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
► Preview
Nathan Milstein
Paganiniana - Variations for Violin Solo
95 bpm • A min • 09:08 • -19.71db
25% Popularity • 45% Danceability • 5% Energy • 10% Liveness
16% Instrumentalness • 29% Positiveness
25% Popularity • 45% Danceability • 5% Energy • 10% Liveness
16% Instrumentalness • 29% Positiveness
► Preview
Raúl Céspedes
Tres Nocturnos: 1. Lento
94 bpm • G Maj • 01:09 • -35.95db
10% Popularity • 43% Danceability • 0% Energy • 9% Liveness
86% Instrumentalness • 18% Positiveness
10% Popularity • 43% Danceability • 0% Energy • 9% Liveness
86% Instrumentalness • 18% Positiveness
► Preview
Igor Stravinsky
Apollon Musagète, K. 048: II. Variation...
95 bpm • D Maj • 03:08 • -30.51db
9% Popularity • 22% Danceability • 2% Energy • 23% Liveness
2% Instrumentalness • 7% Positiveness
9% Popularity • 22% Danceability • 2% Energy • 23% Liveness
2% Instrumentalness • 7% Positiveness
► Preview
Daniel Akiva
May we sanctify and extol you 1
95 bpm • A Maj • 01:06 • -15.7db
15% Popularity • 33% Danceability • 19% Energy • 25% Liveness
78% Instrumentalness • 28% Positiveness
15% Popularity • 33% Danceability • 19% Energy • 25% Liveness
78% Instrumentalness • 28% Positiveness
► Preview
![Sindbad, ein Märchen (Sinbad, a Fairy Tale), Op. 49: Cycle II: No. 6, Heirat mit der Prinzessin [the Wedding with the Princess] cover art](https://i.scdn.co/image/ab67616d00001e02bbf058552cfadd190d26a4a3)
Carlo Domeniconi
Sindbad, ein Märchen (Sinbad, a Fairy T...
95 bpm • D Maj • 02:35 • -34.58db
20% Popularity • 20% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 15% Positiveness
20% Popularity • 20% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 15% Positiveness
► Preview
Carrie Baynes
Summer
93 bpm • D min • 02:24 • -20.25db
25% Popularity • 16% Danceability • 14% Energy • 38% Liveness
43% Instrumentalness • 15% Positiveness
25% Popularity • 16% Danceability • 14% Energy • 38% Liveness
43% Instrumentalness • 15% Positiveness
► Preview
Johann Sebastian Bach
Toccata and Fugue in D Minor, BWV 565 (A...
95 bpm • G min • 06:02 • -17.08db
12% Popularity • 37% Danceability • 36% Energy • 12% Liveness
90% Instrumentalness • 71% Positiveness
12% Popularity • 37% Danceability • 36% Energy • 12% Liveness
90% Instrumentalness • 71% Positiveness
► Preview
Giovanni Sollima
Sollima: When We Were Trees: The Family ...
93 bpm • G# min • 04:29 • -13.49db
16% Popularity • 40% Danceability • 40% Energy • 24% Liveness
91% Instrumentalness • 72% Positiveness
16% Popularity • 40% Danceability • 40% Energy • 24% Liveness
91% Instrumentalness • 72% Positiveness
► Preview
Juan Carlos Gómez
Era una mañana de otoño cuando el su...
95 bpm • D Maj • 02:24 • -7.05db
0% Popularity • 51% Danceability • 59% Energy • 11% Liveness
92% Instrumentalness • 41% Positiveness
0% Popularity • 51% Danceability • 59% Energy • 11% Liveness
92% Instrumentalness • 41% Positiveness
► Preview
Anja Linder
Piano Trio No. 2 in E-Flat Major, D. 929...
93 bpm • C min • 09:28 • -18.07db
21% Popularity • 32% Danceability • 5% Energy • 11% Liveness
32% Instrumentalness • 10% Positiveness
21% Popularity • 32% Danceability • 5% Energy • 11% Liveness
32% Instrumentalness • 10% Positiveness
► Preview
Manuel de Falla
Suite populaire espagnole (Arr. for Cell...
95 bpm • A min • 02:27 • -34.89db
14% Popularity • 15% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 11% Positiveness
14% Popularity • 15% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 11% Positiveness
► Preview
Pau Cladera Marroig
A l'era, Sota el Sol
95 bpm • F# min • 05:07 • -23.48db
8% Popularity • 31% Danceability • 3% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
8% Popularity • 31% Danceability • 3% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
► Preview
Traditional Venezuelan
Tus ojos son mi encanto
93 bpm • A Maj • 01:16 • -21.07db
11% Popularity • 37% Danceability • 15% Energy • 8% Liveness
97% Instrumentalness • 48% Positiveness
11% Popularity • 37% Danceability • 15% Energy • 8% Liveness
97% Instrumentalness • 48% Positiveness
► Preview
Mathias Proenza
Balaur
95 bpm • G min • 03:16 • -21.81db
17% Popularity • 34% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 29% Positiveness
17% Popularity • 34% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 29% Positiveness
► Preview
Juan Carlos Gómez
Se miraron, se sintieron y el café sup...
93 bpm • D min • 02:05 • -6.29db
0% Popularity • 75% Danceability • 56% Energy • 9% Liveness
91% Instrumentalness • 34% Positiveness
0% Popularity • 75% Danceability • 56% Energy • 9% Liveness
91% Instrumentalness • 34% Positiveness
► Preview
Manuel Ponce
Estrellita
95 bpm • F# Maj • 03:37 • -14.91db
10% Popularity • 30% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 30% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Federico Mompou
Impresiones íntimas (Arr. for 2 Guitars...
96 bpm • A Maj • 02:35 • -27db
13% Popularity • 59% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 30% Positiveness
13% Popularity • 59% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 30% Positiveness
► Preview
Pau Cladera Marroig
Figues, Ametlles i Tàperes
95 bpm • B min • 03:04 • -19.79db
8% Popularity • 21% Danceability • 12% Energy • 11% Liveness
98% Instrumentalness • 10% Positiveness
8% Popularity • 21% Danceability • 12% Energy • 11% Liveness
98% Instrumentalness • 10% Positiveness
► Preview
Jonatan Alvarado
Estilo criollo, Op.8 No.4
93 bpm • E min • 02:06 • -36.5db
8% Popularity • 39% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 22% Positiveness
8% Popularity • 39% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 22% Positiveness
► Preview
Manuel de Falla
7 Canciones Populares Españolas (Arr. R...
96 bpm • A min • 01:46 • -24db
10% Popularity • 29% Danceability • 3% Energy • 9% Liveness
81% Instrumentalness • 13% Positiveness
10% Popularity • 29% Danceability • 3% Energy • 9% Liveness
81% Instrumentalness • 13% Positiveness
► Preview
Juan Carlos Gómez
Montoya y Chacón
95 bpm • G min • 04:17 • -6.96db
0% Popularity • 68% Danceability • 74% Energy • 34% Liveness
85% Instrumentalness • 65% Positiveness
0% Popularity • 68% Danceability • 74% Energy • 34% Liveness
85% Instrumentalness • 65% Positiveness
► Preview
Robert Beaser
Mountain Songs: III. Fair and Tender Lad...
92 bpm • D Maj • 03:40 • -24.22db
7% Popularity • 30% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
7% Popularity • 30% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
► Preview
Maurizio Baudino
Ninna nanna: Pensando a Ravel
92 bpm • B min • 02:13 • -22.19db
11% Popularity • 56% Danceability • 1% Energy • 9% Liveness
60% Instrumentalness • 8% Positiveness
11% Popularity • 56% Danceability • 1% Energy • 9% Liveness
60% Instrumentalness • 8% Positiveness
► Preview
Alberto Iglesias
El estilo
96 bpm • D Maj • 01:25 • -31.47db
15% Popularity • 38% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
15% Popularity • 38% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Adrián Nuez Vera
Sonata K. 322
96 bpm • A Maj • 02:41 • -14.01db
8% Popularity • 65% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 80% Positiveness
8% Popularity • 65% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 80% Positiveness
► Preview
蔡榮吉
憶舊遊~旋律
96 bpm • D# Maj • 03:42 • -16.59db
10% Popularity • 25% Danceability • 18% Energy • 13% Liveness
3% Instrumentalness • 10% Positiveness
10% Popularity • 25% Danceability • 18% Energy • 13% Liveness
3% Instrumentalness • 10% Positiveness
► Preview
Juan Carlos Gómez
Calle del Mar (Farruca)
92 bpm • D min • 03:57 • -10.92db
0% Popularity • 34% Danceability • 36% Energy • 10% Liveness
88% Instrumentalness • 34% Positiveness
0% Popularity • 34% Danceability • 36% Energy • 10% Liveness
88% Instrumentalness • 34% Positiveness
► Preview
Maurice Ravel
Pièce en forme de Habanera, M. 51 (Tran...
96 bpm • C min • 03:01 • -29.04db
15% Popularity • 29% Danceability • 1% Energy • 7% Liveness
8% Instrumentalness • 6% Positiveness
15% Popularity • 29% Danceability • 1% Energy • 7% Liveness
8% Instrumentalness • 6% Positiveness
► Preview
Frédéric Chopin
Waltzes, Op. 69: No. 2 in B Minor, B. 35...
92 bpm • B min • 03:50 • -22.96db
11% Popularity • 26% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 48% Positiveness
11% Popularity • 26% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 48% Positiveness
► Preview
Gerardo Matos Rodríguez
Blue Tango
96 bpm • E min • 02:16 • -16.67db
30% Popularity • 50% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 60% Positiveness
30% Popularity • 50% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 60% Positiveness
► Preview
Johann Sebastian Bach
Sonata No. 3 in C Major, BWV 1005: I. Ad...
96 bpm • A min • 02:56 • -17.31db
10% Popularity • 48% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
10% Popularity • 48% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
► Preview
Gabriel Kisters
A Vila
92 bpm • G Maj • 03:37 • -19.91db
17% Popularity • 41% Danceability • 4% Energy • 9% Liveness
57% Instrumentalness • 38% Positiveness
17% Popularity • 41% Danceability • 4% Energy • 9% Liveness
57% Instrumentalness • 38% Positiveness
► Preview
Igor Stravinsky
Apollon Musagète, K. 048: VII. Variatio...
97 bpm • A min • 02:23 • -24.72db
9% Popularity • 19% Danceability • 2% Energy • 14% Liveness
74% Instrumentalness • 13% Positiveness
9% Popularity • 19% Danceability • 2% Energy • 14% Liveness
74% Instrumentalness • 13% Positiveness
► Preview
Filippo Gragnani
Sonate No. 3, Op. 8: II. Larghetto
91 bpm • A Maj • 05:52 • -24db
9% Popularity • 31% Danceability • 4% Energy • 30% Liveness
91% Instrumentalness • 30% Positiveness
9% Popularity • 31% Danceability • 4% Energy • 30% Liveness
91% Instrumentalness • 30% Positiveness
► Preview
Max Georg Baumann
Duo, Op. 62: I. Prelude
91 bpm • D min • 01:44 • -19.27db
7% Popularity • 36% Danceability • 10% Energy • 14% Liveness
89% Instrumentalness • 5% Positiveness
7% Popularity • 36% Danceability • 10% Energy • 14% Liveness
89% Instrumentalness • 5% Positiveness
► Preview
Joaquín Turina
Sonata, Op. 61: III. Allegro vivo
97 bpm • G Maj • 03:24 • -16.29db
13% Popularity • 44% Danceability • 17% Energy • 27% Liveness
90% Instrumentalness • 33% Positiveness
13% Popularity • 44% Danceability • 17% Energy • 27% Liveness
90% Instrumentalness • 33% Positiveness
► Preview
Antonio Lauro
Andreina, Natalia
97 bpm • A Maj • 04:36 • -12.19db
14% Popularity • 45% Danceability • 41% Energy • 12% Liveness
95% Instrumentalness • 63% Positiveness
14% Popularity • 45% Danceability • 41% Energy • 12% Liveness
95% Instrumentalness • 63% Positiveness
► Preview
Juan Carlos Gómez
La barca
91 bpm • D Maj • 02:11 • -5.19db
0% Popularity • 49% Danceability • 73% Energy • 10% Liveness
81% Instrumentalness • 38% Positiveness
0% Popularity • 49% Danceability • 73% Energy • 10% Liveness
81% Instrumentalness • 38% Positiveness
► Preview
Maurice Ravel
Pièce en forme de Habanera, M. 8
97 bpm • G Maj • 02:58 • -22.15db
4% Popularity • 28% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 17% Positiveness
4% Popularity • 28% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 17% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: Violin Concerto in D Major, RV ...
97 bpm • A# min • 02:41 • -19.34db
13% Popularity • 30% Danceability • 8% Energy • 8% Liveness
5% Instrumentalness • 9% Positiveness
13% Popularity • 30% Danceability • 8% Energy • 8% Liveness
5% Instrumentalness • 9% Positiveness
► Preview
Hermann Ambrosius
Suite Galante (Arr. for 2 Guitars by Ano...
97 bpm • C Maj • 02:26 • -19.46db
19% Popularity • 52% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
19% Popularity • 52% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
► Preview
Jean-Philippe Rameau
Pièces de clavecin avec une méthode, S...
97 bpm • D Maj • 02:23 • -21.26db
13% Popularity • 21% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 61% Positiveness
13% Popularity • 21% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 61% Positiveness
► Preview
Antonio Lauro
El marabino
97 bpm • A Maj • 01:26 • -12.19db
23% Popularity • 45% Danceability • 41% Energy • 12% Liveness
95% Instrumentalness • 63% Positiveness
23% Popularity • 45% Danceability • 41% Energy • 12% Liveness
95% Instrumentalness • 63% Positiveness
► Preview
Juan Carlos Gómez
Tierra Lezameña
97 bpm • E Maj • 02:31 • -3.35db
0% Popularity • 65% Danceability • 81% Energy • 6% Liveness
1% Instrumentalness • 83% Positiveness
0% Popularity • 65% Danceability • 81% Energy • 6% Liveness
1% Instrumentalness • 83% Positiveness
► Preview
Winfred Jeremiah
Paris In April
91 bpm • A# Maj • 03:16 • -17.82db
8% Popularity • 20% Danceability • 13% Energy • 39% Liveness
43% Instrumentalness • 8% Positiveness
8% Popularity • 20% Danceability • 13% Energy • 39% Liveness
43% Instrumentalness • 8% Positiveness
► Preview
Giovanni Sollima
Moj E Bukura More (Arr. Sollima)
97 bpm • B min • 06:14 • -19.43db
16% Popularity • 24% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 21% Positiveness
16% Popularity • 24% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 21% Positiveness
► Preview
Marek Pasieczny
Little Sonata, Pt. II. Lento Religioso
97 bpm • B min • 01:40 • -19.86db
10% Popularity • 67% Danceability • 0% Energy • 26% Liveness
73% Instrumentalness • 45% Positiveness
10% Popularity • 67% Danceability • 0% Energy • 26% Liveness
73% Instrumentalness • 45% Positiveness
► Preview
Johann Sebastian Bach
Sonata No. 1 in G Minor, BWV 1001: II. F...
91 bpm • G min • 04:34 • -15.71db
13% Popularity • 32% Danceability • 24% Energy • 10% Liveness
89% Instrumentalness • 44% Positiveness
13% Popularity • 32% Danceability • 24% Energy • 10% Liveness
89% Instrumentalness • 44% Positiveness
► Preview
Heraclio Fernandez
El diablo suelto
97 bpm • A Maj • 03:10 • -12.19db
16% Popularity • 45% Danceability • 41% Energy • 12% Liveness
95% Instrumentalness • 63% Positiveness
16% Popularity • 45% Danceability • 41% Energy • 12% Liveness
95% Instrumentalness • 63% Positiveness
► Preview
Juan Carlos Gómez
La Mirada Del Sultán
98 bpm • E min • 04:29 • -6.49db
0% Popularity • 64% Danceability • 65% Energy • 10% Liveness
88% Instrumentalness • 72% Positiveness
0% Popularity • 64% Danceability • 65% Energy • 10% Liveness
88% Instrumentalness • 72% Positiveness
► Preview
Domenico Cimarosa
Sonata No. 41 in fa maggiore. Allegro (T...
91 bpm • G Maj • 02:31 • -13db
9% Popularity • 50% Danceability • 24% Energy • 8% Liveness
88% Instrumentalness • 95% Positiveness
9% Popularity • 50% Danceability • 24% Energy • 8% Liveness
88% Instrumentalness • 95% Positiveness
► Preview
Ángel Barrios
Homenaje a Andalucía: II. Boliche (Bole...
91 bpm • E Maj • 03:08 • -20.49db
13% Popularity • 32% Danceability • 12% Energy • 10% Liveness
87% Instrumentalness • 22% Positiveness
13% Popularity • 32% Danceability • 12% Energy • 10% Liveness
87% Instrumentalness • 22% Positiveness
► Preview
Vittorio Monti
Czardas pour plombinette
98 bpm • F Maj • 01:57 • -15.33db
17% Popularity • 61% Danceability • 27% Energy • 11% Liveness
80% Instrumentalness • 40% Positiveness
17% Popularity • 61% Danceability • 27% Energy • 11% Liveness
80% Instrumentalness • 40% Positiveness
► Preview
Agustín Barrios Mangoré
La Catedral: I. Preludio saudade
90 bpm • B min • 02:28 • -24.73db
11% Popularity • 33% Danceability • 7% Energy • 11% Liveness
97% Instrumentalness • 33% Positiveness
11% Popularity • 33% Danceability • 7% Energy • 11% Liveness
97% Instrumentalness • 33% Positiveness
► Preview
Erwin Schulhoff
5 Pieces for String Quartet: No. 1, Alla...
90 bpm • F Maj • 01:59 • -17.58db
17% Popularity • 50% Danceability • 28% Energy • 15% Liveness
49% Instrumentalness • 50% Positiveness
17% Popularity • 50% Danceability • 28% Energy • 15% Liveness
49% Instrumentalness • 50% Positiveness
► Preview
Eulogio Dávalos
Tonada Sin Retorno
98 bpm • G Maj • 03:20 • -26.13db
14% Popularity • 54% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 54% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Rachelle Spring
جمال
98 bpm • C# Maj • 02:07 • -22.75db
16% Popularity • 46% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
16% Popularity • 46% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
► Preview
Richard Wagner
Tristan und Isolde, WWV 90: V, Liebestra...
90 bpm • C Maj • 01:05 • -16.73db
14% Popularity • 25% Danceability • 14% Energy • 85% Liveness
31% Instrumentalness • 5% Positiveness
14% Popularity • 25% Danceability • 14% Energy • 85% Liveness
31% Instrumentalness • 5% Positiveness
► Preview
Antonio Ruiz Pipó
6 Canciones y danzas: I. No. 1
98 bpm • A min • 04:04 • -20.24db
0% Popularity • 48% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 23% Positiveness
0% Popularity • 48% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 23% Positiveness
► Preview
Hubert Evin
Ouverture, Pt. 1
90 bpm • G Maj • 01:36 • -21.3db
11% Popularity • 30% Danceability • 9% Energy • 13% Liveness
65% Instrumentalness • 5% Positiveness
11% Popularity • 30% Danceability • 9% Energy • 13% Liveness
65% Instrumentalness • 5% Positiveness
► Preview
Pablo Aranda
Ilógica
90 bpm • D Maj • 05:18 • -28.12db
13% Popularity • 49% Danceability • 0% Energy • 9% Liveness
25% Instrumentalness • 6% Positiveness
13% Popularity • 49% Danceability • 0% Energy • 9% Liveness
25% Instrumentalness • 6% Positiveness
► Preview
Eugène Ysaÿe
Sonata No. 2 in A Minor, Op. 27 No. 2: I...
99 bpm • G min • 03:15 • -13.83db
33% Popularity • 44% Danceability • 47% Energy • 16% Liveness
86% Instrumentalness • 55% Positiveness
33% Popularity • 44% Danceability • 47% Energy • 16% Liveness
86% Instrumentalness • 55% Positiveness
► Preview
Claudio Monteverdi
Lamento d'Arianna
89 bpm • C# min • 01:34 • -25.71db
28% Popularity • 27% Danceability • 2% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
28% Popularity • 27% Danceability • 2% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1 (Arr. for Violin & Gu...
90 bpm • D Maj • 01:57 • -25.21db
9% Popularity • 45% Danceability • 6% Energy • 18% Liveness
53% Instrumentalness • 23% Positiveness
9% Popularity • 45% Danceability • 6% Energy • 18% Liveness
53% Instrumentalness • 23% Positiveness
► Preview
Adrián Nuez Vera
Variaciones Sobre las Folías de España
89 bpm • E min • 03:27 • -17.63db
7% Popularity • 59% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
7% Popularity • 59% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
► Preview
Carl Friedrich Abel
Suite in D Minor: I. Arpeggiata (Arr. fo...
99 bpm • E min • 01:50 • -23.7db
37% Popularity • 14% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 21% Positiveness
37% Popularity • 14% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 21% Positiveness
► Preview
Rezső Kókai
Quartettino: I. Sonatina
89 bpm • F Maj • 02:17 • -22.81db
8% Popularity • 26% Danceability • 7% Energy • 14% Liveness
76% Instrumentalness • 22% Positiveness
8% Popularity • 26% Danceability • 7% Energy • 14% Liveness
76% Instrumentalness • 22% Positiveness
► Preview
Cayetano Brunetti
Oboe Sextet No. 1 in B-Flat Major, L. 27...
99 bpm • D# Maj • 04:13 • -21.59db
26% Popularity • 41% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 19% Positiveness
26% Popularity • 41% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 19% Positiveness
► Preview
Valentin Silvestrov
Pastorales 2020: IV. Larghetto
89 bpm • A min • 01:12 • -25.71db
9% Popularity • 46% Danceability • 2% Energy • 9% Liveness
47% Instrumentalness • 16% Positiveness
9% Popularity • 46% Danceability • 2% Energy • 9% Liveness
47% Instrumentalness • 16% Positiveness
► Preview
Manuel de Falla
Suite populaire espagnole (Arr. for Cell...
89 bpm • G Maj • 01:11 • -22.89db
15% Popularity • 34% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
15% Popularity • 34% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Maurizio Baudino
Pachamama
89 bpm • F Maj • 01:47 • -11.99db
8% Popularity • 50% Danceability • 26% Energy • 20% Liveness
93% Instrumentalness • 10% Positiveness
8% Popularity • 50% Danceability • 26% Energy • 20% Liveness
93% Instrumentalness • 10% Positiveness
► Preview
Ramon Martinez
Trifólio
100 bpm • D# Maj • 02:43 • -19.94db
17% Popularity • 22% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
17% Popularity • 22% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
► Preview
Astor Piazzolla
The Four Seasons of Buenos Aires: Primav...
89 bpm • G min • 06:01 • -21.41db
18% Popularity • 33% Danceability • 13% Energy • 9% Liveness
13% Instrumentalness • 14% Positiveness
18% Popularity • 33% Danceability • 13% Energy • 9% Liveness
13% Instrumentalness • 14% Positiveness
► Preview
Nino Rota
Canto della Buranella
100 bpm • A# min • 01:11 • -23.67db
22% Popularity • 50% Danceability • 3% Energy • 12% Liveness
33% Instrumentalness • 21% Positiveness
22% Popularity • 50% Danceability • 3% Energy • 12% Liveness
33% Instrumentalness • 21% Positiveness
► Preview
Marek Pasieczny
Fanfare and Theme
88 bpm • D Maj • 01:43 • -17.72db
13% Popularity • 46% Danceability • 8% Energy • 29% Liveness
91% Instrumentalness • 14% Positiveness
13% Popularity • 46% Danceability • 8% Energy • 29% Liveness
91% Instrumentalness • 14% Positiveness
► Preview
Luiz Amato
Amolafaca
100 bpm • E min • 05:16 • -15.94db
8% Popularity • 50% Danceability • 20% Energy • 12% Liveness
6% Instrumentalness • 7% Positiveness
8% Popularity • 50% Danceability • 20% Energy • 12% Liveness
6% Instrumentalness • 7% Positiveness
► Preview
Rosa García Ascot
Española
100 bpm • D Maj • 03:15 • -18.6db
2% Popularity • 62% Danceability • 23% Energy • 11% Liveness
87% Instrumentalness • 80% Positiveness
2% Popularity • 62% Danceability • 23% Energy • 11% Liveness
87% Instrumentalness • 80% Positiveness
► Preview
Creations 432
Some Words
100 bpm • F# min • 02:43 • -12.73db
12% Popularity • 41% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 41% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
José Méndez
Sombras Danzantes
100 bpm • C min • 01:15 • -11.49db
22% Popularity • 57% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 22% Positiveness
22% Popularity • 57% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 22% Positiveness
► Preview
YOCI
Goblet Grooves
100 bpm • B min • 01:15 • -15.81db
12% Popularity • 81% Danceability • 8% Energy • 14% Liveness
93% Instrumentalness • 41% Positiveness
12% Popularity • 81% Danceability • 8% Energy • 14% Liveness
93% Instrumentalness • 41% Positiveness
► Preview
Contrastes
Birchwood
100 bpm • B min • 03:19 • -10.69db
0% Popularity • 55% Danceability • 51% Energy • 10% Liveness
93% Instrumentalness • 64% Positiveness
0% Popularity • 55% Danceability • 51% Energy • 10% Liveness
93% Instrumentalness • 64% Positiveness
► Preview
Miljan Minic
Lemonade Stand
100 bpm • C min • 02:24 • -32.21db
16% Popularity • 56% Danceability • 2% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 56% Danceability • 2% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
► Preview
Robert Schumann
Fünf Stücke im Volkston, Op. 102: IV. ...
88 bpm • D Maj • 01:48 • -18.54db
14% Popularity • 31% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 48% Positiveness
14% Popularity • 31% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 48% Positiveness
► Preview
Jaime Mirtenbaum Zenamon
Reflexões No. 6: III. Vivissimo
100 bpm • E min • 02:43 • -14.29db
7% Popularity • 46% Danceability • 40% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
7% Popularity • 46% Danceability • 40% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
► Preview
Pau Cladera Marroig
Responsoris dels Segadors
100 bpm • G min • 04:23 • -22.76db
8% Popularity • 17% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 5% Positiveness
8% Popularity • 17% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Astor Piazzolla
Oblivion (Arr. H. Abel for oboe and cham...
88 bpm • C min • 03:13 • -25.91db
3% Popularity • 31% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 18% Positiveness
3% Popularity • 31% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 18% Positiveness
► Preview
Sérgio Assad
Preludio Fuga e Vivace: I. Preludio
100 bpm • D Maj • 02:30 • -17.58db
10% Popularity • 39% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 37% Positiveness
10% Popularity • 39% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 37% Positiveness
► Preview
Juan Carlos Gómez
Por la Cañada -Taranta-
100 bpm • B min • 05:10 • -20.17db
0% Popularity • 30% Danceability • 25% Energy • 9% Liveness
82% Instrumentalness • 32% Positiveness
0% Popularity • 30% Danceability • 25% Energy • 9% Liveness
82% Instrumentalness • 32% Positiveness
► Preview
Jane Rutter
Thaïs: Méditation
88 bpm • D Maj • 04:37 • -16db
10% Popularity • 30% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
10% Popularity • 30% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
► Preview
Hermann Ambrosius
Spielmusik: IX. Scherzo
100 bpm • A min • 01:02 • -14.54db
10% Popularity • 70% Danceability • 28% Energy • 9% Liveness
82% Instrumentalness • 63% Positiveness
10% Popularity • 70% Danceability • 28% Energy • 9% Liveness
82% Instrumentalness • 63% Positiveness
► Preview
Martin Romberg
Varangian Lied, fantasi over eget tema
101 bpm • E min • 05:31 • -23.25db
12% Popularity • 51% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 37% Positiveness
12% Popularity • 51% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 37% Positiveness
► Preview
Marek Pasieczny
Bon Odori (Dance Bon, Japan)
101 bpm • A Maj • 01:35 • -19.2db
7% Popularity • 46% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
7% Popularity • 46% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Laurent Petitgirard
Le songe de Merrick
88 bpm • C# min • 05:38 • -29.64db
8% Popularity • 20% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
8% Popularity • 20% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Carlo Munier
Aria variata: Variation No. 5: Allegrett...
88 bpm • F Maj • 01:20 • -26.49db
16% Popularity • 36% Danceability • 7% Energy • 13% Liveness
96% Instrumentalness • 39% Positiveness
16% Popularity • 36% Danceability • 7% Energy • 13% Liveness
96% Instrumentalness • 39% Positiveness
► Preview
Pedro Henrique Mauricio Carneiro
Perpendicular
87 bpm • D min • 02:19 • -21.11db
17% Popularity • 20% Danceability • 3% Energy • 12% Liveness
86% Instrumentalness • 17% Positiveness
17% Popularity • 20% Danceability • 3% Energy • 12% Liveness
86% Instrumentalness • 17% Positiveness
