Songs like El Señor Resucitó by Charles Wesley
Based on a tempo of (+/- 10%) and a similar genre
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Marty Haugen
All Are Welcome
108 bpm • F Maj • 04:32 • -13.11db
35% Popularity • 54% Danceability • 19% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 54% Danceability • 19% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
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David Haas
Spirit and Grace
108 bpm • D Maj • 03:18 • -10db
33% Popularity • 26% Danceability • 31% Energy • 14% Liveness
3% Instrumentalness • 33% Positiveness
33% Popularity • 26% Danceability • 31% Energy • 14% Liveness
3% Instrumentalness • 33% Positiveness
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Kathleen Thomerson
I Want to Walk as a Child of the Light
108 bpm • C Maj • 02:20 • -14.11db
19% Popularity • 40% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 40% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Rowland H. Prichard
Hyfrydol "Alleluia! Sing to Jesus"
107 bpm • F Maj • 04:21 • -24.09db
29% Popularity • 16% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 16% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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OCP Choir
For All the Saints
107 bpm • G Maj • 01:30 • -9.31db
20% Popularity • 39% Danceability • 24% Energy • 44% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 39% Danceability • 24% Energy • 44% Liveness
0% Instrumentalness • 61% Positiveness
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Lyle Stutzman
Many That Are First Shall Be Last
107 bpm • D# Maj • 01:00 • -24.83db
10% Popularity • 34% Danceability • 9% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 34% Danceability • 9% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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Mary K. Jackson
Overture
107 bpm • C min • 02:00 • -14.44db
0% Popularity • 34% Danceability • 20% Energy • 14% Liveness
92% Instrumentalness • 15% Positiveness
0% Popularity • 34% Danceability • 20% Energy • 14% Liveness
92% Instrumentalness • 15% Positiveness
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Owen Alstott
Glory to God - Heritage Mass
109 bpm • D Maj • 02:11 • -10.34db
14% Popularity • 40% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 40% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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John Darwall
Darwall "Ye Holy Angels Bright"
107 bpm • C Maj • 02:34 • -20.02db
12% Popularity • 22% Danceability • 13% Energy • 8% Liveness
2% Instrumentalness • 10% Positiveness
12% Popularity • 22% Danceability • 13% Energy • 8% Liveness
2% Instrumentalness • 10% Positiveness
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Cyril Taylor
Abbots Leigh "Glorious Things of Thee Ar...
109 bpm • D Maj • 03:31 • -27.15db
9% Popularity • 17% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 17% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Charles Wesley
What Shall I Do My God To Love
110 bpm • D# Maj • 02:00 • -13.57db
0% Popularity • 40% Danceability • 23% Energy • 12% Liveness
20% Instrumentalness • 33% Positiveness
0% Popularity • 40% Danceability • 23% Energy • 12% Liveness
20% Instrumentalness • 33% Positiveness
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Choir of St Mary's Cathedral, Edinburgh
Come, Holy Ghost, Our Souls Inspire
110 bpm • D# Maj • 02:24 • -36db
15% Popularity • 17% Danceability • 3% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 17% Danceability • 3% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Edward Atkinson
Angels We Have Heard on High
110 bpm • F Maj • 02:30 • -23.77db
14% Popularity • 16% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 21% Positiveness
14% Popularity • 16% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 21% Positiveness
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Ricky Manalo
Beyond the Days
110 bpm • F Maj • 05:25 • -16db
20% Popularity • 24% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 24% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Spiritual Singing Band
31st Sunday in Ordinary Time
106 bpm • C Maj • 01:15 • -10.64db
9% Popularity • 40% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 40% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
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Luke Mayernik
O Redeemer
106 bpm • B min • 04:34 • -13.56db
8% Popularity • 21% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Joseph David-Jones
Gwalchmai "King of Glory, King of Peace"
106 bpm • G Maj • 02:20 • -20.67db
10% Popularity • 22% Danceability • 15% Energy • 36% Liveness
1% Instrumentalness • 34% Positiveness
10% Popularity • 22% Danceability • 15% Energy • 36% Liveness
1% Instrumentalness • 34% Positiveness
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Charles Wesley
Help Us To Help Each Other, Lord
106 bpm • G Maj • 02:00 • -16.22db
0% Popularity • 39% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 39% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Christopher Walker
At the Name of Jesus
106 bpm • D Maj • 05:17 • -15db
18% Popularity • 20% Danceability • 15% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
18% Popularity • 20% Danceability • 15% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
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John Jones
Blessed Is He Whose Unrighteousness Is F...
106 bpm • G# Maj • 03:34 • -21.97db
9% Popularity • 23% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 16% Positiveness
9% Popularity • 23% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 16% Positiveness
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Bob Hurd
Ubi Caritas
111 bpm • A# Maj • 03:58 • -5.89db
20% Popularity • 25% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 25% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
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Suviseuralaulu
Siionin laulu 211 b On Jeesus turva, rau...
111 bpm • G min • 03:28 • -17.15db
14% Popularity • 18% Danceability • 31% Energy • 40% Liveness
0% Instrumentalness • 5% Positiveness
14% Popularity • 18% Danceability • 31% Energy • 40% Liveness
0% Instrumentalness • 5% Positiveness
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Paulines Choir
Mary Is Our Queen
105 bpm • D Maj • 03:48 • -17db
23% Popularity • 58% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 58% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Crown & Covenant
O Sing a New Song (Psalm 96a)
105 bpm • C Maj • 01:48 • -15.75db
15% Popularity • 21% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 21% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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32 Great Hymns Of Faith Performers
For The Beauty Of The Earth/Come, Ye Tha...
111 bpm • A Maj • 02:04 • -12db
31% Popularity • 23% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 23% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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The Psalms Sung
Psalm 139 to 'Highland Cathedral' (A Cap...
111 bpm • D Maj • 02:17 • -19db
15% Popularity • 25% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 25% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Bob Hurd
Gather Your People
111 bpm • F Maj • 02:20 • -11.41db
27% Popularity • 48% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 48% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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The Choir of Christ Church Lisburn
Seek Ye First the Kingdom of God
105 bpm • C# Maj • 01:36 • -13.81db
31% Popularity • 41% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 41% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
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William Henry Monk
Lord, Who at Thy First Eucharist
104 bpm • D Maj • 02:03 • -11.87db
14% Popularity • 22% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 22% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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John Darwall
Rejoice, The Lord Is King
112 bpm • C Maj • 01:54 • -13.37db
17% Popularity • 28% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 28% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Kathryn Crosweller
Gifts Of Bread And Wine
111 bpm • D Maj • 02:42 • -11db
16% Popularity • 35% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 35% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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David R. Erb
Psalm 149: Praise the Lord!
112 bpm • G Maj • 01:16 • -11db
12% Popularity • 43% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 43% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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OCP Choir
Alleluia! Alleluia
112 bpm • G Maj • 02:03 • -14.21db
20% Popularity • 41% Danceability • 19% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
20% Popularity • 41% Danceability • 19% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
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Dr. Thongdy Sounthonevichit
ラオス人民民主共和国 ラオス...
112 bpm • F Maj • 01:19 • -17.12db
7% Popularity • 56% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
7% Popularity • 56% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Claudia Foltz SNJM
Christians, Let Us Love One Another
112 bpm • D min • 02:31 • -16.79db
20% Popularity • 36% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 36% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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John Foley
Turn to Me
112 bpm • E Maj • 02:25 • -12db
21% Popularity • 30% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
21% Popularity • 30% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Giovanni Pierluigi da Palestrina
The Strife Is O'er
104 bpm • D Maj • 01:55 • -11.53db
19% Popularity • 23% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 23% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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New Apostolic Church of Cape Town
Pass Me Not, O Gentle Saviour
113 bpm • A Maj • 04:53 • -22.96db
21% Popularity • 20% Danceability • 6% Energy • 7% Liveness
48% Instrumentalness • 11% Positiveness
21% Popularity • 20% Danceability • 6% Energy • 7% Liveness
48% Instrumentalness • 11% Positiveness
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Methodist Central Hall Choir, Westminster
Wesley: Let Earth and Heaven Agree (Mill...
113 bpm • A Maj • 00:49 • -20.29db
20% Popularity • 17% Danceability • 11% Energy • 20% Liveness
90% Instrumentalness • 28% Positiveness
20% Popularity • 17% Danceability • 11% Energy • 20% Liveness
90% Instrumentalness • 28% Positiveness
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John Ireland
Love Unknown "My Song Is Love Unknown"
113 bpm • D# Maj • 02:52 • -27db
14% Popularity • 18% Danceability • 6% Energy • 26% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 18% Danceability • 6% Energy • 26% Liveness
0% Instrumentalness • 20% Positiveness
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Minister Kinnette Myrick
To God Be the Glory
103 bpm • G# Maj • 04:06 • -19.59db
29% Popularity • 20% Danceability • 18% Energy • 12% Liveness
83% Instrumentalness • 20% Positiveness
29% Popularity • 20% Danceability • 18% Energy • 12% Liveness
83% Instrumentalness • 20% Positiveness
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Michael Joncas
Let Us Go Rejoicing
113 bpm • B min • 03:11 • -18db
23% Popularity • 44% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 44% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Randall DeBruyn
Christ Is Arisen
103 bpm • D min • 02:39 • -12.74db
11% Popularity • 19% Danceability • 28% Energy • 9% Liveness
85% Instrumentalness • 37% Positiveness
11% Popularity • 19% Danceability • 28% Energy • 9% Liveness
85% Instrumentalness • 37% Positiveness
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Crown & Covenant
I Lift My Eyes and See the Hills (Psalm ...
102 bpm • A# Maj • 01:52 • -22.92db
18% Popularity • 24% Danceability • 9% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 24% Danceability • 9% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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Bob Dufford
Love One Another
102 bpm • D# Maj • 02:22 • -15.28db
12% Popularity • 19% Danceability • 22% Energy • 11% Liveness
5% Instrumentalness • 27% Positiveness
12% Popularity • 19% Danceability • 22% Energy • 11% Liveness
5% Instrumentalness • 27% Positiveness
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Tom Kendzia
Psalm 51: Create in Me
114 bpm • D min • 02:36 • -16db
9% Popularity • 28% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 28% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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OCP Choir
Baptized in Water
114 bpm • C Maj • 02:21 • -11.85db
21% Popularity • 34% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 34% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Michael Joncas
No Greater Love
114 bpm • D# Maj • 06:12 • -14.42db
15% Popularity • 24% Danceability • 27% Energy • 28% Liveness
6% Instrumentalness • 17% Positiveness
15% Popularity • 24% Danceability • 27% Energy • 28% Liveness
6% Instrumentalness • 17% Positiveness
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Faith Builders Chorale
I Will Arise
102 bpm • A# min • 01:37 • -24.78db
7% Popularity • 30% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
7% Popularity • 30% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Walter C. Smith
Immortal, Invisible, God Only Wise
102 bpm • G Maj • 01:53 • -12.89db
18% Popularity • 33% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 33% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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The Orchestra Choir and Congregation of All Souls Church
Tell Out, My Soul
114 bpm • D Maj • 02:47 • -11db
25% Popularity • 18% Danceability • 32% Energy • 25% Liveness
3% Instrumentalness • 50% Positiveness
25% Popularity • 18% Danceability • 32% Energy • 25% Liveness
3% Instrumentalness • 50% Positiveness
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Charles Wesley
Where Shall My Wondering Soul Begin?
102 bpm • D min • 03:19 • -23.53db
0% Popularity • 30% Danceability • 7% Energy • 10% Liveness
4% Instrumentalness • 11% Positiveness
0% Popularity • 30% Danceability • 7% Energy • 10% Liveness
4% Instrumentalness • 11% Positiveness
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OCP Choir
Lift High the Cross
102 bpm • G Maj • 02:01 • -10db
19% Popularity • 51% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 51% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Marty Haugen
Canticle of the Sun
115 bpm • A Maj • 03:31 • -10db
34% Popularity • 43% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
34% Popularity • 43% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Ricky Manalo
Worthy Is The Lamb
102 bpm • G Maj • 04:39 • -13.89db
27% Popularity • 22% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
27% Popularity • 22% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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George H. Smyttan
Forty Days and Forty Nights
102 bpm • D min • 01:23 • -13.2db
27% Popularity • 25% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
27% Popularity • 25% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Gesangbuch der H.W.K. Hofkapelle
Hosanna, Loud Hosanna - Palm Sunday
101 bpm • A# Maj • 02:43 • -16.3db
16% Popularity • 14% Danceability • 11% Energy • 31% Liveness
94% Instrumentalness • 24% Positiveness
16% Popularity • 14% Danceability • 11% Energy • 31% Liveness
94% Instrumentalness • 24% Positiveness
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Lauren Solomons
In Times Like These
115 bpm • A Maj • 03:54 • -18.29db
14% Popularity • 34% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 34% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Charles Wesley
Another
101 bpm • G Maj • 00:49 • -13.97db
0% Popularity • 58% Danceability • 18% Energy • 8% Liveness
25% Instrumentalness • 64% Positiveness
0% Popularity • 58% Danceability • 18% Energy • 8% Liveness
25% Instrumentalness • 64% Positiveness
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David R. Erb
Psalm 24: The Earth Is the Lord's
116 bpm • G Maj • 02:19 • -10.57db
12% Popularity • 35% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 36% Positiveness
12% Popularity • 35% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 36% Positiveness
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William Daman
Southwell "Lord Jesus, Think on Me"
101 bpm • E min • 02:26 • -23db
23% Popularity • 20% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 20% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Ricky Manalo, CSP
Spirit and Grace
101 bpm • D Maj • 04:05 • -11.38db
13% Popularity • 24% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 24% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Gustav Holst
O God Beyond All Praising (Arr. R. Hobby...
116 bpm • A# Maj • 04:13 • -22.65db
22% Popularity • 21% Danceability • 12% Energy • 28% Liveness
29% Instrumentalness • 12% Positiveness
22% Popularity • 21% Danceability • 12% Energy • 28% Liveness
29% Instrumentalness • 12% Positiveness
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Faithful Fathers
It Is Well with My Soul - Church Organ
100 bpm • C Maj • 01:55 • -17.32db
16% Popularity • 25% Danceability • 7% Energy • 13% Liveness
86% Instrumentalness • 37% Positiveness
16% Popularity • 25% Danceability • 7% Energy • 13% Liveness
86% Instrumentalness • 37% Positiveness
► Preview
The Orchestra Choir and Congregation of All Souls Church
Fill Your Hearts With Joy And Gladness
100 bpm • A# Maj • 02:31 • -9db
18% Popularity • 19% Danceability • 40% Energy • 10% Liveness
51% Instrumentalness • 49% Positiveness
18% Popularity • 19% Danceability • 40% Energy • 10% Liveness
51% Instrumentalness • 49% Positiveness
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David R. Erb
Psalm 3: Lord, How They Have Increased W...
101 bpm • E min • 02:19 • -15.19db
11% Popularity • 27% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 25% Positiveness
11% Popularity • 27% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 25% Positiveness
► Preview
William Shrubsole
Miles Lane "All Hail the Power of Jesus'...
101 bpm • A Maj • 03:49 • -15db
15% Popularity • 23% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 23% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Charles Hylton Stewart
Psalm 23, "The Lord is my Shepherd": Psa...
100 bpm • E Maj • 02:27 • -38db
24% Popularity • 16% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Charles Wesley
Love Divine, All Loves Excelling
100 bpm • E Maj • 05:00 • -14.88db
0% Popularity • 16% Danceability • 23% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
0% Popularity • 16% Danceability • 23% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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GelÃskt þjóðlag
Dagur er risinn
100 bpm • G Maj • 02:35 • -19.7db
9% Popularity • 40% Danceability • 13% Energy • 16% Liveness
86% Instrumentalness • 31% Positiveness
9% Popularity • 40% Danceability • 13% Energy • 16% Liveness
86% Instrumentalness • 31% Positiveness
► Preview
Johann Abraham Peter Schulz
We Plough the Fields, and Scatter
100 bpm • A Maj • 03:18 • -21db
12% Popularity • 16% Danceability • 14% Energy • 7% Liveness
57% Instrumentalness • 9% Positiveness
12% Popularity • 16% Danceability • 14% Energy • 7% Liveness
57% Instrumentalness • 9% Positiveness
► Preview
David R. Erb
Psalm 134: Behold, Bless the Lord
101 bpm • G Maj • 01:27 • -14.51db
18% Popularity • 31% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 31% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
John D Becker
Litany of the Saints
100 bpm • A Maj • 05:29 • -13.59db
34% Popularity • 37% Danceability • 25% Energy • 10% Liveness
19% Instrumentalness • 33% Positiveness
34% Popularity • 37% Danceability • 25% Energy • 10% Liveness
19% Instrumentalness • 33% Positiveness
► Preview
Mary K. Jackson
The Levite Stern Approaches Nigh
99 bpm • C min • 01:16 • -12.65db
0% Popularity • 26% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 9% Positiveness
0% Popularity • 26% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 9% Positiveness
► Preview
Charles Wesley
Love Devine, All Loves Excelling
117 bpm • A# Maj • 02:20 • -13.87db
0% Popularity • 30% Danceability • 9% Energy • 13% Liveness
92% Instrumentalness • 5% Positiveness
0% Popularity • 30% Danceability • 9% Energy • 13% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Lyle Stutzman
My God, How Endless
118 bpm • A# Maj • 01:54 • -26.81db
12% Popularity • 24% Danceability • 5% Energy • 10% Liveness
58% Instrumentalness • 6% Positiveness
12% Popularity • 24% Danceability • 5% Energy • 10% Liveness
58% Instrumentalness • 6% Positiveness
► Preview
Gael Berberick
Come Follow Me
99 bpm • G Maj • 04:18 • -12.99db
8% Popularity • 27% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 27% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Owen Alstott
Come, O Holy Spirit
99 bpm • G Maj • 02:03 • -12.46db
10% Popularity • 27% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 27% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Christopher Walker
May the Word of God Strengthen You
100 bpm • D Maj • 01:25 • -12db
28% Popularity • 24% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 24% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Bob Hurd
Ubi Caritas
99 bpm • F Maj • 03:00 • -17.08db
26% Popularity • 17% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
26% Popularity • 17% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Mary K. Jackson
But Life I See in Death Appear
118 bpm • C min • 01:35 • -10.32db
0% Popularity • 25% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 25% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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The International Staff Songsters of the Salvation Army
Via Dolorosa
118 bpm • F min • 04:08 • -18.12db
9% Popularity • 27% Danceability • 9% Energy • 13% Liveness
12% Instrumentalness • 4% Positiveness
9% Popularity • 27% Danceability • 9% Energy • 13% Liveness
12% Instrumentalness • 4% Positiveness
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Jacob Hintze
At the Lamb's High Feast We Sing
98 bpm • D Maj • 03:22 • -21.8db
12% Popularity • 15% Danceability • 15% Energy • 10% Liveness
23% Instrumentalness • 26% Positiveness
12% Popularity • 15% Danceability • 15% Energy • 10% Liveness
23% Instrumentalness • 26% Positiveness
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Charles Wesley
Hark ! The herald angels Sing
119 bpm • G Maj • 01:50 • -16.77db
0% Popularity • 52% Danceability • 24% Energy • 14% Liveness
96% Instrumentalness • 48% Positiveness
0% Popularity • 52% Danceability • 24% Energy • 14% Liveness
96% Instrumentalness • 48% Positiveness
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Christopher Walker
Laudate, Laudate Dominum
98 bpm • G# Maj • 03:36 • -10db
15% Popularity • 21% Danceability • 34% Energy • 21% Liveness
2% Instrumentalness • 15% Positiveness
15% Popularity • 21% Danceability • 34% Energy • 21% Liveness
2% Instrumentalness • 15% Positiveness
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Millie Rieth
Mary's Song
98 bpm • E Maj • 02:22 • -19.32db
19% Popularity • 26% Danceability • 16% Energy • 11% Liveness
18% Instrumentalness • 13% Positiveness
19% Popularity • 26% Danceability • 16% Energy • 11% Liveness
18% Instrumentalness • 13% Positiveness
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Michael B. Lynch
Bread, Blessed and Broken
98 bpm • D Maj • 01:56 • -12.29db
16% Popularity • 45% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 45% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Marty Haugen
Be with Me
98 bpm • E min • 03:01 • -15.62db
33% Popularity • 37% Danceability • 15% Energy • 12% Liveness
31% Instrumentalness • 32% Positiveness
33% Popularity • 37% Danceability • 15% Energy • 12% Liveness
31% Instrumentalness • 32% Positiveness
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Paul Inwood
Isaiah 12: We Shall Draw Water
98 bpm • C Maj • 02:14 • -8.11db
10% Popularity • 50% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 50% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Carroll Mailhot
Golden Slumbers
98 bpm • A Maj • 02:33 • -11.5db
8% Popularity • 36% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 36% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Michael Joncas
We Come to Your Feast
98 bpm • G Maj • 06:23 • -12.99db
29% Popularity • 33% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 33% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Charles Wesley
Voluntary in A Minor: IV. Andante
98 bpm • A Maj • 02:09 • -26.9db
0% Popularity • 19% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
0% Popularity • 19% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
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John Hoybye
Hope. Easter Music: II. The Source
98 bpm • D Maj • 02:34 • -15.3db
9% Popularity • 35% Danceability • 19% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 35% Danceability • 19% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
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Brian A. Wren
When Love is Found
98 bpm • G Maj • 01:07 • -13.97db
29% Popularity • 25% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 25% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Mary K. Jackson
How Desperate is the State of Man
97 bpm • G min • 02:37 • -11.41db
0% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Owen Alstott
O Holy Mary
120 bpm • D min • 03:40 • -14.36db
8% Popularity • 22% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
8% Popularity • 22% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Michael Joncas
The Love of the Lord
97 bpm • G Maj • 04:19 • -14db
22% Popularity • 34% Danceability • 22% Energy • 11% Liveness
29% Instrumentalness • 24% Positiveness
22% Popularity • 34% Danceability • 22% Energy • 11% Liveness
29% Instrumentalness • 24% Positiveness
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Charles Wesley
Pastorale
119 bpm • G# Maj • 03:21 • -38.19db
0% Popularity • 25% Danceability • 0% Energy • 12% Liveness
73% Instrumentalness • 41% Positiveness
0% Popularity • 25% Danceability • 0% Energy • 12% Liveness
73% Instrumentalness • 41% Positiveness
