Songs like Electro Symphony in D Minor by Young Mozart
Based on a tempo of (+/- 10%) and a similar genre
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Kate Tsvetaeva Pop Violin
Tango Cumparsita Remix
130 bpm • G min • 04:05 • -6.02db
29% Popularity • 78% Danceability • 71% Energy • 12% Liveness
14% Instrumentalness • 85% Positiveness
29% Popularity • 78% Danceability • 71% Energy • 12% Liveness
14% Instrumentalness • 85% Positiveness
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Deviations Project
Nuclear
130 bpm • B min • 03:23 • -7.05db
31% Popularity • 72% Danceability • 79% Energy • 53% Liveness
92% Instrumentalness • 63% Positiveness
31% Popularity • 72% Danceability • 79% Energy • 53% Liveness
92% Instrumentalness • 63% Positiveness
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92 Keys
Sugar
130 bpm • D Maj • 03:26 • -9.67db
38% Popularity • 56% Danceability • 47% Energy • 11% Liveness
63% Instrumentalness • 16% Positiveness
38% Popularity • 56% Danceability • 47% Energy • 11% Liveness
63% Instrumentalness • 16% Positiveness
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Reductio
Toccata in D Minor
130 bpm • D Maj • 03:45 • -8.66db
27% Popularity • 81% Danceability • 62% Energy • 6% Liveness
24% Instrumentalness • 13% Positiveness
27% Popularity • 81% Danceability • 62% Energy • 6% Liveness
24% Instrumentalness • 13% Positiveness
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TwoPlusFour
Moves Like Jagger
130 bpm • G# min • 02:58 • -8.93db
31% Popularity • 64% Danceability • 62% Energy • 11% Liveness
82% Instrumentalness • 73% Positiveness
31% Popularity • 64% Danceability • 62% Energy • 11% Liveness
82% Instrumentalness • 73% Positiveness
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Howard Harper-Barnes
The Farewell Serenade
130 bpm • E min • 02:02 • -10db
42% Popularity • 72% Danceability • 47% Energy • 16% Liveness
96% Instrumentalness • 43% Positiveness
42% Popularity • 72% Danceability • 47% Energy • 16% Liveness
96% Instrumentalness • 43% Positiveness
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Kate Tsvetaeva Pop Violin
Bach Ave Maria
130 bpm • G Maj • 02:39 • -7.39db
26% Popularity • 47% Danceability • 59% Energy • 13% Liveness
7% Instrumentalness • 38% Positiveness
26% Popularity • 47% Danceability • 59% Energy • 13% Liveness
7% Instrumentalness • 38% Positiveness
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Rafael Krux
Baroque Harpsichord and Strings
130 bpm • A min • 01:36 • -7.71db
40% Popularity • 64% Danceability • 64% Energy • 8% Liveness
79% Instrumentalness • 52% Positiveness
40% Popularity • 64% Danceability • 64% Energy • 8% Liveness
79% Instrumentalness • 52% Positiveness
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Deviations Project
Tocata in Fog
130 bpm • C Maj • 04:06 • -7.39db
26% Popularity • 62% Danceability • 76% Energy • 45% Liveness
32% Instrumentalness • 13% Positiveness
26% Popularity • 62% Danceability • 76% Energy • 45% Liveness
32% Instrumentalness • 13% Positiveness
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Reductio
Carmen
130 bpm • D Maj • 03:23 • -10.91db
35% Popularity • 83% Danceability • 53% Energy • 8% Liveness
94% Instrumentalness • 54% Positiveness
35% Popularity • 83% Danceability • 53% Energy • 8% Liveness
94% Instrumentalness • 54% Positiveness
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PrototypeRaptor
Vivaldi - Original Mix
130 bpm • F min • 06:10 • -4.19db
42% Popularity • 64% Danceability • 77% Energy • 17% Liveness
89% Instrumentalness • 21% Positiveness
42% Popularity • 64% Danceability • 77% Energy • 17% Liveness
89% Instrumentalness • 21% Positiveness
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Martin Wiklund
Vivace Eternal
130 bpm • C# Maj • 02:24 • -5.12db
24% Popularity • 66% Danceability • 95% Energy • 10% Liveness
88% Instrumentalness • 27% Positiveness
24% Popularity • 66% Danceability • 95% Energy • 10% Liveness
88% Instrumentalness • 27% Positiveness
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Kate Tsvetaeva Pop Violin
Dance Symphony
130 bpm • D Maj • 03:19 • -4.5db
22% Popularity • 81% Danceability • 90% Energy • 9% Liveness
83% Instrumentalness • 49% Positiveness
22% Popularity • 81% Danceability • 90% Energy • 9% Liveness
83% Instrumentalness • 49% Positiveness
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Giuseppe Tartini
The Devil's Trill Sonata
130 bpm • D Maj • 03:37 • -5.67db
28% Popularity • 56% Danceability • 97% Energy • 10% Liveness
50% Instrumentalness • 22% Positiveness
28% Popularity • 56% Danceability • 97% Energy • 10% Liveness
50% Instrumentalness • 22% Positiveness
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Deviations Project
Really Big Swans
130 bpm • E min • 04:00 • -9.07db
9% Popularity • 74% Danceability • 87% Energy • 7% Liveness
82% Instrumentalness • 47% Positiveness
9% Popularity • 74% Danceability • 87% Energy • 7% Liveness
82% Instrumentalness • 47% Positiveness
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Will Borders
Ode To Joy - remix
130 bpm • C min • 02:24 • -16.88db
9% Popularity • 55% Danceability • 51% Energy • 40% Liveness
80% Instrumentalness • 14% Positiveness
9% Popularity • 55% Danceability • 51% Energy • 40% Liveness
80% Instrumentalness • 14% Positiveness
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Clocks & Clouds
Darkness Gives Way
129 bpm • G Maj • 05:00 • -8.61db
12% Popularity • 32% Danceability • 55% Energy • 15% Liveness
69% Instrumentalness • 18% Positiveness
12% Popularity • 32% Danceability • 55% Energy • 15% Liveness
69% Instrumentalness • 18% Positiveness
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Faux Alexanderson
Somebody That I Used to Know
129 bpm • C Maj • 03:51 • -13.13db
38% Popularity • 68% Danceability • 30% Energy • 10% Liveness
36% Instrumentalness • 85% Positiveness
38% Popularity • 68% Danceability • 30% Energy • 10% Liveness
36% Instrumentalness • 85% Positiveness
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Will Taylor and Strings Attached
Clocks - Instrumental
131 bpm • E min • 04:31 • -13.75db
22% Popularity • 62% Danceability • 25% Energy • 12% Liveness
48% Instrumentalness • 46% Positiveness
22% Popularity • 62% Danceability • 25% Energy • 12% Liveness
48% Instrumentalness • 46% Positiveness
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Josh Powell
Beats Symphonic
128 bpm • E Maj • 03:11 • -7.11db
22% Popularity • 72% Danceability • 82% Energy • 28% Liveness
1% Instrumentalness • 74% Positiveness
22% Popularity • 72% Danceability • 82% Energy • 28% Liveness
1% Instrumentalness • 74% Positiveness
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Frederic Sans
Baroque Strings
128 bpm • D Maj • 02:17 • -9.15db
25% Popularity • 80% Danceability • 61% Energy • 7% Liveness
91% Instrumentalness • 17% Positiveness
25% Popularity • 80% Danceability • 61% Energy • 7% Liveness
91% Instrumentalness • 17% Positiveness
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Will Borders
Toccata and Fugue in D Minor - remix
131 bpm • G Maj • 04:55 • -9.11db
16% Popularity • 31% Danceability • 95% Energy • 39% Liveness
85% Instrumentalness • 13% Positiveness
16% Popularity • 31% Danceability • 95% Energy • 39% Liveness
85% Instrumentalness • 13% Positiveness
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Maxime Rodriguez
El Conquistador
132 bpm • A min • 02:43 • -7.22db
26% Popularity • 63% Danceability • 88% Energy • 21% Liveness
91% Instrumentalness • 46% Positiveness
26% Popularity • 63% Danceability • 88% Energy • 21% Liveness
91% Instrumentalness • 46% Positiveness
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Symphoniacs
Dark Horse
132 bpm • A# min • 04:25 • -11.23db
20% Popularity • 62% Danceability • 35% Energy • 9% Liveness
51% Instrumentalness • 19% Positiveness
20% Popularity • 62% Danceability • 35% Energy • 9% Liveness
51% Instrumentalness • 19% Positiveness
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Pop Star DJs United
Electric Daisy Violin
128 bpm • F# min • 03:13 • -4.81db
12% Popularity • 68% Danceability • 73% Energy • 20% Liveness
88% Instrumentalness • 27% Positiveness
12% Popularity • 68% Danceability • 73% Energy • 20% Liveness
88% Instrumentalness • 27% Positiveness
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Laura Sullivan
Shivers (Piano Version)
132 bpm • D Maj • 02:14 • -21db
49% Popularity • 60% Danceability • 23% Energy • 13% Liveness
91% Instrumentalness • 30% Positiveness
49% Popularity • 60% Danceability • 23% Energy • 13% Liveness
91% Instrumentalness • 30% Positiveness
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Caitlin De Ville
Isis
128 bpm • F# min • 04:15 • -6.67db
19% Popularity • 50% Danceability • 85% Energy • 16% Liveness
87% Instrumentalness • 25% Positiveness
19% Popularity • 50% Danceability • 85% Energy • 16% Liveness
87% Instrumentalness • 25% Positiveness
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Clocks & Clouds
Aliantha
128 bpm • G min • 03:52 • -10.56db
11% Popularity • 50% Danceability • 76% Energy • 19% Liveness
86% Instrumentalness • 10% Positiveness
11% Popularity • 50% Danceability • 76% Energy • 19% Liveness
86% Instrumentalness • 10% Positiveness
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DSharp
WEIRDO
132 bpm • F# min • 02:58 • -3.96db
15% Popularity • 62% Danceability • 86% Energy • 6% Liveness
49% Instrumentalness • 34% Positiveness
15% Popularity • 62% Danceability • 86% Energy • 6% Liveness
49% Instrumentalness • 34% Positiveness
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District 78
Shy Boy
128 bpm • D# min • 03:36 • -5.66db
31% Popularity • 50% Danceability • 96% Energy • 9% Liveness
91% Instrumentalness • 30% Positiveness
31% Popularity • 50% Danceability • 96% Energy • 9% Liveness
91% Instrumentalness • 30% Positiveness
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We Are One
Torrent Etude Nightmare
132 bpm • C# min • 04:15 • -7.39db
20% Popularity • 46% Danceability • 96% Energy • 11% Liveness
67% Instrumentalness • 53% Positiveness
20% Popularity • 46% Danceability • 96% Energy • 11% Liveness
67% Instrumentalness • 53% Positiveness
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Dubayee
DON'T YOU WORRY
132 bpm • B Maj • 02:50 • -10.37db
30% Popularity • 52% Danceability • 67% Energy • 13% Liveness
86% Instrumentalness • 37% Positiveness
30% Popularity • 52% Danceability • 67% Energy • 13% Liveness
86% Instrumentalness • 37% Positiveness
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Dj Luciano
Ode to Joy
128 bpm • D Maj • 02:45 • -4.94db
16% Popularity • 62% Danceability • 96% Energy • 78% Liveness
94% Instrumentalness • 35% Positiveness
16% Popularity • 62% Danceability • 96% Energy • 78% Liveness
94% Instrumentalness • 35% Positiveness
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Reductio
Lacrimosa
128 bpm • D min • 03:05 • -8.14db
20% Popularity • 51% Danceability • 67% Energy • 29% Liveness
2% Instrumentalness • 21% Positiveness
20% Popularity • 51% Danceability • 67% Energy • 29% Liveness
2% Instrumentalness • 21% Positiveness
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Astor Piazzolla
Libertango
132 bpm • A min • 04:44 • -7.47db
17% Popularity • 58% Danceability • 86% Energy • 9% Liveness
91% Instrumentalness • 41% Positiveness
17% Popularity • 58% Danceability • 86% Energy • 9% Liveness
91% Instrumentalness • 41% Positiveness
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Exsire
Vivaldi Four Seasons - Remix
132 bpm • A# min • 02:26 • -11.19db
30% Popularity • 65% Danceability • 36% Energy • 17% Liveness
87% Instrumentalness • 62% Positiveness
30% Popularity • 65% Danceability • 36% Energy • 17% Liveness
87% Instrumentalness • 62% Positiveness
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Michele McLaughlin
A Celtic Dream
132 bpm • A min • 01:43 • -15.15db
52% Popularity • 32% Danceability • 32% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
52% Popularity • 32% Danceability • 32% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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Maxime Rodriguez
Spanish Flame
133 bpm • A min • 02:40 • -7.7db
33% Popularity • 61% Danceability • 72% Energy • 7% Liveness
85% Instrumentalness • 76% Positiveness
33% Popularity • 61% Danceability • 72% Energy • 7% Liveness
85% Instrumentalness • 76% Positiveness
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92 Keys
Uprising on Bach's Toccata
127 bpm • G min • 02:32 • -6.85db
45% Popularity • 45% Danceability • 69% Energy • 11% Liveness
48% Instrumentalness • 26% Positiveness
45% Popularity • 45% Danceability • 69% Energy • 11% Liveness
48% Instrumentalness • 26% Positiveness
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Lindsey Stirling
Transcendence
127 bpm • C Maj • 03:44 • -6db
39% Popularity • 54% Danceability • 85% Energy • 44% Liveness
81% Instrumentalness • 23% Positiveness
39% Popularity • 54% Danceability • 85% Energy • 44% Liveness
81% Instrumentalness • 23% Positiveness
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Faux Alexanderson
Glad You Came
127 bpm • A# Maj • 02:57 • -11db
33% Popularity • 83% Danceability • 48% Energy • 32% Liveness
84% Instrumentalness • 10% Positiveness
33% Popularity • 83% Danceability • 48% Energy • 32% Liveness
84% Instrumentalness • 10% Positiveness
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Young Mozart
Attack of the Brass
127 bpm • E min • 02:05 • -6.12db
12% Popularity • 72% Danceability • 84% Energy • 25% Liveness
79% Instrumentalness • 73% Positiveness
12% Popularity • 72% Danceability • 84% Energy • 25% Liveness
79% Instrumentalness • 73% Positiveness
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Edvin Marton
Tchaikovsky (Remix)
126 bpm • F min • 04:42 • -5.05db
29% Popularity • 45% Danceability • 83% Energy • 9% Liveness
5% Instrumentalness • 23% Positiveness
29% Popularity • 45% Danceability • 83% Energy • 9% Liveness
5% Instrumentalness • 23% Positiveness
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Rachel Pierce
River Flows in You
134 bpm • A Maj • 03:59 • -4.22db
21% Popularity • 30% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 30% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Maxime Rodriguez
Le retour de d'Artagnan
134 bpm • A Maj • 04:42 • -7.16db
11% Popularity • 40% Danceability • 76% Energy • 5% Liveness
39% Instrumentalness • 39% Positiveness
11% Popularity • 40% Danceability • 76% Energy • 5% Liveness
39% Instrumentalness • 39% Positiveness
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Jonathan Buchanan
The Reckoning
134 bpm • A Maj • 03:09 • -6.12db
14% Popularity • 77% Danceability • 91% Energy • 11% Liveness
51% Instrumentalness • 88% Positiveness
14% Popularity • 77% Danceability • 91% Energy • 11% Liveness
51% Instrumentalness • 88% Positiveness
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Black Violin
Showoff
134 bpm • F# min • 03:24 • -6.13db
28% Popularity • 61% Danceability • 76% Energy • 20% Liveness
53% Instrumentalness • 31% Positiveness
28% Popularity • 61% Danceability • 76% Energy • 20% Liveness
53% Instrumentalness • 31% Positiveness
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Ghostwriter
Sword Sparring
126 bpm • D Maj • 02:21 • -6.81db
38% Popularity • 67% Danceability • 70% Energy • 10% Liveness
80% Instrumentalness • 17% Positiveness
38% Popularity • 67% Danceability • 70% Energy • 10% Liveness
80% Instrumentalness • 17% Positiveness
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Escala
Sarabande
134 bpm • D min • 02:37 • -8.37db
31% Popularity • 29% Danceability • 48% Energy • 18% Liveness
56% Instrumentalness • 6% Positiveness
31% Popularity • 29% Danceability • 48% Energy • 18% Liveness
56% Instrumentalness • 6% Positiveness
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Samuell Gun
Vivaldi: Winter (L'inverno) Allegro Non ...
126 bpm • C# Maj • 02:38 • -9.87db
34% Popularity • 61% Danceability • 92% Energy • 44% Liveness
94% Instrumentalness • 10% Positiveness
34% Popularity • 61% Danceability • 92% Energy • 44% Liveness
94% Instrumentalness • 10% Positiveness
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Wolfgang Lohr
Hungarian Dance No. 5 - 2013 Mix
126 bpm • F min • 06:54 • -9.97db
19% Popularity • 81% Danceability • 70% Energy • 16% Liveness
89% Instrumentalness • 59% Positiveness
19% Popularity • 81% Danceability • 70% Energy • 16% Liveness
89% Instrumentalness • 59% Positiveness
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Jonathan Buchanan
Champions
134 bpm • A# Maj • 02:39 • -6.45db
35% Popularity • 83% Danceability • 79% Energy • 12% Liveness
91% Instrumentalness • 75% Positiveness
35% Popularity • 83% Danceability • 79% Energy • 12% Liveness
91% Instrumentalness • 75% Positiveness
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Maxime Rodriguez
Vivo Tango
126 bpm • A min • 02:46 • -8.7db
26% Popularity • 42% Danceability • 45% Energy • 5% Liveness
12% Instrumentalness • 57% Positiveness
26% Popularity • 42% Danceability • 45% Energy • 5% Liveness
12% Instrumentalness • 57% Positiveness
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Bryson Andres
Young & Beautiful
134 bpm • B min • 05:44 • -12.42db
15% Popularity • 47% Danceability • 44% Energy • 6% Liveness
91% Instrumentalness • 18% Positiveness
15% Popularity • 47% Danceability • 44% Energy • 6% Liveness
91% Instrumentalness • 18% Positiveness
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DuoViolins
Beat It
134 bpm • G min • 02:28 • -6.32db
31% Popularity • 76% Danceability • 65% Energy • 8% Liveness
95% Instrumentalness • 96% Positiveness
31% Popularity • 76% Danceability • 65% Energy • 8% Liveness
95% Instrumentalness • 96% Positiveness
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Will Borders
Fur Elise - remix
135 bpm • D Maj • 02:40 • -8.81db
18% Popularity • 63% Danceability • 70% Energy • 25% Liveness
80% Instrumentalness • 35% Positiveness
18% Popularity • 63% Danceability • 70% Energy • 25% Liveness
80% Instrumentalness • 35% Positiveness
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Cristina Kiseleff
Thunderstruck
135 bpm • A Maj • 02:20 • -2.28db
26% Popularity • 50% Danceability • 99% Energy • 19% Liveness
76% Instrumentalness • 72% Positiveness
26% Popularity • 50% Danceability • 99% Energy • 19% Liveness
76% Instrumentalness • 72% Positiveness
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UltraMax
Beethoven vs. Vivaldi (Beethoven, Sonata...
135 bpm • G min • 05:33 • -7db
23% Popularity • 48% Danceability • 87% Energy • 40% Liveness
38% Instrumentalness • 30% Positiveness
23% Popularity • 48% Danceability • 87% Energy • 40% Liveness
38% Instrumentalness • 30% Positiveness
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Rustic Beats
Trace of Bach
135 bpm • G Maj • 05:28 • -5.09db
22% Popularity • 62% Danceability • 88% Energy • 28% Liveness
63% Instrumentalness • 22% Positiveness
22% Popularity • 62% Danceability • 88% Energy • 28% Liveness
63% Instrumentalness • 22% Positiveness
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PHILDEL
Piano B
135 bpm • G Maj • 02:32 • -12.05db
42% Popularity • 49% Danceability • 37% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
42% Popularity • 49% Danceability • 37% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Marta Z
Believer
125 bpm • B min • 03:25 • -3.43db
23% Popularity • 63% Danceability • 81% Energy • 10% Liveness
91% Instrumentalness • 39% Positiveness
23% Popularity • 63% Danceability • 81% Energy • 10% Liveness
91% Instrumentalness • 39% Positiveness
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Will Borders
Four Seasons - remix
135 bpm • G# Maj • 02:54 • -16.19db
32% Popularity • 92% Danceability • 32% Energy • 9% Liveness
80% Instrumentalness • 67% Positiveness
32% Popularity • 92% Danceability • 32% Energy • 9% Liveness
80% Instrumentalness • 67% Positiveness
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Black Violin
Jammin'
125 bpm • G Maj • 03:20 • -7.83db
26% Popularity • 87% Danceability • 56% Energy • 7% Liveness
46% Instrumentalness • 75% Positiveness
26% Popularity • 87% Danceability • 56% Energy • 7% Liveness
46% Instrumentalness • 75% Positiveness
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Scott Shaw
Imperium
135 bpm • D Maj • 01:46 • -5.01db
20% Popularity • 47% Danceability • 76% Energy • 13% Liveness
76% Instrumentalness • 7% Positiveness
20% Popularity • 47% Danceability • 76% Energy • 13% Liveness
76% Instrumentalness • 7% Positiveness
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The Hipster Orchestra
Sweet Dreams (Are Made of This)
125 bpm • G# Maj • 03:26 • -7.59db
21% Popularity • 64% Danceability • 78% Energy • 9% Liveness
22% Instrumentalness • 70% Positiveness
21% Popularity • 64% Danceability • 78% Energy • 9% Liveness
22% Instrumentalness • 70% Positiveness
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Herson
Rondo Alla Turca (Remix)
125 bpm • A min • 03:01 • -6db
31% Popularity • 76% Danceability • 72% Energy • 20% Liveness
55% Instrumentalness • 50% Positiveness
31% Popularity • 76% Danceability • 72% Energy • 20% Liveness
55% Instrumentalness • 50% Positiveness
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David Hicken
Incantation
125 bpm • E min • 04:55 • -17.16db
31% Popularity • 55% Danceability • 49% Energy • 10% Liveness
93% Instrumentalness • 80% Positiveness
31% Popularity • 55% Danceability • 49% Energy • 10% Liveness
93% Instrumentalness • 80% Positiveness
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Marta Z
Whatever It Takes
135 bpm • C Maj • 03:14 • -4.79db
14% Popularity • 46% Danceability • 70% Energy • 16% Liveness
96% Instrumentalness • 26% Positiveness
14% Popularity • 46% Danceability • 70% Energy • 16% Liveness
96% Instrumentalness • 26% Positiveness
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Deviations Project
Flight of the Crimson Queen
125 bpm • G Maj • 03:27 • -9.25db
14% Popularity • 72% Danceability • 82% Energy • 39% Liveness
88% Instrumentalness • 57% Positiveness
14% Popularity • 72% Danceability • 82% Energy • 39% Liveness
88% Instrumentalness • 57% Positiveness
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Amp Live
Flight in G Minor
125 bpm • G min • 04:04 • -7db
42% Popularity • 49% Danceability • 54% Energy • 18% Liveness
18% Instrumentalness • 48% Positiveness
42% Popularity • 49% Danceability • 54% Energy • 18% Liveness
18% Instrumentalness • 48% Positiveness
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Dubayee
Sky Full of Stars
125 bpm • F# Maj • 04:24 • -14.81db
28% Popularity • 50% Danceability • 39% Energy • 32% Liveness
12% Instrumentalness • 22% Positiveness
28% Popularity • 50% Danceability • 39% Energy • 32% Liveness
12% Instrumentalness • 22% Positiveness
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Yuriy Melnik
Drums Of Thunder
125 bpm • C# Maj • 01:05 • -5.1db
32% Popularity • 76% Danceability • 99% Energy • 8% Liveness
83% Instrumentalness • 81% Positiveness
32% Popularity • 76% Danceability • 99% Energy • 8% Liveness
83% Instrumentalness • 81% Positiveness
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Golden Salt
Believer
125 bpm • A min • 03:29 • -6.76db
18% Popularity • 45% Danceability • 48% Energy • 27% Liveness
61% Instrumentalness • 34% Positiveness
18% Popularity • 45% Danceability • 48% Energy • 27% Liveness
61% Instrumentalness • 34% Positiveness
► Preview
MOZART HEROES
La Catedral, Allegro Solemne „Thunders...
136 bpm • D Maj • 06:29 • -12.05db
22% Popularity • 37% Danceability • 51% Energy • 10% Liveness
13% Instrumentalness • 28% Positiveness
22% Popularity • 37% Danceability • 51% Energy • 10% Liveness
13% Instrumentalness • 28% Positiveness
► Preview
Deviations Project
Deviations
125 bpm • B min • 03:58 • -7.41db
11% Popularity • 78% Danceability • 84% Energy • 4% Liveness
90% Instrumentalness • 23% Positiveness
11% Popularity • 78% Danceability • 84% Energy • 4% Liveness
90% Instrumentalness • 23% Positiveness
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Dave Stewart
Sweet Dreams (Are Made of This)
136 bpm • G# Maj • 03:44 • -6.98db
30% Popularity • 48% Danceability • 78% Energy • 12% Liveness
88% Instrumentalness • 42% Positiveness
30% Popularity • 48% Danceability • 78% Energy • 12% Liveness
88% Instrumentalness • 42% Positiveness
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92 Keys
Stoopid Saung
124 bpm • D Maj • 03:47 • -12.14db
31% Popularity • 35% Danceability • 40% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
31% Popularity • 35% Danceability • 40% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
► Preview
Vuducru
Badinerie - 124 BPM Remix
124 bpm • G Maj • 03:40 • -6.82db
23% Popularity • 74% Danceability • 78% Energy • 8% Liveness
75% Instrumentalness • 82% Positiveness
23% Popularity • 74% Danceability • 78% Energy • 8% Liveness
75% Instrumentalness • 82% Positiveness
► Preview
Golden Salt
Believer
125 bpm • A min • 03:28 • -6.68db
13% Popularity • 46% Danceability • 67% Energy • 13% Liveness
62% Instrumentalness • 22% Positiveness
13% Popularity • 46% Danceability • 67% Energy • 13% Liveness
62% Instrumentalness • 22% Positiveness
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Daniel D.
Middle Child
124 bpm • G# Maj • 02:20 • -8.5db
27% Popularity • 72% Danceability • 60% Energy • 22% Liveness
92% Instrumentalness • 17% Positiveness
27% Popularity • 72% Danceability • 60% Energy • 22% Liveness
92% Instrumentalness • 17% Positiveness
► Preview
Caitlin De Ville
Back from the Beyond
124 bpm • D Maj • 03:48 • -9.77db
20% Popularity • 62% Danceability • 69% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
20% Popularity • 62% Danceability • 69% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Samuel Bohn
Unlocking the Mind [Trailer Music]
124 bpm • G min • 01:26 • -14db
45% Popularity • 47% Danceability • 29% Energy • 13% Liveness
93% Instrumentalness • 8% Positiveness
45% Popularity • 47% Danceability • 29% Energy • 13% Liveness
93% Instrumentalness • 8% Positiveness
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Kate Tsvetaeva Pop Violin
Brams Hungarian Dance #5
137 bpm • C Maj • 02:13 • -4.91db
29% Popularity • 67% Danceability • 76% Energy • 8% Liveness
26% Instrumentalness • 74% Positiveness
29% Popularity • 67% Danceability • 76% Energy • 8% Liveness
26% Instrumentalness • 74% Positiveness
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Vuducru
Eine kleine Nachtmusik - 124 BPM Remix
124 bpm • G Maj • 04:14 • -8.32db
14% Popularity • 83% Danceability • 82% Energy • 36% Liveness
86% Instrumentalness • 67% Positiveness
14% Popularity • 83% Danceability • 82% Energy • 36% Liveness
86% Instrumentalness • 67% Positiveness
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Musicalbasics
Passacaglia Dream
137 bpm • A min • 03:21 • -7.79db
19% Popularity • 62% Danceability • 83% Energy • 11% Liveness
56% Instrumentalness • 46% Positiveness
19% Popularity • 62% Danceability • 83% Energy • 11% Liveness
56% Instrumentalness • 46% Positiveness
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Escala
Children
137 bpm • F min • 04:27 • -7.57db
26% Popularity • 44% Danceability • 53% Energy • 37% Liveness
88% Instrumentalness • 14% Positiveness
26% Popularity • 44% Danceability • 53% Energy • 37% Liveness
88% Instrumentalness • 14% Positiveness
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District 78
Battle For The Beat
137 bpm • F min • 01:34 • -9.4db
25% Popularity • 60% Danceability • 87% Energy • 26% Liveness
86% Instrumentalness • 32% Positiveness
25% Popularity • 60% Danceability • 87% Energy • 26% Liveness
86% Instrumentalness • 32% Positiveness
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Clocks & Clouds
End Inevitable
137 bpm • C min • 04:02 • -9db
10% Popularity • 40% Danceability • 54% Energy • 8% Liveness
67% Instrumentalness • 52% Positiveness
10% Popularity • 40% Danceability • 54% Energy • 8% Liveness
67% Instrumentalness • 52% Positiveness
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David Hicken
Resurgam
123 bpm • F Maj • 03:35 • -16.68db
16% Popularity • 56% Danceability • 42% Energy • 14% Liveness
92% Instrumentalness • 62% Positiveness
16% Popularity • 56% Danceability • 42% Energy • 14% Liveness
92% Instrumentalness • 62% Positiveness
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The Hipster Orchestra
Seven Nation Army
123 bpm • D# Maj • 03:37 • -7.8db
40% Popularity • 45% Danceability • 30% Energy • 12% Liveness
5% Instrumentalness • 37% Positiveness
40% Popularity • 45% Danceability • 30% Energy • 12% Liveness
5% Instrumentalness • 37% Positiveness
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Maxime Rodriguez
The Illusionist
123 bpm • C Maj • 04:44 • -8.55db
12% Popularity • 38% Danceability • 50% Energy • 10% Liveness
14% Instrumentalness • 25% Positiveness
12% Popularity • 38% Danceability • 50% Energy • 10% Liveness
14% Instrumentalness • 25% Positiveness
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Guy-Manuel de Homem-Christo
Aerodynamic
123 bpm • B min • 04:03 • -8.84db
19% Popularity • 50% Danceability • 76% Energy • 14% Liveness
84% Instrumentalness • 37% Positiveness
19% Popularity • 50% Danceability • 76% Energy • 14% Liveness
84% Instrumentalness • 37% Positiveness
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Marta Z
Symphony
123 bpm • D Maj • 03:32 • -12.22db
16% Popularity • 56% Danceability • 43% Energy • 9% Liveness
84% Instrumentalness • 50% Positiveness
16% Popularity • 56% Danceability • 43% Energy • 9% Liveness
84% Instrumentalness • 50% Positiveness
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Young Mozart
Ave Maria
123 bpm • D Maj • 03:13 • -4.92db
20% Popularity • 75% Danceability • 79% Energy • 9% Liveness
80% Instrumentalness • 25% Positiveness
20% Popularity • 75% Danceability • 79% Energy • 9% Liveness
80% Instrumentalness • 25% Positiveness
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Kate Tsvetaeva Pop Violin
Tango
123 bpm • D Maj • 02:38 • -4.92db
26% Popularity • 72% Danceability • 80% Energy • 12% Liveness
75% Instrumentalness • 71% Positiveness
26% Popularity • 72% Danceability • 80% Energy • 12% Liveness
75% Instrumentalness • 71% Positiveness
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92 Keys
Somebody to Love
123 bpm • G# Maj • 04:18 • -11.1db
23% Popularity • 26% Danceability • 46% Energy • 8% Liveness
2% Instrumentalness • 21% Positiveness
23% Popularity • 26% Danceability • 46% Energy • 8% Liveness
2% Instrumentalness • 21% Positiveness
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Rafael Krux
Baroque Chamber Strings
138 bpm • D min • 01:45 • -6.17db
38% Popularity • 87% Danceability • 72% Energy • 5% Liveness
90% Instrumentalness • 92% Positiveness
38% Popularity • 87% Danceability • 72% Energy • 5% Liveness
90% Instrumentalness • 92% Positiveness
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Unsecret String Quartet
Vampire
138 bpm • F Maj • 03:41 • -11.81db
45% Popularity • 38% Danceability • 21% Energy • 35% Liveness
59% Instrumentalness • 19% Positiveness
45% Popularity • 38% Danceability • 21% Energy • 35% Liveness
59% Instrumentalness • 19% Positiveness
