Songs like Elégie: Op. 3, No. 1 by Sergei Rachmaninoff
Based on a tempo of (+/- 10%) and a similar genre
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Johann Sebastian Bach
Concerto in D Minor after Alessando Marc...
70 bpm • D min • 03:34 • -36.66db
8% Popularity • 25% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
8% Popularity • 25% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
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Jules Massenet
Elégie
70 bpm • G min • 02:12 • -24.94db
18% Popularity • 8% Danceability • 4% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
18% Popularity • 8% Danceability • 4% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Gabriel Fauré
8 Pièces brèves, Op. 84: No. 5, Improv...
70 bpm • F# min • 02:00 • -26db
46% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
46% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Robert Schumann
Davidsbündlertänze, Op. 6: No. 2. Inni...
70 bpm • B Maj • 01:26 • -40.72db
44% Popularity • 31% Danceability • 0% Energy • 8% Liveness
83% Instrumentalness • 23% Positiveness
44% Popularity • 31% Danceability • 0% Energy • 8% Liveness
83% Instrumentalness • 23% Positiveness
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Franz Schubert
Serenade, D. 889 (Arr. for Solo Piano)
70 bpm • D Maj • 05:24 • -28.92db
24% Popularity • 34% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
24% Popularity • 34% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
10 Préludes, Op. 23: No. 4. Andante can...
70 bpm • D Maj • 04:58 • -29db
25% Popularity • 24% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
25% Popularity • 24% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
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Earl Wild
Dreams, Op. 38 No. 5
70 bpm • F# Maj • 03:29 • -27.21db
9% Popularity • 27% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
9% Popularity • 27% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Ignaz Friedman
Orfeo ed Euridice: Ballet des Ombres Heu...
70 bpm • F# Maj • 03:58 • -33db
45% Popularity • 29% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
45% Popularity • 29% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: Romanz...
70 bpm • G# Maj • 04:52 • -30.05db
29% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Das Wohltemperierte Klavier: Book 2, BWV...
70 bpm • F min • 04:08 • -30.61db
41% Popularity • 33% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 46% Positiveness
41% Popularity • 33% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 46% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D. 899: No. 4 in A...
70 bpm • G# Maj • 08:01 • -23.29db
31% Popularity • 31% Danceability • 4% Energy • 15% Liveness
93% Instrumentalness • 6% Positiveness
31% Popularity • 31% Danceability • 4% Energy • 15% Liveness
93% Instrumentalness • 6% Positiveness
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Bedřich Smetana
Album Leaf for Kateřina Kolářová in ...
70 bpm • B Maj • 01:57 • -30.77db
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Prélude In G-Sharp Minor, Op. 32, No. 1...
70 bpm • E Maj • 02:32 • -25.61db
33% Popularity • 20% Danceability • 4% Energy • 62% Liveness
88% Instrumentalness • 4% Positiveness
33% Popularity • 20% Danceability • 4% Energy • 62% Liveness
88% Instrumentalness • 4% Positiveness
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Robert Schumann
Carnaval, Op. 9: 12. Chopin
70 bpm • G# Maj • 01:26 • -28.27db
27% Popularity • 39% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 8% Positiveness
27% Popularity • 39% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 8% Positiveness
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Christoph Willibald Gluck
Melodie from "Orfeo ed Euridice", Wq. 30...
70 bpm • D min • 03:52 • -31.87db
26% Popularity • 34% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
26% Popularity • 34% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Valentin Silvestrov
2 Bagatelles, Op. 173: No. 2. Andantino
70 bpm • C Maj • 02:06 • -43db
33% Popularity • 23% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
33% Popularity • 23% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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Chilly Gonzales
NO ROADMAP TO ADULTHOOD / Chilly Gonzale...
70 bpm • D# min • 03:02 • -31.77db
38% Popularity • 16% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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![Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] cover art](https://i.scdn.co/image/ab67616d00001e02e7b0049790088d1115f1984b)
Seattle Symphony Orchestra
Etudes symphoniques (Symphonic Etudes), ...
70 bpm • A min • 01:51 • -29db
62% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
62% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Sergei Rachmaninoff
6 Moments musicaux, Op. 16: No. 6, Maest...
70 bpm • C Maj • 05:02 • -23.43db
21% Popularity • 22% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
21% Popularity • 22% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Władysław Szpilman
Mazurka
70 bpm • F min • 02:08 • -24.2db
27% Popularity • 36% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
27% Popularity • 36% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 (Arranged by S...
70 bpm • D min • 03:01 • -36.89db
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 71, Book X: VII. Efter...
70 bpm • A# Maj • 01:52 • -34db
28% Popularity • 31% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
28% Popularity • 31% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Slavonic Dances, Op. 72, B. 147: No. 2, ...
70 bpm • C Maj • 05:00 • -23.54db
23% Popularity • 14% Danceability • 13% Energy • 32% Liveness
4% Instrumentalness • 13% Positiveness
23% Popularity • 14% Danceability • 13% Energy • 32% Liveness
4% Instrumentalness • 13% Positiveness
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Karol Szymanowski
Variations on a Polish Theme, Op. 10: No...
70 bpm • B min • 01:16 • -34db
50% Popularity • 33% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
50% Popularity • 33% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
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Sergei Rachmaninoff
Elégie: Op. 3, No. 1
70 bpm • D# min • 05:33 • -23.97db
22% Popularity • 35% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
22% Popularity • 35% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
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Francis Poulenc
Mélancolie
70 bpm • D Maj • 05:25 • -25db
29% Popularity • 20% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 20% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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John Field
Nocturne No. 3 in A-Flat Major
70 bpm • G# Maj • 04:54 • -33.76db
30% Popularity • 20% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
30% Popularity • 20% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
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Giacomo Puccini
Crisantemi
70 bpm • F# min • 07:22 • -28.12db
30% Popularity • 10% Danceability • 1% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
30% Popularity • 10% Danceability • 1% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Charles Griffes
Roman Sketches, Op. 7: III. The Fountain...
70 bpm • G# Maj • 03:50 • -27db
22% Popularity • 17% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
22% Popularity • 17% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Alexander Scriabin
12 Etudes, Op. 8 (1894): No. 12 Patetico
69 bpm • E Maj • 02:39 • -22db
25% Popularity • 27% Danceability • 17% Energy • 19% Liveness
93% Instrumentalness • 13% Positiveness
25% Popularity • 27% Danceability • 17% Energy • 19% Liveness
93% Instrumentalness • 13% Positiveness
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Sergei Rachmaninoff
10 Preludes, Op. 23: VIII. Allegro vivac...
70 bpm • G# Maj • 03:09 • -28.84db
25% Popularity • 17% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
25% Popularity • 17% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: II. Ro...
69 bpm • G# Maj • 04:29 • -31db
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Franz Liszt
6 Consolations, S. 172: No. 3 in D-Flat ...
69 bpm • C# Maj • 04:14 • -36.76db
59% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
59% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
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Erik Satie
Gnossienne: No. 2
71 bpm • D min • 01:40 • -26.31db
42% Popularity • 33% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
42% Popularity • 33% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Felix Blumenfeld
Etude, Op. 14 "Sur mer"
71 bpm • G min • 04:36 • -18.96db
9% Popularity • 22% Danceability • 19% Energy • 12% Liveness
86% Instrumentalness • 8% Positiveness
9% Popularity • 22% Danceability • 19% Energy • 12% Liveness
86% Instrumentalness • 8% Positiveness
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Bedřich Smetana
Bagatelles et impromptus: VII. Love
71 bpm • A Maj • 02:18 • -36.38db
54% Popularity • 21% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
54% Popularity • 21% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14 (Arr. for Piano...
71 bpm • A# min • 03:34 • -33.55db
20% Popularity • 28% Danceability • 1% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
20% Popularity • 28% Danceability • 1% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 38, Book II: VIII. Kan...
69 bpm • D# min • 05:00 • -28.95db
23% Popularity • 28% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
23% Popularity • 28% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Robert Schumann
Waldszenen, Op. 82: 3. Einsame Blumen
69 bpm • A# Maj • 02:40 • -39db
36% Popularity • 41% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 46% Positiveness
36% Popularity • 41% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 46% Positiveness
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Erik Satie
Satie: Gnossiennes - No. 3 Lent
69 bpm • A min • 02:55 • -42.22db
23% Popularity • 33% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
23% Popularity • 33% Danceability • 0% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
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Nino Rota
Valzer
71 bpm • E Maj • 02:51 • -25db
35% Popularity • 26% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
35% Popularity • 26% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
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Clara Schumann
Schumann: 12 Gedichte aus Liebesfrühlin...
71 bpm • G# Maj • 02:09 • -32db
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Francis Poulenc
Poulenc: Mélancolie, FP 105
71 bpm • D Maj • 05:23 • -23db
16% Popularity • 22% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
16% Popularity • 22% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Nocturne No. 1 in E-Flat Minor, Op. 33 N...
71 bpm • G# min • 07:39 • -26.75db
15% Popularity • 32% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
15% Popularity • 32% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
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Robert Schumann
Symphonic Studies, Op. 13 - Version 1852...
69 bpm • C# min • 02:59 • -23.71db
35% Popularity • 28% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
35% Popularity • 28% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
5 Morceaux de fantaisie, Op. 3: III. No....
71 bpm • E Maj • 04:51 • -31.17db
9% Popularity • 35% Danceability • 1% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
9% Popularity • 35% Danceability • 1% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
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Johannes Brahms
4 Ballades, Op. 10: No. 4 In B
71 bpm • B Maj • 09:27 • -32db
28% Popularity • 31% Danceability • 0% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
28% Popularity • 31% Danceability • 0% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Anatoly Lyadov
Prélude, Op. 11 No. 1
69 bpm • G Maj • 03:00 • -27.11db
36% Popularity • 37% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
36% Popularity • 37% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
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Elena Kuschnerova
Scriabin - Etude Op.2 No.1
69 bpm • C# min • 03:24 • -32db
21% Popularity • 47% Danceability • 1% Energy • 13% Liveness
85% Instrumentalness • 5% Positiveness
21% Popularity • 47% Danceability • 1% Energy • 13% Liveness
85% Instrumentalness • 5% Positiveness
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AntonÃn Dvořák
Piano Quintet in A Major, Op. 81, B. 155...
71 bpm • B min • 02:17 • -28.06db
31% Popularity • 42% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 13% Positiveness
31% Popularity • 42% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 13% Positiveness
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Germaine Tailleferre
Valses pour 2 pianos: Valse lente
71 bpm • B min • 01:15 • -30.06db
46% Popularity • 55% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
46% Popularity • 55% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
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Vladimir Horowitz
Waltz in F Minor
69 bpm • A# min • 02:15 • -34db
36% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
36% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
► Preview
John Field
Nocturne No. 6 in F Major
71 bpm • F Maj • 05:08 • -32db
30% Popularity • 27% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 6% Positiveness
30% Popularity • 27% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 6% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 15 in D-Flat Ma...
69 bpm • C# Maj • 01:57 • -45db
50% Popularity • 35% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
50% Popularity • 35% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
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Gustav Mahler
Mahler / Transcr. Tharaud: Symphony No. ...
71 bpm • F Maj • 10:36 • -19.43db
42% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
42% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Morceaux de fantaisie Op. 3 – No. 1 El...
69 bpm • D# min • 05:33 • -24.68db
12% Popularity • 28% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
12% Popularity • 28% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Giovanni Sgambati
Orfeo ed Euridice: Melody (arr. G. Sgamb...
71 bpm • D min • 03:49 • -34.2db
44% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
44% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
► Preview
Edvard Grieg
Pièces lyriques, Op. 54: IV. Notturno
69 bpm • C Maj • 04:24 • -31.61db
19% Popularity • 31% Danceability • 1% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
19% Popularity • 31% Danceability • 1% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
Miroirs: V. La vallée des cloches
69 bpm • C# Maj • 05:22 • -40db
35% Popularity • 26% Danceability • 0% Energy • 15% Liveness
96% Instrumentalness • 4% Positiveness
35% Popularity • 26% Danceability • 0% Energy • 15% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Angela Boutros
Clara Schumann, Nocturne Op.6 No.2
69 bpm • D min • 04:27 • -21.94db
11% Popularity • 40% Danceability • 6% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 40% Danceability • 6% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
John Field
Nocturne No. 4 in A Major
69 bpm • A Maj • 05:30 • -32.39db
27% Popularity • 30% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
27% Popularity • 30% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
► Preview
Franz Schubert
Piano Sonata No. 20 in A Major, D. 959: ...
69 bpm • B min • 08:55 • -26.58db
34% Popularity • 32% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
34% Popularity • 32% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
► Preview
Johannes Brahms
Capriccio in F-Sharp Minor, Op. 76, No. ...
69 bpm • C# Maj • 03:31 • -22db
23% Popularity • 32% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
23% Popularity • 32% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Piano Concerto No. 3 in D Minor, Op. 30:...
69 bpm • C# Maj • 09:36 • -25db
30% Popularity • 14% Danceability • 5% Energy • 36% Liveness
92% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 5% Energy • 36% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Lyric Pieces Book V, Op. 54: No. 4 Nottu...
72 bpm • D min • 04:04 • -29.45db
30% Popularity • 30% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
30% Popularity • 30% Danceability • 2% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Francis Poulenc
Improvisation No. 15 (Hommage à Édith ...
68 bpm • C min • 03:29 • -23.05db
16% Popularity • 37% Danceability • 13% Energy • 21% Liveness
90% Instrumentalness • 7% Positiveness
16% Popularity • 37% Danceability • 13% Energy • 21% Liveness
90% Instrumentalness • 7% Positiveness
► Preview
John Field
Nocturne No. 13 in D Minor
68 bpm • D min • 03:46 • -35db
37% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
37% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
► Preview
Samuel Coleridge-Taylor
Sometimes I Feel Like a Motherless Child
68 bpm • C Maj • 04:01 • -20.33db
44% Popularity • 38% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
44% Popularity • 38% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Janusz Olejniczak
Polonaise in B-Flat Minor, WN 10
72 bpm • A# min • 05:03 • -18db
21% Popularity • 36% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
21% Popularity • 36% Danceability • 12% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
Sergei Rachmaninoff
Variations on a Theme of Chopin, Op. 22:...
72 bpm • C# Maj • 01:27 • -39.77db
25% Popularity • 22% Danceability • 0% Energy • 7% Liveness
86% Instrumentalness • 32% Positiveness
25% Popularity • 22% Danceability • 0% Energy • 7% Liveness
86% Instrumentalness • 32% Positiveness
► Preview
Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
68 bpm • C min • 01:33 • -22.73db
50% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
50% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
► Preview
Cyprien Katsaris
Goodbye, Mr. Rachmaninov - World Premier...
72 bpm • C min • 04:43 • -21db
23% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
23% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
The Well-Tempered Clavier, Book 1, Prelu...
72 bpm • C Maj • 01:57 • -40.4db
38% Popularity • 17% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
38% Popularity • 17% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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Dmitri Shostakovich
24 Preludes & Fugues, Op. 87: Prelude no...
72 bpm • F# Maj • 02:27 • -38.64db
47% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
47% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 10 Elegiaco
68 bpm • C# min • 02:05 • -29db
39% Popularity • 34% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
39% Popularity • 34% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
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Sergei Rachmaninoff
6 Moments musicaux, Op. 16: No. 5, Adagi...
68 bpm • C# Maj • 04:06 • -36.93db
35% Popularity • 36% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
35% Popularity • 36% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Clara Schumann
3 Romances, Op. 22: No. 1, Andante molto...
68 bpm • C# Maj • 03:10 • -26db
51% Popularity • 16% Danceability • 3% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
51% Popularity • 16% Danceability • 3% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Alexander Scriabin
Etude in D-Sharp Minor, Op. 8, No. 12: P...
72 bpm • C# min • 02:10 • -16db
40% Popularity • 36% Danceability • 29% Energy • 15% Liveness
89% Instrumentalness • 34% Positiveness
40% Popularity • 36% Danceability • 29% Energy • 15% Liveness
89% Instrumentalness • 34% Positiveness
► Preview
Johann Sebastian Bach
Concerto en ré mineur, BWV 974: II. Ada...
68 bpm • D min • 04:13 • -27db
57% Popularity • 35% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
57% Popularity • 35% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 1 in C Minor, Op. 35:...
72 bpm • C Maj • 08:15 • -22.66db
22% Popularity • 13% Danceability • 3% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
22% Popularity • 13% Danceability • 3% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
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Luke Faulkner
Polovtsian Dances from Prince Igor (pian...
72 bpm • A Maj • 02:52 • -21.35db
47% Popularity • 34% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
47% Popularity • 34% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Elegie in E-Flat Minor, Op. 3, No. 1
68 bpm • D# min • 04:04 • -25.1db
33% Popularity • 29% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 6% Positiveness
33% Popularity • 29% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
72 bpm • G min • 02:04 • -33.47db
61% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
61% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
► Preview
Valentin Silvestrov
Bagatellen: III
72 bpm • C Maj • 03:40 • -43.66db
40% Popularity • 20% Danceability • 0% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
40% Popularity • 20% Danceability • 0% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
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Edvard Grieg
Lyric Pieces, Livre 5, Op. 54: IV. Nottu...
68 bpm • C Maj • 04:17 • -30.4db
24% Popularity • 34% Danceability • 1% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
24% Popularity • 34% Danceability • 1% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
► Preview
Alexander Borodin
Piano Quintet in C Minor: I. Andante
68 bpm • C min • 04:27 • -23.19db
40% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
40% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
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Johannes Brahms
Clarinet Trio in A Minor, Op. 114: I. Al...
68 bpm • A min • 07:39 • -20db
35% Popularity • 13% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
35% Popularity • 13% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Sergei Rachmaninoff
10 Preludes, Op. 23: No. 4 in D Major: A...
72 bpm • D Maj • 05:04 • -28.23db
22% Popularity • 26% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
22% Popularity • 26% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Elegie, Op. 24
72 bpm • G# Maj • 06:46 • -26db
31% Popularity • 15% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
31% Popularity • 15% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Francis Poulenc
15 Improvisations, FP 170: No. 13 in A M...
72 bpm • C Maj • 02:23 • -28db
31% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
31% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Maurice Ravel
Gaspard de la nuit, M. 55: II. Le Gibet
68 bpm • D# Maj • 06:54 • -44db
8% Popularity • 36% Danceability • 0% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
8% Popularity • 36% Danceability • 0% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Modest Mussorgsky
Mussorgsky: Pictures at an Exhibition: I...
68 bpm • C# Maj • 05:21 • -37.64db
28% Popularity • 35% Danceability • 0% Energy • 20% Liveness
95% Instrumentalness • 7% Positiveness
28% Popularity • 35% Danceability • 0% Energy • 20% Liveness
95% Instrumentalness • 7% Positiveness
► Preview
Sergei Rachmaninoff
Étude-Tableau in C major, Op. 33, No. 2
72 bpm • A# min • 02:33 • -26.26db
13% Popularity • 31% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
13% Popularity • 31% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
73 bpm • F Maj • 01:37 • -27.52db
51% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
51% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
► Preview
Francis Poulenc
Novelette No. 3 in E Minor, FP 173
72 bpm • E min • 02:54 • -33db
20% Popularity • 44% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
20% Popularity • 44% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
► Preview
Edvard Grieg
Lyric Pieces Book II, Op. 38: I. Berceus...
67 bpm • D Maj • 02:46 • -30db
42% Popularity • 37% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
42% Popularity • 37% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
Gaspard de la nuit, M. 55: I. Ondine
67 bpm • C# Maj • 07:21 • -30db
21% Popularity • 13% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
21% Popularity • 13% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
