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Elektra
Songs like
Elektra
by
Graeme Revell
Based on a tempo of (+/- 10%) and a similar genre
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Andrew Lockington
San Andreas (Main Theme)
70 bpm • D min • 01:42 • -26db
21% Popularity • 18% Danceability • 17% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Graeme Revell
Elektra
70 bpm • A min • 04:15 • -26.5db
17% Popularity • 17% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Mark Mancina
Looking At You
70 bpm • A Maj • 04:29 • -18db
10% Popularity • 15% Danceability • 8% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Nick Glennie-Smith
Final Departure
70 bpm • F min • 10:30 • -20.53db
23% Popularity • 14% Danceability • 16% Energy • 31% Liveness
86% Instrumentalness • 4% Positiveness
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George Fenton
Lost in the Storm
70 bpm • A min • 01:11 • -17.41db
35% Popularity • 15% Danceability • 14% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
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Dario Marianelli
Valerie
71 bpm • C# Maj • 08:48 • -23.19db
20% Popularity • 7% Danceability • 10% Energy • 18% Liveness
92% Instrumentalness • 4% Positiveness
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Explosions In The Sky
A Storm Is Coming
71 bpm • C# Maj • 02:07 • -24.91db
24% Popularity • 19% Danceability • 15% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
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Jed Kurzel
Chest Burster
71 bpm • D# Maj • 01:24 • -25.37db
37% Popularity • 16% Danceability • 7% Energy • 35% Liveness
95% Instrumentalness • 4% Positiveness
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Benjamin Wallfisch
The Suit
71 bpm • F Maj • 02:15 • -14.74db
16% Popularity • 15% Danceability • 20% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
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Don Davis
Trinity Definitely
69 bpm • A# min • 04:15 • -27.13db
18% Popularity • 13% Danceability • 8% Energy • 38% Liveness
86% Instrumentalness • 3% Positiveness
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Fernando Velázquez
Reunión y final
69 bpm • C Maj • 03:59 • -17.81db
12% Popularity • 14% Danceability • 8% Energy • 31% Liveness
94% Instrumentalness • 3% Positiveness
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Atli Örvarsson
The Ninth Legion
71 bpm • A min • 02:18 • -21.55db
34% Popularity • 6% Danceability • 14% Energy • 11% Liveness
72% Instrumentalness • 3% Positiveness
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Mychael Danna
Try To Stay
69 bpm • D Maj • 01:40 • -20.37db
9% Popularity • 14% Danceability • 12% Energy • 7% Liveness
57% Instrumentalness • 16% Positiveness
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Steve Jablonsky
Sir Edmund Burton
71 bpm • D min • 04:10 • -23.05db
31% Popularity • 9% Danceability • 8% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Roque Baños
Homecoming
69 bpm • F Maj • 07:32 • -21.31db
19% Popularity • 15% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 3% Positiveness
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Clint Mansell
Make Thee an Ark
71 bpm • A min • 05:09 • -12.93db
17% Popularity • 7% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Graeme Revell
Navigator Advises
69 bpm • A min • 01:30 • -22.52db
9% Popularity • 16% Danceability • 13% Energy • 17% Liveness
69% Instrumentalness • 3% Positiveness
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Atticus Ross
Safe
69 bpm • D Maj • 01:22 • -20.87db
26% Popularity • 20% Danceability • 12% Energy • 17% Liveness
93% Instrumentalness • 3% Positiveness
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Nathan Furst
Engle's Legacy
69 bpm • F Maj • 03:38 • -23.77db
12% Popularity • 6% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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Joseph Loduca
Pale Shadow Of Love
71 bpm • C# Maj • 01:25 • -22.39db
10% Popularity • 36% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 23% Positiveness
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Tyler Bates
Tonight We Dine in Hell
68 bpm • A min • 01:13 • -19.04db
40% Popularity • 22% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Carter Burwell
Nemesis
71 bpm • E min • 04:29 • -19db
14% Popularity • 10% Danceability • 12% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Atli Örvarsson
I Will Return
72 bpm • A min • 02:25 • -18.61db
21% Popularity • 20% Danceability • 30% Energy • 18% Liveness
54% Instrumentalness • 4% Positiveness
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Mark Snow
The Surgery (X-Files: I Want To Believe ...
68 bpm • A min • 02:14 • -20.48db
18% Popularity • 20% Danceability • 17% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Christopher Young
Runaway Jury
68 bpm • F min • 05:37 • -20.82db
25% Popularity • 8% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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The Prestige
A New Trick
72 bpm • E min • 04:29 • -23db
18% Popularity • 13% Danceability • 12% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Jeff Beal
Two Kinds Of Pain
68 bpm • C Maj • 03:35 • -20db
22% Popularity • 18% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Don Davis
Spirit of the Universe
68 bpm • G# Maj • 04:51 • -11.41db
19% Popularity • 12% Danceability • 33% Energy • 18% Liveness
81% Instrumentalness • 3% Positiveness
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Bear McCreary
So Much Life
68 bpm • C Maj • 05:00 • -18.23db
18% Popularity • 6% Danceability • 14% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
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Daniel Pemberton
Revelation
68 bpm • C Maj • 03:05 • -17.11db
28% Popularity • 9% Danceability • 19% Energy • 13% Liveness
52% Instrumentalness • 10% Positiveness
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Robert J. Kral
Princess Cordelia
72 bpm • F Maj • 01:20 • -26.84db
9% Popularity • 20% Danceability • 5% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Nathan Furst
Ethos
68 bpm • A min • 01:57 • -13.78db
18% Popularity • 24% Danceability • 32% Energy • 16% Liveness
93% Instrumentalness • 10% Positiveness
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Graeme Revell
The Clock
72 bpm • C# min • 03:01 • -33.04db
15% Popularity • 19% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Howard Shore
Spotlight
68 bpm • G Maj • 01:03 • -25.07db
40% Popularity • 25% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Jeff Russo
Sweet Brutal Suite
72 bpm • D Maj • 03:12 • -26.76db
12% Popularity • 27% Danceability • 0% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
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Nathan Johnson
Her Face
68 bpm • C Maj • 02:37 • -22.47db
22% Popularity • 13% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Christian Henson
Open Seas
68 bpm • G Maj • 01:33 • -16.28db
33% Popularity • 28% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Carter Burwell
Meeting Miriam
67 bpm • C Maj • 01:33 • -18db
26% Popularity • 26% Danceability • 17% Energy • 11% Liveness
20% Instrumentalness • 4% Positiveness
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John Murphy
Frank's Death - Soldiers (Requiem in D M...
67 bpm • D min • 02:41 • -13.48db
32% Popularity • 6% Danceability • 10% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
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Graeme Revell
Believe In Angels
67 bpm • D# Maj • 03:31 • -25db
21% Popularity • 13% Danceability • 8% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
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Randy Edelman
Silently Yearning For Centuries
67 bpm • F min • 02:25 • -16.72db
17% Popularity • 16% Danceability • 14% Energy • 9% Liveness
63% Instrumentalness • 4% Positiveness
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Steve Jablonsky
This Tongue Thing's Amazing
73 bpm • D min • 04:28 • -26.07db
15% Popularity • 11% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Roque Baños
Separations
67 bpm • F min • 04:29 • -33.38db
22% Popularity • 14% Danceability • 1% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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David Julyan
The Glacier
73 bpm • C# min • 03:03 • -19db
11% Popularity • 15% Danceability • 17% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Christopher Lennertz
Moby Dick
67 bpm • A min • 02:49 • -26.43db
16% Popularity • 19% Danceability • 5% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Graeme Revell
The Purifiers End
73 bpm • F Maj • 03:21 • -19.03db
6% Popularity • 7% Danceability • 11% Energy • 7% Liveness
83% Instrumentalness • 3% Positiveness
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Christophe Beck
Polonia
74 bpm • A# Maj • 02:25 • -30.56db
19% Popularity • 8% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Marc Shaiman
Kaffe
74 bpm • D min • 02:16 • -20.53db
13% Popularity • 7% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Dario Marianelli
The Call
74 bpm • B Maj • 03:11 • -25db
33% Popularity • 14% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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West Dylan Thordson
Belief
66 bpm • A# Maj • 03:03 • -21db
36% Popularity • 22% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Tomb of the Primes
74 bpm • D min • 02:47 • -15.88db
33% Popularity • 7% Danceability • 30% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Graeme Revell
Powell and the Illuminati
67 bpm • D# min • 02:58 • -22.96db
10% Popularity • 12% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Steven Price
Machine
66 bpm • C min • 03:21 • -23.54db
32% Popularity • 18% Danceability • 16% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Mark Snow
Grow Up Superboy
74 bpm • G Maj • 01:43 • -24.01db
16% Popularity • 22% Danceability • 6% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
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Christopher Young
Little Wing - Score
74 bpm • A# Maj • 06:05 • -13db
12% Popularity • 10% Danceability • 18% Energy • 14% Liveness
48% Instrumentalness • 4% Positiveness
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Brad Fiedel
Desert Suite - Remastered 2017
66 bpm • A Maj • 03:27 • -25.63db
30% Popularity • 15% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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The Prestige
Borden Meets Sarah
74 bpm • E min • 02:11 • -22.72db
22% Popularity • 17% Danceability • 11% Energy • 11% Liveness
83% Instrumentalness • 3% Positiveness
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Graeme Revell
Lara Croft at Home
66 bpm • G Maj • 02:13 • -27.3db
8% Popularity • 6% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Atli Örvarsson
Esca's Freedom
66 bpm • E min • 01:42 • -25.06db
31% Popularity • 20% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Jeff Beal
The Ring
74 bpm • G Maj • 02:52 • -20.09db
26% Popularity • 14% Danceability • 19% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
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Nick Glennie-Smith
Jack's Death
74 bpm • D# min • 01:38 • -17.99db
23% Popularity • 14% Danceability • 20% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Andrew Lockington
Divorce Papers
74 bpm • F min • 03:28 • -29.71db
11% Popularity • 7% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Mychael Danna
Train
66 bpm • D min • 01:43 • -28.96db
20% Popularity • 28% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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Deborah Lurie
Release
66 bpm • C# Maj • 04:00 • -22.41db
15% Popularity • 6% Danceability • 8% Energy • 28% Liveness
92% Instrumentalness • 3% Positiveness
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Daniel Pemberton
Therapy Session
66 bpm • E min • 02:43 • -29.78db
9% Popularity • 15% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Robert J. Kral
Home
66 bpm • D min • 01:56 • -22.64db
11% Popularity • 26% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 6% Positiveness
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Tyler Bates
The Council Chamber
66 bpm • D Maj • 02:33 • -20.54db
22% Popularity • 11% Danceability • 11% Energy • 15% Liveness
85% Instrumentalness • 3% Positiveness
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Ryan Amon
Elysium
66 bpm • A min • 03:45 • -15.86db
40% Popularity • 16% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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David Julyan
The Descent
65 bpm • C# min • 04:54 • -18.45db
21% Popularity • 11% Danceability • 17% Energy • 19% Liveness
92% Instrumentalness • 3% Positiveness
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Jed Kurzel
A Cabin On The Lake
65 bpm • D Maj • 01:55 • -27.17db
27% Popularity • 22% Danceability • 4% Energy • 7% Liveness
76% Instrumentalness • 3% Positiveness
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Bear McCreary
The Colossal Finale Part 2
75 bpm • F Maj • 01:59 • -17.31db
8% Popularity • 47% Danceability • 12% Energy • 15% Liveness
95% Instrumentalness • 3% Positiveness
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Daniel Pemberton
The Lady in the Lake
75 bpm • D Maj • 03:07 • -18.33db
32% Popularity • 26% Danceability • 31% Energy • 23% Liveness
86% Instrumentalness • 4% Positiveness
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Clint Mansell
And He Remembered Noah
65 bpm • G min • 04:18 • -15.24db
11% Popularity • 21% Danceability • 20% Energy • 26% Liveness
92% Instrumentalness • 4% Positiveness
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Basil Poledouris
Valeria Remembered - Conan The Destroyer...
75 bpm • F min • 03:06 • -15.52db
27% Popularity • 18% Danceability • 31% Energy • 38% Liveness
81% Instrumentalness • 8% Positiveness
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Graeme Revell
Last Rites
75 bpm • B Maj • 03:55 • -19.63db
16% Popularity • 16% Danceability • 13% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Steven Price
The War Is Not Over
65 bpm • F min • 01:47 • -18db
37% Popularity • 23% Danceability • 20% Energy • 15% Liveness
96% Instrumentalness • 4% Positiveness
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Chris Tilton
Finale End Credits
65 bpm • A min • 01:10 • -27.74db
11% Popularity • 21% Danceability • 3% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
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B.S.O. Varios
The Rule of the Parábolani
65 bpm • F# min • 02:01 • -17.46db
15% Popularity • 26% Danceability • 18% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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Jerry Goldsmith
Camelot Lives
65 bpm • D# Maj • 05:39 • -22.35db
12% Popularity • 12% Danceability • 4% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Jed Kurzel
Columbus
76 bpm • C# min • 02:11 • -22.35db
16% Popularity • 16% Danceability • 16% Energy • 28% Liveness
35% Instrumentalness • 4% Positiveness
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Graeme Revell
Bregna 2415
75 bpm • G Maj • 04:47 • -13.61db
6% Popularity • 25% Danceability • 54% Energy • 6% Liveness
86% Instrumentalness • 7% Positiveness
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Jeff Russo
The Final Frontier
65 bpm • A# Maj • 04:32 • -26.17db
8% Popularity • 19% Danceability • 11% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Edward Shearmur
Karen's Letter
65 bpm • G Maj • 04:26 • -20.52db
12% Popularity • 14% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 6% Positiveness
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Diverse
The Quickering Highlander - The Final Di...
76 bpm • G Maj • 03:18 • -24.94db
22% Popularity • 7% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Mychael Danna
Meadow
76 bpm • F Maj • 03:19 • -19.97db
14% Popularity • 8% Danceability • 13% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
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B.S.O. Varios
The Miracle of the Bread
76 bpm • F# min • 04:22 • -19.85db
18% Popularity • 7% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Nathan Furst
The Calm After
76 bpm • D min • 02:02 • -14.39db
13% Popularity • 16% Danceability • 30% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Tyler Bates
A God King Bleeds
76 bpm • D min • 02:16 • -13.17db
25% Popularity • 11% Danceability • 36% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Rachel Portman
Final Salute - Hart's War/Soundtrack Ver...
64 bpm • E min • 03:23 • -15db
12% Popularity • 6% Danceability • 20% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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John Ottman
Reprise / Fly Away
64 bpm • E min • 04:15 • -12db
22% Popularity • 8% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Louis Febre
A Hall of Heros
77 bpm • G min • 02:27 • -17.37db
8% Popularity • 18% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Andrew Lockington
Goodbye Max
77 bpm • A Maj • 02:44 • -26.41db
12% Popularity • 14% Danceability • 2% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
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Daniel Pemberton
All These Worlds
64 bpm • D min • 04:06 • -19.75db
15% Popularity • 6% Danceability • 10% Energy • 26% Liveness
90% Instrumentalness • 4% Positiveness
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David Arnold
Vesper
64 bpm • A min • 01:44 • -23.64db
51% Popularity • 24% Danceability • 5% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
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Chris Tilton
Funeral Pyre Straits
77 bpm • C min • 02:26 • -22.64db
9% Popularity • 7% Danceability • 3% Energy • 21% Liveness
95% Instrumentalness • 4% Positiveness
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Paul Haslinger
Eternity and a Day
63 bpm • G min • 04:08 • -27.14db
23% Popularity • 9% Danceability • 11% Energy • 17% Liveness
67% Instrumentalness • 9% Positiveness
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Grey Dogs
Compassion Is Not Weakness
63 bpm • A min • 03:32 • -20.13db
12% Popularity • 14% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Graeme Revell
Imam's Death
77 bpm • C Maj • 01:46 • -21db
9% Popularity • 22% Danceability • 30% Energy • 36% Liveness
62% Instrumentalness • 26% Positiveness
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Jeff Beal
Making History
63 bpm • G min • 05:34 • -18.52db
30% Popularity • 12% Danceability • 34% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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David Newman
Funeral / Rebuilding Serenity
63 bpm • C Maj • 02:01 • -22.95db
24% Popularity • 13% Danceability • 12% Energy • 13% Liveness
98% Instrumentalness • 6% Positiveness
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Elektra