Songs like Elephantasy: Elephantasy/Our Feelings/Bishmallah/Wind, Sand And Stars - Remastered by Don Cherry
Based on a tempo of (+/- 10%) and a similar genre
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Karin Krog
Meaning of Love
109 bpm • F Maj • 05:06 • -15db
30% Popularity • 48% Danceability • 58% Energy • 10% Liveness
6% Instrumentalness • 81% Positiveness
30% Popularity • 48% Danceability • 58% Energy • 10% Liveness
6% Instrumentalness • 81% Positiveness
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Don Cherry
Race Face
109 bpm • G# min • 04:27 • -14.77db
2% Popularity • 45% Danceability • 41% Energy • 9% Liveness
14% Instrumentalness • 65% Positiveness
2% Popularity • 45% Danceability • 41% Energy • 9% Liveness
14% Instrumentalness • 65% Positiveness
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Matana Roberts
Amma Jerusalem School
109 bpm • A# Maj • 04:10 • -12.05db
12% Popularity • 45% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 45% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Lloyd Miller
Mandala
109 bpm • E Maj • 03:22 • -12.4db
20% Popularity • 36% Danceability • 63% Energy • 8% Liveness
82% Instrumentalness • 62% Positiveness
20% Popularity • 36% Danceability • 63% Energy • 8% Liveness
82% Instrumentalness • 62% Positiveness
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Marion Brown
Bismillahi 'Rrahmani 'Rrahim
109 bpm • F# Maj • 06:02 • -18.32db
20% Popularity • 24% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
20% Popularity • 24% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Steve Lacy
Evidence
109 bpm • G# Maj • 04:59 • -18.74db
15% Popularity • 57% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 57% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Lonnie Liston Smith
In Search Of Truth
108 bpm • A min • 07:11 • -14.01db
18% Popularity • 39% Danceability • 53% Energy • 74% Liveness
2% Instrumentalness • 54% Positiveness
18% Popularity • 39% Danceability • 53% Energy • 74% Liveness
2% Instrumentalness • 54% Positiveness
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Don Cherry
Art Deco
109 bpm • F Maj • 02:52 • -16.95db
21% Popularity • 48% Danceability • 19% Energy • 5% Liveness
36% Instrumentalness • 23% Positiveness
21% Popularity • 48% Danceability • 19% Energy • 5% Liveness
36% Instrumentalness • 23% Positiveness
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Horace Silver
The Gods Of The Yoruba
108 bpm • G# Maj • 06:08 • -14.48db
9% Popularity • 56% Danceability • 49% Energy • 9% Liveness
83% Instrumentalness • 64% Positiveness
9% Popularity • 56% Danceability • 49% Energy • 9% Liveness
83% Instrumentalness • 64% Positiveness
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Bennie Maupin
It Remains To Be Seen
108 bpm • C# Maj • 08:03 • -13.35db
13% Popularity • 66% Danceability • 39% Energy • 10% Liveness
35% Instrumentalness • 66% Positiveness
13% Popularity • 66% Danceability • 39% Energy • 10% Liveness
35% Instrumentalness • 66% Positiveness
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Andrew Hill
Siete Ocho - Remastered 2003 / Rudy Van ...
110 bpm • F min • 08:58 • -10.43db
16% Popularity • 36% Danceability • 64% Energy • 10% Liveness
4% Instrumentalness • 49% Positiveness
16% Popularity • 36% Danceability • 64% Energy • 10% Liveness
4% Instrumentalness • 49% Positiveness
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Jon Hassell
Flash of the Spirit (Laughter)
110 bpm • C# min • 05:45 • -16.34db
9% Popularity • 38% Danceability • 46% Energy • 7% Liveness
91% Instrumentalness • 89% Positiveness
9% Popularity • 38% Danceability • 46% Energy • 7% Liveness
91% Instrumentalness • 89% Positiveness
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Angel Bat Dawid
No Space Fo Us
108 bpm • C Maj • 03:48 • -12.14db
12% Popularity • 43% Danceability • 41% Energy • 8% Liveness
45% Instrumentalness • 34% Positiveness
12% Popularity • 43% Danceability • 41% Energy • 8% Liveness
45% Instrumentalness • 34% Positiveness
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Rudolph Johnson
The Highest Pleasure
110 bpm • A Maj • 07:38 • -16.95db
14% Popularity • 41% Danceability • 51% Energy • 12% Liveness
81% Instrumentalness • 60% Positiveness
14% Popularity • 41% Danceability • 51% Energy • 12% Liveness
81% Instrumentalness • 60% Positiveness
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Anthony Braxton
BOR----H (Opus 23E)
111 bpm • G# Maj • 03:23 • -10.76db
12% Popularity • 49% Danceability • 65% Energy • 9% Liveness
61% Instrumentalness • 76% Positiveness
12% Popularity • 49% Danceability • 65% Energy • 9% Liveness
61% Instrumentalness • 76% Positiveness
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Louis Banks
Song for My Lady
108 bpm • B min • 04:14 • -13.45db
16% Popularity • 58% Danceability • 73% Energy • 9% Liveness
90% Instrumentalness • 83% Positiveness
16% Popularity • 58% Danceability • 73% Energy • 9% Liveness
90% Instrumentalness • 83% Positiveness
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Max Roach
Twinkle Toes
111 bpm • C# Maj • 03:33 • -16.35db
10% Popularity • 54% Danceability • 20% Energy • 10% Liveness
5% Instrumentalness • 40% Positiveness
10% Popularity • 54% Danceability • 20% Energy • 10% Liveness
5% Instrumentalness • 40% Positiveness
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Ndikho Xaba
Nomusa
111 bpm • B min • 08:47 • -13.05db
11% Popularity • 68% Danceability • 40% Energy • 15% Liveness
43% Instrumentalness • 52% Positiveness
11% Popularity • 68% Danceability • 40% Energy • 15% Liveness
43% Instrumentalness • 52% Positiveness
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Dollar Brand
ドンの歌
107 bpm • E min • 07:36 • -9.65db
9% Popularity • 25% Danceability • 53% Energy • 16% Liveness
75% Instrumentalness • 20% Positiveness
9% Popularity • 25% Danceability • 53% Energy • 16% Liveness
75% Instrumentalness • 20% Positiveness
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Salah Ragab
Neveen
111 bpm • B min • 07:54 • -8db
21% Popularity • 57% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 57% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Adele Sebastian
Desert Fairy Princess
111 bpm • F Maj • 09:02 • -23.6db
13% Popularity • 39% Danceability • 13% Energy • 8% Liveness
90% Instrumentalness • 37% Positiveness
13% Popularity • 39% Danceability • 13% Energy • 8% Liveness
90% Instrumentalness • 37% Positiveness
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Albert Ayler
Bells
111 bpm • C Maj • 03:09 • -9.13db
11% Popularity • 42% Danceability • 67% Energy • 21% Liveness
88% Instrumentalness • 80% Positiveness
11% Popularity • 42% Danceability • 67% Energy • 21% Liveness
88% Instrumentalness • 80% Positiveness
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The Lounge Lizards
One Big Yes
111 bpm • C min • 06:23 • -12.49db
19% Popularity • 43% Danceability • 58% Energy • 10% Liveness
6% Instrumentalness • 84% Positiveness
19% Popularity • 43% Danceability • 58% Energy • 10% Liveness
6% Instrumentalness • 84% Positiveness
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Ndikho Xaba
Nomusa
111 bpm • B min • 08:46 • -13.58db
11% Popularity • 66% Danceability • 40% Energy • 14% Liveness
77% Instrumentalness • 56% Positiveness
11% Popularity • 66% Danceability • 40% Energy • 14% Liveness
77% Instrumentalness • 56% Positiveness
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Sun Ra & His Arkestra
Sleeping Beauty - a.k.a. Black Beauty
107 bpm • C# Maj • 11:49 • -10.32db
22% Popularity • 40% Danceability • 50% Energy • 7% Liveness
14% Instrumentalness • 31% Positiveness
22% Popularity • 40% Danceability • 50% Energy • 7% Liveness
14% Instrumentalness • 31% Positiveness
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Marion Brown
Vista
111 bpm • C Maj • 07:44 • -13.58db
10% Popularity • 48% Danceability • 43% Energy • 11% Liveness
40% Instrumentalness • 23% Positiveness
10% Popularity • 48% Danceability • 43% Energy • 11% Liveness
40% Instrumentalness • 23% Positiveness
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Codona
Mumakata
111 bpm • B min • 08:14 • -16.74db
10% Popularity • 64% Danceability • 34% Energy • 6% Liveness
6% Instrumentalness • 54% Positiveness
10% Popularity • 64% Danceability • 34% Energy • 6% Liveness
6% Instrumentalness • 54% Positiveness
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Lloyd Miller
Fantasia Pt. 1
111 bpm • C# Maj • 02:35 • -12.98db
32% Popularity • 45% Danceability • 64% Energy • 14% Liveness
74% Instrumentalness • 47% Positiveness
32% Popularity • 45% Danceability • 64% Energy • 14% Liveness
74% Instrumentalness • 47% Positiveness
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The Lounge Lizards
The First and Royal Queen
111 bpm • C# Maj • 04:00 • -15db
28% Popularity • 75% Danceability • 35% Energy • 5% Liveness
21% Instrumentalness • 70% Positiveness
28% Popularity • 75% Danceability • 35% Energy • 5% Liveness
21% Instrumentalness • 70% Positiveness
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Archie Shepp
Dr. King, The Peaceful Warrior
111 bpm • G# Maj • 02:29 • -30db
32% Popularity • 36% Danceability • 1% Energy • 19% Liveness
62% Instrumentalness • 10% Positiveness
32% Popularity • 36% Danceability • 1% Energy • 19% Liveness
62% Instrumentalness • 10% Positiveness
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Michael White
John Coltrane Was Here
112 bpm • E min • 06:04 • -14.89db
9% Popularity • 47% Danceability • 49% Energy • 11% Liveness
85% Instrumentalness • 47% Positiveness
9% Popularity • 47% Danceability • 49% Energy • 11% Liveness
85% Instrumentalness • 47% Positiveness
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Don Cherry
Initiation (Demo)
112 bpm • B min • 02:54 • -20.75db
18% Popularity • 70% Danceability • 23% Energy • 18% Liveness
62% Instrumentalness • 71% Positiveness
18% Popularity • 70% Danceability • 23% Energy • 18% Liveness
62% Instrumentalness • 71% Positiveness
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Max Roach
Tears For Johannesburg - Remastered
106 bpm • B Maj • 09:46 • -17.96db
14% Popularity • 41% Danceability • 33% Energy • 12% Liveness
74% Instrumentalness • 51% Positiveness
14% Popularity • 41% Danceability • 33% Energy • 12% Liveness
74% Instrumentalness • 51% Positiveness
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Takeo Moriyama
East Plants
112 bpm • G min • 10:22 • -12.91db
14% Popularity • 61% Danceability • 65% Energy • 31% Liveness
90% Instrumentalness • 50% Positiveness
14% Popularity • 61% Danceability • 65% Energy • 31% Liveness
90% Instrumentalness • 50% Positiveness
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Ralph Towner
Piscean Dance
106 bpm • A# min • 04:11 • -15db
14% Popularity • 49% Danceability • 50% Energy • 6% Liveness
84% Instrumentalness • 96% Positiveness
14% Popularity • 49% Danceability • 50% Energy • 6% Liveness
84% Instrumentalness • 96% Positiveness
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Bennie Maupin
Song For Tracie Dixon Summers
112 bpm • D Maj • 05:19 • -14.54db
10% Popularity • 31% Danceability • 10% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
10% Popularity • 31% Danceability • 10% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Chico Hamilton
Monday Monday
112 bpm • C Maj • 02:23 • -22.07db
33% Popularity • 66% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 57% Positiveness
33% Popularity • 66% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 57% Positiveness
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Don Cherry
Manusha Raga Kamboji
107 bpm • G# min • 02:19 • -19.14db
12% Popularity • 27% Danceability • 13% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 27% Danceability • 13% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
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Muhal Richard Abrams
Afrisong
112 bpm • G# Maj • 05:09 • -26db
17% Popularity • 34% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
17% Popularity • 34% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
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Clifford Jordan Quartet
John Coltrane
112 bpm • E min • 06:48 • -15.51db
18% Popularity • 44% Danceability • 33% Energy • 12% Liveness
26% Instrumentalness • 44% Positiveness
18% Popularity • 44% Danceability • 33% Energy • 12% Liveness
26% Instrumentalness • 44% Positiveness
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Archie Shepp
You're What This Day Is All About
105 bpm • G min • 01:48 • -15.31db
17% Popularity • 57% Danceability • 23% Energy • 32% Liveness
12% Instrumentalness • 45% Positiveness
17% Popularity • 57% Danceability • 23% Energy • 32% Liveness
12% Instrumentalness • 45% Positiveness
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Max Roach
All Africa - Remastered
113 bpm • B Maj • 08:03 • -18db
13% Popularity • 55% Danceability • 41% Energy • 12% Liveness
7% Instrumentalness • 75% Positiveness
13% Popularity • 55% Danceability • 41% Energy • 12% Liveness
7% Instrumentalness • 75% Positiveness
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Art Ensemble Of Chicago
Prayer For Jimbo Kwesi
105 bpm • D Maj • 09:47 • -21.07db
9% Popularity • 22% Danceability • 12% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
9% Popularity • 22% Danceability • 12% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
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Don Cherry
The Creator Has a Master Plan
112 bpm • C Maj • 06:27 • -13.46db
10% Popularity • 33% Danceability • 63% Energy • 21% Liveness
6% Instrumentalness • 56% Positiveness
10% Popularity • 33% Danceability • 63% Energy • 21% Liveness
6% Instrumentalness • 56% Positiveness
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Leon Thomas
One
113 bpm • G Maj • 03:09 • -13.34db
10% Popularity • 42% Danceability • 52% Energy • 68% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 42% Danceability • 52% Energy • 68% Liveness
0% Instrumentalness • 41% Positiveness
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David Axelrod
Song Of Innocence
105 bpm • G Maj • 04:34 • -12db
24% Popularity • 45% Danceability • 53% Energy • 28% Liveness
57% Instrumentalness • 48% Positiveness
24% Popularity • 45% Danceability • 53% Energy • 28% Liveness
57% Instrumentalness • 48% Positiveness
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Paul Bley Trio
Ida Lupino
113 bpm • G# Maj • 02:57 • -28.64db
38% Popularity • 45% Danceability • 5% Energy • 17% Liveness
30% Instrumentalness • 13% Positiveness
38% Popularity • 45% Danceability • 5% Energy • 17% Liveness
30% Instrumentalness • 13% Positiveness
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Lonnie Liston Smith
Astral Traveling
113 bpm • F Maj • 05:30 • -11db
24% Popularity • 42% Danceability • 63% Energy • 10% Liveness
6% Instrumentalness • 55% Positiveness
24% Popularity • 42% Danceability • 63% Energy • 10% Liveness
6% Instrumentalness • 55% Positiveness
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Sonny Sharrock
Blind Willie
113 bpm • E Maj • 03:10 • -15db
27% Popularity • 60% Danceability • 53% Energy • 9% Liveness
80% Instrumentalness • 31% Positiveness
27% Popularity • 60% Danceability • 53% Energy • 9% Liveness
80% Instrumentalness • 31% Positiveness
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Don Cherry
Brown Rice
105 bpm • G# min • 05:14 • -10.96db
33% Popularity • 60% Danceability • 78% Energy • 12% Liveness
62% Instrumentalness • 53% Positiveness
33% Popularity • 60% Danceability • 78% Energy • 12% Liveness
62% Instrumentalness • 53% Positiveness
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Albert Ayler
New Ghosts
113 bpm • A min • 04:12 • -9.89db
11% Popularity • 42% Danceability • 63% Energy • 11% Liveness
53% Instrumentalness • 66% Positiveness
11% Popularity • 42% Danceability • 63% Energy • 11% Liveness
53% Instrumentalness • 66% Positiveness
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Gil Evans
Proclamation
114 bpm • F# Maj • 03:55 • -27.61db
19% Popularity • 50% Danceability • 7% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
19% Popularity • 50% Danceability • 7% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Henry Franklin
Soft Spirit
104 bpm • C Maj • 07:31 • -16.02db
18% Popularity • 30% Danceability • 34% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
18% Popularity • 30% Danceability • 34% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
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Lonnie Liston Smith
In Search Of Truth - Alternative Version
105 bpm • E min • 06:23 • -11.23db
10% Popularity • 35% Danceability • 52% Energy • 12% Liveness
7% Instrumentalness • 51% Positiveness
10% Popularity • 35% Danceability • 52% Energy • 12% Liveness
7% Instrumentalness • 51% Positiveness
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Dollar Brand
ジャブラニ=イースター・ジョ...
104 bpm • F Maj • 05:28 • -11.34db
5% Popularity • 49% Danceability • 19% Energy • 12% Liveness
86% Instrumentalness • 40% Positiveness
5% Popularity • 49% Danceability • 19% Energy • 12% Liveness
86% Instrumentalness • 40% Positiveness
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Don Cherry
Bra Joe from Kilimanjaro
114 bpm • A# Maj • 02:32 • -14.05db
10% Popularity • 29% Danceability • 70% Energy • 46% Liveness
92% Instrumentalness • 25% Positiveness
10% Popularity • 29% Danceability • 70% Energy • 46% Liveness
92% Instrumentalness • 25% Positiveness
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Albert Ayler
Angels
114 bpm • F Maj • 05:32 • -19.51db
11% Popularity • 30% Danceability • 14% Energy • 42% Liveness
12% Instrumentalness • 15% Positiveness
11% Popularity • 30% Danceability • 14% Energy • 42% Liveness
12% Instrumentalness • 15% Positiveness
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Pete La Roca
The Dancing Girl
104 bpm • F min • 06:11 • -14.44db
11% Popularity • 34% Danceability • 55% Energy • 25% Liveness
32% Instrumentalness • 44% Positiveness
11% Popularity • 34% Danceability • 55% Energy • 25% Liveness
32% Instrumentalness • 44% Positiveness
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Masaru Imada Trio + 1
Planets
114 bpm • D# Maj • 05:39 • -22db
13% Popularity • 45% Danceability • 18% Energy • 28% Liveness
1% Instrumentalness • 19% Positiveness
13% Popularity • 45% Danceability • 18% Energy • 28% Liveness
1% Instrumentalness • 19% Positiveness
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Eberhard Weber
An Evening With Vincent Van Ritz
114 bpm • F Maj • 05:50 • -13db
22% Popularity • 32% Danceability • 47% Energy • 11% Liveness
97% Instrumentalness • 18% Positiveness
22% Popularity • 32% Danceability • 47% Energy • 11% Liveness
97% Instrumentalness • 18% Positiveness
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Lloyd Miller
Chahargah
104 bpm • D min • 02:58 • -13.9db
26% Popularity • 49% Danceability • 44% Energy • 12% Liveness
87% Instrumentalness • 17% Positiveness
26% Popularity • 49% Danceability • 44% Energy • 12% Liveness
87% Instrumentalness • 17% Positiveness
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Mandingo Griot Society
Sounds From The Bush
104 bpm • D# min • 03:55 • -16.12db
5% Popularity • 64% Danceability • 52% Energy • 6% Liveness
1% Instrumentalness • 88% Positiveness
5% Popularity • 64% Danceability • 52% Energy • 6% Liveness
1% Instrumentalness • 88% Positiveness
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The Awakening
Awakening - Prologue Spring Thing
114 bpm • G# Maj • 09:34 • -17.7db
10% Popularity • 40% Danceability • 43% Energy • 21% Liveness
15% Instrumentalness • 25% Positiveness
10% Popularity • 40% Danceability • 43% Energy • 21% Liveness
15% Instrumentalness • 25% Positiveness
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Morris Wilson Beau Bailey
Paul's Ark
114 bpm • F# min • 03:19 • -8.48db
14% Popularity • 40% Danceability • 64% Energy • 11% Liveness
49% Instrumentalness • 70% Positiveness
14% Popularity • 40% Danceability • 64% Energy • 11% Liveness
49% Instrumentalness • 70% Positiveness
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Sonny Sharrock
Black Woman
115 bpm • D Maj • 05:14 • -11db
20% Popularity • 17% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 17% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Don Cherry
Rappin' Recipe (Instrumental)
104 bpm • A# Maj • 07:20 • -16.48db
8% Popularity • 72% Danceability • 36% Energy • 11% Liveness
91% Instrumentalness • 80% Positiveness
8% Popularity • 72% Danceability • 36% Energy • 11% Liveness
91% Instrumentalness • 80% Positiveness
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John Lurie
Men Working
103 bpm • G# min • 01:07 • -18.53db
34% Popularity • 56% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 30% Positiveness
34% Popularity • 56% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 30% Positiveness
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Mandingo Griot Society
Sounds from the Bush
104 bpm • D# min • 03:56 • -14.4db
12% Popularity • 61% Danceability • 56% Energy • 25% Liveness
5% Instrumentalness • 84% Positiveness
12% Popularity • 61% Danceability • 56% Energy • 25% Liveness
5% Instrumentalness • 84% Positiveness
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Max Roach
Morning/Midday
115 bpm • A min • 06:49 • -22.55db
9% Popularity • 53% Danceability • 10% Energy • 7% Liveness
8% Instrumentalness • 8% Positiveness
9% Popularity • 53% Danceability • 10% Energy • 7% Liveness
8% Instrumentalness • 8% Positiveness
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Albert Ayler
Ghosts
103 bpm • F Maj • 02:06 • -16.68db
1% Popularity • 38% Danceability • 26% Energy • 7% Liveness
9% Instrumentalness • 34% Positiveness
1% Popularity • 38% Danceability • 26% Energy • 7% Liveness
9% Instrumentalness • 34% Positiveness
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Sonny Sharrock
Peanut
103 bpm • G Maj • 09:14 • -10.83db
15% Popularity • 27% Danceability • 92% Energy • 14% Liveness
69% Instrumentalness • 24% Positiveness
15% Popularity • 27% Danceability • 92% Energy • 14% Liveness
69% Instrumentalness • 24% Positiveness
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Sun Ra & His Arkestra
Door of the Cosmos
115 bpm • A# Maj • 09:00 • -9.25db
35% Popularity • 59% Danceability • 61% Energy • 11% Liveness
65% Instrumentalness • 61% Positiveness
35% Popularity • 59% Danceability • 61% Energy • 11% Liveness
65% Instrumentalness • 61% Positiveness
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Don Cherry
Relativity Suite: Part I
104 bpm • F# Maj • 06:52 • -16.5db
11% Popularity • 57% Danceability • 27% Energy • 12% Liveness
3% Instrumentalness • 55% Positiveness
11% Popularity • 57% Danceability • 27% Energy • 12% Liveness
3% Instrumentalness • 55% Positiveness
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Bennie Maupin
The Jewel In The Lotus
103 bpm • D Maj • 10:02 • -14.09db
15% Popularity • 27% Danceability • 31% Energy • 21% Liveness
9% Instrumentalness • 4% Positiveness
15% Popularity • 27% Danceability • 31% Energy • 21% Liveness
9% Instrumentalness • 4% Positiveness
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Angel Bat Dawid
Destination (Dr. Yusef Lateef)
103 bpm • G# Maj • 02:22 • -16.03db
27% Popularity • 25% Danceability • 11% Energy • 11% Liveness
25% Instrumentalness • 6% Positiveness
27% Popularity • 25% Danceability • 11% Energy • 11% Liveness
25% Instrumentalness • 6% Positiveness
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Roland Kirk Quartet
Mystical Dream
116 bpm • A min • 02:36 • -23.57db
26% Popularity • 51% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 51% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 62% Positiveness
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Sonny Sharrock
Princess Sonata:Flowers Laugh
116 bpm • E Maj • 02:12 • -17.17db
12% Popularity • 45% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 34% Positiveness
12% Popularity • 45% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 34% Positiveness
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Randy Weston
Marrakech Blues
103 bpm • F min • 06:14 • -16db
22% Popularity • 51% Danceability • 52% Energy • 10% Liveness
92% Instrumentalness • 52% Positiveness
22% Popularity • 51% Danceability • 52% Energy • 10% Liveness
92% Instrumentalness • 52% Positiveness
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Don Cherry
In Memoriam
115 bpm • F min • 07:50 • -18.48db
4% Popularity • 35% Danceability • 19% Energy • 26% Liveness
38% Instrumentalness • 10% Positiveness
4% Popularity • 35% Danceability • 19% Energy • 26% Liveness
38% Instrumentalness • 10% Positiveness
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Michael White
The Land Of Spirit And Light (Part 2)
103 bpm • A Maj • 03:21 • -13.27db
14% Popularity • 61% Danceability • 57% Energy • 16% Liveness
55% Instrumentalness • 70% Positiveness
14% Popularity • 61% Danceability • 57% Energy • 16% Liveness
55% Instrumentalness • 70% Positiveness
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Sahib Shihab
Seeds
103 bpm • F# Maj • 04:13 • -22db
22% Popularity • 67% Danceability • 38% Energy • 10% Liveness
4% Instrumentalness • 89% Positiveness
22% Popularity • 67% Danceability • 38% Energy • 10% Liveness
4% Instrumentalness • 89% Positiveness
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Mulatu Astatke
Mascaram Setaba
102 bpm • G Maj • 01:50 • -13.76db
43% Popularity • 53% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
43% Popularity • 53% Danceability • 30% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Bengt Berger
Chetu
102 bpm • G# min • 03:20 • -15.37db
11% Popularity • 40% Danceability • 28% Energy • 10% Liveness
13% Instrumentalness • 94% Positiveness
11% Popularity • 40% Danceability • 28% Energy • 10% Liveness
13% Instrumentalness • 94% Positiveness
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Andrew Hill
Passing Ships
102 bpm • C Maj • 07:08 • -15db
9% Popularity • 48% Danceability • 26% Energy • 6% Liveness
4% Instrumentalness • 18% Positiveness
9% Popularity • 48% Danceability • 26% Energy • 6% Liveness
4% Instrumentalness • 18% Positiveness
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Don Cherry
Rappin' Recipe
103 bpm • A# Maj • 07:19 • -16.52db
8% Popularity • 76% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 92% Positiveness
8% Popularity • 76% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 92% Positiveness
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Elysian Spring
Lotus
116 bpm • G Maj • 08:01 • -16.72db
20% Popularity • 39% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 52% Positiveness
20% Popularity • 39% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 52% Positiveness
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The Lloyd McNeill Quartet
Home Rule
102 bpm • A# Maj • 06:04 • -17.57db
10% Popularity • 53% Danceability • 42% Energy • 7% Liveness
74% Instrumentalness • 80% Positiveness
10% Popularity • 53% Danceability • 42% Energy • 7% Liveness
74% Instrumentalness • 80% Positiveness
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Jon Appleton
DON
117 bpm • G# Maj • 02:10 • -23.88db
4% Popularity • 54% Danceability • 15% Energy • 33% Liveness
4% Instrumentalness • 27% Positiveness
4% Popularity • 54% Danceability • 15% Energy • 33% Liveness
4% Instrumentalness • 27% Positiveness
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Herbie Hancock
Rain Dance
102 bpm • A# min • 09:15 • -14db
27% Popularity • 68% Danceability • 69% Energy • 13% Liveness
86% Instrumentalness • 54% Positiveness
27% Popularity • 68% Danceability • 69% Energy • 13% Liveness
86% Instrumentalness • 54% Positiveness
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Lonnie Liston Smith
Peaceful Ones
117 bpm • A min • 05:01 • -12.65db
25% Popularity • 42% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 42% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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Don Cherry
Divinity Tree
103 bpm • C# Maj • 05:18 • -18.95db
2% Popularity • 77% Danceability • 37% Energy • 7% Liveness
83% Instrumentalness • 91% Positiveness
2% Popularity • 77% Danceability • 37% Energy • 7% Liveness
83% Instrumentalness • 91% Positiveness
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Ralph Towner
Sand
102 bpm • C Maj • 04:08 • -14.87db
11% Popularity • 41% Danceability • 40% Energy • 14% Liveness
35% Instrumentalness • 17% Positiveness
11% Popularity • 41% Danceability • 40% Energy • 14% Liveness
35% Instrumentalness • 17% Positiveness
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Calvin Keys
Shawn-Neeq
117 bpm • A Maj • 05:54 • -17.88db
22% Popularity • 42% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 36% Positiveness
22% Popularity • 42% Danceability • 25% Energy • 10% Liveness
92% Instrumentalness • 36% Positiveness
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Lloyd Clifton Miller
Gol-e Gandom
117 bpm • D min • 04:12 • -12.6db
12% Popularity • 27% Danceability • 59% Energy • 35% Liveness
5% Instrumentalness • 45% Positiveness
12% Popularity • 27% Danceability • 59% Energy • 35% Liveness
5% Instrumentalness • 45% Positiveness
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Moondog
Caribea
101 bpm • A min • 01:30 • -16.18db
31% Popularity • 86% Danceability • 79% Energy • 8% Liveness
10% Instrumentalness • 97% Positiveness
31% Popularity • 86% Danceability • 79% Energy • 8% Liveness
10% Instrumentalness • 97% Positiveness
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Mandingo Griot Society
Jimbasen
101 bpm • G# Maj • 08:41 • -13.09db
1% Popularity • 42% Danceability • 81% Energy • 20% Liveness
4% Instrumentalness • 86% Positiveness
1% Popularity • 42% Danceability • 81% Energy • 20% Liveness
4% Instrumentalness • 86% Positiveness
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Don Cherry
Treat Your Lady Right
103 bpm • A Maj • 06:07 • -13.3db
11% Popularity • 76% Danceability • 65% Energy • 5% Liveness
11% Instrumentalness • 95% Positiveness
11% Popularity • 76% Danceability • 65% Energy • 5% Liveness
11% Instrumentalness • 95% Positiveness
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Herbie Mann
Incense
118 bpm • C min • 07:19 • -21.8db
9% Popularity • 49% Danceability • 25% Energy • 8% Liveness
93% Instrumentalness • 66% Positiveness
9% Popularity • 49% Danceability • 25% Energy • 8% Liveness
93% Instrumentalness • 66% Positiveness
