Songs like Elf kurze Stücke: No. 4 in A Minor by Anton Webern
Based on a tempo of (+/- 10%) and a similar genre
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Germaine Tailleferre
Valses pour 2 pianos: Valse lente
71 bpm • B min • 01:15 • -30.06db
42% Popularity • 55% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
42% Popularity • 55% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
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Anton Webern
Elf kurze StĂĽcke: No. 4 in A Minor
71 bpm • A min • 00:32 • -28.73db
26% Popularity • 59% Danceability • 4% Energy • 7% Liveness
92% Instrumentalness • 51% Positiveness
26% Popularity • 59% Danceability • 4% Energy • 7% Liveness
92% Instrumentalness • 51% Positiveness
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Clara Schumann
Schumann: 12 Gedichte aus LiebesfrĂĽhlin...
71 bpm • G# Maj • 02:09 • -32db
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 1 in C Major
71 bpm • C Maj • 01:02 • -21db
55% Popularity • 35% Danceability • 27% Energy • 25% Liveness
87% Instrumentalness • 6% Positiveness
55% Popularity • 35% Danceability • 27% Energy • 25% Liveness
87% Instrumentalness • 6% Positiveness
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Bedřich Smetana
Bagatelles et impromptus: VII. Love
71 bpm • A Maj • 02:18 • -36.38db
52% Popularity • 21% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
52% Popularity • 21% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
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Felix Blumenfeld
Etude, Op. 14 "Sur mer"
71 bpm • G min • 04:36 • -18.96db
9% Popularity • 22% Danceability • 19% Energy • 12% Liveness
86% Instrumentalness • 8% Positiveness
9% Popularity • 22% Danceability • 19% Energy • 12% Liveness
86% Instrumentalness • 8% Positiveness
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Erik Satie
Gnossienne: No. 2
71 bpm • D min • 01:40 • -26.31db
42% Popularity • 33% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
42% Popularity • 33% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Maurice Ravel
Jeux d'eau, M. 30
71 bpm • F# min • 05:24 • -24.08db
19% Popularity • 27% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
19% Popularity • 27% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Gustav Mahler
Mahler / Transcr. Tharaud: Symphony No. ...
71 bpm • F Maj • 10:36 • -19.43db
43% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
43% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Giovanni Sgambati
Orfeo ed Euridice: Melody (arr. G. Sgamb...
71 bpm • D min • 03:49 • -34.2db
41% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
41% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
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Pyotr Ilyich Tchaikovsky
X. October. Autimn`s Song
71 bpm • D min • 05:43 • -38db
21% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 11% Positiveness
21% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 11% Positiveness
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Rik
Prelude in G-Flat Major, La Fille Aux Ch...
70 bpm • F# Maj • 02:18 • -27db
43% Popularity • 43% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 17% Positiveness
43% Popularity • 43% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 17% Positiveness
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Giacomo Puccini
Crisantemi
70 bpm • F# min • 07:22 • -28.12db
29% Popularity • 10% Danceability • 1% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
29% Popularity • 10% Danceability • 1% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Francis Poulenc
MĂ©lancolie
70 bpm • D Maj • 05:25 • -25db
28% Popularity • 20% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 5 in C-Sharp Minor (arr. J....
71 bpm • F Maj • 09:59 • -24.95db
35% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
35% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Maurice Ravel
À La Manière De Chabrier
70 bpm • C Maj • 02:11 • -33db
26% Popularity • 35% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
26% Popularity • 35% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Frederick Delius
2 Aquarelles: Lento, ma non troppo
72 bpm • A# Maj • 02:12 • -27.63db
62% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
62% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
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Franz Liszt
Les jeux d'eau Ă la Villa d'Este
72 bpm • F# Maj • 07:48 • -27.57db
24% Popularity • 26% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 26% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Anton Webern
String Trio, Op. 20: II. Sehr getragen u...
72 bpm • F# Maj • 05:57 • -25.26db
5% Popularity • 38% Danceability • 4% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
5% Popularity • 38% Danceability • 4% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Ottorino Respighi
6 Pezzi, P. 44: No. 1. Valse Caressante
70 bpm • D# Maj • 03:24 • -29.87db
43% Popularity • 20% Danceability • 6% Energy • 24% Liveness
91% Instrumentalness • 36% Positiveness
43% Popularity • 20% Danceability • 6% Energy • 24% Liveness
91% Instrumentalness • 36% Positiveness
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Karol Szymanowski
Variations on a Polish Theme, Op. 10: No...
70 bpm • B min • 01:16 • -34db
47% Popularity • 33% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
47% Popularity • 33% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
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Valentin Silvestrov
2 Bagatelles, Op. 173: No. 2. Andantino
70 bpm • C Maj • 02:06 • -43db
31% Popularity • 23% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
31% Popularity • 23% Danceability • 0% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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Robert Schumann
FantasiestĂĽcke, Op. 12: I. Des Abends
70 bpm • C# Maj • 03:54 • -37.27db
4% Popularity • 27% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
4% Popularity • 27% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
The Well-Tempered Clavier, Book 1, Prelu...
72 bpm • C Maj • 01:57 • -40.4db
38% Popularity • 17% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
38% Popularity • 17% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu V
72 bpm • B min • 03:51 • -31.63db
41% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
41% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
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Gabriel Fauré
8 Pièces brèves, Op. 84: No. 5, Improv...
70 bpm • F# min • 02:00 • -26db
45% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
45% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Manuel de Falla
7 canciones populares españolas: VI. Ca...
70 bpm • C min • 02:19 • -32.94db
44% Popularity • 24% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
44% Popularity • 24% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Alexander Scriabin
7 Preludes, Op. 17: No. 3 in D-Flat Majo...
70 bpm • C# Maj • 02:07 • -36.87db
43% Popularity • 15% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 23% Positiveness
43% Popularity • 15% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 23% Positiveness
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Robert Schumann
Davidsbündlertänze, Op. 6: No. 2. Inni...
70 bpm • B Maj • 01:26 • -40.72db
44% Popularity • 31% Danceability • 0% Energy • 8% Liveness
83% Instrumentalness • 23% Positiveness
44% Popularity • 31% Danceability • 0% Energy • 8% Liveness
83% Instrumentalness • 23% Positiveness
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Dmitri Shostakovich
24 Preludes & Fugues, Op. 87: Prelude no...
72 bpm • F# Maj • 02:27 • -38.64db
47% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
47% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: Romanz...
70 bpm • G# Maj • 04:52 • -30.05db
28% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Bedřich Smetana
Album Leaf for Kateřina Kolářová in ...
70 bpm • B Maj • 01:57 • -30.77db
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
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Anton Webern
String Trio, Op. 20: I. Sehr langsam
70 bpm • F Maj • 03:50 • -36.22db
5% Popularity • 35% Danceability • 0% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
5% Popularity • 35% Danceability • 0% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Alexander Scriabin
Etude in D-Sharp Minor, Op. 8, No. 12: P...
72 bpm • C# min • 02:10 • -16db
39% Popularity • 36% Danceability • 29% Energy • 15% Liveness
89% Instrumentalness • 34% Positiveness
39% Popularity • 36% Danceability • 29% Energy • 15% Liveness
89% Instrumentalness • 34% Positiveness
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Robert Schumann
No. 1, Von fremden Ländern und Menschen
70 bpm • G Maj • 01:33 • -35.55db
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 (Arranged by S...
70 bpm • D min • 03:01 • -36.89db
57% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
57% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
72 bpm • G min • 02:04 • -33.47db
60% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
60% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
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![Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] cover art](https://i.scdn.co/image/ab67616d00001e02e7b0049790088d1115f1984b)
Seattle Symphony Orchestra
Etudes symphoniques (Symphonic Etudes), ...
70 bpm • A min • 01:51 • -29db
61% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
61% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Anton Webern
KlavierstĂĽck in C Major - 1
70 bpm • A min • 01:28 • -30.58db
18% Popularity • 36% Danceability • 2% Energy • 12% Liveness
88% Instrumentalness • 39% Positiveness
18% Popularity • 36% Danceability • 2% Energy • 12% Liveness
88% Instrumentalness • 39% Positiveness
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Alexander Scriabin
Scriabin: 24 Preludes, Op. 11: No. 21 in...
70 bpm • D# Maj • 01:47 • -43.21db
59% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
59% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
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Valentin Silvestrov
Bagatellen: III
72 bpm • C Maj • 03:40 • -43.66db
39% Popularity • 20% Danceability • 0% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
39% Popularity • 20% Danceability • 0% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
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Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
59% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Francis Poulenc
Novelette No. 3 in E Minor, FP 173
72 bpm • E min • 02:54 • -33db
20% Popularity • 44% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
20% Popularity • 44% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
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Jacques Ibert
Petite suite en 15 images: Berceuse aux ...
72 bpm • C Maj • 01:44 • -40db
42% Popularity • 41% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 55% Positiveness
42% Popularity • 41% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 55% Positiveness
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Franz Liszt
Consolations, S. 172: No. 3, Lento placi...
70 bpm • C# Maj • 05:12 • -39db
54% Popularity • 27% Danceability • 0% Energy • 17% Liveness
87% Instrumentalness • 9% Positiveness
54% Popularity • 27% Danceability • 0% Energy • 17% Liveness
87% Instrumentalness • 9% Positiveness
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Erik Satie
Pieces Froides : No. 2 Trois Danses De T...
70 bpm • A min • 04:39 • -29db
41% Popularity • 30% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
41% Popularity • 30% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
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Ottorino Respighi
6 Pezzi, P. 44: No. 5. Studio
72 bpm • A# min • 01:32 • -26.72db
43% Popularity • 26% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
43% Popularity • 26% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 3 Carillon
72 bpm • F Maj • 01:35 • -31.25db
61% Popularity • 25% Danceability • 2% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
61% Popularity • 25% Danceability • 2% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
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Francis Poulenc
15 Improvisations, FP 170: No. 13 in A M...
72 bpm • C Maj • 02:23 • -28db
31% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
31% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Federico Mompou
MĂşsica callada, Book 1: No. 3, Placide
70 bpm • A# Maj • 01:07 • -25.78db
41% Popularity • 24% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
41% Popularity • 24% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
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Frédéric Chopin
Berceuse in D-Flat Major, Op. 57
70 bpm • C# Maj • 05:39 • -28db
38% Popularity • 41% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
38% Popularity • 41% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Thomas Adès
Adès: Traced Overhead, Op. 15: I. Sursu...
73 bpm • C Maj • 00:45 • -44.73db
22% Popularity • 20% Danceability • 2% Energy • 14% Liveness
93% Instrumentalness • 5% Positiveness
22% Popularity • 20% Danceability • 2% Energy • 14% Liveness
93% Instrumentalness • 5% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: II. Ro...
69 bpm • G# Maj • 04:29 • -31db
33% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
VI. June. Barcarolle
69 bpm • G min • 05:25 • -35db
32% Popularity • 26% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
32% Popularity • 26% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Francis Poulenc
Trois mouvements perpétuels, FP 14: III...
70 bpm • F Maj • 02:29 • -19.53db
10% Popularity • 34% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 35% Positiveness
10% Popularity • 34% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 35% Positiveness
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Robert Schumann
Waldszenen, op. 82: I. Eintritt
69 bpm • A# Maj • 02:08 • -33db
38% Popularity • 29% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 29% Positiveness
38% Popularity • 29% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 29% Positiveness
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Frédéric Chopin
Nocturne Op. 27, No. 2
69 bpm • C# Maj • 06:29 • -26db
32% Popularity • 24% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 24% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Montero: Adagio (After Bach's Violin Con...
73 bpm • F# min • 05:01 • -35.44db
56% Popularity • 36% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 18% Positiveness
56% Popularity • 36% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 18% Positiveness
► Preview
Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
69 bpm • E min • 01:38 • -32.76db
43% Popularity • 18% Danceability • 0% Energy • 8% Liveness
55% Instrumentalness • 7% Positiveness
43% Popularity • 18% Danceability • 0% Energy • 8% Liveness
55% Instrumentalness • 7% Positiveness
► Preview
Johannes Brahms
Sechs KlavierstĂĽcke, Op. 118: II. Inter...
69 bpm • A Maj • 06:18 • -30.92db
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Edward Elgar
Serenade for Strings in E Minor, Op. 20:...
69 bpm • C Maj • 06:47 • -31.01db
15% Popularity • 43% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
15% Popularity • 43% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
► Preview
Francis Poulenc
Nocturnes n°4 en ut mineur
73 bpm • C Maj • 01:28 • -28.78db
45% Popularity • 52% Danceability • 1% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
45% Popularity • 52% Danceability • 1% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Franz Liszt
Un sospiro
69 bpm • C# Maj • 05:44 • -27db
28% Popularity • 13% Danceability • 3% Energy • 22% Liveness
91% Instrumentalness • 4% Positiveness
28% Popularity • 13% Danceability • 3% Energy • 22% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
6 Pieces, Op. 19: IV. Nocturne (Andante ...
69 bpm • C# min • 03:36 • -28.51db
11% Popularity • 31% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
11% Popularity • 31% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
► Preview
Erik Satie
Gnossiennes: n° 5
73 bpm • G Maj • 02:36 • -25.84db
37% Popularity • 38% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 22% Positiveness
37% Popularity • 38% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 22% Positiveness
► Preview
Wilhelm Kempff
Menuet in G Minor (trans. W. Kempff)
73 bpm • G min • 03:13 • -33db
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
Ignaz Friedman
Flute Sonata in E-Flat Major, BWV 1031: ...
73 bpm • G min • 02:12 • -30.53db
58% Popularity • 36% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
58% Popularity • 36% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
► Preview
Leoš Janáček
Janáček: On an Overgrown Path, Book I:...
73 bpm • E min • 03:19 • -23.82db
49% Popularity • 34% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
49% Popularity • 34% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
Philharmonic Orchestra
Pavane for a Dead Princess
73 bpm • G Maj • 06:56 • -29db
36% Popularity • 7% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
36% Popularity • 7% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Songs Without Words, Book VI Opus 67: No...
69 bpm • F# min • 02:00 • -26.32db
59% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
59% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
► Preview
Robert Schumann
Symphony No. 2 in C Major, Op. 61: III. ...
73 bpm • D# Maj • 10:06 • -35.68db
42% Popularity • 32% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
42% Popularity • 32% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Vladimir Horowitz
Waltz in F Minor
69 bpm • A# min • 02:15 • -34db
37% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
37% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
► Preview
Anton Webern
KlavierstĂĽck in C Major - 4
69 bpm • A min • 02:27 • -32.03db
5% Popularity • 45% Danceability • 1% Energy • 6% Liveness
83% Instrumentalness • 18% Positiveness
5% Popularity • 45% Danceability • 1% Energy • 6% Liveness
83% Instrumentalness • 18% Positiveness
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Maurice Ravel
Miroirs: II. Oiseaux tristes
69 bpm • A# min • 04:29 • -40db
25% Popularity • 14% Danceability • 0% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
25% Popularity • 14% Danceability • 0% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 15 in D-Flat Ma...
69 bpm • C# Maj • 01:57 • -45db
49% Popularity • 35% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
49% Popularity • 35% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
73 bpm • E min • 01:32 • -27.14db
48% Popularity • 28% Danceability • 1% Energy • 9% Liveness
78% Instrumentalness • 19% Positiveness
48% Popularity • 28% Danceability • 1% Energy • 9% Liveness
78% Instrumentalness • 19% Positiveness
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Franz Schubert
Piano Sonata No. 20 in A Major, D. 959: ...
69 bpm • B min • 08:55 • -26.58db
33% Popularity • 32% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
33% Popularity • 32% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
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John Field
Nocturne No. 5 in B-Flat Major
73 bpm • A# Maj • 02:54 • -35db
52% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
52% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 3 in D Minor, Op. 30:...
69 bpm • C# Maj • 09:36 • -25db
30% Popularity • 14% Danceability • 5% Energy • 36% Liveness
92% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 5% Energy • 36% Liveness
92% Instrumentalness • 4% Positiveness
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Maurice Ravel
Miroirs: V. La vallée des cloches
69 bpm • C# Maj • 05:22 • -40db
34% Popularity • 26% Danceability • 0% Energy • 15% Liveness
96% Instrumentalness • 4% Positiveness
34% Popularity • 26% Danceability • 0% Energy • 15% Liveness
96% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus, K.618 (Arr. for Piano ...
69 bpm • B Maj • 03:15 • -39.48db
60% Popularity • 44% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
60% Popularity • 44% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
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Reynaldo Hahn
Poèmes "Le rossignol éperdu" (Excerpts...
68 bpm • F# Maj • 01:56 • -38db
33% Popularity • 43% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 14% Positiveness
33% Popularity • 43% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 14% Positiveness
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Valentin Silvestrov
Five Pieces For Violin And Piano: I. Ele...
74 bpm • D# Maj • 02:59 • -35db
59% Popularity • 7% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
59% Popularity • 7% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Ivan Sings "Andantino"
74 bpm • G# Maj • 01:49 • -25.63db
49% Popularity • 41% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
49% Popularity • 41% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
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Anton Webern
Elf kurze StĂĽcke: No. 11 in E Major
74 bpm • E Maj • 01:24 • -34.08db
7% Popularity • 41% Danceability • 0% Energy • 8% Liveness
70% Instrumentalness • 4% Positiveness
7% Popularity • 41% Danceability • 0% Energy • 8% Liveness
70% Instrumentalness • 4% Positiveness
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Frédéric Chopin
3 Nocturnes, Op. 9: I. Larghetto
74 bpm • A# min • 05:52 • -29.03db
44% Popularity • 34% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
44% Popularity • 34% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition: Promenade. Mo...
74 bpm • G# Maj • 01:02 • -35.84db
44% Popularity • 43% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 68% Positiveness
44% Popularity • 43% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 68% Positiveness
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Samuel Coleridge-Taylor
Sometimes I Feel Like a Motherless Child
68 bpm • C Maj • 04:01 • -20.33db
43% Popularity • 38% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
43% Popularity • 38% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Suite in D Minor, HWV 447: Allemande
74 bpm • D min • 01:36 • -32.68db
52% Popularity • 50% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
52% Popularity • 50% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
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Lang Lang
Children's Corner, CD 119: I. Doctor Gra...
74 bpm • F Maj • 02:47 • -22.61db
34% Popularity • 27% Danceability • 7% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
34% Popularity • 27% Danceability • 7% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Elegie in E-Flat Minor, Op. 3, No. 1
68 bpm • D# min • 04:04 • -25.1db
32% Popularity • 29% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 6% Positiveness
32% Popularity • 29% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 6% Positiveness
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Frédéric Chopin
Nocturnes, Op. 27: No. 2 in D Flat Major...
68 bpm • C# Maj • 07:13 • -28.52db
42% Popularity • 22% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
42% Popularity • 22% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Amy Beach
Hermit Thrush, Op. 92: No. 2, A Hermit T...
74 bpm • D min • 03:59 • -29db
11% Popularity • 34% Danceability • 3% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
11% Popularity • 34% Danceability • 3% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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Anton Webern
Six Pieces For Orchestra, Op. 6 - Origin...
74 bpm • F Maj • 02:22 • -43.09db
4% Popularity • 15% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 15% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Alexander Scriabin
24 Preludes, Op. 11: No. 11 in B Major
74 bpm • B Maj • 01:43 • -33.14db
50% Popularity • 23% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
50% Popularity • 23% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
![For Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version] cover art](https://i.scdn.co/image/ab67616d00001e029ba7f8d4d73c109135eb5341)
BĂ©la BartĂłk
For Children, Vol. 1, Sz. 42 (Excerpts):...
74 bpm • E min • 01:10 • -37db
44% Popularity • 54% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
44% Popularity • 54% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
68 bpm • D# Maj • 04:42 • -28.66db
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
► Preview
Frédéric Chopin
Nocturne in C minor, B. 108
68 bpm • F min • 02:59 • -32db
37% Popularity • 35% Danceability • 1% Energy • 18% Liveness
86% Instrumentalness • 12% Positiveness
37% Popularity • 35% Danceability • 1% Energy • 18% Liveness
86% Instrumentalness • 12% Positiveness
